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Elon Musk Restores Donald Trump’s Twitter Account After Online Poll

Elon Musk reinstated Donald Trump’s account on Twitter on Saturday (Nov. 19), reversing a ban that has kept the former president off the social media site since a pro-Trump mob attacked the U.S. Capitol on Jan. 6, 2021, as Congress was poised to certify Joe Biden’s election victory.

Musk made the announcement in the evening after holding a poll that asked Twitter users to click “yes” or “no” on whether Trump’s account should be restored. The “yes” vote won, with 51.2 percent.

“The people have spoken. Trump will be reinstated. Vox Populi, Vox Dei,” Musk tweeted, using a Latin phrase meaning “the voice of the people, the voice of God.”

Shortly afterward Trump’s account, which had earlier appeared as suspended, reappeared on the platform complete with his former tweets, more than 59,000 of them. However, his followers were gone, at least initially.

It is not clear whether Trump would actually return to Twitter. An irrepressible tweeter before he was banned, Trump has said in the past that he would not rejoin even if his account was reinstated. He has been relying on his own, much smaller social media site, Truth Social, which he launched after being blocked from Twitter.

And on Saturday, during a video speech to a Republican Jewish group meeting in Las Vegas, Trump said that he was aware of Musk’s poll but that he saw “a lot of problems at Twitter,” according to Bloomberg.

“I hear we’re getting a big vote to also go back on Twitter. I don’t see it because I don’t see any reason for it,” Trump was quoted as saying by Bloomberg. “It may make it, it may not make it,” he added, apparently referring to Twitter’s recent internal upheavals.

The prospect of restoring Trump’s presence to the platform follows Musk’s purchase last month of Twitter — an acquisition that has fanned widespread concern that the billionaire owner will allow purveyors of lies and misinformation to flourish on the site. Musk has frequently expressed his belief that Twitter had become too restrictive of freewheeling speech.

His efforts to reshape the site have been both swift and chaotic. Musk has fired many of the company’s 7,500 full-time workers and an untold number of contractors who are responsible for content moderation and other crucial responsibilities. His demand that remaining employees pledge to “extremely hardcore” work triggered a wave of resignations, including hundreds of software engineers.

Users have reported seeing increased spam and scams on their feeds and in their direct messages, among other glitches, in the aftermath of the mass layoffs and worker exodus. Some programmers who were fired or resigned this week warned that Twitter may soon fray so badly it could actually crash.

Musk’s online survey, which ran for 24 hours before ending Saturday evening, concluded with 51.2% of more than 15 million votes favoring the restoration of Trump’s Twitter account. It comes four days after Trump announced his candidacy for the presidency in 2024.

Trump lost his access to Twitter two days after his supporters stormed the Capitol, soon after the former president had exhorted them to “fight like hell.” Twitter dropped his account after Trump wrote a pair of tweets that the company said cast further doubts on the legitimacy of the presidential election and raised risks for the Biden presidential inauguration.

After the Jan. 6 attack, Trump was also kicked off Facebook and Instagram, which are owned by Meta Platforms, and Snapchat. His ability to post videos to his YouTube channel was also suspended. Facebook is set to reconsider Trump’s account suspension in January.

Throughout his tenure as president, Trump’s use of social media posed a significant challenge to major social media platforms that sought to balance the public’s interest in hearing from public officials with worries about misinformation, bigotry, harassment and incitement of violence.

But in a speech at an auto conference in May, Musk asserted that Twitter’s ban of Trump was a “morally bad decision” and “foolish in the extreme.”

Earlier this month, Musk, who completed the $44 billion takeover of Twitter in late October, declared that the company wouldn’t let anyone who had been kicked off the site return until Twitter had established procedures on how to do so, including forming a “content moderation council.”

On Friday, Musk tweeted that the suspended Twitter accounts for the comedian Kathy Griffin, the Canadian psychologist Jordan Peterson and the conservative Christian news satire website Babylon Bee had been reinstated. He added that a decision on Trump had not yet been made. He also responded “no” when someone on Twitter asked him to reinstate the conspiracy theorist Alex Jones’ account.

In a tweet Friday, the Tesla CEO described the company’s new content policy as “freedom of speech, but not freedom of reach.”

He explained that a tweet deemed to be “negative” or to include “hate” would be allowed on the site but would be visible only to users who specifically searched for it. Such tweets also would be “demonetized, so no ads or other revenue to Twitter,” Musk said.

Lizzo Welcomes Cardi B, Missy Elliott to the Stage in Los Angeles

Two very special guests took the stage at Lizzo‘s Friday night (Nov. 18) concert at the Kia Forum in Inglewood, California.

