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Mariah Carey Loses Legal Fight Over ‘Queen of Christmas’ Trademarks

Mariah Carey might be the “Queen of Christmas,” but a new legal ruling means she won’t be able to stop others from using the same name.

In a decision issued Tuesday, a tribunal at the U.S. Patent and Trademark Office rejected Carey’s application to register the royal title as a federal trademark. The decision went in favor of Elizabeth Chan, another singer who says she’s used the same name for years.

Chan filed a legal case against Carey in August, arguing that “Christmas is big enough for more than one Queen.” After that, Carey never responded to the case or defended her applications for the trademarks, prompting the Trademark Office to rule in favor of Chan by default.

“We are pleased with the victory, and delighted that we were able to help Elizabeth fight back against Carey’s overreaching trademark registrations,” said Tompros, an attorney at the law firm WilmerHale.

In the same statement, Chan herself added: “Christmas is a season of giving, not the season of taking, and it is wrong for an individual to attempt to own and monopolize a nickname like Queen of Christmas for the purposes of abject materialism.”

Carey’s attorney did not return a request for comment on the decision.

In a statement, Chan’s lawyer Louis Tompros called Carey’s efforts to secure legal protection over the “Queen” name “a classic case of trademark bullying” – a term used to criticize overly-aggressive trademark protection by big brands.

Likely playing on her perennial smash hit “All I Want For Christmas Is You,” Carey’s company (Lotion LLC) applied last year to register the “Queen” name as an exclusive brand name for a variety of different goods and services, ranging from music to alcohol to fragrances.

Trademarks are different than copyrights, and they do not give someone blanket ownership over particular words. If Carey had won the registrations and wanted to sue someone, she still would have needed to prove that consumers had confused the two brand names – not always an easy task, particularly with a fairly unoriginal name like “Queen of Christmas.”

But such registrations are still important, and would have empowered Carey’s company to start threatening litigation and crowding out others from using it in similar commercial contexts. That potentially would include Chan, who calls her self “pop music’s only full-time Christmas singer” and says she’s also been repeatedly dubbed the “Queen of Christmas.”

The risk of such litigation prompted Chan to file her August case at the Trademark Trial and Appeal Board, a court-like body within the USPTO that decides disputes over who is entitled to register particular trademarks. Repped by Tompros, she argued that no single singer or company should be able to lock up the title.

“Ms. Carey can call herself whatever she wants, but she shouldn’t have the ability to block others from doing the same,” Tompros said at the time.

It’s unclear exactly what motivated Carey and her lawyers (from the elite trademark law firm Fross Zelnick) to file the applications, particularly after she gave an interview in December in which she seemed to disclaim the title: “To me, Mary is the Queen of Christmas.”

The dispute over the “Queen” title prompted some fun wrangling among other Christmas “queens.” Darlene Love jokingly urged Carey to “call my lawyer,” noting that David Letterman had “officially declared me the Queen of Christmas 29 years ago.” And just last week, Dolly Parton quickly conceded the title to Carey after an interviewer suggested that Parton might be “the new Queen of Christmas.”

“Now, don’t you say that! I’m not going to compete with Mariah,” Parton said in the interview with Better Homes and Gardens. “I love her. You think of Christmas, you think of Mariah.”

“Is it true that Mariah Carey trademarked ‘Queen of Christmas?’ What does that mean that I can’t use that title?” Love asked in the post. “At 81 years of age I’m NOT changing anything. I’ve been in the business for 52 years, have earned it and can still hit those notes! If Mariah has a problem call David or my lawyer!!”

Beyonce Ties All-Time Grammy Nominations Record

Beyoncé is the top nominee for the 2022 Grammy Awards, which were announced on Tuesday (Nov. 15). Bey received nine nods, followed by Kendrick Lamar with eight, and Adele and Brandi Carlile with seven each. This is the sixth time Beyoncé has led (or co-led) the annual Grammy nominations.

This brings Beyoncé’s career total of nominations to 88, which puts her in a tie with her husband Jay-Z for the most Grammy nominations in history. Jay received five nods this year. Paul McCartney (81 nods) and Quincy Jones (80 nods) are next in line.

Beyoncé and Adele are competing in each of the Big Three categories – album, record and song of the year — just as they did six years ago. Three other artists — Lamar, Lizzo and Harry Styles — are also nominated in each of those categories.

ABBA, Mary J. Blige, Carlile and Steve Lacy are each nominated in two of the Big Three categories.

Beyoncé moves ahead of Frank Sinatra to become the artist with the most career record of the year nods. Beyoncé and Sinatra had been tied for that record with seven nods each

Beyoncé is the first woman of color to receive four album of the year nominations (as a lead artist). She had been tied with Mariah Carey, Whitney Houston and H.E.R. with three nods each in the category.

There are more history-makers among the nominations. Bad Bunny’s Un Verano Sin Ti is the first Spanish-language album to receive an album of the year nomination. Latin crossover pioneer José Feliciano was nominated in 1968 for Feliciano!, but that album consisted of English-language tracks. Related factoid: Un Verano Sin Ti is the first album to receive album of the year nods at both the Grammys and the Latin Grammys.

Lamar’s Mr. Morale & The Big Steppers is his fourth studio album to be nominated for album of the year, which puts him in a tie with Ye (a.k.a. Kanye West) as the rapper with the most nods in this category (as a lead artist). And unlike Ye, Lamar’s nominations are for four consecutive studio albums. Furthermore, Lamar is the first artist from any genre to be nominated with four consecutive studio albums since Billy Joel (1979-83).

Taylor Swift ties the all-time record for most song of the year nods (six) with the nomination of the expanded version of “All Too Well.” Paul McCartney and Lionel Richie had long been the songwriters with the most song of the year nods. They now have company.

This is Adele’s third time being nominated for record of the year, album of the year, song of the year, best pop solo performance and best pop vocal album in the same year. She won in all of these categories at the awards for 2011 and 2016.

Doja Cat is just the third female artist to receive record of the year nods three years running. She was nominated in this marquee category for “Say So” (2020) and “Kiss Me More” (featuring SZA, 2021). She makes it this year with “Woman,” which enables her to tie Roberta Flack (1972-74) and Billie Eilish (2019-21) as the only female artists to appear in this category in three consecutive years.

Coldplay received its third album of the year nomination for Music of the Spheres. Coldplay is one of just five pop or rock groups or duos to receive three or more nominations in that category. The Beatles lead with five, followed by U2 with four, and Steely Dan and Radiohead, also with three. Moreover, this is Coldplay’s second album of the year nomination in the past three years. The veteran band is one of just two artists – along with Swift – to receive two album of the year nods in the first three years of the 2020s.

Trailing Beyoncé, Lamar, Adele and Carlile in number of nominations are six people with six nods each – Blige, The-Dream, DJ Khaled, Future, Styles and mastering engineer Randy Merrill. Merrill received three album of the year nods, for his work on Adele’s 30, Coldplay’s Music of the Spheres and Styles’ Harry’s House.

Bonnie Raitt lands her first song of the year nomination for “Just Like That,” which she wrote by herself. It’s the first song written by a solitary songwriter to be nominated in this category since Swift’s “Lover” two years ago.

At the other extreme, nine songwriters are credited as co-writers of DJ Khaled’s “GOD DID.” That’s not quite a record. Eleven songwriters joined forces to create Justin Bieber’s jam “Peaches,” a nominee last year. “GOD DID” is in a tie with Beyoncé’s “Black Parade” as the song of the year nominee with the second-most credited songwriters.

The-Dream is also nominated for song of the year for co-writing Beyoncé’s “Break My Soul” and in the newly added songwriter of the year, non-classical category. The other nominees in the latter category are Amy Allen, Nija Charles, Tobias Jesso Jr. and Laura Veltz.

In the analogous producer of the year, non-classical category, Jack Antonoff and Dan Auerbach each received their fourth nods. Boi-1da landed his second. Dahi and Dernst “D’Mile” Emile II landed their first.

The Recording Academy reports that a total of 16,741 eligible entries were submitted for Grammy consideration this year.

The Academy also reports that six of the 10 nominees for record of the year are by female solo artists, while five of the 10 albums nominated for album of the year are by female solo artists. Best new artist nominees include five female solo artists. (The last five winners for best new artist have been female solo artists.)

The Academy’s new membership class consists of nearly 2,000 voting and professional members. The Academy reports that 44% of the 2022 membership class are from “traditionally underrepresented” communities; 47% are under the age of 40.

The final-round voting window extends from Dec. 14 through Jan. 4, 2023. Winners will be announced on Sunday, Feb. 5, 2023, at Crypto.com Arena (formerly known as Staples Center) in Los Angeles. This will mark the show’s return to its longtime home after two years away.

Academy statisticians are already looking ahead to the awards ceremony. If Beyoncé wins three of her nine nominations, she will tie the late classical conductor Sir Georg Solti for the most Grammy wins ever. If she wins four, she will claim the record outright.

The 65th annual Grammy Awards will be produced by Fulwell 73 Productions for the Academy. Ben Winston, Jesse Collins and Raj Kapoor are executive producers, with Kapoor also serving as showrunner.

Winston and Kapoor are also first-time Grammy nominees. Both are nominated for best music film as video producers of Adele’s Adele: One Night Only. Winston and Kapoor won Primetime Emmys in September as executive producers of Adele’s special.

2023 Grammy Nomination Snubs and Surprises

It’s hardly a surprise that Adele and Beyoncé are squaring off in the Big Three Grammy categories again, or that Harry Styles, Kendrick Lamar and Lizzo are joining them. But there were plenty of snubs and surprises elsewhere on the ballot for the 65th annual Grammy Awards.

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Snub: Nicki Minaj: Minaj was vocal about her displeasure with the Academy moving “Super Freaky Girl” from rap to pop. Minaj would have had a far easier time being nominated in rap than in pop. Of course, the Academy’s role is not to put records in the category where the artist is most likely to best nominated or win, but to put them in the category in which they fit best. We’ll never know if Minaj would have been nominated in rap, but we do know she wasn’t nominated in pop.

Surprise: ABBA: The Swedish group received its first nomination in any category last year when “I Still Have Faith in You” was up for record of the year. Still, it felt to some like a fluke. It was no fluke. The group is back in that category this year with “Don’t Shut Me Down” — and also rated an album of the year nod for Voyage.

Snub: Morgan Wallen: Wallen is one of the best-selling recording artists of the past couple of years, but he has yet to land a Grammy nomination. Wallen was radioactive at awards shows for a year or more following his videotaped use of the N-word in early 2021. But he was nominated for two key awards at the CMA Awards on Nov. 9 – entertainer of the year and male vocalist of the year. He was entered and eligible for nominations in several key Grammy categories, including record and song of the year, best country solo performance and best country song, all for “Wasted on You,” but was skipped over in every category.

Surprise: Mary J. Blige: The queen of hip-hop soul has broad appeal, but few thought she had a good chance of landing nods for both record of the year (her second) and album of the year (her first). Blige’s performance at this year’s Super Bowl halftime show, for which she won a Primetime Emmy, reminded people how much they like her.

Snub: Em Beihold, Dove Cameron, GAYLE, Tate McRae and Lauren Spencer-Smith: Five promising young pop stars, all of whom have landed top 20 hits on the Billboard Hot 100, were all passed over for best new artist nominations. In past years, they would have likely been shoo-ins for nominations. (GAYLE did rate a song of the year nod for her delightful “abcdefu.”)

Surprise: DOMi & JD Beck, Samara Joy, Tobe Nwigwe: These best new artist nominees are probably going to be sending a lot of people to Wikipedia. It won’t do much good in the case of Joy, a jazz vocalist who doesn’t have a Wiki page just yet.

Snub: Country music: No country artists cracked the Big Four categories, which happens all too often. Lainey Wilson, who won the CMA Award for new artist of the year, was passed over for a best new artist nod. Morgan Wallen’s “Wasted on You” and Cody Johnson’s “‘Til You Can’t” were passed over for song of the year nods. Zach Bryan’s American Heartbreak, Luke Combs’ Growin’ Up and Miranda Lambert’s Palomino were passed over for album of the year nods. No country album has received an album of the year nod since Kacey Musgraves’ Golden Hour four years ago (which went on to win the award). Country is a major genre and should get more attention from Grammy voters. The Academy could do better here.

Surprise: Coldplay: The group landed its third album of the year nomination; its second in the past three years. No one is surprised at the group’s continued success, but who expected Coldplay to be one of only two acts (along with Taylor Swift) to land two album of the year nods in the first three years of the 2020s?

Snub: “Encanto”: Encanto dominated pop culture in the opening months of 2022 but it didn’t get any love in the Big Four categories. Encanto is up for three awards in the music for visual media field, but was passed over up top. For Lin-Manuel Miranda, winning a Pulitzer Prize was easier than landing a Grammy nod in a Big Four category.

Not a snub: Sam Smith and Kim Petras: The pair’s “Unholy” was nominated for best pop duo/group performance but was passed over for record and song of the year nods. But you couldn’t call that a snub. The arresting single, which was released just eight days before the Sept. 30 eligibility cut-off date, didn’t have enough time to really register before voting in the nominations round closed on Oct. 23. This is Smith’s first nomination in any category since he won four Grammys, including record and song of the year for “Stay With Me,” eight years ago.

Surprise: Randy Rainbow: Everybody loves Rainbow’s song parodies, but who knew he would land his first Grammy nomination for best comedy album? He’s facing past category champs Dave Chappelle, Louis C.K. and Patton Oswalt, and seven-time nominee Jim Gaffigan.

2023 Grammy Nominations: The Complete List

Beyoncé leads the way in the just announced 2023 Grammy nominations, securing nine nods and tying the record for the most-nominated artist of all time.

Three of Bey’s nods are in the Big Four categories, with Renaissance up for album of the year and “Break My Soul” vying for record and song of the year. And whose record does Queen B tie for the most nominations ever? Her husband Jay-Z, of course, with the couple each scoring 88 noms in their careers (Jay picks up five new nods this year between his work on DJ Khaled‘s “God Did” and Bey’s Renaissance).

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Just trailing Beyoncé in 2023 nominations is Kendrick Lamar, who also has three Big Four nods (album of the year for Mr. Morale & The Big Steppers and record and song of the year for “The Heart Part 5”). Adele and Brandi Carlile each add seven nominations to their already storied Grammy legacies, while six artists tie with six nods apiece: Mary J. Blige, Harry Styles, DJ Khaled, Future, The-Dream and mastering engineer Randy Merrill.

Find the full list of nominees below. The 2023 Grammy Awards will be presented on Sunday, Feb. 5, at Los Angeles’ Crypto.com Arena.

