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7th YSL Member Takes Plea Deal, Says Young Thug Paid Him To Lay Low After Murder

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The Young Stoner Life saga just got even more interesting. Another associate has taken a plea deal but says Young Thug paid him to get low after a murder.

As per XXL Magazine, the YSL court drama continues to escalate. On Wednesday, Dec. 29 Antonio Sledge, aka Mounk Tounk, plead guilty to one count of conspiracy to violate the RICO Act and one count of possession of a firearm by a convicted felon. Prior to the plea District Attorney Adriane Love detailed all the criminal acts Sledge was accused of doing.

“Defendant has been a member and/or associate of YSL since 2012…While associated with YSL and to support and express loyalty to YSL, defendant and co-defendant Garlington and Zachary appeared in a video with another person where defendant brandished a weapon used in a drive-by shooting,” Love said. The attorney also added that Young Thug gave him and other associates money to keep a low profile after a murder was committed on behalf of YSL.

As part of his plea deal, prosecutors recommended he serve 15 years probation. According to the Atlanta Journal-Constitution he will have to submit to random drug screenings, not be in possession of guns at any time and and commit no criminal acts. He also has to adhere to a strict curfew from 10 p.m. to 6 a.m. unless he is working, attending school or needs medical attention. Lastly, he is not to have any communication with his co-defendants. Two other defendants, Derontae Bebee and Tenquarius Mender, have rejected plea deals.

The YSL RICO trial is expected to commence in January.

Photo: Nikko Lamere

Pop Smoke Mural Vandalized In Brooklyn

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2019 Soulfrito Festival

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Months after a Notorious B.I.G. mural was defaced in Brooklyn (damn player haters), a mural dedicated to the memory of Pop Smoke has suffered the same fate in his hometown of Brooklyn as well.

The mural which is located in Pop Smoke’s old stomping grounds of Canarsie, Brooklyn, was found violated as someone wrote “Woo K” next to the original piece. Though it’s not known why someone would write that next to the mural, some feel that “Woo K” may mean “Woo Killer” which at this point is open to interpretation as to whether it’s a sign of respect or disrespect.

As of right now, no one’s claimed credit for the tagging of the mural (probably not the best idea to do to be honest), but fans of the late rapper aren’t impressed with the sentiment as the man who posted the pic wrote “Word to my dead yall niccas are mad childish like wtf.”

The mural originally went up back in July 2020 courtesy of Hattas Public Murals who threw it up five months after the murder of “The Woo” rapper in LA.

What do y’all think of the defacement of the Pop Smoke mural? Someone showing love or simply hating? Let us know in the comments section below.

Ice-T Reacts To Backlash Of Daughter’s Playful Twerk Video

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Daymond John Holiday

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Law & Order: SVU star Ice-T does not play when it comes to his 7-year-old daughter, Chanel. The rapper turned actor’s wife, Coco shared a video of Chanel dancing in Christmas pajamas alongside family with the caption, “She loves to joke.” 

She added, “Gotta love family time,” the model, 43, wrote. “Chanel runs out in the middle to bust a move to make us laugh.”

However, Instagram users quickly criticized the footage with negative comments including, “Not a good look at all ?,” one follower wrote, while another added, “SMH just whyyyy , this is not okay!,” according to Page Six. 

However, Ice-T responded with an Instagram post of his own. He shared a photo that read, “Everybody is going to hate you anyway…so you might as well give them a reason.” He added a caption, “My advice is you go into 2023 with THIS attitude if you want to WIN.” 

The couple, who has been married since 2002, have frequently defended their parenting choices. In an appearance on The Tamron Hall show in November, Coco told the talk show host, “I’m underneath a microscope all the time, and you don’t hear what good you do,” she explained. “You don’t hear the goodness, you just hear a lot of bad.”

She added that she has “put everything aside” for her daughter, adding, “I] want a little respect from people.”

In a video appearance on the show, Ice-T defended CoCo adding, “best mother Chanel that anyone could possibly imagine.”

Also in November, with appearances on 24 seasons off Law & Order: SVU—Ice T became the longest running actor in television history. 

The 10 Biggest LGBTQ Music Moments of 2022: Lil Nas X, Dove Cameron, Elton John & More

In a year that felt at times completely chaotic and at others eerily familiar, one thing is for certain: 2022 never allowed you to let your guard down. Around the world, people struggled to cope as they watched the Russian invasion of Ukraine, the stripping of abortion rights in the U.S., inflation rising across the globe and more. They also celebrated as new breakthroughs in energy and medicine provided potential answers to long-looming problems.

