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SoundCloud, Third & Hayden Team Up for Joint Venture

SoundCloud has linked up with Third & Hayden, the Atlanta management and services company founded by music exec Kei Henderson, for a joint venture, the companies announced today (Dec. 5). The new venture will see Third & Hayden signing new acts to its label and developing them with the help of SoundCloud’s services division, which will provide marketing, A&R, distribution and promotion support, as well as financial backing.

The first two acts to sign to the new venture are Los Angeles singer/songwriter Jordan Hawkins and Atlanta-based rapper Key!.

The deal is the latest for SoundCloud’s new roster initiative, which has previously inked a joint venture with Quality Control’s Solid Foundation Management to work on new acts and signed distribution deals with Lil Pump, Tekno and Aly & AJ to release forthcoming projects. Henderson, meanwhile, has an extensive background as a manager over the past decade, beginning with Key! 10 years ago, who then introduced her to 21 Savage in the mid-2010s; Henderson would go on to co-manage Savage for several years as he rose from the mixtape circuit into one of the most influential rappers of the past half-decade. Henderson then co-founded SinceThe80s, a joint venture with Motown/Capitol Music Group, where she first worked with Hawkins, and founded Third & Hayden, which also manages artists like Asiahn, Ben Reilly and Kenneth Whalun, among others.

“We want artists to find success as independents to set the foundation for long-term careers and move through their careers with leverage, and creative control. What we were able to build with 21 Savage early and again with SinceThe80s is the blueprint for the way we’re working with our artists and I’m so thankful to have been a part of both of these brands from the start,” Henderson said in a statement announcing the deal. “SoundCloud is typically one of the first touch points for indie artists and I feel a great part of my career has been brand building with artists from day zero — for this reason they’re the best partner for what we’re building. We’re being intentional on ground up development.”

In an interview with Billboard, Henderson further broke down the reasoning for going with SoundCloud, after previously working through Distrokid and then Epic Records for 21 Savage and with Motown/Capitol with SinceThe80s.

Kei Henderson

Kei Henderson

Courtesy Photo

“I think it was the understanding that building isn’t an overnight thing,” she said. “It will allow me to fund their careers from a startup level in a way that includes advances, recording budgets and marketing budgets. We’re always gonna be scrappy and resourceful, but it’s always nice to have a little bit of money to be able to do certain things with. So we’ll be able to activate digitally a little more than we would be able to as a completely unfunded independent, and I like that, and it also allows me to have access to a full team. Because the team they’re hiring at SoundCloud looks like a label, but not everybody is from a label background, so the thinking is a little bit different and the approach to how we market an artist is a little bit different.”

In the past few years, SoundCloud has pivoted its business model away from being solely a streaming platform and more towards becoming first a distributor, then towards full-service artist and label support, a shift that is concurrent with similar moves across the industry. The company has also introduced user-centric royalties, what it calls Fan-Powered Royalties, that pay artists based on the number of streams that they accrue rather than through market share of total streams; in July, SoundCloud struck a deal with the Warner Music Group to allow the major’s artists to get paid in that way on its platform, in addition to indie artists.

“Kei has a proven track record of finding and fostering the next generation of talent, so partnering with Third & Hayden was simply the right fit,” SoundCloud’s global senior vp/general manager Jessica Rivera said in a statement. “We’re excited about developing this joint venture with such a respected industry leader and creative who shares SoundCloud’s dedication to providing solutions and empowering artists as they take their careers to the next level on their own terms.”

In addition to the joint venture, Henderson recently opened console by 2NDBDRM in Atlanta, a record shop, listening room and retail space in the city’s Ponce City Market for artists and music fans in the city to have a community space to come together, which will feature some small-scale performances and in-store appearances, consistentl with her idea of wanting to grow artists’ careers not just digitally, but through live events and in-person experiences.

“I don’t think what works for one artist works for every single artist, so we do take into consideration how the artist wants to build their career over a long period of time,” Henderson says about the approach the label will take. “Some artists may feel like, after three projects, I want to go to a major, and that’s perfectly fine. So I want to leave it open-ended: whatever you want to do, let’s put a team around the artist that gets us to that long-term goal.”