Record of the Year

Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

“Don’t Shut Me Down,” ABBA
Benny Andersson, producer; Benny Andersson & Bernard Lohr, engineers/mixers; Bjorn Engelmann, mastering engineer

“Easy on Me,” Adele
Greg Kurstin, producer; Julian Burg, Torn Elmhirst & Greg Kurstin, engineers/mixers; Randy Merrill, mastering engineer

“Break My Soul,” Beyoncé
Beyonce, Terius “The-Dream” Gesteelde-Diamant, Jens Christian Isaksen & Christopher “Tricky” Stewart, producers; Brandon Harding, Chris McLaughlin & Stuart White, engineers/mixers; Colin Leonard, mastering engineer

“Good Morning Gorgeous,” Mary J. Blige
D’Mile & H.E.R., producers; Bryce Bordone, Serban Ghenea & Pat Kelly, engineers/mixers

“You and Me on the Rock,” Brandi Carlile feat. Lucius
Dave Cobb & Shooter Jennings, producers; Brandon Bell, Torn Elmhirst & Michael Harris, engineers/mixers; Pete Lyman, mastering engineer

“Woman,” Doja Cat
Crate Classics, Linden Jay, Aynzli Jones & Yeti Beats, producers; Jesse Ray Ernster & Rian Lewis, engineers/mixers; Mike Bozzi, mastering engineer

“Bad Habit,” Steve Lacy
Steve Lacy, producer; Neal Pogue & Karl Wingate, engineers/mixers; Mike Bozzi, mastering engineer

“The Heart Part 5,” Kendrick Lamar
Beach Noise, producer; Beach Noise, Rob Bisel, Ray Charles Brown Jr., James Hunt, Johnny Kosich, Matt Schaeffer & Johnathan Thrner, engineers/mixers; Michelle Mancini, mastering engineer

“About Damn Time,” Lizzo
Ricky Reed & Blake Slatkin, producers; Patrick Kehrier, Bill Malina & Manny Marroquin, engineers/mixers; Michelle Mancini, mastering engineer

“As It Was,” Harry Styles
Tyler Johnson & Kid Harpoon, producers; Jeremy Hatcher & Spike Stent, engineers/mixers; Randy Merrill, mastering engineer

Album of the Year

Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s).

Voyage, ABBA
Benny Andersson, producer; Benny Andersson & Bernard LOhr, engineers/mixers; Benny Andersson & Bjorn Ulvaeus, songwriters; Bjorn Engelmann, mastering engineer

30, Adele
Shawn Everett, Ludwig Goransson, Inflo, Tobias Jesso, Jr., Greg Kurstin, Max Martin, Joey Pecoraro & Shellback, producers; Julian Burg, Steve Churchyard, Tom Elmhirst, Shawn Everett, Serban Ghenea, Sam Holland, Michael Ilbert, Inflo, Greg Kurstin, Riley Mackin & Lasse Marten, engineers/mixers; Adele Adkins, Ludwig Goransson, Dean Josiah Cover, Tobias Jesso, Jr., Greg Kurstin, Max Martin & Shellback, songwriters; Randy Merrill, mastering engineer

Un Verano Sin Ti, Bad BunnyRauw Alejandro, Buscabulla, Chencho Corleone, Jhay Cortez, Tony Dize, Bomba Estereo & The Marias, featured artists; Demy & Clipz, Elikai, HAZE, La Paciencia, Cheo Legendary, MAG, MagicEnElBeat, Mora, Jota Rosa, Subelo Neo & Tainy, producers; Josh Gudwin & Roberto Rosado, engineers/mixers; Raul Alejandro Ocasio Ruiz, Benito Antonio Martinez Ocasio, Raquel Berrios, Joshua Conway, Mick Coogan, Orlando Javier Valle Vega, Jesus Nieves Cortes, Luis Del Valle, Marcos Masis, Gabriel Mora, Elena Rose, Liliana Margarita Saumet & Maria Zardoya, songwriters; Colin Leonard, mastering engineer

Renaissance, Beyonce
Beam, Grace Jones & Tems, featured artists; Jameil Aossey, Bah, Beam, Beyonce, Bloodpop, Boi-lDa, Cadenza, AI Cres, Mike Dean, Honey Dijon, Kelman Duran, Harry Edwards, Terius “The-Dream” Gesteelde-Diamant, Ivor Guest, Guiltybeatz, Hit-Boy, Jens Christian Isaksen, Leven Kali, Lil Ju, MeLo-X, No I.D., NovaWav, Chris Penny, P2J, Rissi, SlaO, Raphael Saadiq, Neenyo, Skrillex, Luke Solomon, Christopher “Tricky” Stewart, Jahaan Sweet, Syd, Sevn Thomas, Sol Was & Stuart White, producers; Chi Coney, Russell Graham, Guiltybeatz, Brandon Harding, Hotae Alexander Jang, Chris McLaughlin, Delroy “Phatta” Pottinger, Andrea Roberts, Steve Rusch, Jabbar Stevens & Stuart White, engineers/mixers; Denisia “@Biu June” Andrews, Danielle Balbuena, Tyshane Thompson, Kevin Marquis Bellrnon, Sydney Bennett, Beyonce, Jerel Black, Michael Thcker, Atia Boggs p/k/a Ink, Dustin Bowie, David Debrandon Brown, S. Carter, Nija Charles, Sabrina Claudio, Solomon Fagenson Cole, Brittany “@Chi_Coney” Coney, Alexander Guy Cook, Lavar Coppin, Almando Cresso, Mike Dean, Saliou Diagne, Darius Dixson, Jocelyn Donald, Jordan Douglas, Aubrey Drake Graham, Kelman Duran, Terius “The-Dream” Gesteelde-Diamant, Dave Giles II, Derrick Carrington Gray, Nick Green, Larry Griffin Jr, Ronald Banful, Dave Hamelin, Aviel Calev Hirschfield, Chauncey Hollis, Jr., Ariowa Irosogie, Leven Kali, Ricky Lawson, Tizita Makuria, Julian Martrel Mason, Daniel Memmi, Cherdericka Nichols, Ernest “No I.D.” Wilson, Temilade Openiyi, Patrick Paige II From The Internet, Jimi Stephen Payton, Christopher Lawrence Penny, Michael Pollack, Richard Isong, Honey Redmond, Derek Renfroe, Andrew Richardson, Morten Ristorp, Nile Rodgers, Oliver Rodigan, Freddie Ross, Raphael Saadiq, Matthew Samuels, Sean Seaton, Skrillex, Corece Smith, Luke Francis Matthew Solomon, Jabbar Stevens, Christopher A. Stewart, Jahaan Sweet, Rupert Thomas, Jr. & Jesse Wilson, songwriters; Colin Leonard, mastering engineer

Good Morning Gorgeous (Deluxe), Mary J. Blige
DJ Khaled, Dave East, Fabolous, Fivio Foreign, Griselda, H.E.R., Jadakiss, Moneybagg Yo, Ne-Yo, Anderson .Paak, Rerny Ma & Usher, featured artists; Alissia, Tarik Azzouz, Bengineer, Blacka Din Me, Roget Chahayed, Cool & Dre, Ben Billions, DJ Cassidy, DJ Khaled, D’Mile, Wonda, Bongo Bytheway, H.E.R., Hostile Beats, Eric Hudson, London On Da Track, Leon Michels, Nova Wav, Anderson.Paak, Sl!Mwav, Streetrunner, Swizz Beatz & J White Did It, producers; Derek Ali, Ben Chang, Luis Bordeaux, Bryce Bordone, Lauren D’Elia, Chris Galland, Serban Ghenea, Akeel Henry, Jaycen Joshua, Pat Kelly, Jhair Lazo, Sharnele Mackie, Manny Marroquin, Dave Medrano, Ari Morris, Parks, Juan Pefia, Ben Sedano, Kev Spencer, Julio Ulloa & Jodie Grayson Williams, engineers/mixers; Alissia Beneviste, Denisia “Blu June” Andrews, Archer, Bianca Atterberry, Tarik Azzouz, Mary J. Blige, David Brewster, David Brown, Shawn Butler, Roget Chahayed, Ant Clemons, Brittany “Chi” Coney, Kasseern Dean, Benjamin Diehl, DJ Cassidy, Jocelyn Donald, Jerry Duplessis, Uforo Ebong, Demst Emile II, John Jackson, Adriana Flores, Gabriella Wilson, Shawn Hibbler, Charles A. Hinshaw, Jamie Hurton, Eric Hudson, Jason Phillips, Khaled Khaled, London Holmes, Andre “Dre” Christopher Lyon, Reminisce Mackie, Leon Michels, Jerome Monroe, Jr., Kim Owens, Brandon Anderson, Jerernie “Benny The Butcher” Pennick, Bryan Ponce, Demond “Conway The Machine” Price, Peter Skellem, Shaffer Smith, Nicholas Warwar, Deforrest Taylor, Tiara Thomas, Marcello “Cool” Valenzano, Alvin “Westside Gunn” Worthy, Anthony Jerrnaine White & Leon Youngblood, songwriters

In These Silent Days, Brandi Carlile
Lucius, featured artist; Dave Cobb & Shooter Jennings, producers; Brandon Bell, Dave Cobb, Torn Elmhirst, Michael Harris & Shooter Jennings, engineers/mixers; Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters; Pete Lyman, mastering engineer

Music of the Spheres, Coldplay
BTS, Jacob Collier, Selena Gomez & We Are KING, featured artists; Jacob Collier, Daniel Green, Oscar Holter, Jon Hopkins, Max Martin, Metro Boomin, Kang Hyo-Won, Bill Rahko, Bart Schoudel, Rik Simpson, Paris Strother & We Are KING, producers; Guy Berryman, Jonny Buckland, Will Champion, Jacob Collier, The Dream Team, Duncan Fuller, Serban Ghenea, Daniel Green, John Hanes, Jon Hopkins, Michael I!bert, Max Martin, Bill Rahko, Bart Schoudel, Rik Simpson & Paris Strother, engineers/mixers; Guy Berryman, Jonny Buckland, Denise Carite, Will Champion, Jacob Collier, Derek Dixie, Sam Faison, Stephen Fry, Daniel Green, Oscar Holter, Jon Hopkins, Jung Ho-Seok, Chris Martin, Max Martin, John Metcalfe, Leland Tyler Wayne, Bill Rahko, Kim Narn-Joon, Jesse Rogg, Davide Rossi, Rik Simpson, Amber Strother, Paris Strother, Min Yoon-Gi, Federico Vindver & Olivia Waithe, songwriters; Randy Merrill, mastering engineer

Mr. Morale & The Big Steppers, Kendrick Lamar
Baby Keem, Blxst, Sam Dew, Ghostface Killah, Beth Gibbons, Kodak Black, Tanna Leone, Taylour Paige, Amanda Reifer, Sampha & Summer Walker, featured artists; The Alchemist, Baby Keem, Craig Balrnoris, Beach Noise, Bekon, Boi-lda, Cardo, Dahi, DJ Khalil, The Donuts, FNZ, Frano, Sergiu Gherrnan, Emile Haynie, J.LBS, Mario Luciano, Tyler Mehlenbacher, OKLAMA, Rascal, Sounwave, Jahaan Sweet, Tae Beast, Duval Timothy & Pharrell Williams, producers; Derek Ali, Matt Anthony, Beach Noise, Rob Bisel, David Bishop, Troy Bourgeois, Andrew Boyd, Ray Charles Brown Jr., Derek Garcia, Chad Gordon, James Hunt, Johnny Kosich, Manny Marroquin, Erwing Olivares, Raymond J Scavo III, Matt Schaeffer, Cyrus Taghipour, Johnathan Turner & Joe Visciano, engineers/mixers; KhalilAbdul-Rahman, Hykeem Carter, Craig Balrnoris, Beach Noise, Daniel Tannenbaum, Daniel Tannenbaum, Stephen Lee Bruner, Matthew Burdette, Isaac John De Boni, Sam Dew, Anthony Dixon, Victor Ekpo, Sergiu Gherrnan, Dennis Coles, Beth Gibbons, Frano Huett, StuartJohnson, Bill K. Kapri, Jake Kosich, JohnnyKosich, Daniel Krieger, Kendrick Lamar, Ronald LaTour, Mario Luciano, Daniel Alan Maman, Timothy Maxey, Tyler Mehlenbacher, Michael John Mule, D. Natche, OKLAMA, Jason Pounds, Rascal, Amanda Reifer, Matthew Samuels, Avante Santana, Matt Schaeffer, Sampha Sisay, Mark Spears, Homer Steinweiss, Jahaan Akil Sweet, Donte Lamar Perkins, Duval Timothy, Summer Walker & Pharrell Williams, songwriters;Michelle Mancini, mastering engineer

Special, Lizzo
Benny Blanco, Quelle Chris, Daoud, Omer Fedi, ILYA, Kid Harpoon, Ian Kirkpatrick, Max Martin, Nate Mercereau, The Monsters & Strangerz, Phoelix, Ricky Reed, Mark Ronson, Blake Slatkin & Pop Wansel, producers; Benny Blanco, Bryce Bordone, Jeff Chestek, Jacob Ferguson, Serban Ghenea, Jeremy Hatcher, Andrew Hey, Sam Holland, ILYA, Stefan Johnson, Jens Jungkurth, Patrick Kehrier, Ian Kirkpatrick, Damien Lewis, Bill Malina, Manny Marroquin & Ricky Reed, engineers/mixers; Amy Allen, Daoud Anthony, Jonathan Bellion, Benjamin Levin, Thomas Brenneck, Christian Devivo, Omer Fedi, Eric Frederic, Ilya Salrnanzadeh, Melissa Jefferson, Jordan K Johnson, Stefan Johnson, Kid Harpoon, Ian Kirkpatrick, Savan Kotecha, Max Martin, Nate Mercereau, Leon Michels, Nick Movshon, Michael Neil, Michael Pollack, Mark Ronson, Blake Slatkin, Peter Svensson, Gavin Chris Tennille, Theron Makiel Thomas, Andrew Wansel & Emily Warren, songwriters; Michelle Mancini, mastering engineer

Harry’s House, Harry Styles
Tyler Johnson, Kid Harpoon & Sammy Witte, producers; Jeremy Hatcher, Oli Jacobs, Nick Lobel, Spike Stent & Sammy Witte, engineers/mixers; Amy Allen, Tobias Jesso, Jr., Tyler Johnson, Kid Harpoon, Mitch Rowland, Harry Styles & Sammy Witte, songwriters; Randy Merrill, mastering engineer

Song of the Year

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“abcdefu,” Sara Davis, GAYLE & Dave Pittenger, songwriters (GAYLE)

“About Damn Time,” Melissa “Lizzo” Jefferson, Eric Frederic, Blake Slatkin & Theron Makiel Thomas, songwriters (Lizzo)

“All Too Well (10 Minute Version) (The Short Film),” Liz Rose & Taylor Swift, songwriters (Taylor Swift)

“As It Was,” Tyler Johnson, Kid Harpoon & Harry Styles, songwriters (Harry Styles)

“Bad Habit,” Matthew Castellanos, Brittany Foushee, Diana Gordon, John Carroll Kirby & Steve Lacy, songwriters (Steve Lacy)

“Break My Soul,” Beyoncé, S. Carter, Terius “The-Dream” Gesteelde-Diamant & Christopher A. Stewart, songwriters (Beyoncé)

“Easy on Me,” Adele Adkins & Greg Kurstin, songwriters (Adele)

“God Did,” Tarik Azzouz, E.Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts & Nicholas Warwar, songwriters (DJ Khaled feat. Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy)

“The Heart Part 5,” Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)

“Just Like That,” Bonnie Raitt, songwriter (Bonnie Raitt)

Best New Artist

This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

Anitta

Omar Apollo

DOMi & JD Beck

Muni Long

Samara Joy

Latto

Maneskin

Tobe Nwigwe

Molly Tuttle

Wet Leg

Best Pop Solo Performance

For new vocal or instrumental pop recordings. Singles or Tracks only.