Similarly, the music industry experienced plenty of highs and lows throughout 2022. Artists like Taylor Swift, Drake, Glass Animals and Bad Bunny had record-breaking years on the charts, while stars like Kanye West saw their careers practically go up in smoke around them. Music synchs on television shows like Stranger Things and Euphoria saw record gains, Ticketmaster got placed under the microscope for a massive public meltdown, and TikTok extended its reign over the trends dominating the industry.

When it came to living as an LGBTQ person, 2022 was less than stellar — the continued rollback of LGBTQ protections and rights in the U.S. and elsewhere was a major story throughout the year. Whether it was anti-trans initiatives being promoted by government officials, the loss of LGBTQ life at the hands of another homophobic hate crime, or even the World Cup being hosted by a country that has criminalized sexuality, this year was marked by pain for queer and trans people everywhere.

So, what stories in the music industry offered some respite for the LGBTQ people in need of an escape in 2022? Billboard took a look back at the 10 biggest LGBTQ music stories of 2022 to round out the year:

Hip-Hop Wired Presents: The Best Hip-Hop LPs Of 2022

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Sound recording studio mixer desk: professional music production.

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The end of the year is here and once more, we take on the task of attempting to list out our favorite Hip-Hop albums of 2022. Just as we do with our CRT FRSH playlist, our year-end wrap-up covers the entirety of Hip-Hop as we don’t believe in segmenting the music that represents the culture.

The list of Hip-Hop albums listed out below is not ranked. Instead, we put the projects in alphabetical order. As a note to readers, we didn’t hear everything that was released this year but what we liked, we kept in the rotation. To be very clear, any project that had less than 10 songs did not get included. If so, artists like Planet Asia, J Scienide, Backwood Sweetie (please do the knowledge), R.A.P. Ferreira, and a handful of others would very well be included.

For those we’ve omitted, it’s not a slight to you or your art. Trust us when we say we’re always looking out for new music to feature.

Check out the list below.

3 the God Way (Kaimbr, Let The Dirt Say Amen, Sean Born) – Mount Olympus

The Washington, D.C. Metropolitan area has some of the strongest collectives of rappers, producers, and DJs in the world. The potent trio of Kaimbr, Let The Dirt Say Amen, and Sean Born, all amazing soloists, put together a body of work that should lead to more fantastic art from this gathering of the minds together and apart. The “DMV” is in good hands.

Ab-Soul – Herbert

I’m going to break the fourth wall here because I have to say that Ab-Soul’s “Do Better” helped me through an explosive mental health breakdown. I’ve always contended that Soulo was the best lyricist among the Black Hippy quartet, and Herbert proves much of that in droves. This is an album for the word nerds, lyric fans, and folks who lean into hearing a rapper challenge themselves with both vulnerable bars along with top-tier rapping.

Action Bronson – Cocodrillo Turbo

Action Bronson approaches music by using his outsized personality that seems coupled with a knowing wink to the listener that he’s just having a whole lot of fun barring out over dusty loops. Cocodrillo Turbo is a huge improvement from the entertaining Only For Dolphins. Bronsolini is still finding new ways to spit his fly Queens scriptures to the masses.

Benny The Butcher – Tana Talk 4

Benny The Butcher found himself focusing on the duties of a mogul as he continues to position his Black Soprano Family outfit correctly as a boss should. Tana Talk 4, in our opinion, is what many come to expect from the Buffalo, N.Y. star. Hard bars, plenty of dope production from the likes of Alchemist and Daringer, and features that make sense. Even more interesting is the fact that the album feels like The Butcher could’ve gone harder but seemingly held back.

billy woods – Aethiopes

The music of billy woods isn’t for everyone. For starters, there’s no real concern with sitting verses neatly in pockets. The dense poetics have several layers of meaning that no mortal will catch in one listen. That said, Aethiopes, produced fully by Preservation, sees woods toned down ever so slightly and even lets the listener in on who the mysterious rapper truly is. However, don’t mistake that for a dumbing down. This is still high-level intellectual rhyming.

Black Star – No Fear Of Time

Black Star, the duo of Yasiin Bey and Talib Kweli, occupy a revered space in the world of underground Hip-Hop. After nearly 25 years after releasing their debut album, Black Star handed over the production keys to Madlib for a rousing listen showcasing the Brooklyn veterans at their best. While the album omitted the excellent “Fix Up” single, it still feels like a complete body of work and a hopeful sign of more to come.