Missy Elliott joined the singer on “Tempo,” from Lizzo’s Cuz I Love You album, and Cardi B reunited with Lizzo for their Hot 100 hit “Rumors.”

“My face after @MissyElliott surprised us last night! Being on stage w you is a DREAM but knowing you is unfathomable! My absolute ICON! I love you 5EVA! thank you!” Lizzo gushed on Saturday on Twitter, where she shared a heartwarming image of the pair embracing in a hug.

“You are one of a kind lizzo & I love watching you perform so much STAMINA!!” Missy wrote back. “You are a Star & the crowd LOVE you! Your HUMILITY & HEART trumps everything! I love you & I am Humbly Grateful to have shared the stage with you.”

“I am a Fan of Cardi B!” Lizzo also tweeted. “I been following her since before love&hiphop… But as much as I fan over her as an artist, who she is as a PERSON is UNMATCHED. @iamcardib thank U for always coming thru for me, for standing up for us when you don’t have to. U the peoples champ! I LOVE U.”

Cardi then wrote, “Lizzo show was amazing !It was very pretty,very positive and I saw Missy Elliot.”

Lizzo returns to the Kia Forum for another show Saturday night, wrapping the North American leg of her tour for 2022.

See a couple fan-filmed clips from the guest appearances at Friday’s show below.

Skittles Reminds Fans Not to Throw Skittles at Harry Styles With Full-Page L.A. Times Ad

“Protect the rainbow. Taste the rainbow. But please, don’t throw the rainbow,” a full-page print advertisement in the Los Angeles Times reads, Skittles announced on Saturday (Nov. 19). The ad is the brand’s latest reaction to Harry Styles getting an eyeful of Skittles thrown at his face at a concert earlier this week.

On Saturday, the candy brand released a similar image on social media, along with the tweet: “PSA: Protect your eyes from Skittles (by eating them, not throwing them).”

The ad features a large pair of heart-shaped, protective eyewear in homage to Styles’ “Watermelon Sugar” sunglasses.

Styles was hit with Skittles while performing “Kiwi” at the Kia Forum in Inglewood, California, on Monday night (Nov. 14). Footage of the unfortunate moment circulated online, and by Thursday, Skittles issued a bulletin on social media: “Didn’t think I needed to say this: Please don’t throw Skittles,” read the message.

The singer has had a variety of objects aimed his way while performing on his Love On Tour, from chicken nuggets to an unidentified object that hit him in the groin area.

Trent Reznor on Desire to Bail on Twitter After Elon Musk Takeover: ‘We Don’t Need the Arrogance of the Billionaire Class’

“Embarrassment,” offers Trent Reznor when asked for his take on Elon Musk’s Twitter takeover.

The Nine Inch Nails frontman and Oscar-winning composer (with longtime partner Atticus Ross) has a sizable 1.6 million following, even if he doesn’t tweet all that much. Nonetheless, he’s ready to say goodbye for good.

“I’m about to depart. We don’t need the arrogance of the billionaire class to feel like they can just come in and solve everything. Even without him involved, I just find that it has become such a toxic environment. For my mental health, I need to tune out. I don’t feel good being there anymore.”

He’s not alone in weighing his future on the platform. Stars who have logged off for good in the days since Musk’s Oct. 28 acquisition of the company include Alex Winter, David Dastmalchian, Laura Benanti, Gigi Hadid and Whoopi Goldberg, while others have signaled their intentions to stop using Twitter though their accounts have not yet been deleted. Those include Ariana DeBose, Brian Koppelman, Toni Braxton, Ken Olin and others.

The Hollywood Reporter caught up with Reznor and Ross during a joint interview on the red carpet outside TCL Chinese Theater where there was plenty to talk about aside from social media platforms. Specifically, the pair was keen to discuss their collaborations with Bones and All director Luca Guadagnino before heading in to catch the AFI Fest premiere.

Apparently, the gig working with the Italian auteur went so well that they are already months-in on a second collaboration on his tennis film Challengers starring Zendaya, Josh O’Connor and Mike Faist.

“It couldn’t have been better,” Reznor said of working on the cannibal love story. “We went from not knowing him going into this to meeting a genuine, authentic, respectful collaborator who has become a friend. We were able to work on material that, in every iteration, we were amazed by how it blossomed into something beyond our expectation. I know that sounds ridiculous, you can say, but it really was a magical experience.”

Later, during the post-screening Q&A moderated by Los Angeles Times critic Justin Chang, Reznor revealed that he and Ross started working on the music long before Guadagnino picked up any cameras. And it was the filmmaker who suggested an acoustic guitar as the anchor for a “simple, melodic component” that plays throughout the film.