“Easy on Me,” Adele

“Moscow Mule,” Bad Bunny

“Woman,” Doja Cat

“Bad Habit,” Steve Lacy

“About Damn Time,” Lizzo

“As It Was,” Harry Styles

Best Pop Duo/Group Performance

For new vocal or instrumental duo/group or collaborative pop recordings. Singles or Tracks only.

“Don’t Shut Me Down,” ABBA

“BamBam,” Camila Cabello feat. Ed Sheeran

“My Universe,” Coldplay & BTS

“I Like You (A Happier Song),” Post Malone & Doja Cat

“Unholy,” Sam Smith & Kim Petras

Best Traditional Pop Vocal Album

For albums containing greater than 50% playing time of new traditional pop recordings.

Higher, Michael Buble

When Christmas Comes Around…, Kelly Clarkson

I Dream of Christmas (Extended), Norah Jones

Evergreen, Pentatonix

Thank You, Diana Ross

Best Pop Vocal Album

For albums containing greater than 50% playing time of new pop vocal recordings.

Voyage, ABBA

30, Adele

Music of the Spheres, Coldplay

Special, Lizzo

Harry’s House, Harry Styles

Best Dance/Electronic Recording

For solo, duo, group or collaborative performances. Vocal or Instrumental. Singles or tracks only.

“Break My Soul,” Beyoncé
Beyoncé, Terius “The-Dream” Gesteelde-Diamant, Jens Christian Isaksen & Christopher “Tricky” Stewart, producers; Stuart White, mixer

“Rosewood,” Bonobo
Simon Green, producer; Simon Green, mixer

“Don’t Forget My Love,” Diplo & Miguel
Diplo & Maximilian Jaeger, producers; Luca Pretolesi, mixer

“I’m Good (Blue),” David Guetta & Bebe Rexha
David Guetta & Timofey Reznikov, producers; David Guetta & Timofey Reznikov, mixers

“Intimidated,” KAYTRANADA feat. H.E.R.
H.E.R. & KAYTRANADA, producers; KAYTRANADA, mixer

“On My Knees,” RUFUS DU SOL
Jason Evigan & RUFUS DU SOL, producers; Cassian Stewart-Kasimba, mixer

Best Dance/Electronic Music Album

For vocal or instrumental albums. Albums only.

Renaissance, Beyonce

Fragments, Bonobo

Diplo, Diplo

The Last Goodbye, ODESZA

Surrender, RUFUS DU SOL

Best Contemporary Instrumental Album

For albums containing greater than 50% or more playing time of instrumental material. For albums containing greater than 75% playing time of new recordings.

Between Dreaming and Joy, Jeff Coffin

Not Tight, DOMi & JD Beck

Blooz, Grant Geissman

Jacob’s Ladder, Brad Mehldau

Empire Central, Snarky Puppy

Best Rock Performance

For new vocal or instrumental solo, duo/group or collaborative rock recordings.

“So Happy It Hurts,” Bryan Adams

“Old Man,” Beck

“Wild Child,” The Black Keys

“Broken Horses,” Brandi Carlile

“Crawl!,” Idles

“Patient Number 9,” Ozzy Osbourne feat. Jeff Beck

“Holiday,” Turnstile

Best Metal Performance

For new vocal or instrumental solo, duo/group or collaborative metal recordings.

“Call Me Little Sunshine,” Ghost

“We’ll Be Back,” Megadeth

“Kill or Be Killed,” Muse

“Degradation Rules,” Ozzy Osbourne feat. Tony lommi

“Blackout,” Turnstile

Best Rock Song

A Songwriter(s) Award. Includes Rock, Hard Rock and Metal songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“Black Summer,” Flea, John Frusciante, Anthony Kiedis & Chad Smith, songwriters (Red Hot Chili Peppers)

“Blackout,” Brady Ebert, Daniel Fang, Franz Lyons, Pat McCrory & Brendan Yates, songwriters (Turnstile)

“Broken Horses,” Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile)

“Harmonia’s Dream,” Robbie Bennett & Adam Granduciel, songwriters (The War on Drugs)

“Patient Number 9,” John Osbourne, Chad Smith, Ali Tamposi, Robert Trujillo & Andrew Wotman, songwriters (Ozzy Osbourne feat. Jeff Beck)

Best Rock Album

For albums containing greater than 50% playing time of new rock, hard rock or metal recordings.

Dropout Boogie, The Black Keys

The Boy Named If, Elvis Costello & The Imposters

Crawler, Idles

Mainstream Sellout, Machine Gun Kelly

Patient Number 9, Ozzy Osbourne

Lucifer on the Sofa, Spoon

Best Alternative Music Performance

For new vocal or instrumental solo, duo/group or collaborative Alternative music recordings.

“There’d Better Be a Mirrorball,” Arctic Monkeys

“Certainty,” Big Thief

“King,” Florence + The Machine

“Chaise Longue,” Wet Leg

“Spitting Off the Edge of the World,” Yeah Yeah Yeahs feat. Perfume Genius

Best Alternative Music Album

Vocal or Instrumental.

WE, Arcade Fire

Dragon New Warm Mountain I Believe in You, Big Thief

Fossora, Bjork

Wet Leg, Wet Leg

Cool It Down, Yeah Yeah Yeahs

Best R&B Performance

For new vocal or instrumental R&B recordings.

“VIRGO’S GROOVE,” Beyoncé

“Here With Me,” Mary J. Blige feat. Anderson .Paak

“Hrs & Hrs,” Muni Long

“Over,” Lucky Daye

“Hurt Me So Good,” Jazmine Sullivan

Best Traditional R&B Performance

For new vocal or instrumental traditional R&B recordings.

“Do 4 Love,” Snoh Aalegra

“Keeps On Fallin’,” Babyface feat. Ella Mai

“PLASTIC OFF THE SOFA,” Beyoncé

“’Round Midnight,” Adam Blackstone feat. Jazmine Sullivan

“Good Morning Gorgeous,” Mary J.Blige

Best R&B Song

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“CUFF IT,” Denisia “Blu June” Andrews, Beyonce, Mary Christine Brockert, Brittany “Chi” Coney, Terius “The-Dream” Gesteelde-Diamant., Morten Ristorp, Nile Rodgers & Raphael Saadiq, songwriters (Beyonce)

“Good Morning Gorgeous,” Mary J. Blige, David Brown, Dernst Emile II, Gabriella Wilson & Tiara Thomas, songwriters (Mary J.Blige)

“Hrs & Hrs,” Hamadi Aaabi, Dylan Graham, Priscilla Renea, Thaddis “Kuk” Harrell, Brandon John-Baptiste, Isaac Wriston & Justin Nathaniel Zim, songwriters (Muni Long)

“Hurt Me So Good,” Akeel Henry, Michael Holmes, Luca Mauti, Jazmine Sullivan & Elliott Trent, songwriters (Jazmine Sullivan)

“Please Don’t Walk Away,” PJ Morton, songwriter (PJ Morton)

Best Progressive R&B Album

For albums containing greater than 50% playing time of newly recorded progressive vocal tracks derivative of R&B.

Operation Funk, Cory Henry

Gemini Rights, Steve Lacy

Drones, Terrace Martin

Starfruit, Moonchild

Red Balloon, Tank and the Bangas

Best R&B Album

For albums containing greater than 50% playing time of new R&B recordings.

Good Morning Gorgeous (Deluxe), Mary J. Blige

Breezy (Deluxe), Chris Brown

Black Radio lll, Robert Glasper

Candydrip, Lucky Daye

Watch the Sun, PJ Morton

Best Rap Performance

For a Rap performance. Singles or Tracks only.

“God Did,” DJ Khaled feat. Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy

“Vegas,” Doja Cat

“pushin P,” Gunna & Future feat. Young Thug

“F.N.F.(Let’s Go),” Hitkidd & GloRilla

“The Heart Part 5,” Kendrick Lamar

Best Melodic Rap Performance

For a solo or collaborative performance containing both elements of R&B melodies and Rap.

“BEAUTIFUL,” DJ Khaled feat. Future & SZA

“WAIT FOR U,” Future feat. Drake & Tems

“First Class,” Jack Harlow

“Die Hard,” Kendrick Lamar feat. Blxst & Amanda Reifer

“Big Energy (Live),” Latto

Best Rap Song

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“Churchill Downs,” Ace G, BEDRM, Matthew Samuels, Tahrence Brown, Roget Chahayed, Aubrey Graham, Jack Harlow & Jose Velazquez, songwriters (Jack Harlow feat. Drake)

“God Did,” Tarik Azzouz, E.Blackmon, Khaled Khaled, F.LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts & Nicholas Warwar, songwriters (DJ Khaled feat. Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy)

“The Heart Part 5,” Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)

“pushin P,” Lucas Depante, Nayvadius Wilburn, Sergio Kitchens, Wesley Tyler Glass & Jeffery Lamar Williams, songwriters (Gunna & Future feat. Young Thug)

“WAIT FOR U,” Tejiri Akpoghene, Floyd E. Bentley III, Jacob Canady, Isaac De Boni, Aubrey Graham, Israel Ayomide Fowobaje, Nayvadius Wilburn, Michael Mule, Oluwatoroti Oke & Temilade Openiyi, songwriters (Future feat. Drake & Tems)

Best Rap Album

For albums containing greater than 50% playing time of new rap recordings.

God Did, DJ Khaled

I Never Liked You, Future

Come Home the Kids Miss You, Jack Harlow

Mr.Morale & The Big Steppers, Kendrick Lamar

It’s Almost Dry, Pusha T

Best Country Solo Performance

For new vocal or instrumental solo country recordings.

“Heartfirst,” Kelsea Ballerini

“Something in the Orange,” Zach Bryan

“In His Arms,” Miranda Lambert

“Circles Around This Town,” Maren Morris

“Live Forever,” Willie Nelson

Best Country Duo/Group Performance

For new vocal or instrumental duo/group or collaborative country recordings.

“Wishful Drinking,” Ingrid Andress & Sam Hunt

“Midnight Rider’s Prayer,” Brothers Osborne

“Outrunnin’ Your Memory,” Luke Combs & Miranda Lambert

“Does He Love You- Revisited,” Reba McEntire & Dolly Parton

“Never Wanted to Be That Girl,” Carly Pearce & Ashley McBryde

“Going Where the Lonely Go,” Robert Plant & Alison Krauss

Best Country Song

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“Circles Around This Town,” Ryan Hurd, Julia Michaels, Marco Morris & Jimmy Robbins, songwriters (Marco Morris)

“Doin’ This,” Luke Combs, Drew Parker & Robert Williford, songwriters (Luke Combs)

“I Bet You Think About Me (Taylor’s Version) (From the Vault) Lori McKenna & Taylor Swift, songwriters (Taylor Swift)

“If I Was a Cowboy,” Jesse Frasure & Miranda Lambert, songwriters (Miranda Lambert)

“I’ll Love You Till the Day I Die,” Rodney Crowell & Chris Stapleton, songwriters (Willie Nelson)

“‘Til You Can’t,” Matt Rogers & Ben Stennis, songwriters (Cody Johnson)

Best Country Album

For albums containing greater than 50% playing time of new country recordings.

Growin’ Up, Luke Combs

Palomino, Miranda Lambert

Ashley McBryde Presents: Lindeville, Ashley McBryde

Humble Quest, Maren Morris

A Beautiful Time, Willie Nelson

Best New Age, Ambient, or Chant Album

For albums containing greater than 50% playing time of new vocal or instrumental new age recordings.

Positano Songs, Will Ackerman

Joy, Paul Avgerinos

Mantra Americana, Madi Das & Dave Stringer With Bhakti Without Borders

The Passenger, Cheryl B. Engelhardt

Mystic Mirror, White Sun

Best Improvised Jazz Solo

For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter’s name is in parenthesis for identification. Singles or Tracks only.

“Rounds (Live),” Ambrose Akinmusire, soloist
Track from: New Standards Vol. 1 (Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens)

“Keep Holding On,” Gerald Albright, soloist

“Falling,” Melissa Aldana, soloist
Track from: 12 Stars

“Call of the Drum,” Marcus Baylor, soloist

“Cherokee/Koko,” John Beasley, soloist
Track from: Bird Lives (John Beasley, Magnus Lindgren & SWR Big Band)

“Endangered Species,” Wayne Shorter & Leo Genovese, soloist
Track from: Live at the Detroit Jazz Festival (Wayne Shorter, Terri Lyne Carrington, Leo Genovese & esperanza spalding

Best Jazz Vocal Album

For albums containing greater than 50% playing time of new vocal jazz recordings.

The Evening: Live at APPARATUS, The Baylor Project

Linger Awhile, Samara Joy

Fade to Black, Carmen Lundy

Fifty, The Manhattan Transfer With the WDR Funkhausorchester

Ghost Song, Cecile McLorin Salvant

Best Jazz Instrumental Album

For albums containing greater than 50% playing time of new instrumental jazz recordings.

New Standards Vol. 1, Terri Lyne Carrington, Kris Davis, Linda May Han Oh, Nicholas Payton & Matthew Stevens

Live in Italy, Peter Erskine Trio

LongGone, Joshua Redman, Brad Mehldau, Christian McBride & Brian Blade

Live at the Detroit Jazz Festival, Wayne Shorter, Terri Lyne Carrington, Leo Genovese& esperanza spalding

Parallel Motion, Yellowjackets

Best Large Jazz Ensemble Album

For albums containing greater than 50% playing time of new ensemble jazz recordings.

Bird Lives, John Beasley, Magnus Lindgren & SWR Big Band

Remembering Bob Freedman, Ron Carter & The Jazzaar Festival Big Band Directedby Christian Jacob

Generation Gap Jazz Orchestra, Steven Feifke, Bijon Watson, Generation Gap JazzOrchestra

Center Stage, Steve Gadd, Eddie Gomez, Ronnie Cuber & WDR BigBand Conducted by Michael Abene

Architecture of Storms, Remy Le Boeurs Assembly of Shadows

Best Latin Jazz Album

For vocal or instrumental albums containing greater than 50% playing time of newly recorded material. The intent of this category is to recognize recordings that represent the blending of jazz with Latin, Iberian-American, Brazilian, and Argentinian tango music.