Overall, Henderson says, the goal is to build an actual audience for artists, a prospect increasingly difficult in a TikTok world where virality can mean a record deal, but not necessarily a dedicated fan base. “I think what we’re missing in the industry as a whole is, everyone’s in such a hurry to get their money back, and I get that from a business perspective,” she says. “But from a manager perspective, it’s like, some of you want to get your money back but you’re not actually building a fan base or building a connection between the fan and the artist. And sometimes that takes a little bit longer to get it done properly.”

Chart Rewind: In 1987, Belinda Carlisle’s ‘Heaven Is a Place on Earth’ Ascended to No. 1

By 1987, Belinda Carlisle had become a chart mainstay. Five years earlier, she and her Los Angeles pop-punk band The Go-Go’s became the first all-female group to top the Billboard 200 when their debut album, Beauty and the Beat, spent six weeks at No. 1 in 1982. The same year, the quintet followed with the top 10 LP Vacation and, in 1984, the top 20 Talk Show. They also scored five top 40 Billboard Hot 100 hits, including “Our Lips Are Sealed” and “We Got the Beat.”

The Go-Go’s went on hiatus after Talk Show, but Carlisle didn’t slow down. Her 1986 debut solo LP, Belinda, reached No. 13 on the Billboard 200 and spawned a No. 3 Hot 100 hit, “Mad About You.”

It wasn’t until the end of the following year that Carlisle, then 29, made her first solo trip to the top of the Hot 100 with “Heaven Is a Place on Earth,” which crowned the Dec. 5, 1987, chart. The song’s popularity was helped by an artsy music video directed by actress Diane Keaton featuring women in bandit masks holding illuminated globes.

In 2013, Rick Nowels recalled the process of co-writing “Heaven”: “[Co-writer] Ellen [Shipley] had the title ‘Heaven on Earth.’ I was playing around with a Prince-type rhythm and sang ‘Heaven Is a Place on Earth.’ We both decided it was more original.

“The first draft of the song had a different minor-key verse along with the minor-key chorus,” Nowels recalled. “We actually recorded it with Belinda and I began to feel that the chorus was a hit, but the verse was not great. So, Ellen and I got together and quietly rewrote the verse. I knew I wanted to modulate into the chorus, which is why the pre-chorus goes to a different key and then back to the original key for the chorus. I had to tell Belinda that we rewrote the song … and had to rerecord it. As soon as we played it for her, she agreed.”

For all involved, including engineer/mixer Shelly Yakus, the rewards were clearly worth the efforts. “I put a lot of time into the arrangement of the song,” said Nowels, who has also penned hits for Stevie Nicks, Madonna, Santana, John Legend and Lana Del Rey, among others.

This June, Nowels was inducted into the Songwriters Hall of Fame.

Heaven on Earth generated two more Hot 100 top 10s, the Diane Warren-penned “I Get Weak” (No. 2 peak) and fellow Nowels-Shipley composition “Circle in the Sand” (No. 7). 1989 follow-up Runaway Horses added the top 40 hits “Leave a Light On” and “Summer Rain” to her catalog.

Having overcome drug addiction, which she chronicled in her 2011 biography Lips Unsealed, “It’s surreal for a Valley Girl to go from working as a secretary to hitting the top of the charts,” Carlisle told Billboard in 2013. “It still makes me smile to think about it now.”

In October 2017, Carlisle’s latest album, Wilder Shores, a collection of Buddhist chants and mantras (inspired by her longtime passion for Kundalini yoga), hit No. 4 on both the New Age Albums and World Albums charts.

In 2021, The Go-Go’s were inducted into the Rock and Roll Hall of Fame. “What a great way to cement the legacy,” Carlisle told Billboard.

On Dec. 15, Carlisle is set to celebrate the season with a holiday show at The Abbey in West Hollywood, Calif., with special guests including Lisa Loeb, Margaret Cho and Wilson Phillips’ Carnie and Wendy Wilson. (Carnie Wilson and Wilson Phillips’ Chynna Phillips provided backup vocals on Heaven on Earth.) The charity fundraiser will benefit Animal People Alliance.