Black Thought & Dangermouse – Cheat Codes

Black Thought has nothing left to prove regarding his formidable ability and it’s about time listeners take notice of his songwriting ability as well. Dangermouse provides the Philadephia lyricist plenty of open space for him to flex those noteworthy skills and impart wisdom in doses along the way.

Boldy James & Nicholas Craven – Fair Exchange No Robbery

Boldy James was productive in 2022 and any of his releases could be in place of this entry. That said, hearing the Detroit rapper alongside the capable sonics of Nicholas Craven was the perfect match. Mafia, what else?

Conway The Machine – God Don’t Make Mistakes

Without an ounce of hyperbole, Conway The Machine is one of the best rappers to ever live but so much of his greatness hides behind the stark street tales inspired by his upbringing in Buffalo, N.Y. The Machine relaxes his bravado for just a brief moment or two on his major label debut album, proving there is more to Conway than the tough talk and dope boy bars.

The Cool Kids – Before Sh*t Got Weird/Baby Oil Staircase/Chillout

We abhor the term “blog rap” but we understand why people use it. For the sake of simplicity, The Cool Kids are two of the pioneers of the blog rap scene and paved the way for a number of artists. But while their contemporaries are coasting on safe beats and barely pushing themselves, Sir Michael Rocks and Chuck Inglish updated their already hard-to-imitate formula.

Defcee & Boathouse – For All Debts Public and Private

Chicago is a hotbed of talent in relation to Hip-Hop and Defcee carries on that tradition with pride. Across the scope of the album, produced by the capable hands of Boathouse, Defcee’s confidence and crystal clear diction are infectious and inspiring.

Denzel Curry – Melt My Eyez See Your Future

Denzel Curry is largely known for his high-energy rapping performances but Melt My Eyez See Your Future finds the Florida MC toned down considerably, revealing how deft Curry’s penmanship truly is. There’s still some bombast in the delivery but it’s toned down for clarity’s sake and the listener is better for it.

Drake & 21 Savage – Her Loss

Aside from “that line” (and you know the one we’re talking about), Her Loss is pretty much a 21 Savage showcase. Drake always finds new ways to talk his sh*t and the album isn’t always flawless but the production and the combination of the pair are hard to resist.

Earl Sweatshirt – SICK!

Earl Sweatshirt doesn’t seem concerned with accolades or notoriety, which makes his music feel urgent at all times. It always appears that the artist born Thebe Kgositsile is still figuring out himself and invites his fans on a meandering journey that ultimately leads to saving one’s self. While we do learn a bit more about the lyricist, what really occurs is that this is a man who realizes the power of his voice is too important to mute.

EarthGang – Ghetto Gods

EarthGang, the duo of Olu and WowGr8, is woefully overlooked by certain segments of the listening public. We almost guarantee that if people new to the group took Ghetto Gods for a spin, they’d become instant fans. The sophomore slump is not a thing to worry about when the artists are this dialed in.

Freddie Gibbs – Soul Sold Separately

Freddie Gibbs has released so much critically-acclaimed heat that it’s hard to believe Soul Sold Separately is his major label debut album. To those fearful that the leap to the majors would dilute Kane’s world outlook, the album is very much Gangsta Gibbs at his best. Even when he locks in with familiar cohorts The Alchemist and Madlib, the Gary, Ind. native still finds lanes.

Fly Anakin – Frank

Richmond, Va. isn’t known as a Hip-Hop epicenter despite boasting homegrown talents such as Skillz and Nickelus F among others. Fly Anakin, one of the founding members of the Mutant Academy, delivers his first true solo debut album to pleasing results. And despite the big names of Madlib and Evidence on the boards, the rapper born Frank Walton is why you’ll be tuning in.

JID – The Forever Story

JID or J.I.D. However you spell it, the Georgia rapper’s third album, a proper follow-up to his studio album debut The Never Story, is an invite to the mind of the Dreamville standout. JID can RAP rap but it’s not just alien-level bar work as he’s adept at telling stories, high-minded concepts, and a gift for melody. It is perhaps the finest album to be released this year.

Ka – Languish Arts/Woeful Studies

Ka is arguably Hip-Hop’s greatest lyricist, and we say this as his rhymes are just as much a part of the song as the mournful loops he raps over. With an emphasis on imagery and philosophy hardened by the realities of growing up in Brownsville, Brooklyn, N.Y., the pair of albums is best taken as a whole as they mirror each other’s melancholy along with the hope for more simmering right under the surface.

Kendrick Lamar – Mr. Morale & The Big Steppers

Kendrick Lamar built his fame under the guidance of Top Dawg and cemented himself as one of the faces of the TDE empire. Now that the Compton wordsmith is on his own, his latest album captures the struggles and angst of wrestling with the concerns of the mind and self. It isn’t always a comfortable listen but it might go down as K-Dot’s best work as time goes on.