Fandango at the Wall In New York, Arturo O’Farrill & The Afro Latin Jazz Orchestra feat. The Congra Patria Son Jarocho Collective

Crisalida, Danilo Perez feat. The Global Messengers

If You Will, Flora Purim

Rhythm & Soul, Arturo Sandoval

Musica De Las Americas, Miguel Zenon

Best Gospel Performance/Song

This award is given to the artist(s) and songwriter(s) (for new compositions) for the best traditional Christian, roots gospel or contemporary gospel single or track.

“Positive,” Erica Campbell; Erica Campbell, Warryn Campbell & Juan Winans, songwriters

“When I Pray,” DOE; Dominique Jones & Dewitt Jones, songwriters

“Kingdom,” Maverick City Music & Kirk Franklin; Kirk Franklin, Jonathan Jay, Chandler Moore & Jacob Poole, songwriters

“The Better Benediction,” PJ Morton feat. Zacardi Cortez, Gene Moore, Samoht, Tim Rogers & Darrel Walls; PJ Morton, songwriter

“Get Up,” Tye Tribbett; Brandon Jones, Christopher Michael Stevens, Thaddaeus Tribbett & Tye Tribbett, songwriters

Best Contemporary Christian Music Performance/Song

This award is given to the artist(s) and songwriter(s) (for new compositions) for the best contemporary Christian music single or track (including pop, rap/hip-hop, Latin, or rock).

“God Really Loves Us (Radio Version),” Crowder feat. Dante Howe and Maverick City Music; Dante Howe, David Crowder, Ben Glover & Jeff Sojka, songwriters

“So Good,” DOE; Chuck Butler, Dominique Jones & Ethan Hulse, songwriters

“For God Is With Us,” for KING & COUNTRY & Hillary Scott; Josh Kerr, Jordan Reynolds, Joel Smallbone & Luke SmaUbone, songwriters

“Fear Is Not My Future,” Maverick City Music & Kirk Franklin; Kirk Franklin, Nicole Hannel, Jonathan Jay, Brandon Lake & Hannah Shackelford, songwriters

“Holy Forever,” Chris Tomlin; Jason Ingram, Brian Johnson, Jenn Johnson, Chris Tomlin & Phil Wickham, songwriters

“Hymn of Heaven (Radio Version),” Phil Wickham; Chris Davenport, Bill Johnson, Brian Johnson & Phil Wickham, songwriters

Best Gospel Album

For albums containing greater than 50% playing time of newly recorded, vocal, traditional or contemporary/R&B gospel music recordings.

Die to Live, Maranda Curtis

Breakthrough: The Exodus (Live), Ricky Dillard

Clarity, DOE

Kingdom Book One Deluxe, Maverick City Music & Kirk Franklin

All Things New, Tye Tribbett

Best Contemporary Christian Music Album

For albums containing greater than 50% playing time of newly recorded, vocal, contemporary Christian music, including pop, rap/hip hop, Latin, or rock recordings.

Lion, Elevation Worship

Breathe, Maverick City Music

Life After Death, TobyMac

Always, Chris Tomlin

My Jesus, Anne Wilson

Best Roots Gospel Album

For albums containing greater than 50% playing time of newly recorded, vocal, traditional roots gospel music, including country, Southern gospel, bluegrass, and Americana recordings.

Let’s Just Praise the Lord, Gaither Vocal Band

Confessio – Irish American Roots, Keith & Kristyn Getty

The Willie Nelson Family, Willie Nelson

2:22, Karen Peck & New River

The Urban Hymnal, Tennessee State University Marching Band

Best Latin Pop Album

For albums containing greater than 50% playing time of new Latin pop recordings.

AGUILERA, Christina Aguilera

Pasieros, Ruben Blades & Boca Livre

De Adentro Pa Afuera, Camilo

VIAJANTE, Fonseca

Dharma +, Sebastian Yatra

Best Musica Urbana Album

For albums containing greater than 50% playing time of new Musica Urbana recordings.

TRAP CAKE, VOL. 2, Rauw Alejandro

Un Verano Sin Ti, Bad Bunny

LEGENDADDY, Daddy Yankee

La 167, Farruko

The Love & Sex Tape, Maluma

Best Latin Rock or Alternative Album

For albums containing greater than 50% playing time of new Latin rock or alternative recordings.

El Alimento, Cimafunk

Tinta y Tiempo, Jorge Drexler

1940 Carmen, Mon Laferte

Alegoria, Gaby Moreno

Los Años Salvajes, Fito Paez

MOTOMAMI, Rosalia

Best Regional Mexican Music Album (Including Tejano)

For albums containing greater than 50% playing time of new regional Mexican (banda, norteño, corridos, gruperos, mariachi, ranchera and Tejano) recordings.

Abeja Reina, Chiquis

Un Canto por Mexico – El Musical, Natalia Lafourcade

La Reunión (Deluxe), Los Tigres Del Norte

EP #1 Forajido, Christian Nodal

Que Ganas de Verte (Deluxe), Marco Antonio Solis

Best Tropical Latin Album

For albums containing greater than 50% playing time of new tropical Latin recordings.

Pa’lla Voy, Marc Anthony

Quiero Verte Feliz, La Santa Cecilia

Lado A Lado B, Victor Manuelle

Legendario, Tito Nieves

lmagenes Latinas, Spanish Harlem Orchestra

Cumbiana II, Carlos Vives

Best American Roots Performance

For new vocal or instrumental American Roots recordings. This is for performances in the style of any of the subgenres encompassed in the American Roots Music field including bluegrass, blues, folk or regional roots. Award to the artist(s).

“Someday It’ll All Make Sense (Bluegrass Version),” Bill Anderson feat. Dolly Parton

“Life According to Raechel,” Madison Cunningham

“Oh Betty,” Fantastic Negrito

“Stompin’ Ground,” Aaron Neville With The Dirty Dozen Brass Band

“Prodigal Daughter,” Aoife O’Donovan & Allison Russell

Best Americana Performance

For new vocal or instrumental Americana performance. Award to the artist(s).

“Silver Moon [A Tribute to Michael Nesmith],” Eric Alexandrakis

“There You Go Again,” Asleep at the Wheel feat. Lyle Lovett

“The Message,” Blind Boys of Alabama feat. Black Violin

“You And Me on the Rock,” Brandi Carlile feat. Lucius

“Made Up Mind,” Bonnie Raitt

Best American Roots Song

A Songwriter(s) Award. Includes Americana, bluegrass, traditional blues, contemporary blues, folk or regional roots songs. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“Bright Star,” Anais Mitchell, songwriter (Anais Mitchell)

“Forever,” Sheryl Crow & Jeff Trott, songwriters (Sheryl Crow)

“High and Lonesome,” T Bone Burnett & Robert Plant, songwriters (Robert Plant & Alison Krauss)

“Just Like That,” Bonnie Raitt, songwriter (Bonnie Raitt)

“Prodigal Daughter,” Tim O’Brien & Aoife O’Donovan, songwriters (Aoife O’Donovan & Allison Russell)

“You and Me on the Rock,” Brandi Carlile, Phil Hanseroth & Tim Hanseroth, songwriters (Brandi Carlile feat. Lucius)

Best Americana Album

For albums containing greater than 50% playing time of new vocal or instrumental Americana recordings.

In These Silent Days, Brandi Carlile

Things Happen That Way, Dr. John

Good to Be…, Keb’ Mo’

Raise the Roof, Robert Plant & Alison Krauss

Just Like That…, Bonnie Raitt

Best Bluegrass Album

For albums containing greater than 50% playing time of new vocal or instrumental bluegrass recordings.

Toward the Fray, The Infamous Stringdusters

Almost Proud, The Del McCoury Band

Calling You From My Mountain, Peter Rowan

Crooked Tree, Molly Tuttle & Golden Highway

Get Yourself Outside, Yonder Mountain String Band

Best Traditional Blues Album

For albums containing greater than 50% playing time of new vocal or instrumental traditional blues recordings.

Heavy Load Blues, Gov’t Mule

The Blues Don’t Lie, Buddy Guy

Get On Board, Taj Mahal & Ry Cooder

The Sun Is Shining Down, John Mayall

Mississippi Son, Charlie Musselwhite

Best Contemporary Blues Album

For albums containing greater than 50% playing time of new vocal or instrumental contemporary blues recordings.

Done Come Too Far, Shemekia Copeland

Crown, Eric Gales

Bloodline Maintenance, Ben Harper

Set Sail, North Mississippi Allstars

Brother Johnny, Edgar Winter

Best Folk Album

For albums containing greater than 50% playing time of new vocal or instrumental folk recordings.

Spellbound, Judy Collins

Revealer, Madison Cunningham

The Light at the End of the Line, Janis Ian

Age of Apathy, Aoife O’Donovan

Hell on Church Street, Punch Brothers

Best Regional Roots Music Album

For albums containing greater than 50% playing time of new vocal or instrumental regional roots music recordings.

Full Circle, Sean Ardoin and Kreole Rock and Soul feat. LSU Golden Band From Tigerland

Natalie Noelani, Natalie Ai Kamauu

Halau Hula Keali’i O Nalani- Live at the Getty Center, Halau Hula Keali’i O Nalani

Lucky Man, Nathan & The Zydeco Cha Chas

Live at the 2022 New Orleans Jazz & Heritage Festival, Ranky Tanky

Best Reggae Album

For albums containing greater than 50% playing time of new reggae recordings.

The Kalling, Kabaka Pyramid

Gifted, Koffee

Scorcha, Scan Paul

Third Time’s the Charm, Protoje

Com Fly Wid Mi, Shaggy

Best Global Music Performance

For new vocal or instrumental Global music recordings.

Udhero Na, Arooj Aftab & Anoushka Shankar

Gimme Love, Matt B & Eddy Kenzo

Last Last, Burna Boy

Neva Bow Down, Rocky Dawuni feat. Blvk H3ro

Bayethe, Wouter KeUerman, Zakes Bantwini & Nomcebo Zikode

Best Global Music Album

For albums containing greater than 50% playing time of new vocal or instrumental Global Music recordings.

Shuruaat, Berklee Indian Ensemble

Love, Damini, Burna Boy

Queen of Sheba, Angelique Kidjo & Ibrahim Maalouf

Between Us…(Live), Anoushka Shankar, Metropole Orkest & Jules Buckley feat. Manu Delago

Sakura, Masa Takumi

Best Children’s Music Album

For albums containing greater than 50% playing time of new musical or spoken word recordings that are created and intended specifically for children.

Into the Little Blue House, Wendy and DB

Los Fabulosos, Lucky Diaz and the Family Jam Band

The Movement, Alphabet Rockers

Ready Set Go!, Divinity Roxx

Space Cadet, Justin Roberts

Best Audio Book, Narration, and Storytelling Recording

Act Like You Got Some Sense, Jamie Foxx

All About Me!: My Remarkable Life In Show Business by Mel Brooks, Mel Brooks

Aristotle and Dante Dive Into the Waters of the World, Lin-Manuel Miranda

Finding Me, Viola Davis

Music Is History, Questlove

Best Spoken Word Poetry Album

For albums containing greater than 50% playing time of new spoken word poetry recordings.

Black Men Are Precious, Ethelbert Miller

Call Us What We Carry: Poems, Amanda Gorman

Hiding in Plain View, Malcolm-Jamal Warner

The Poet Who Sat by the Door, J. Ivy

You Will Be Someone’s Ancestor. Act Accordingly., Amir Sulaiman

Best Comedy Album

For albums containing greater than 50% playing time of new recordings.

The Closer, Dave Chappelle

Comedy Monster, Jim Gaffigan

A Little Brains, A Little Talent, Randy Rainbow

Sorry, Louis CK

We All Scream, Patton Oswalt

Best Musical Theater Album

For albums containing greater 51% playing time of new recordings. Award to the principal vocalist(s), and the album producer(s) of 50% or more playing time of the album. The lyricist(s) and composer(s) of 50% or more of a score of a new recording are eligible for an Award if any previous recording of said score has not been nominated in this category.

Caroline, Or Change
John Cariani, Sharon D Clarke, Caissie Levy & Samantha Williams, principal vocalists; Van Dean, Nigel Lilley, Lawrence Manchester, Elliot Scheiner & Jeanine Tesori, producers; Jeanine Tesori, composer; Tony Kushner, lyricist (New Broadway Cast)

Into the Woods (2022 Broadway Cast Recording)
Sara Bareilles, Brian d’Arcy James, Patina Miller & Phillipa Soo, principal vocalists; Rob Berman & Sean Patrick Flahaven, producers (Stephen Sondheim, composer & lyricist) (2022 Broadway Cast)

MJ the Musical
Myles Frost & Tavon Olds-Sample, principal vocalists; David Holcenberg, Derik Lee & Jason Michael Webb, producers (Original Broadway Cast)

Mr. Saturday Night
Shoshana Bean, Billy Crystal, Randy Graff & David Paymer, principal vocalists; Jason Robert Brown, Sean Patrick Flahaven & Jeffrey Lesser, producers; Jason Robert Brown, composer; Amanda Green, lyricist (Original Broadway Cast)

Six: Live on Opening Night
Joe Deighton, Tom Curran, Sam Featherstone, Paul Gatehouse, Toby Marlow & Lucy Moss, producers; Toby Marlow & Lucy Moss, composers/lyricists (Original Broadway Cast)

A Strange Loop
Jaquel Spivey, principal vocalist; Michael Croiter, Michael R. Jackson, Charlie Rosen & Rona Siddiqui, producers; Michael R. Jackson, composer & lyricist (Original Broadway Cast)

Best Compilation Soundtrack for Visual Media

Award to the principal artist(s) and/or ‘in studio’ producer(s) of a majority of the tracks on the album. In the absence of both, award to the one or two individuals proactively responsible for the concept and musical direction of the album and for the selection of artists, songs and producers, as applicable. Award also goes to appropriately credited music supervisor(s).

ELVIS, Various Artists

Encanto, Various Artists

Stranger Things: Soundtrack From the Netflix Series, Season 4 (Vol 2), Various Artists

Top Gun: Maverick, Harold Faltermeyer, Lady Gaga, Hans Zimmer & Lorne Balfe

West Side Story, Various Artists

Best Score Soundtrack for Visual Media (Includes Film and Television)

Award to Composer(s) for an original score created specifically for, or as a companion to, a current legitimate motion picture, television show or series, or other visual media.

The Batman, Michael Giacchino, composer

Encanto, Germaine Franco, composer

No Time to Die, Hans Zimmer, composer

The Power of the Dog, Jonny Greenwood, composer

Succession: Season 3, Nicholas Britell, composer

Best Score Soundtrack for Video Games and Other Interactive Media

Award to Composer(s) for an original score created specifically for, or as a companion to, video games and other interactive media.