“That started us on our process of approaching this as a love story,” he continued, referring to the flesh-eating couple at the center of the story, played by Timothée Chalamet and Taylor Russell. Months later, Guadagnino sent a rough cut of the film, four and a half hours in length.

“We sat bound watching that,” Reznor recalled. “To see these characters come to life with such skill and humanity and frailty, it really was a crazy experience. It really was one of those things. We’ll always remember how, wow, the genius, the choice of shots, the art direction. … It really struck us in a way.”

Bones and All opens in theaters on Nov. 18.

This story first appeared in the Nov. 16 issue of The Hollywood Reporter magazine. Click here to subscribe.

Bob Dylan’s Collection of Love Letters Sells for $670K at Auction

A collection of touching and sometimes prescient personal letters written by a young Bob Dylan to a high school girlfriend has been sold at auction to a renowned Portuguese bookshop for nearly $670,000.

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The Livraria Lello in Porto, Portugal, which bills itself as “the World’s Most Beautiful Bookshop,” plans to keep the archive of 42 handwritten letters totaling 150 pages complete and available for Dylan fans and scholars to study, auctioneer RR Auction said in a statement Friday (Nov. 18).

Dylan, a native of Hibbing, Minnesota, wrote the letters to Barbara Ann Hewitt between 1957 and 1959 when he was still known as Bob Zimmerman. They provide an insight into a period of his life of which not much is known.

Remarkably, in some of the letters Dylan writes about changing his name and hoping to sell a million records. Decades later, the now 81-year-old Dylan and 2016 recipient of the Nobel Prize in Literature has sold about 125 million records.

The young musician also expresses his affection for Hewitt, invites her to a Buddy Holly show, includes little fragments of poetry, and talks about the sorts of things that generations of high school students have been concerned about, such as cars, clothes and music.

Hewitt’s daughter found the letters after her mother died in 2020. The original envelopes addressed in Dylan’s handwriting were sent to the Hewitt family’s new home in the Minneapolis-St. Paul suburb of New Brighton.

Several other items of Dylan memorabilia were also sold at the auction, including an archive of 24 “Poems Without Titles” written when the singer-songwriter attended the University of Minnesota, which sold for almost $250,000; and one of the earliest known signed photographs of Dylan that went for more than $24,000.

Adele’s 9 Funniest One-Liners & Banter at Las Vegas Residency Opening Night

It’s no secret that Adele has one of the most respected voices in music and can write a heartbreaking ballad with the best of them. But what music fans only aware of her chart-topping hits from the radio might not know is just how hysterical she is.

At opening night of her new Weekends With Adele residency in Las Vegas, there were countless moments of Adele’s brilliantly bawdy sense of humor, with the F-bombs flying freely as she briskly bantered with the crowd between songs in the Colosseum at Caesars Palace.

In Billboard’s seven best moments from the show, we highlighted one such moment when she hilariously focused on her love for a certain AMC show.

“I’ve got a lot to tell you. It’s a bloody massive week for me, this week,” she said. “It’s the Walking Dead finale on Sunday! Do we have any Walking Dead fans here?” She was surprised to get a lot of feedback, thinking the opening-night group might be a little too highbrow for the zombie show. “Oh! I thought this was going to be a stiffer crowd than that. I’ve been obsessed with The Walking Dead for like over a decade, and on Sunday it’s all coming to an end.

“And obviously it’s opening night, and it was the Grammys [nominations], and it’s the World Cup — f—ing hell, there’s a lot going on!” she said, offhandedly mentioning the seven 2023 Grammy nods she picked up on Tuesday and her beloved England squad playing in the global soccer tournament starting Sunday.

But that was just the tip of the chatty iceberg. Below, find Billboard’s favorite one-liners and between-song banter from night 1 of Weekends With Adele.

Florence + The Machine Postpones Tour After Singer Breaks Foot: ‘My Heart Is Aching’

Florence + the Machine has postponed the remainder of its U.K. tour after lead singer Florence Welch broke her foot.

The charismatic frontwoman for orchestral rock band took to social media on Saturday (Nov. 19) to share the upsetting news with fans, noting that she had been dancing on her injured foot while performing at London’s O2 Arena on Friday evening.

“I’m so sorry to say that after an X ray it seems I was dancing on a broken foot last night,” Welch wrote on Instagram alongside a photo of a blood-spattered empty stage.

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The singer is known for performing barefoot during concerts. Video footage from Friday’s concert shows the group’s stage crew wiping the stage between songs, presumably because of the blood.