Kim Petras Talks Gender Identity, Idolizing Pop Icons | Growing Up

Ever since she was young, Kim Petras has remained dedicated to her songwriting craft. For her installment of Billboard’s Growing Up, the German singer reflected on her gender identity and how a move to Los Angeles at 19 helped fulfill her childhood dreams of pop stardom.

Red Hot Chili Peppers Announce 2023 World Tour Featuring Iggy Pop, The Roots, The Strokes & More

The Red Hot Chili Peppers announced the dates for their 2023 world tour on Monday morning (Dec. 5), a massive outing that will have the veteran pop rock funkers playing a mix of stadium and festival dates. The 23-date tour is support of the two studio albums the Chili Peppers released this year, Unlimited Love and Return of the Dream Canteen, is slated to kick off on March 29 with a show at BC Place in Vancouver and feature stops in Las Vegas, Minneapolis, San Diego and Phoenix, as well as a slot at the Hangout Music Festival in Gulf Shores, Alabama on May 19.

The tour will feature support for a wide variety of rock, pop and hip-hop acts on a rotating basis, including The Strokes, Iggy Pop, The Roots, The Mars Volta, St. Vincent, City and Colour, Thundercat and King Princess. The dates will follow-up on the group’s recently completed 40-date North American/European stadium tour and an upcoming January 2023 swing through Australia and New Zealand featuring opening act Post Malone.

The European portion of their 2023 tour will kick off on June 18 at the Pinkpop fest in Landgraff, NL and feature appearances at a number of summer festivals, including Rock Werchther and Mad Cool, winding down on July 23 with a show at Hampden Park in Glasgow, UK; The Glasgow show was originally scheduled for summer 2022, with all existing tickets for the original date valid for the make-up gig.

Tickets for the tour will go on sale on Friday (Dec. 9) at 10 a.m. local time here.

Check out the RHCP’s 2023 tour dates below: 

March 29 – Vancouver, BC @ BC Place *~

April 1 – Las Vegas, NV @ Allegiant Stadium #~

April 6 – Fargo, ND @ FARGODOME ^~

April 8 – Minneapolis, MN @ US Bank Stadium ^~

April 14 – Syracuse, NY @ JMA Wireless Dome ^~

May 12 – San Diego, CA @ Snap Dragon Stadium >+

May 14 – Phoenix, AZ @ State Farm Stadium ^+

May 17 – San Antonio, TX @ Alamodome ^+

May 19 – Gulf Shores, AL @ Hangout Music Festival =

May 25 – Houston, TX @ Minute Maid Park ^+

June 18 – Landgraaf, NL @ Pinkpop =

June 21 – Warsaw, Poland @ PGE Narodowy < 

June 24 – Odense, DK @ Tinderbox =

June 26 – Mannheim, DE @ Maimarktgelände <

June 30 – Leuven, BE @ Rock Wercther =

July 2 – Milan, IT @ I-Days =

July 6 – Lisbon, PT @ NOS Live =

July 8 – Madrid, ES @ Mad Cool =

July 11 – Lyon, FR @ Groupama Stadium <~

July 14 – Vienna, AT @ Ernst-Happel Stadion <~

July 17 – Carhaix, FR @ Les Vieilles Charrues =

July 21 – London, UK @ Tottenham Hotspur Stadium %~

July 23 – Glasgow, UK @ Hampden Park %~ 

Key

^ The Strokes

< Iggy Pop

% The Roots

# St. Vincent

> The Mars Volta

* City and Colour

+ Thundercat

~ King Princess

= Festival Date

Universal Music to Expand ‘Bonus Tracks’ Early Career Development Program to Atlanta, Detroit

Universal Music Group (UMG) will expand its early career development program, Bonus Tracks, to Atlanta’s Frederick Douglass High School and through Motown Museum’s Hitsville NEXT in Detroit in the coming spring semester, the company tells Billboard. Last spring, UMG completed its first year in New York at Brooklyn’s Pathways in Technology Early College High School (P-TECH). 