Aliens: Fireteam Elite, Austin Wintory, composer

Assassin’s Creed Valhalla: Dawn of Ragnarok, Stephanie Economou, composer

Call of Duty: Vanguard, Bear McCreary, composer

Marvel’s Guardians of the Galaxy, Richard Jacques, composer

Old World, Christopher Tin, composer

Best Song Written for Visual Media

A Songwriter(s) award. For a song (melody & lyrics) written specifically for a motion picture, television, video games or other visual media, and released for the first time during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

“Be Alive” [From King Richard], Beyonce & Darius Scott Dixson, songwriters (Beyonce)

“Carolina” [From Where the Crawdads Sing], Taylor Swift, songwriter (Taylor Swift)

“Hold My Hand” [From Top Gun: Maverick] Bloodpop & Stefani Germanotta, songwriters (Lady Gaga)

“Keep Rising (The Woman King)” [From The Woman King], Angelique Kidjo, Jeremy Lutito & Jessy Wilson, songwriters (Jessy Wilson feat. Angelique Kidjo)

“Nobody Like U” [From Turning Red], Billie Eilish & Finneas O’Connell, songwriters (4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo, Grayson Villanueva)

“We Don’t Talk About Bruno” [From Encanto], Lin-Manuel Miranda, songwriter (Carolina Gaitan – La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto- Cast)

Best Instrumental Composition

A Composer’s Award for an original composition (not an adaptation) first released during the Eligibility Year. Singles or Tracks only.

“African Tales,” Paquito D’Rivera, composer (Tasha Warren & Dave Eggar)

“El Pais Invisible,” Miguel Zenon, composer (Miguel Zenon, Jose Antonio Zayas Caban, Ryan Smith & Casey Rafn)

“Fronteras (Borders) Suite: AI-Musafir Blues,” Danilo Perez, composer (Danilo Perez feat. The Global Messengers)

“Refuge,” Geoffrey Keezer, composer (Geoffrey Keezer)

“Snapshots,” Pascal Le Boeuf, composer (Tasha Warren & Dave Eggar)

Best Arrangement, Instrumental or A Cappella

An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

“As Days Go By (An Arrangement of the Family Matters Theme Song), Armand Hutton, arranger (Armand Hutton feat. Terrell Hunt & Just 6)

“How Deep Is Your Love,” Matt Cusson, arranger (Kings Return)

“Main Titles (Doctor Strange in The Multiverse of Madness),” Danny Elfman, arranger (Danny Elfman)

“Minnesota, WI,” Remy Le Boeuf, arranger (Remy Le Boeuf)

“Scrapple From the Apple,” John Beasley, arranger (Magnus Lindgren,John Beasley & The SWR Big Band feat. Martin Aeur)

Best Arrangement, Instruments and Vocals

An Arranger’s Award. (Artist names appear in parentheses.) Singles or Tracks only.

“Let It Happen,” Louis Cole, arranger (Louis Cole)

“Never Gonna Be Alone,” Jacob Collier, arranger (Jacob Collier Featuring Lizzy McAlpine & John Mayer)

“Optimistic Voices I No Love Dying,” Cecile McLorin Salvant, arranger (Cecile McLorin Salvant)

“Songbird (Orchestral Version),” Vince Mendoza, arranger (Christine McVie)

“2 + 2 = 5 (Arr. Nathan Schram),” Nathan Schram & Decca Stevens, arrangers (Decca Stevens & Attacca Quartet)

Best Recording Package

Beginningless Beginning, Chun-Tien Hsia & Qing-Yang Xiao, art directors(Tamsui-Kavalan Chinese Orchestra)

Divers, William Stichter, art director (Soporus)

Everything Was Beautiful, Mark Farrow, art director (Spiritualized)

Telos, Ming Liu, art director (Fann)

Voyeurist, Tnsn Dvsn, art director (Underoath)

Best Boxed or Special Limited Edition Package

Artists Inspired by Music: Interscope Reimagined, Josh Abraham, Steve Berman, Jimmy Iovine, John Janick & Jason Sangerman, art directors (Various Artists)

Big Mess, Berit Gwendolyn Gilma, art director (Danny Elfman)

Black Pumas (Collector’s Edition Box Set), Jenna Krackenberger, Anna McCaleb & Preacher, art directors (Black Pumas)

Book, Paul Sabre, art director (They Might Be Giants)

In and Out of the Garden: Madison Square Garden ’81 ’82 ’83, Lisa Glines, Doran Tyson & Dave Van Patten, art directors (The Grateful Dead)

Best Album Notes

The American Clave Recordings, Fernando Gonzalez, album notes writer (AstorPiazzolla)

Andy Irvine & Paul Brady, Gareth Murphy, album notes writer (Andy Irvine & Paul Brady)

Harry Partch, 1942, John Schneider, album notes writer (Harry Partch)

Life’s Work: A Retrospective, Ted Olson, album notes writer (Doc Watson)

Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition), Bob Mehr, album notes writer (Wilco)

Best Historical Album

Against the Odds: 1974-1982, Tommy Manzi, Steve Rosenthal & Ken Shipley, compilation producers; Michael Graves, mastering engineer; Tom Camuso, restoration engineer (Blondie)

The Goldberg Variations- The Complete Unreleased 1981 Studio Sessions, Robert Russ, compilation producer; Martin Kistner, mastering engineer (Glenn Gould)

Life’s Work: A Retrospective, Scott Billington, Ted Olson & Mason Williams, compilation producers; Paul Blakemore, mastering engineer (Doc Watson)

To Whom It May Concern…, Jonathan Sklute, compilation producer; Kevin Marques Moo, mastering engineer (Freestyle FeUowship)

Yankee Hotel Foxtrot (20th Anniversary Super Deluxe Edition), Cheryl Pawelski & Jeff Tweedy, compilation producers; Bob Ludwig, mastering engineer (Wilco)

Songwriter of the Year, Non-Classical

A Songwriter’s Award. (Artists names appear in parentheses.)

Amy Allen
• “For My Friends” (King Princess)
• “The Hardest Part” (Alexander23)
• “If We Were a Party” (Alexander23)
• “If You Love Me” (Lizzo)
• “Magic Wand” (Alexander23)
• “Matilda” (Harry Styles)
• “Move Me” (Charli XCX)
• “Too Bad” (King Princess)
• “Vicious” (Sabrina Carpenter)

Nija Charles
• “Cozy” (Beyonce)
• “Ex for a Reason” (Summer Walker with JT from City Girls)
• “Good Love” (City Girls feat. Usher)
• “Iykyk” (Lil Durk feat. Ella Mai & A Boogie Wit Da Hoodie)
• “Lobby” (Anitta & Missy Elliott)
• “Ride for You” (Meek Mill feat. Kehlani)
• “Sweetest Pie” (Megan Thee Stallion & Dua Lipa)
• “Tangerine” (Kehlani)
• “Throw It Away” (Summer Walker)

Tobias Jesso Jr.
• “Boyfriends” (Harry Styles)
• “Can I Get It” (Adele)
• “Careless” (FKA Twigs feat. Daniel Caesar)
• “C’mon Baby Cry” (Orville Peck)
• “Dotted Lines” (King Princess)
• “Let You Go” (Diplo & TSHA)
• “No Good Reason” (Omar Apollo)
• “Thank You Song” (FKA Twigs)
• “To Be Loved” (Adele)

The-Dream
• “Break My Soul” (Beyonce)
• “Church Girl” (Beyonce)
• “Energy” (Beyonce)
• “I’m That Girl” (Beyonce)
• “Mercedes” (Brent Faiyaz)
• “Rock N Roll” (Pusha T feat. Kanye West and Kid Cudi)
• “Rolling Stone” (Brent Faiyaz)
• “Summer Renaissance” (Beyonce)
• “Thique” (Beyonce)

Laura Veltz
• “Background Music” (Maren Morris)
• “Feed” (Demi Lovato)
• “Humble Quest” (Maren Morris)
• “Pain” (Ingrid Andress)
• “29” (Demi Lovato)

Best Engineered Album, Non-Classical

An Engineer’s Award. (Artists names appear in parentheses.)

Adolescence, George Nicholas & Ryan Schwabe, engineers; RyanSchwabe, mastering engineer (Baynk)

Black Radio lll, Daniel Farris, Tiffany Gouche, Keith Lewis, Musiq Soulchild, Reginald Nicholas, Q-Tip, Amir Sulaiman, Michael Law Thomas & Jon Zacks, engineers; Chris Athens, mastering engineer (Robert Glasper)

Chloe and the Next 20th Century, Dave Cerminara & Jonathan Wilson, engineers; AdamAyan, mastering engineer (Father John Misty)

Harry’s House, Jeremy Hatcher, Oli Jacobs, Nick Lobel, Mark “Spike” Stent & Sammy Witte, engineers; Randy Merrill, mastering engineer (Harry Styles)

Wet Leg, Jon McMullen, Joshua Mobaraki, Alan Moulder & Alexis Smith, engineers; Matt Colton, mastering engineer (Wet Leg)

Producer of the Year, Non-Classical

A Producer’s Award. (Artists names appear in parentheses.)

Jack Antonoff
• “All Too Well (10 Minute Version) (Taylor’s Version) (From the Vault)” (Taylor Swift)
Dance Fever (Florence+ The Machine)
• “I Still Believe” (Diana Ross)
Minions: The Rise of Gru (Various Artists)
• “Part of the Band” (The 1975)

Dan Auerbach
Dropout Boogie (The Black Keys)
• “El Bueno y El Malo” (Hermanos Gutierrez)
Nightmare Daydream (The Velveteers)
Rich White Hooky Blues (Hank Williams Jr.)
Something Borrowed, Something New: A Tribute To John Anderson (Various Artists)
Strange Time to Be Alive (Early James)
Sweet Unknown (Ceramic Animal)
• “Tres Hermanos” (Hermanos Gutierrez)
Young Blood (Marcus King)

Boi-lda
• “Chronicles” (Cordae feat. H.E.R. & Lil Durk)
• “Churchill Downs” (Jack Harlow feat. Drake)
• “Heated” (Beyonce) 
• “Mafia” (Travis Scott)
• “N95” (Kendrick Lamar)
• “Nail Tech” (Jack Harlow)
• “Not Another Love Song” (Ella Mai)
• “Scarred” (Giveon)
• “Silent Hill” (Kendrick Lamar)

Dahi
• “Buttons” (Steve Lacy)
• “Count Me Out” (Kendrick Lamar)
• “Die Hard” (Kendrick Lamar)
• “DJ Quik” (Vince Staples)
• “Father Time” (Kendrick Lamar feat. Sampha)
• “Give You the World” (Steve Lacy)
• “Mercury” (Steve Lacy)
• “Mirror” (Kendrick Lamar)
• “Rich Spirit” (Kendrick Lamar)

Dernst “D’mile” Emile II
Candy Drip (Lucky Daye)
An Evening With Silk Sonic (Bruno Mars, Anderson .Paak And Silk Sonic)
• “Good Morning Gorgeous” (Mary J. Blige)
• “Sometimes I Feel Like a Motherless Child” (Jazmine Sullivan)

Best Remixed Recording

A Remixer’s Award. (Artists names appear in parentheses for identification.) Singles or Tracks only.

“About Damn Time (Purple Disco Machine Remix),” Purple Disco Machine, remixer (Lizzo)

“Break My Soul (Terry Hunter Remix),” Terry Hunter, remixer (Beyonce)

“Easy Lover (Four Tet Remix),” Four Tet, remixer (Ellie Goulding)

“Slow Song (Paul Woolford Remix),” Paul Woolford, remixer (The Knocks & Dragonette)

“Too Late Now (Soulwax Remix),” Soulwax, remixers (Wet Leg)

Best Immersive Audio Album

For vocal or instrumental albums in any genre. Must be commercially released on DVD-Audio, DVD-Video, SACD, Blu-Ray, or burned download-only/streaming-only copies and must provide a new immersive mix of four or more channels. Award to the immersive mix engineer, immersive producer (if any) and immersive mastering engineer (if any).

AGUILERA, Jaycen Joshua, immersive mix engineer; Jaycen Joshua, immersive mastering engineer (Christina Aguilera)

Divine Tides, Eric Schilling, immersive mix engineer; Stewart Copeland, Ricky Kej & Herbert Waltl, immersive producers (Stewart Copeland & Ricky Kej)

Memories…Do Not Open, Mike Piacentini, immersive mix engineer; Mike Piacentini, immersive mastering engineer; Adam Alpert, Alex Pall, Jordan Stilwell & Andrew Taggart,immersive producers (The Chainsmokers)

Picturing the Invisible – Focus 1, Jim Anderson, immersive mix engineer; Morten Lindberg & Ulrike Schwarz, immersive mastering engineers; Jane Ira Bloom & Ulrike Schwarz, immersive producers (Jane Ira Bloom)

Tuvayhun – Beatitudes for a Wounded World, Morten Lindberg, immersive mix engineer; Morten Lindberg, immersive mastering engineer; Morten Lindberg, immersive producer (Nidarosdomens Jentekor & Trondheimsolistene)

Best Engineered Album, Classical

An Engineer’s Award. (Artist names appear in parentheses.)

Bates: Philharmonia Fantastique – The Making of the Orchestra, Shawn Murphy, Charlie Post & Gary Rydstrom, engineers; Michael Romanowski, mastering engineer (Edwin Outwater & Chicago Symphony Orchestra)

Beethoven: Symphony No.6; Stucky: Silent Spring, Mark Donahue, engineer; Mark Donahue, mastering engineer (Manfred Honeck & Pittsburgh Symphony Orchestra)

Perspectives, Jonathan Lackey, Bill Maylone & Dan Nichols, engineers; Joe Lambert, mastering engineer (Third Coast Percussion)

Thvayhun – Beatitudes for a Wounded World, Morten Lindberg, engineer; Morten Lindberg, mastering engineer (Anita Brevik, Nidarosdomens Jentekor & Trondheimsolistene)

Williams: Violin Concerto No.2 & Selected Film Themes, Bernhard Giittler, Shawn Murphy & Nick Squire, engineers; Christoph Stickel, mastering engineer (Anne-Sophie Mutter, John Williams & Boston Symphony Orchestra)

Producer of the Year, Classical

A Producer’s Award. (Artist names appear in parentheses.)