Welch continued, “It is not in my nature to postpone a show, and certainly not a UK tour, but I’m in pain and as dancers know, dancing on an injury is not a good idea. And have been told not to perform to avoid further damage.”

Florence + the Machine’s U.K. tour was scheduled to run through Nov. 30 in Dublin, Ireland. The trek will be rescheduled for 2023. At press time, the band had live shows scheduled for next year in Australia, New Zealand, Europe and the U.K., according to its website.

“Please hang on to your tickets. We are working our hardest to reschedule these dates for next year and we will let you know as soon as possible,” Welch added in her post. “I’m heartbroken as the Dance Fever tour has been my favourite show we have ever put on. The communion with you. Your beautiful faces shining. I love you so much, and I’m so sorry to anyone who is disappointed.”

Florence + the Machine is touring in support of its latest album, Dance Fever, which topped the U.K. chart, and reached No. 1 on Billboard‘s Top Rock Albums and Top Alternative Albums charts.

See Welch’s post on Instagram below.

Ticketmaster Apologizes to Taylor Swift and Fans for Eras Tour Ticket Disaster

Ticketmaster has issued a formal apology to Taylor Swift and her fans following the chaotic ticket sales process for her 2023 Eras Tour.

The ticketing giant took to social media on Friday night (Nov. 18) to share a brief apology message, along with a link to a lengthier explanation on its website about why legions of Swifties weren’t able to buy tickets.

“We want to apologize to Taylor and all of her fans — especially those who had a terrible experience trying to purchase tickets,” Ticketmaster tweeted. “We feel we owe it to everyone to share some information to help explain what happened.”

The debacle stems from Swift’s presale earlier this week for her 52-date Eras Tour, which initially crashed shortly after launch as 14 million fans and billions of bots flooded the site, causing service disruptions.

In its Friday statement, which repeated much of what was written (and later deleted) in a previous blog post, Ticketmaster noted that more than 3.5 million fans pre-registered for Swift’s Verified Fan program.

“Never before has a Verified Fan onsale sparked so much attention — or traffic,” the company wrote. “This disrupted the predictability and reliability that is the hallmark of our Verified Fan platform.”

Fans bought up more than 90% of the ticketing inventory on Tuesday and Wednesday, according to Ticketmaster, breaking the record on Tuesday for the most tickets ever sold in a single day by a touring artist at 2 million.

Ticketmaster added on Friday, “We’re working to shore up our tech for the new bar that has been set by demand for the Taylor Swift | The Eras Tour. Once we get through that, if there are any next steps, updates will be shared accordingly.”

Earlier in the day, Swift spoke out against Ticketmaster for her fans’ problematic experience in purchasing tickets to her tour.

“I’m not going to make excuses for anyone because we asked them, multiple times, if they could handle this kind of demand and we were assured they could,” the superstar wrote on her Instagram Story. “It’s truly amazing that 2.4 million people got tickets, but it really pisses me off that lot of them feel like they went through several bear attacks to get them.”

Sen. Amy Klobuchar sent an open letter on Thursday to Live Nation CEO Michael Rapino detailing her “concerns about the state of competition in the ticketing industry and its harmful impact on consumers.” The problem, wrote Klobuchar, is a lack of competition “that typically push[es] companies to innovate and improve their services. That can result in dramatic service failures, where consumers are the ones that pay the price.”

On Friday, a New York Times report surfaced that the U.S. Department of Justice is investigating whether Ticketmaster parent company Live Nation has abused its huge market share in the live music industry.

Ned Rorem, Prize-Winning Composer and Writer, Dies at 99

Ned Rorem, the prolific Pulitzer- and Grammy-winning musician known for his vast output of compositions and for his barbed and sometimes scandalous prose, died Friday (Nov. 18) at 99.

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The news was confirmed by a publicist for his longtime music publisher, Boosey & Hawkes, who said he died of natural causes at his home on Manhattan’s Upper West Side.

The handsome, energetic artist produced a thousand-work catalog ranging from symphonies and operas to solo instrumental, chamber and vocal music, in addition to 16 books. He also contributed to the score for the Al Pacino-starring film Panic in Needle Park.

Time magazine once called Rorem “the world’s best composer of art songs,” and he was notable for his hundreds of compositions for the solo human voice. The poet and librettist J.D. McClatchy, writing in The Paris Review, described him as “an untortured artist and dashing narcissist.”

His music was mostly tonal, though very much modern, and Rorem didn’t hesitate to aim his printed words at other prominent contemporaries who espoused the dissonant avant-garde, like Pierre Boulez.

“If Russia had Stalin and Germany had Hitler, France still has Pierre Boulez,” Rorem once wrote.