Bonus Tracks is dedicated to discovering and developing a diverse set of future executive talent by giving students in grades 11 and 12 the opportunity to learn about the music industry through immersive programming while being provided with transferrable skills. During the multi-week program, participants attend weekly meetings at a UMG label with executives from all areas of the company, including creative, marketing, commercial partnerships and promotion. 

UMG has also created the Bonus Tracks Scholarship Award, a college scholarship that will be given to one Bonus Tracks student in each city who are recognized for their community leadership, commitment to academic excellence and completion of the program, including the presentation of their capstone project.

The Bonus Tracks program was launched in 2019 in partnership with Capitol Music Group (CMG) and the Compton Unified School District at Dominguez High School in Los Angeles. It later expanded to Nashville through Capitol Christian Music Group and Pearl-Cohn Entertainment Magnet High School. It was founded by Brian Nolan, executive vp and executive vp of marketing at Motown; Patrick Stephens, manager of brand partnerships at CMG; and Micah Ali, president emeritus of the Compton School District.

“We’re excited to see Bonus Tracks continue to expand and look forward to bringing the program to students in Detroit and Atlanta,” said Nolan. “We knew Bonus Tracks could thrive and scale in the most meaningful ways in order to reach the next generation of music industry leaders. I am grateful to Micah Ali for his partnership in this incredible journey and to UMG for fully embracing and supporting the vision of the program: inspiration, education, and pathway.”

“Bonus Tracks has always been about giving students the opportunity to learn about career pathways in a way that meets their passion for music and curiosity about the industry,” added Ali. “As this program moves into its fifth year, I’m incredibly honored to continue to expand this program to reach students across the country.”

“Motown Museum’s Hitsville NEXT is devoted to supporting creativity in today’s young artists, entrepreneurs and changemakers,” said Robin Terry, chairwoman and CEO of the Motown Museum. “Partnering with Bonus Tracks is a perfect reflection of our mission. We can’t wait to work with the entire Detroit Public School system and grow this great program in our community.”

“With Atlanta being the music capital of the south, Frederick Douglass High School has produced some of the most famous music industry icons such as T.I., Lil Jon, and Killer Mike, to name a few, said Erika Y. Mitchell, a school board member of Atlanta Public Schools. “Bonus Tracks will create pathways for our students to learn about the music industry’s business, provide mentorships with music executives, and allow our students post-graduation to have access to internships at Universal Music Group or receive a scholarship toward college.”

Mitchell added that she’s “looking forward to expanding” the Bonus Tracks program to Atlanta’s Benjamin E. Mays High School “in the near future.”

“It is critically important for UMG to provide early career opportunities as an investment in the future of this industry, both from a business and fan perspective,” said Natoya Brown, senior vp of people inclusion and culture at UMG. “Bonus Tracks is a way to begin discovering and cultivating the next generation of music industry leaders.”

The 1975’s Matty Healy Jams Out With Dashboard Confessional at Audacy Beach Festival

The 1975‘s Matty Healy was back in his safe space on Sunday (Dec. 4) at the Audacy Beach Festival in Fort Lauderdale, Florida over the weekend when he jumped on stage to join Dashboard Confessional for the final song of the emo band’s set. Healy strapped on an electric guitar and strummed for his life as DC ran through the raucous “Hands Down” from the band’s beloved 2003 album A Mark, A Mission, a Brand, a Scar.

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“Emo multiverse is glitching @dashboardconfessional,” Healy wrote on Instagram along with a clip of the surprise moment.

For longtime fans, however, it wasn’t that much of a stretch for the two men to hit the stage together. Healy has long expressed his love for the Chris Carrabba-fronted band. In 2019, Healy hopped up on stage with DC at St. Pancras Old Church in London where they collaborated on a performance of the 1975’s “Sex,” with DC covered in 2017 on their Covered and Taped covers EP.

It was the latest stage surprise on the 1975’s current North American At Their Very Best tour, during which Healy has rolled out a series of seemingly unscripted moments, including the frontman sneaking a brief, passionate smooch with bassist Ross MacDonald during a show in San Francisco on Nov. 29, laying a kiss on a fan onstage and eating raw meat during a gig.