Jonathan Allen
Aspire (Seunghee Lee, JP Jofre, Enrico Fagone & London Symphony Orchestra)
Cooper: Continuum (Jessica Cottis, Adjoah Andoh, Clio Gould & The Oculus Ensemble)
Muse (Sheku Kanneh-Mason & Isa.ta Kanneh-Mason)
Origins (Lucie Horsch)
Saudade (Plinio Fernandes)
Schubert: Winterreise (Benjamin Appl)
Secret Love Letters (Lisa Batiashvili, Yannik Nezet-Seguin & Philadelphia Orchestra)
Song (Sheku Kanneh-Mason)

Christoph Franke
Brahms & Berg: Violin Concertos (Christian Tetzlaff, Robin Ticciati & Deutsches Symphonie-Orchester Berlin)
John Wiliams – The Berlin Concert (John Williams & Berliner Philharmoniker)
Mendelssohn: Piano Concertos (Lars Vogt & Orchestre De Chambre De Paris)
Mozart: Complete Piano Sonatas (Elisabeth Leonskaja)
Mozart Y Mambo: Cuban Dances (Sarah Willis, Jose Antonio Mendez Padron & Havana Lyceum Orchestra)

James Ginsburg
As We Are (Julian Velasco)
Avant L’Orage- French String Trios (Black Oak Ensemble)
Gems From Armenia (Aznavoorian Duo)
Stephenson: Symphony No. 3, ‘Visions’ (Vladimir Kulenovic & Lake Forest Symphony)
• Trios From Contemporary Chicago (Lincoln Trio)
When There Are No Words -Revolutionary Works for Oboe and Piano (Alex Klein & Phillip Bush)

Elaine Martone
Beethoven: The Last Sonatas (Gerardo Teissonniere)
Big Things (Icarus Quartet)
• Perspectives (Third Coast Percussion)
Schnittke: Concerto for Piano and Strings; Prokofiev: Symphony No. 2 (Yefim Bronfrnan, Franz Weiser-Most & The Cleveland Orchestra)
Strauss: Three Tone Poems (Franz Weiser-Most & The Cleveland Orchestra)
• Upon Further Reflection (John Wilson)

Judith Sherman
Akiho: Oculus (Various Artists)
Bach, C.P.E.: Sonatas & Rondos (Marc-Andre Hamelin)
Bolcom: The Complete Rags (Marc-Andre Hamelin)
Felix & Fanny Mendelssohn: String Quartets (Takacs Quartet)
Huang Ro’s A Dust in Time (Del Sol Quartet)
It Feels Like (Eunbi Kim)
Leon: Teclas De Mi Piano (Adam Kent)
Violin Odyssey (Itamar Zorman & leva Jokubaviciute)
Works by Florence Price, Jessie Montgomery, Valerie Coleman (Michael Repper & New York Youth Symphony)

Best Orchestral Performance

Award to the Conductor and to the Orchestra.

Adams, John Luther: Sila – The Breath of the World, Doug Perkins, conductor (Musicians of the University of Michigan Department of Chamber Music & University Of Michigan Percussion Ensemble)

Dvorak: Symphonies Nos. 7-9, Gustavo Dudamel, conductor (Los Angeles Philharmonic)

Eastman: Stay On It, Christopher Rountree, conductor (Wild Up)

John Williams – The Berlin Concert, John Williams, conductor (Berliner Philharmoniker)

Works by Florence Price, Jessie Montgomery, Valerie Coleman, Michael Repper, conductor (New York Youth Symphony)

Best Opera Recording

Award to the Conductor, Album Producer(s) and Principal Soloists, and to the Composer and Librettist (if applicable) of a world premiere Opera recording only.

Aucoin: Eurydice, Yannick Nezet-Seguin, conductor; Barry Banks, Nathan Berg, Joshua Hopkins, Erin Morley & Jakob J6zef Orlinski; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Blanchard: Fire Shut Up In My Bones, Yannick Nezet-Seguin, conductor; Angel Blue, Will Liverman, Latonia Moore & Walter RusseU III; David Frost, producer (The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Davis: X – The Life and Times of Malcolm X, Gil Rose, conductor; Ronnita Miller, Whitney Morrison, Victor Robertson & Dav6ne Tines; Gil Rose, producer (Boston Modern Orchestra Project;Odyssey Opera Chorus)

Best Choral Performance

Award to the Conductor, and to the Choral Director and/or Chorus Master where applicable and to the Choral Organization/Ensemble.

Bach: St. John Passion, John Eliot Gardiner, conductor (English Baroque Soloists; Monteverdi Choir)

Born, Donald Nally, conductor (Dominic German, Maren Montalbano, Rebecca Myers & James Reese; The Crossing)

Verdi: Requiem – The Met Remembers 9/11, Yannick Nezet-Seguin, conductor; Donald Palumbo, chorus master (Michelle DeYoung, Eric Owens, Allyn Perez & Matthew Polenzani; The Metropolitan Opera Orchestra; The Metropolitan Opera Chorus)

Best Chamber Music/Small Ensemble Performance

For new recordings of works with chamber or small ensemble (twenty-four or fewer members, not including the conductor). One Award to the ensemble and one Award to the conductor, if applicable.

Beethoven: Complete String Quartets, Volume 2 – The Middle Quartets, Dover Quartet

Musical Remembrances, Neave Trio

Perspectives, Third Coast Percussion

Shaw: Evergreen, Attacca Quartet

What Is American, PUBLIQuartet

Best Classical Instrumental Solo

Award to the Instrumental Soloist(s) and to the Conductor when applicable.

Abels: Isolation Variation, Hilary Hahn

Bach: The Art of Life, Danill Trifonov

Beethoven: Diabelli Variations, Mitsuko Uchida

Letters for the Future, Time for Three; Xian Zhang, conductor (The Philadelphia Orchestra)

A Night In Upper Town – The Music of Zoran Krajacic, Mak Grgic

Best Classical Solo Vocal Album

Award to: Vocalist(s), Collaborative Artist(s) (Ex: pianists, conductors, chamber groups) Producer(s), Recording Engineers/Mixers with greater than 50% playing time of new material.

Eden, Joyce DiDonato, soloist; Maxim Emelyanychev, conductor (II Porno D’Oro)

How Do I Find You, Sasha Cooke, soloist; Kirill Kuzmin, pianist

Okpebholo: Lord, How Come Me Here?, Will Liverman, soloist; Paul Sanchez, pianist (J’NaiBridges & Caen Thomason-Redus)

Stranger – Works for Tenor by Nico Muhly, Nicholas Phan, soloist (Eric Jacobson; Brooldyn Rider& The Knights; Reginald Mobley)

Voice of Nature- The Anthropocene, Renee Fleming, soloist; Yannick Nezet-Seguin, pianist

Best Classical Compendium

Award to the Artist(s) and to the Album Producer(s) and Engineer(s) of over 50% playing time of the album, and to the Composer and Librettist (if applicable) with over 50% playing time of a world premiere recording only.

An Adoption Story, Starr Parodi & Kitt Wakeley; Jeff Fair, Starr Parodi & Kitt Wakeley, producers

Aspire, JP Jofre & Seunghee Lee; Enrico Fagone, conductor; Jonathan Allen, producer

A Concert for Ukraine, Yannick Nezet-Seguin, conductor; David Frost, producer

The Lost Birds, Voces8; Barnaby Smith & Christopher Tin, conductors; Sean Patrick Flahaven & Christopher Tin, producers

Best Contemporary Classical Composition

A Composer’s Award. (For a contemporary classical composition composed within the last 25 years, and released for the first time during the Eligibility Year.) Award to the librettist, if applicable.

Akiho: Ligneous Suite, Andy Akiho, composer (Ian Rosenbaum & Dover Quartet)

Bermel: Intonations, Derek Bermel, composer (Jack Quartet)

Gubaidulina: The Wrath of God, Sofia Gubaidulina, composer (Andris Nelsons & Gewandhausorchester)

Puts: Contact, Kevin Puts, composer (Xian Zhang, Time for Three & The Philadelphia Orchestra)

Simon: Requiem for the Enslaved, Carlos Simon, composer (Carlos Simon, MK Zulu, Marco Pave & Hub New Music)

Best Music Video

Award to the artist, video director, and video producer.

“Easy on Me,” Adele
Xavier Dolan, video director; Xavier Dolan & Nancy Grant, video producers

“Yet to Come,” BTS
Yong Seok Choi, video director; Tiffany Sub, video producer

“Woman,” Doja Cat
Child., video director; Missy Galanida, Sam Houston, Michelle Larkin & Isaac Rice, video producers

“The Heart Part 5,” Kendrick Lamar
Dave Free & Kendrick Lamar, video directors; Jason Baum & Jamie Rabineau, video producers

“As It Was,” Harry Styles
Tanu Muino, video director; Frank Borin, Ivanna Borin, Fred Bonham Carter & Alexa Haywood, video producers

All Too Well: The Short Film, Taylor Swift
Taylor Swift, video director; Saul Germaine, video producer

Best Music Film

For concert/performance films or music documentaries. Award to the artist, video director, and video producer.

Adele One Night Only, Adele
Paul Dugdale, video director; Raj Kapoor & BenWinston, video producers

Our World, Justin Bieber
Michael D. Ratner, video director; Kfir Goldberg, AndyMininger & Scott Ratner, video producers

Billie Eilish Live at The O2, Billie Eilish
Sam Wrench, video director; Michelle An, Tom Colbourne, Chelsea Dodson & Billie Eilish, video producers

Motomami (Rosalia TikTok Live Performance), Rosalia
Ferran Echegaray, Rosalia Vila Tobella & Stillz, video directors

Jazz Fest: A New Orleans Story, Various Artists
Frank Marshall & Ryan Suffern, video directors; Frank Marshall, Sean Stuart & Ryan Suffern, video producers

A Band A Brotherhood A Barn, Neil Young & Crazy Horse
Dhlovelife, video director; Gary Ward, video producer

BLACKPINK ‘Shut Down’ Newark’s Prudential Center With ‘Born Pink’ Hits & Beloved K-Pop Classics

The last time BLACKPINK performed at Newark’s Prudential Center was under a very special set of circumstances — the K-pop group took the stage at the VMAs in August to perform their sizzling Born Pink hit “Pink Venom,” which also served as the group’s live debut of the track and their first time performing at an American awards show. Though the girl group — which consists of members Jennie, Jisoo, Lisa and Rosé — dominated at the show, they admitted during their Nov. 14 Born Pink tour stop at Prudential they were nervous to be back. Based on their performance, it was hard to believe.

The moment the group’s iconic “BLACKPINK in your area” tag and establishing horns blared through speakers, Blinks knew exactly which track the quartet was opening with and buzzed with energy and excitement. The set kicked off with BLACKPINK’s personal statement, “How You Like That,” which saw the group expertly hit the song’s memorable choreography with the help from female backup dancers. The opening track served as BLACKPINK’s formal arrival, and concluded with larger than life stage fireworks — in pink, of course — and streamers as if to say “we’re here.”

The hits didn’t stop there — the first act of the concert catered to fans of their high-energy songs, from The Album‘s fan favorites “Pretty Savage” and “Lovesick Girls” to equally pumped up performances of “Don’t Know What To Do” from the Kill This Love EP and the group’s sizzling-yet-sparsely produced debut single “Whistle.” BLACKPINK continued to dabble in pyrotechnics during the show’s second and third acts, with more fireworks, and at times, actual fire onstage by the time “Kill This Love” and “Playing With Fire” rolled around in the setlist. Those were later followed by tracks “Pink Venom”, “Shut Down,” “DDU-DU DDU-DU” and “Typa Girl.”

Fans of BLACKPINK who have seen the group perform either in person or in video know that the girls divide their concert in half, with the second part featuring individual performances from each member of the group, and last night’s performance at the Prudential Center was no exception.

Jisoo was first up to the plate and performed a solo cover of Camila Cabello’s 2019 track “Liar,” a wonderful compliment to her unique vocal tone, while strutting down the runway stage and performing sultry dance moves with the help of the group’s background dancers. Jennie, who often performed her solo debut track “Solo” in previous BLACKPINK concerts, did not go for the obvious choice this time — instead she gave fans a taste of a potential new solo track (fans are calling “You & Me,” though it has no official title yet), which saw her perform equal parts intricate and elegant dance moves with a male dancer, and highlighted her magnetic energy. Rosé, meanwhile, had more than enough solo material to work with but went with Born Pink solo cut “Hard to Love” and R single “On the Ground.” Lisa provided a masterclass in dancing when it came time to perform her solo hits “Lalisa” and “Money,” which saw Blinks in the audience performing the tracks’ moves, sometimes as well as her backup dancers on stage.

One of the sweetest highlights of the show was during the encore. After a near-10-minute wait — which saw fans across the area leading “when I say black, you say pink” and “boombayah” chants to rile up the crowd — the girls came back looking cozy in sweatshirts, hoodies and tees from their merch line, and stripped back their larger-than-life stage personas to goof around and make un-choreographed dances and cute faces with each other while singing “Yeah Yeah Yeah.” Before ending the show, Jennie, Jisoo, Lisa and Rosé took a picture with the entire stadium, prompting the Blinks in attendance to wave their lightsticks and throw up K-pop finger hearts for the camera.

BLACKPINK’s Born Pink tour shows that despite being a top performing global act, Jennie, Jisoo, Lisa and Rosé maintain the loving charm that has cemented them such a passionate fanbase. But don’t be fooled by their sweetness — their talent and star power can “shut down” almost any arena the second they decide to turn it on.

Santigold Is Trading Touring for Web3 With an NFT Fan Club

Santigold has launched a new community fan club powered by Web3, allowing her to connect directly with fans and offer exclusive content and experiences. It follows a tour cancellation in September where she told fans, “I have tried and tried, looked at what it would take from every angle, and I simply don’t have it.”

The difficult touring conditions has many artists looking for an alternative in Web3. Digital communities, unlocked through NFT access, are becoming increasingly popular for musicians seeking a deeper connection with their fans.

“I am excited about Web3 as an opportunity for artists to interact with our audiences in more honest, intimate and creative ways, while exploring new art mediums and technologies,” says Santigold. “I’m also looking forward to using this space to innovate ways to control the release of our art on our own terms.”

After claiming a free NFT pass, fans will have access to a hub of exclusive content including a sneak peak at Santigold’s upcoming music video. Fans can also submit questions for her new podcast and vote on merchandise designs.

Santigold’s ‘Fan Club’ is powered by Web3 tech company Medallion which already hosts personalized fan clubs for Tycho, Sigur Ros and Jungle. The tech is customizable so it can be integrated into an artist’s existing website and aesthetic. The onboarding process for fans is free and seamless — an example of Web 2.5 whereby the complicated crypto technology is disguised with simple and familiar interfaces.

Medallion Icon

Medallion Logo

Courtesy Photo

British band Jungle launched their Medallion fan club in September and has already used it to launch hyper-localized campaigns to support their touring activity. For example, the band onboarded 500 local fans in Mexico City ahead of a headline show. “The Jungle Fan Club has allowed us to connect with fans directly in a digital space that feels communal, interactive and collaborative,” says Jungle. “Medallion’s technology has built solutions for ideas we’ve had for years, but have never had the tools to make practical.”

Since launching, Medallion has onboarded 20,000 users to Tycho, Sigur Ros and Jungle’s communities — 95% of those had never touched crypto before. Within 24 hours of launching his Web3 fan club, Tycho tripled the number of fans in his Discord community.

“Medallion’s technology has been built with a singular goal of helping artists create more meaningful connections with their fans, both on and off the road,” says Medallion president Derek Davies. “And with the hardships facing touring artists since the onset of the pandemic, the invaluable importance for community in digital spaces has become clearer than ever.”