He had a basic motto for songwriting: “Write gracefully for the voice — that is, make the voice line as seen on paper have the arched flow which singers like to interpret.”

Rorem won the 1976 Pulitzer for his “Air Music: Ten Etudes for Orchestra.” The 1989 Grammy for outstanding orchestral recording went to The Atlanta Symphony for Rorem’s “String Symphony, Sunday Morning, and Eagles.”

His 1962 “Poems of Love and the Rain” is a 17-song cycle set to texts by American poets; the same text is set twice, in a contrasting way.

Born in Richmond, Indiana, Rorem was the son of C. Rufus Rorem, whose ideas in the 1930s were the basis for the Blue Cross and Blue Shield insurance plans and who turned to Quaker philosophy, raising his son as a pacifist.

The younger Rorem went to day school at the elite University of Chicago Laboratory Schools. By the time he was 10, his piano teacher introduced him to Debussy and Ravel, which “changed my life forever,” said the composer whose music was tinged with French lyricism.

He went on to study at the American Conservatory of Music in Hammond, Indiana, and Northwestern University in Evanston, Illinois, then the Curtis Institute in Philadelphia and the Juilliard School in New York.

As a young composer in the 1950s, he lived abroad for eight years, mostly in Paris but with two years in Morocco.

The Paris Diary covers his stay there and is filled with famous names of people he met — Jean Cocteau, Francis Poulenc, Balthus, Salvador Dali, Paul Bowles, John Cage, Man Ray, and James Baldwin. The late writer Janet Flanner called it “worldly, intelligent, licentious, highly indiscreet.” Rorem himself said his text was “filled with drunkenness, sex, and the talk of my betters.”

His literary self-portrait continued through 1985, contained in The New York Diary, The Later Diaries and The Nantucket Diary.

“His essays are composed like scores,” McClatchy once wrote of him. “The same hallmarks we listen for in Rorem’s music will be found in his essays a well: indirection, instinctive grace, intellectual aplomb, a lyrical line.”

Some were appalled by Rorem’s notorious accounting of his relationships with four big-name men in music: Leonard Bernstein, Noel Coward, Samuel Barber, and Virgil Thomson. He also outed a few others.

But most of his private life was centered around James Holmes, an organist and choir director with whom he lived for three decades in New York City. Holmes died in 1999. A statement from Boosey & Hawkes said Rorem died surrounded by friends and family and is survived by six nieces and nephews and eleven grandnieces and grandnephews.

Drawing on his upbringing, Rorem based his Quaker Reader — a collection of pieces for organ — on Quaker texts.

As for his non-musical writings, he said: “My music is a diary no less compromising than my prose. A diary nevertheless differs from a musical composition in that it depicts the moment, the writer’s present mood which, were it inscribed an hour later, could emerge quite otherwise.”

Rorem’s essays on music appear in anthologies titled Setting the Tone, Music from the Inside Out, and Music and People.

“Why do I write music?” he once asked. “Because I want to hear it — it’s as simple as that.”

Elton John’s Final Concert Live From Dodger Stadium: When & How to Watch

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Elton John is giving fans a chance to watch his final North American concert live — from anywhere.

The Rocket Man will be joined by Dua Lipa, Kiki Dee and Brandi Carlile for his final North American performance at Dodger Stadium on Sunday (Nov. 20). The concert special, Elton John Live From Dodger Stadium, will stream exclusively on Disney+.

The livestream will begin with Countdown to Elton Live, featuring interviews with John and his husband/manager David Furnish, well-wishes from famous friends, and more.

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Elton John Live: Farewell From Dodger Stadium is produced by Fulwell 73 Productions and Rocket Entertainment. Keep reading for directions on when and how to stream the star-studded concert.

‘Elton John Live From Dodgers Stadium’: How to Watch

Elton John Live: Farewell From Dodger Stadium will begin livestreaming on Disney+ on Sunday (Nov. 20) at 11 p.m. ET / 8 p.m. PT. The pre-show begins at 10:30 p.m. ET/7:30 p.m. PT.

Disney+ is $7.99 for the monthly subscription, $79.99 for the annual plan, and $13.99/month to bundle with Hulu and ESPN+.

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The platform offers a large selection of Disney+ Originals, which includes Dancing With the Stars, Disenchanted and Andor, alongside concert specials and music documentaries like The Beatles: Get Back and BTS Permission to Dance on Stage LA.

With Disney+, subscribers can stream movies, shows, documentaries and concert specials on up to four different devices simultaneously.

Below, watch the trailer for Elton John: Farewell From Dodger Stadium.