The 1975 are nearing the end of the tour, which is slated to hit Denver’s Mission Ballroom on Tuesday night (Dec. 6) and wrap up at the Robert Morris University UPMC Events Center in Pittsburgh on Dec. 17.

Check out Healy’s post below.

Aerosmith Cancel Second Las Vegas Residency Gig Due to Steven Tyler’s Illness

Aerosmith informed fans on Sunday night (Dec. 4) that the band’s scheduled Deuces Are Wild Las Vegas residency show scheduled for Monday night (Dec. 5) has been cancelled due to singer Steven Tyler‘s ongoing illness.

“Unfortunately tomorrow’s show, Monday December 5th, in Las Vegas has to be cancelled,” read a Twitter statement from the band. “Steven Tyler said, ‘On the advice of my doctor, I’m taking more time to rest… There is nowhere we’d rather be than on stage surrounded by the greatest fans in the world. We sincerely apologize.”

At press time, the band had not shared any additional information on what is ailing the 74-year-old singer. This is the second show Aerosmith has cancelled this week due to Tyler’s sickness. On Friday they wrote, “it is with great disappointment that we are forced to cancel tonight’s show in Las Vegas due to Steven feeling unwell and unable to perform.”

At the time, they anticipated being back on stage tonight. The band said that tickets purchased through Ticketmaster for the show will be automatically refunded; all other refunds will be available at point of purchase. The band’s current Deuces run is slated to wind up later this week with shows on Thursday (Dec. 8) and Sunday (Dec. 11) and at press time those shows at Dolby Live at Park MGM were still on their schedule.

Earlier this summer, Aerosmith cancelled some shows to allow Tyler to voluntarily enter a treatment program after the singer who has struggled with addiction issues in the past said he relapsed after using pain meds following foot surgery.

Read the band’s statement below.

Elton John Will Play His Final U.K. Show at Glastonbury Festival

Elton John will complete his final lap of the U.K. with a performance on one of the biggest stages of them all — Glastonbury Festival.

The Rocket Man will lift off at the Pyramid Stage on Sunday, June 25, the final night of Glastonbury 2023, for what promises to be a set littered with classics.  

“It gives me enormous pleasure to let you know that the one and only Elton John will be making his first ever Glastonbury appearance, headlining the Pyramid Stage on the Sunday night next year,” writes Glastonbury’s co-organizer Emily Eavis, daughter of founder Michael Eavis. “This will be the final U.K. show of Elton’s last ever tour, so we will be closing the Festival and marking this huge moment in both of our histories with the mother of all send offs. We are so very happy to finally bring the Rocket Man to Worthy Farm.”

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Elton is calling time on his extraordinary touring career with a fittingly epic trek, the Farewell Yellow Brick Road Tour.

Dates began in 2018 and, when it wraps next July at Tele2 Arena in Stockholm, Sweden, it’s expected to set the bar as the highest grossing tour of all time. It’s just the third tour in history to pass the $600 million threshold, following U2’s 360 Tour ($736.4 million), and Ed Sheeran’s The Divide Tour ($776.4 million).

The British pop legend completed his final run of North America last month with a string of dates at Dodger Stadium in Los Angeles, the final of which was captured for the special, Elton John Live From Dodger Stadium, which streams exclusively on Disney+.

Established in 1970, Glastonbury is the grandaddy of U.K. festivals. And with its enviable reputation as a rite of passage and the place where all the giants of contemporary music get to work, Glastonbury has already sold out its 2023 edition long before the final bill is announced.

Next year’s event, held once again at the Eavis’ Worthy Farm, in south west England, is expected to host about 200,000 people.

U2, Gladys Knight, Amy Grant and More Feted at Kennedy Center Honors

U2 was in the house, and so were George Clooney, Gladys Knight, Amy Grant and Pulitzer Prize-winning composer and conductor Tania Leon. To say expectations were high for Sunday night’s (Dec. 6) 45th iteration of the Kennedy Center Honors would be an understatement.