Web3 fan clubs are not a new phenomenon. Steve Aoki launched the Aokiverse in 2021 which offers fans token-gated access to VIP tickets and free NFT airdrops. Hard rock band Avenged Sevenfold launched the Deathbats Club which gives fans unlimited meet and greet access for life. Meanwhile, alt-rockers Portugal. The Man launched a Web3 fan club complete with its own social token $PTM.

The trend is accelerating, however, especially as new platforms are developed to create a simple, custom experience. The harsh realities of touring in a post-COVID world, coupled with the pressure to create ‘content’ for a mass audience on social media, means that digital communities could become an increasingly important way to engage with super fans.

‘Ted Lasso’ Star Brendan Hunt Goes All Out While Performing Lady Gaga’s ‘Bad Romance’: Watch

He’s a proven football coach, but now it’s clear there’s another sport he could totally school you in: performing late 2000s Lady Gaga hits. At the annual Thundergong! benefit concert, Brendan Hunt — who stars as Coach Beard on Apple TV’s Ted Lasso — gave his all while singing “Bad Romance” for a roaring crowd.

Hunt’s performance was captured in a video posted to Twitter Saturday (Nov. 12), the night of the benefit. In the video, he leads the audience in clapping to the beat of Gaga’s famous intro — “Rah, rah-ah-ah-ah, roma, roma-ma gaga, ooh-la-la” — and struts around the stage while enthusiastically singing the lyrics in his trademark booming, raspy voice.

During the song’s bridge, the actor ups the ante by grabbing a hula hoop, impressively keeping it spinning around his hips as he continues dancing, singing and moving around the stage.

Hosted this year by Hunt’s Ted Lasso co-star Jason Sudeikis, the Thundergong! benefit is an annual charity event for the Steps of Faith Foundation, which supports amputees in need of prosthetic care. Also featuring Will Forte, Fred Armisen, Wynonna Judd and more stars, the concert took place in Kansas City at the Uptown Theater and raised nearly $600,000.

The video of Hunt stealing the show in full Gaga mode started blowing up on Twitter after it was posted, with thousands of Ted Lasso fans retweeting and reposting the performance. “Brendan Hunt as coach beard singing bad romance by lady gaga is the best thing you’ll see today,” wrote one fan.

“Coach Beard singing ‘Bad Romance’ by Lady Gaga whilst hula-hooping on stage is the only thing you need to see tonight,” tweeted another. “What can the man not do?!”

Watch Brendan Hunt, aka Coach Beard, do justice to Lady Gaga’s “Bad Romance” at this year’s Thundergong! event below.

Taylor Swift Fans Share Struggle to Score ‘Eras’ Tickets: ‘Proof That the ’Hunger Games‘ Could Actually Happen’

The hour Swifties have been breathlessly waiting for finally arrived on Tuesday morning (Nov. 15) when presale tickets for some dates for Taylor Swift‘s 2023 Eras U.S. stadium tour went on sale at 10 a.m. And, as you might expect of Taylor’s first tour in five years, the rush to secure a golden ticket was intense.

In fact, Downdetector reporting a surge in outages on the Ticketmaster site around the time of the on-sale; spokespeople for Ticketmaster and Swift had not returned a request for comment about reported outages at press time. Billboard attempted to log into the TM site and app several times during the on-sale and was unable to load the site amid reports that it was freezing and/or crashing despite fans having pre-sale codes.

A spokesperson for TM told CNN Business Tuesday morning that the “site is not down” and that “people are actively purchasing tickets… Fans who have received a code to the TaylorSwiftTix Presale should login and access the queue through the link they received via text rather than entering through the Ticketmaster homepage. This will ensure an optimal shopping experience.”

The reaction to the reported lags and difficulties securing tickets were well-documented by frustrated Swifties — including this writer’s college-aged daughter, who reported from Vermont that “everyone here is freaking out about getting Taylor Swift tickets… no one is getting them… in my lecture if you looked around everyone was on Ticketmaster.”

“The Taylor Swift ticket presale is proof that the Hunger Games could actually happen in real life,” read one tweet about the frenzied sale, while another frustrated clicker was less polite, writing, “if anything will force ticketmaster to finally get their s–t together it’ll be hundreds of thousands of angry taylor swift fans willing to murder someone in cold blood for eras tour tickets.”

The singer added 17 more shows to the now-52-date tour that will celebrate all 10 of her studio albums released since 2006. The massive outing will now set up shop in some cities for two or three nights, including multiple nights in Glendale (AZ), Las Vegas, Arlington (TX), Tampa, Houston, Atlanta, Nashville, Chicago, Detroit, Pittsburgh, Minneapolis, Cincinnati, Kansas City, Denver and Los Angeles (where she’ll play five nights). The U.S. leg is currently slated to kick off on March 18 at State Farm Stadium in Glendale, Arizona.

While some tried to have a good attitude about the issues, including one who wrote, “taylor swift really wasn’t lying when she said ‘i vowed not to cry anymore if we survived the great war’ about getting tickets for the eras tour,” others were livid that things didn’t work out as they’d expected. “Can Taylor Swift fans have a redo on tickets sales?” one asked. “@Ticketmaster clearly wasn’t prepared for this amount of traffic, and all verified fans with actual presale codes are unable to buy tickets. The site has done nothing but crash.” The TM Fan Support account posted an update nearly 11 a.m. ET, telling Swifties, “We are aware fans may be experiencing intermittent issues with the site and are urgently working to resolve.”

Though some joyfully posted about scoring the sought-after tickets, others just wondered what was going on. “Did anyone actually get Taylor Swift tickets,” a fan wondered. Swift hasn’t hit the road since 2018, when she launched her best-selling Reputation Tour. She had planned to go out again after dropping 2019’s Lover for a series of stadium shows she dubbed Lover Fest, but the gigs were canceled due to the COVID-19 pandemic.

For those keeping score at home, this means that Tay has six albums-worth of material that she’s never played live — if you include the previously unreleased vault tracks on 2021’s Fearless (Taylor’s Version) and Red (Taylor’s Version). Studio albums Folklore, Evermore and, of course her latest, Midnights, which have all also been released in the time between Lover and the Eras Tour.

Check out some of the reactions to the “Eras” presale madness below.

Harry Styles, Beyoncé, Adele & More Land 2023 Grammy Nominations in Big Four Categories

The Recording Academy revealed the nominations for the 65th annual Grammy Awards on Tuesday (Nov. 15) via a livestream on live.Grammy.com and on the Academy’s Facebook, YouTube, Twitter, Instagram and TikTok channels.

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They announced all 91 categories on the livestream, including the Big Four categories – song of the year, record of the year, best new artist and album of the year.

Here are the nominees in each of the Big Four categories – together with our instant analysis.

ALBUM OF THE YEAR

Award to Artist(s) and to Featured Artist(s), Songwriter(s) of new material, Producer(s), Recording Engineer(s), Mixer(s) and Mastering Engineer(s).

Voyage, ABBA
Benny Andersson, producer; Benny Andersson & Bernard LOhr, engineers/mixers; Benny Andersson & Bjorn Ulvaeus, songwriters; Bjorn Engelmann, mastering engineer

30, Adele
Shawn Everett, Ludwig Goransson, Inflo, Tobias Jesso, Jr., Greg Kurstin, Max Martin, Joey Pecoraro & Shellback, producers; Julian Burg, Steve Churchyard, Tom Elmhirst, Shawn Everett, Serban Ghenea, Sam Holland, Michael Ilbert, Inflo, Greg Kurstin, Riley Mackin & Lasse Marten, engineers/mixers; Adele Adkins, Ludwig Goransson, Dean Josiah Cover, Tobias Jesso, Jr., Greg Kurstin, Max Martin & Shellback, songwriters; Randy Merrill, mastering engineer

Un Verano Sin Ti, Bad BunnyRauw Alejandro, Buscabulla, Chencho Corleone, Jhay Cortez, Tony Dize, Bomba Estereo & The Marias, featured artists; Demy & Clipz, Elikai, HAZE, La Paciencia, Cheo Legendary, MAG, MagicEnElBeat, Mora, Jota Rosa, Subelo Neo & Tainy, producers; Josh Gudwin & Roberto Rosado, engineers/mixers; Raul Alejandro Ocasio Ruiz, Benito Antonio Martinez Ocasio, Raquel Berrios, Joshua Conway, Mick Coogan, Orlando Javier Valle Vega, Jesus Nieves Cortes, Luis Del Valle, Marcos Masis, Gabriel Mora, Elena Rose, Liliana Margarita Saumet & Maria Zardoya, songwriters; Colin Leonard, mastering engineer

RENAISSANCE, Beyonce
Beam, Grace Jones & Terns, featured artists; Jameil Aossey, Bah, Beam, Beyonce, Bloodpop, Boi-lDa, Cadenza, AI Cres, Mike Dean, Honey Dijon, Kelman Duran, Harry Edwards, Terius “The-Dream” Gesteelde-Diamant, Ivor Guest, Guiltybeatz, Hit-Boy, Jens Christian Isaksen, Leven Kali, Lil Ju, MeLo-X, No I.D., NovaWav, Chris Penny, P2J, Rissi, SlaO, Raphael Saadiq, Neenyo, Skrillex, Luke Solomon, Christopher “Tricky” Stewart, Jahaan Sweet, Syd, Sevn Thomas, Sol Was & Stuart White, producers; Chi Coney, Russell Graham, Guiltybeatz, Brandon Harding, Hotae Alexander Jang, Chris McLaughlin, Delroy “Phatta” Pottinger, Andrea Roberts, Steve Rusch, Jabbar Stevens & Stuart White, engineers/mixers; Denisia “@Biu June” Andrews, Danielle Balbuena, Tyshane Thompson, Kevin Marquis Bellrnon, Sydney Bennett, Beyonce, Jerel Black, Michael Thcker, Atia Boggs p/k/a Ink, Dustin Bowie, David Debrandon Brown, S. Carter, Nija Charles, Sabrina Claudio, Solomon Fagenson Cole, Brittany “@Chi_Coney” Coney, Alexander Guy Cook, Lavar Coppin, Almando Cresso, Mike Dean, Saliou Diagne, Darius Dixson, Jocelyn Donald, Jordan Douglas, Aubrey Drake Graham, Kelman Duran, Terius “The-Dream” Gesteelde-Diamant, Dave Giles II, Derrick Carrington Gray, Nick Green, Larry Griffin Jr, Ronald Banful, Dave Hamelin, Aviel Calev Hirschfield, Chauncey Hollis, Jr., Ariowa Irosogie, Leven Kali, Ricky Lawson, Tizita Makuria, Julian Martrel Mason, Daniel Memmi, Cherdericka Nichols, Ernest “No I.D.” Wilson, Temilade Openiyi, Patrick Paige II From The Internet, Jimi Stephen Payton, Christopher Lawrence Penny, Michael Pollack, Richard Isong, Honey Redmond, Derek Renfroe, Andrew Richardson, Morten Ristorp, Nile Rodgers, Oliver Rodigan, Freddie Ross, Raphael Saadiq, Matthew Samuels, Sean Seaton, Skrillex, Corece Smith, Luke Francis Matthew Solomon, Jabbar Stevens, Christopher A. Stewart, Jahaan Sweet, Rupert Thomas, Jr. & Jesse Wilson, songwriters; Colin Leonard, mastering engineer

Good Morning Gorgeous (Deluxe), Mary J. Blige
DJ Khaled, Dave East, Fabolous, Fivio Foreign, Griselda, H.E.R., Jadakiss, Moneybagg Yo, Ne-Yo, Anderson .Paak, Rerny Ma & Usher, featured artists; Alissia, Tarik Azzouz, Bengineer, Blacka Din Me, Roget Chahayed, Cool & Dre, Ben Billions, DJ Cassidy, DJ Khaled, D’Mile, Wonda, Bongo Bytheway, H.E.R., Hostile Beats, Eric Hudson, London On Da Track, Leon Michels, Nova Wav, Anderson.Paak, Sl!Mwav, Streetrunner, Swizz Beatz & J White Did It, producers; Derek Ali, Ben Chang, Luis Bordeaux, Bryce Bordone, Lauren D’Elia, Chris Galland, Serban Ghenea, Akeel Henry, Jaycen Joshua, Pat Kelly, Jhair Lazo, Sharnele Mackie, Manny Marroquin, Dave Medrano, Ari Morris, Parks, Juan Pefia, Ben Sedano, Kev Spencer, Julio Ulloa & Jodie Grayson Williams, engineers/mixers; Alissia Beneviste, Denisia “Blu June” Andrews, Archer, Bianca Atterberry, Tarik Azzouz, Mary J. Blige, David Brewster, David Brown, Shawn Butler, Roget Chahayed, Ant Clemons, Brittany “Chi” Coney, Kasseern Dean, Benjamin  Diehl, DJ Cassidy, Jocelyn Donald, Jerry Duplessis, Uforo Ebong, Demst Emile II, John Jackson, Adriana Flores, Gabriella Wilson, Shawn Hibbler, Charles A. Hinshaw, Jamie Hurton, Eric Hudson, Jason Phillips, Khaled Khaled, London  Holmes, Andre “Dre” Christopher Lyon, Reminisce Mackie, Leon Michels, Jerome Monroe, Jr., Kim Owens, Brandon Anderson, Jerernie “Benny The Butcher” Pennick, Bryan Ponce, Demond “Conway The Machine” Price, Peter Skellem, Shaffer Smith, Nicholas Warwar, Deforrest Taylor, Tiara Thomas, Marcello “Cool” Valenzano, Alvin “Westside Gunn” Worthy, Anthony Jerrnaine White & Leon Youngblood, songwriters

In These Silent Days, Brandi CarlileLucius, featured artist; Dave Cobb & Shooter Jennings, producers; Brandon Bell, Dave Cobb, Torn Elrnhirst, Michael Harris & Shooter Jennings, engineers/mixers; Brandi Carlile, Dave Cobb, Phil Hanseroth & Tim Hanseroth, songwriters; Pete Lyman, mastering engineer

Music of the Spheres, Coldplay
BTS, Jacob Collier, Selena Gomez & We Are KING, featured artists; Jacob Collier, Daniel Green, Oscar Holter, Jon Hopkins, Max Martin, Metro Boomin, Kang Hyo-Won, Bill Rahko, Bart Schoudel, Rik Simpson, Paris Strother & We Are KING, producers; Guy Berryman, Jonny Buckland, Will Champion, Jacob Collier, The Dream Team, Duncan Fuller, Serban Ghenea, Daniel Green, John Hanes, Jon Hopkins, Michael I!bert, Max Martin, Bill Rahko, Bart Schoudel, Rik Simpson & Paris Strother, engineers/mixers; Guy Berryman, Jonny Buckland, Denise Carite, Will Champion, Jacob Collier, Derek Dixie, Sam Faison, Stephen Fry, Daniel Green, Oscar Holter, Jon Hopkins, Jung Ho-Seok, Chris Martin, Max Martin, John Metcalfe, Leland Tyler Wayne, Bill Rahko, Kim Narn-Joon, Jesse Rogg, Davide Rossi, Rik Simpson, Amber Strother, Paris Strother, Min Yoon-Gi, Federico Vindver & Olivia Waithe, songwriters; Randy Merrill, mastering engineer

Mr. Morale & The Big Steppers, Kendrick  Lamar
Baby Keem, Blxst, Sam Dew, Ghostface Killah, Beth Gibbons, Kodak Black, Tanna Leone, Taylour Paige, Amanda Reifer, Sampha & Summer Walker, featured artists; The Alchemist, Baby Keem, Craig Balrnoris, Beach Noise, Bekon, Boi-lda, Cardo, Dahi, DJ Khalil, The Donuts, FNZ, Frano, Sergiu Gherrnan, Emile Haynie, J.LBS, Mario Luciano, Tyler Mehlenbacher, OKLAMA, Rascal, Sounwave, Jahaan Sweet, Tae Beast, Duval Timothy & Pharrell Williams, producers; Derek Ali, Matt Anthony, Beach Noise, Rob Bisel, David Bishop, Troy Bourgeois, Andrew Boyd, Ray Charles Brown Jr., Derek Garcia, Chad Gordon, James Hunt, Johnny Kosich, Manny Marroquin, Erwing Olivares, Raymond J Scavo III, Matt Schaeffer, Cyrus Taghipour, Johnathan Turner & Joe Visciano, engineers/mixers; KhalilAbdul-Rahman, Hykeem Carter, Craig Balrnoris, Beach Noise, Daniel Tannenbaum, Daniel Tannenbaum, Stephen Lee Bruner, Matthew Burdette, Isaac John De Boni, Sam Dew, Anthony Dixon, Victor Ekpo, Sergiu Gherrnan, Dennis Coles, Beth Gibbons, Frano Huett, StuartJohnson, Bill K. Kapri, Jake Kosich, JohnnyKosich, Daniel Krieger, Kendrick Lamar, Ronald LaTour, Mario Luciano, Daniel Alan Maman, Timothy Maxey, Tyler Mehlenbacher, Michael John Mule, D. Natche, OKLAMA, Jason Pounds, Rascal, Amanda Reifer, Matthew Samuels, Avante Santana, Matt Schaeffer, Sampha Sisay, Mark Spears, Homer Steinweiss, Jahaan Akil Sweet, Donte Lamar Perkins, Duval Timothy, Summer Walker & Pharrell Williams, songwriters;Michelle Mancini, mastering engineer

Special, Lizzo
Benny Blanco, Quelle Chris, Daoud, Omer Fedi, ILYA, Kid Harpoon, Ian Kirkpatrick,  Max Martin, Nate Mercereau, The Monsters & Strangerz, Phoelix, Ricky Reed, Mark Ronson, Blake Slatkin & Pop Wansel, producers; Benny Blanco, Bryce Bordone, Jeff Chestek, Jacob Ferguson, Serban Ghenea, Jeremy Hatcher, Andrew Hey, Sam Holland, ILYA, Stefan Johnson, Jens Jungkurth, Patrick Kehrier, Ian Kirkpatrick, Damien Lewis, Bill Malina, Manny Marroquin & Ricky Reed, engineers/mixers; Amy Allen, Daoud Anthony, Jonathan Bellion, Benjamin Levin, Thomas Brenneck, Christian Devivo, Omer Fedi, Eric Frederic, Ilya Salrnanzadeh, Melissa Jefferson, Jordan K Johnson, Stefan Johnson, Kid Harpoon, Ian Kirkpatrick, Savan Kotecha, Max Martin, Nate Mercereau, Leon Michels, Nick Movshon, Michael Neil, Michael Pollack, Mark Ronson, Blake Slatkin, Peter Svensson, Gavin Chris Tennille, Theron Makiel Thomas, Andrew Wansel & Emily Warren, songwriters; Michelle Mancini, mastering engineer

Harry’s House, Harry Styles
Tyler Johnson, Kid Harpoon & Sammy Witte, producers; Jeremy Hatcher, Oli Jacobs, Nick Lobel, Spike Stent & Sammy Witte, engineers/mixers; Amy Allen, Tobias Jesso, Jr., Tyler Johnson, Kid Harpoon, Mitch Rowland, Harry Styles & Sammy Witte, songwriters; Randy Merrill, mastering engineer

Analysis:

Bad Bunny’s Un Verano Sin Ti is the first Spanish-language album to receive an album of the year nomination. Latin crossover pioneer José Feliciano was nominated in 1968 for Feliciano!, but his album consisted of English-language tracks. Related factoid: Un Verano Sin Ti is the first album to receive album of the year nods at both the Grammys and the Latin Grammys.

Lamar’s Mr. Morale & The Big Steppers is his fourth studio album to be nominated for album of the year, which puts him in a tie with Ye (a.k.a. Kanye West) as the rapper with the most nods in this category (as a lead artist). And unlike Ye, Lamar’s nominations are for four consecutive studio albums. Furthermore, Lamar is the first artist from any genre to be nominated with four consecutive studio albums since Billy Joel (1979-83).

Beyoncé is the first woman of color to receive four album of the year nominations (as a lead artist). She had been tied with Mariah Carey, Whitney Houston and H.E.R. with three nods each in the category.

Coldplay received its third album of the year nomination for Music of the Spheres. Coldplay is one of just five pop or rock groups or duos to receive three or more nominations in that category. The Beatles lead with five, followed by U2 with four, and Steely Dan and Radiohead, also with three. Moreover, this is Coldplay’s second album of the year nomination in the past three years. The veteran band is one of just two artists – along with Swift – to receive two album of the year nods in the first three years of the 2020s.

Five of these album of the year nominees (ABBA, Adele, Coldplay, Lizzo and Styles) are also nominated for best pop vocal album. The other five albums are also nominated in five far-flung album categories – Bad Bunny (best música urbana album), Beyoncé (best dance/electronic album), Blige (best R&B album), Carlile (best Americana album) and Lamar (best rap album).

Mastering engineer Randy Merrill received three album of the year nods, for his work on Adele’s 30, Coldplay’s Music of the Spheres and Styles’ Harry’s House.

Previously announced:

BEST NEW ARTIST

This category recognizes an artist whose eligibility-year release(s) achieved a breakthrough into the public consciousness and notably impacted the musical landscape.

Nominees:

Anitta

Omar Apollo

DOMi & JD Beck

Muni Long

Samara Joy

Latto 

Måneskin

Tobe Nwigwe

Molly Tuttle

Wet Leg

Analysis:

There are many surprises in this category, and many surprising omissions. Lainey Wilson, the CMA winner for new artist of the year, is missing. So are Dove Cameron, who won best new artist at the MTV Video Music Awards in August, and GloRilla, who won best breakthrough hip-hop artist at the BET Hip Hop Awards in October.

Other acts that were entered and eligible but not nominated include Em Beihold, Breland, Zach Bryan, Becky G, GAYLE, Conan Gray, Joji, Tate McRae, Lauren Spencer-Smith, Rina Sawayama and Bailey Zimmerman.

Four nominees were born outside of the U.S. — Anitta (Brazil), Måneskin (Italy), Wet Leg (Britain), and Domi Louna, the keyboardist in DOMi & JD Beck (France).

There are three groups or duos (DOMi & JD Beck, Måneskin and Wet Leg), the highest number in a decade. The 2012 nominees included Alabama Shakes, fun. and The Lumineers.

Previously announced:

RECORD OF THE YEAR

Award to the Artist and to the Producer(s), Recording Engineer(s) and/or Mixer(s) and mastering engineer(s), if other than the artist.

Nominees:

“Don’t Shut Me Down,” ABBA
Benny Andersson, producer; Benny Andersson & Bernard Lohr, engineers/mixers; Bjorn Engelmann, mastering engineer

“Easy on Me,” Adele
Greg Kurstin, producer; Julian Burg, Torn Elmhirst & Greg Kurstin, engineers/mixers; Randy Merrill, mastering engineer

“BREAK MY SOUL,” Beyoncé
Beyoncé, Terius “The-Dream” Gesteelde-Diarnant, Jens Christian Isaksen & Christopher “Tricky” Stewart, producers; Brandon Harding, Chris McLaughlin & Stuart White, engineers/mixers; Colin Leonard, mastering engineer

“Good Morning Gorgeous,” Mary J. Blige
D’Mile & H.E.R., producers; Bryce Bordone, Serban Ghenea & Pat Kelly, engineers/mixers

“You and Me on the Rock,” Brandi Carlile feat. Lucius
Dave Cobb & Shooter Jennings, producers; Brandon Bell, Torn Elrnhirst & Michael Harris, engineers/mixers; Pete Lyman, mastering engineer

“Woman,” Doja Cat
Crate Classics, Linden Jay, Aynzli Jones & Yeti Beats, producers; Jesse Ray Ernster & Rian Lewis, engineers/mixers; Mike Bozzi, mastering engineer

“Bad Habit,” Steve Lacy
Steve Lacy, producer; Neal Pogue & Karl Wingate, engineers/mixers; Mike Bozzi, mastering engineer

“The Heart Part 5,” Kendrick Lamar
Beach Noise, producer; Beach Noise, Rob Bisel, Ray Charles Brown Jr., James Hunt, Johnny Kosich, Matt Schaeffer & Johnathan Thrner, engineers/mixers; Michelle Mancini, mastering engineer

“About Damn Time,” Lizzo
Ricky Reed & Blake Slatkin, producers; Patrick Kehrier, Bill Malina & Manny Marroquin, engineers/mixers; Michelle Mancini, mastering engineer

“As It Was,” Harry Styles
Tyler Johnson & Kid Harpoon, producers; Jeremy Hatcher & Spike Stent, engineers/mixers; Randy Merrill, mastering engineer

Analysis:

This is Beyoncé’s eighth career nod for record of the year, which is more than any other artist in Grammy history. She had been tied with Frank Sinatra for that record with seven nods each.

This is the fourth nomination in the category for Adele; the third for Carlile, Doja Cat and Lamar; the second for ABBA, Blige and Lizzo; and the first for Lacy, Styles and Lucius, Carlisle’s featured artist on “You and Me on the Rock.”

Just one collaboration is in the running for record of the year, the lowest number in five years.

Doja is just the third female artist to receive record of the year nods three years running. She was nominated in this marquee category for “Say So” (2020) and “Kiss Me More” (featuring SZA, 2021). She made it this year with “Woman,” which enables her to tie Roberta Flack (1972-74) and Billie Eilish (2019-21) as the only female artists to appear in this category in three consecutive years.

Five of the 10 nominated singles reached No. 1 on the Billboard Hot 100, but two others – ABBA’s “Don’t Shut Me Down” and the Carlile/Lucius collab “You and Me on the Rock” — have yet to crack the chart.

Previously announced:

SONG OF THE YEAR

A Songwriter(s) Award. A song is eligible if it was first released or if it first achieved prominence during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only.

Nominees:

“abcdefu”
Sara Davis, GAYLE & Dave Pittenger, songwriters (GAYLE)

“About Damn Time”
Melissa “Lizzo” Jefferson, Eric Frederic, Blake Slatkin & Theron Makiel Thomas, songwriters (Lizzo)

“All Too Well (10 Minute Version) (The Short Film)”
 Liz Rose & Taylor Swift, songwriters (Taylor Swift)

“As It Was”
Tyler Johnson, Kid Harpoon & Harry Styles, songwriters (Harry Styles)

“Bad Habit”
Matthew Castellanos, Brittany Foushee, Diana Gordon, John Carroll Kirby & Steve Lacy, songwriters (Steve Lacy)

“BREAK MY SOUL”
 Beyoncé, S. Carter, Terius “The-Dream” Gesteelde-Diamant & Christopher A. Stewart, songwriters (Beyoncé)

“Easy on Me”
 Adele Adkins & Greg Kurstin, songwriters (Adele)

“GOD DID”
Tarik Azzouz, E.Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts & Nicholas Warwar, songwriters (DJ Khaled Featuring  Rick Ross, Lil Wayne, Jay-Z, John Legend & Fridayy)

“The Heart Part 5”
Jake Kosich, Johnny Kosich, Kendrick Lamar & Matt Schaeffer, songwriters (Kendrick Lamar)

“Just Like That”
Bonnie Raitt, songwriter (Bonnie Raitt)

Analysis:

Swift ties the all-time record for most song of the year nods (six) with the nomination of the expanded version of “All Too Well.” Paul McCartney and Lionel Richie had long been the songwriters with the most song of the year nods. They now have company.

Raitt lands her first song of the year nomination for “Just Like That,” which she wrote by herself. It’s the first song written by a solitary songwriter to be nominated in this category since Swift’s “Lover” two years ago.

At the other extreme, nine songwriters are credited as co-writers of DJ Khaled’s “GOD DID.” That’s not quite a record. Eleven songwriters joined forces to create Justin Bieber’s jam “Peaches,” a nominee last year. “GOD DID” is in a tie with Beyoncé’s “Black Parade” as the song of the year nominee with the second-most credited songwriters.

“GOD DID” and “The Heart Part 5” are both also nominated for best rap song.

Miko Marks, Rissi Palmer Set Co-Headlining Tour

Miko Marks and Rissi Palmer will hit the road next year on a co-headlining tour that launches in Washington, D.C. on May 3, 2023.

The concerts will feature acoustic performances from Marks and Palmer in addition to duets and the two pairing up on their upcoming song “I’m Still Here,” which they played together onstage at the Grand Ole Opry in August.

“Working with Rissi on tour is definitely one of the highlights of my journey in music,” Marks said in a statement. “I have always loved her music and now I get to be on tour with her. We have grown to be close friends over the years and this moment has been a long time coming.”

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“Miko has been an inspiration and a friend for a long time. Her talent is second to none and it’s an honor to be sharing a stage with her,” Palmer added. “The audience can expect a lot of laughter, a lot of good, new music, stories, and a great show.”

Marks released her debut album, Freeway Bound, in 2005, while Palmer issued her self-titled debut two years later. In 2019, Palmer released the album Revival, and a year later, launched her Apple Music radio show Color Me Country with Rissi Palmer, which provides a platform to give a voice to artists of color. In 2021, Marks released her first album of music in 13 years, Our Country. She followed with the EP Race Records and the album Feel Like Going Home.

Tickets for the shows will go on sale beginning Nov. 18 at both Marks’ and Palmer’s websites.

See the full list of tour dates below:

May 3 – Washington, D.C. @ Kennedy Center’s Millennium Stage Series

May 4 – Old Saybrook, CT @ The Katharine Hepburn Cultural Center

May 5 – Brownfield, ME @ Stone Mountain Arts Center

May 6 – Boston, MA @ City Winery Haymarket

May 7 – New York, NY @ City Winery – The Loft

May 10 – Philadelphia, PA @ World Cafe Live

May 11 – Durham, NC @ The Pinhook

May 13 – Atlanta, GA @ Eddie’s Attic