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And they were largely, if unevenly, met at the star-studded event attended by President Biden, First Lady Dr. Jill Biden, Vice President Kamala Harris and Second Gentleman Doug Emhoff. House Speaker Nancy Pelosi was accompanied by her husband Paul Pelosi, donning a hat and glove on one hand, who made his first public appearance since being beaten in October in their San Francisco home.

Knight had performed for 2020 honoree Garth Brooks, who hosted this year’s State Department dinner the preceding night where the honorees received their medallions, and he returned the courtesy by performing her hit “Midnight Train to Georgia,” while schooling the audience on the song’s country roots.

Ariana DeBose talked about how she listened to Knight’s music growing up in North Carolina before launching into “Heard It Through the Grapevine.” And a teary-eyed Patti LaBelle honored her “sister-friend” with stories of their personal and professional bond through six decades before launching into “That’s What Friends Are For.”

LL Cool J had high praise for one of his musical heroes. “Like stars in the night’s sky, Gladys Knight illuminates everyone in her orbit,” he said, adding, “I once heard Gladys sing the ABCs and I thought I was in church.”

On the red carpet before the show, Knight was all smiles about getting to spend time with the current President. ”I feel like he’s my brother. We go back, and he has such a tender heart,” she said.

Julia Roberts set the stage for the Clooney tribute wearing a gown embellished with photos of her longtime friend. After doing a bit of good-natured roasting she applauded him for being “profoundly present and attentive to the world outside of himself” and calling Clooney “the best combination of a gentleman and a playmate.”

The roasting continued with Richard Kind declaring “we could solve world problems if everyone could agree” the way they do about Clooney’s failed run as the Dark Knight in 1997’s “Batman & Robin,” and Matt Damon sharing that Clooney once dedicated in Kind’s kitty litter box and stole stationery from then-President Bill Clinton and wrote notes to fellow actors on it.

But there was plenty of focus on Clooney’s humanitarian efforts, which began at a very young age. His father, Nick Clooney, shared a story about how a 7-year-old George gave up all his toy guns because he was so heartbroken after Martin Luther King was assassinated in 1968. Don Cheadle spoke about his efforts working with Clooney to help the people of Sudan’s Darfur region and how the two recently co-founded a school.

Asked before the show whether being in D.C. had made him reconsider a once-rumored second career in politics, Clooney turned to his wife Amal and said, “Nah. We have a very nice life.”

Cuba-born Leon, who won the Pulitzer Prize for composing the orchestral work “Stride” that was inspired by the activism of Susan B. Anthony, was feted by pianist, producer and composer Chloe Flower and the Kennedy Center’s artistic director for jazz Jason Moran, among others.

Speaking before the show, Leon said she was inspired by the opportunity to be in the White House, which she’d never visited as a tourist. “All this is going to hit me. After I get home and I settle in and have a little bit of tea, I know this is going to do something to me,” she said.

Grant is the first contemporary Christian artist to be bestowed a rainbow lanyard. Outspoken in her support for the LGBTQ+ community, she’s been pushing musical and cultural boundaries for decades. Of her guiding principle, she told Billboard, “My mother said to me, and what I say to my children, ‘You have to wrap your arms around your own life, and no one can hear your heart but you.’ “

Her segment focused on her dedication to faith and family. Katie Couric called her “the perfect elixir for troubled minds and troubled souls.” Sheryl Crow noted, “Amy taught me it’s possible to be funny, irreverent and Christian at the same time” before breaking into a rendition of Grant’s No. 1 hit “Baby Baby,” which, it turns out, Grant was inspired to write when one of her daughters was an infant.

Gospel duo BeBe & CeCe Winans lent their soaring vocals to a medley of Grant tunes, as did all of the Highwomen—Brandi Carlile, Natalie Hemby, Maren Morris and Amanda Shires.

Speaking with Billboard pre-show, Carlile talked about how moved she was being able to perform for both Grant and U2 at the show.

“The thing about those two that touches me the most deeply is that they play out their music, their ambassadorship, their philanthropy through a faith-based lens, really the Christian faith, right on their sleeve, which is a difficult subject for me and people like me,” she said.

“We’ve all been a little bit marginalized by that faith and for some of us it’s a source of a lot of trauma. And so the way that U2 and Amy Grant have really come out and publicly supported LGBTQIA people, it’s been really healing and life-affirming for a lot of us. So it’s the least I can do to be here tonight.”

Which brings us to the show-closing tribute to U2 members Bono, The Edge, Adam Clayton and Larry Mullen Jr. Credit to Pearl Jam’s Eddie Vedder, who in prime Vedder form poured his all into “Elevation” and “One,” the latter of which was a last-minute addition after Mary J Blige had to bow out due to illness.

Just as things were picking up momentum and it seemed the audience may be ready to rise from their seats for some dancing, Sacha Baron Cohen appeared on stage in character as his alter-ego Borat Sagdiyev, the dimwitted journalist from Kazakhstan.

Yes, any time Borat shows up you can expect it to get weird and yes, he was hysterical, riffing on everything from his confusion that President Trump was no longer in office to Kanye West’s recent fall from grace: “He even tried to move to Kazakhstan, and he even changed his name to Kazakhstan-ye West. But we said no, he’s too antisemitic even for us.”

But his banter had very little to do with U2 and seemed an odd way to use the band’s allotted time. When Carlile came back out, joined by Hozier, to perform a rendition of “Walk On,” it felt like a bit of a rushed finale when many of the night’s previous performers appeared back on stage.

This is, after all, U2, one of the most celebrated rock bands of all time with 22 Grammys and 170 million albums sold worldwide. To not have included more music, no songs from their defining 1987 album The Joshua Tree, no crescendo’ing anthems, just seemed like a miss.

The 2022 Kennedy Center Honors will air Wednesday, December 28 at 8pm on CBS and stream on sister network Paramount+.

Stormzy Bags U.K. Chart Hattrick With ‘This Is What I Mean’

Stormzy scores his hattrick on the U.K. albums chart with This Is What I Mean (via 0207/Merky).

The Brit Award-winning grime star edges Cliff Richard’s Christmas With Cliff (EastWest/Rhino), to make it three-from-three — a streak that includes Stormzy’s 2017 debut Gang Signs & Prayer and its 2019 followup Heavy Is The Head.

This Is What I Mean completes a “nail-biting race,” according to the Official Charts Company, as the hip-hop LP summons a “last-minute surge” to beat Richard’s first Christmas-themed set in nearly two decades, since 2003’s Cliff At Christmas. Richard now boasts 47 top 10 albums chart appearances in his homeland, a result that includes seven leaders.

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Cliff At Christmas is one of several holiday-themed records making their mark on the Official U.K. Albums Chard, published Dec. 2.

Andrea, Matteo and Virginia Bocelli’s collection A Family Christmas (Decca) lifts 11-4, for a new peak; Andre Rieu & The Johann Strauss Orchestra’s Silver Bells (Decca) dips 4-8; Michael Bublé’s December juggernaut Christmas (Reprise) rises 26-13; a Christmas edition of George Ezra’s Gold Rush Kid (Columbia) is up 32-18; and Aled Jones & Russell Watson’s Christmas With Aled & Russell (BMG) improves 52-29.

The Cure‘s ninth studio album Wish (Polydor/UMR) is back in the top 10 (at No. 9), off the back of a 30th anniversary reissue featuring 24 previously-unreleased tracks.

Wish peaked at No. 1 following its release in 1992, and remains the Rock And Roll Hall of Famers’ only U.K. leader. The set also yielded the U.K. top 10 hits “High” (No. 8) and “Friday I’m In Love” (No. 6).

Following the death of Christine McVie on Nov. 30, at the age of 79, fans are finding comfort in Fleetwood Mac’s music. The band’s career retrospective 50 Years – Don’t Stop (Rhino) holds at No. 23, and their best-selling 1977 LP Rumours (Rhino/Warner Bros) climbs the chart, up 41-23, with a 43% week-on-week gain, the OCC reports.