Little Simz – No Thank You

Little Simz released No Thank You on Dec. 12 and it immediately gripped us. Just like the preceding album, Sometimes I Might Be Introvert, Simz shines over the production from Inflo, who some might know as the band leader of the R&B collective, Sault. Trust us when we say that Little Simz and her soulful delivery will grab your ears and won’t easily let go.

LORD JAH-MONTE OGBON & SadhuGold

LORD JAH-MONTE OGBON shows and proves that Charlotte, N.C. has something to say. Spending time between the Queen City and Bucktown, U.S.A., the well-traveled rapper, and his hyperkinetic flows sound most at home over Sadhugold’s atmospheric backdrop, but that isn’t to say other joints JAH-MONTE dropped this year don’t compare. There wasn’t a weak release from him this year.

Lupe Fiasco – Drill Music In Zion

Lupe Fiasco is a rhyme scholar, literally, this after taking on a teaching gig at MIT this year. Beyond his time in the academy, the Chicago rapper locked in with past producer Soundtrakk for Drill Music In Zion, which he recorded in 72 hours but, as one can expect with Fiasco, it doesn’t sound like it.

Marlowe – Marlowe 3

Marlowe, the duo of rapper Solemn Brigham and producer L’Orange, are on their third collaborative project. What you can always expect from a Marlowe album is clean, ear-catching production and one of Hip-Hop’s most captivating voices in Brigham.

MAVI – Laughing so Hard, it Hurts

Charlotte is back on the list again by way of the young wizard MAVI and continuing to display his gift of words that we discovered on his proper debut, Let The Sun Talk. Some people lump MAVI with Earl Sweatshirt and MIKE and while slightly accurate, he shares more of himself than ever before. Sometimes, MAVI’s voice gets lost in the mix and it feels like an intentional engineering choice to make one lean in and take in what he’s saying.

Meyhem Lauren & Daringer – Black Vladimir

Meyhem Lauren is perhaps best known to most due to his alliance with Action Bronson but it only covers one segment of his career. Linking up with Griselda producer Daringer, the gruff Queens MC sounds at home and delivers the rap performance of a lifetime.

MIKE – Beware Of The Monkey

MIKE won’t be for everyone and it’s a shame because the young MC and producer managed to pack in an entire universe of emotion into a 16-bar verse. On this outing, it would be fair to call the album upbeat but it simplifies what the album is. MIKE is still concerned with honoring his mother’s life and pushing himself to greatness. Frankly, he’s already there.

Midaz the Beast – 84/87

Orlando, Fla. might not be the first city one thinks about when it comes to Hip-Hop but Midaz the Beast gives himself a grand opportunity to change that reality. Across two releases, 84 and 87, Beast proved why his rap moniker was chosen. A strong salute goes toward Delle Digga for the production.

Namir Blade – Metropolis

Namir Blade is a rarity, as the task of committing to a concept album is a difficult one. While Metropolis has weighty themes that won’t immediately grab everyone, the journey of discovery is sonically pleasing.

Nas – King’s Disease III

Nas is officially a veteran voice in Hip-Hop and several rappers look to him as a living inspiration. In the third installment of the acclaimed King’s Disease series with Hit-Boy, Nasir Jones put on a clinic in the booth and sounded just as vibrant as some of the younger rappers that revere him.

Open Mike Eagle – Component System with the Auto-Reverse

Open Mike Eagle’s albums pack many of his grand ideas into neatly served portions. And sometimes, a peek into the mind of the Chicago native feels invasive but he’s actually inviting us to the party. His latest album is full of OME’s usual laserlike focus as a writer but never forcing the issue. There’s so much to love here.

Pusha T – It’s Almost Dry

The undisputed champion of Coke Rap is Pusha T but for some reason, the bars don’t feel literal. In fact, and maybe this was always the case, Pusha’s lyrics feel like one extended metaphor delivered with the one-two punch of Ye and Pharell’s production.

Quelle Chris – DeathFame

It might be unfair to try and define Quelle Chris and his kaleidoscopic artistry. Every album release unveils another chamber of the fascinating, brilliant mind of Quelle and DeathFame might be the most interesting level yet.

Roc Marciano & Alchemist – The Elephant Man’s Bones

Our review here should explain everything.

Rome Streetz – Kiss The Ring

Queens has produced a bevy of great rappers and it’s a fine time to include Rome Streetz among that number. Now a member of the sprawling Griselda collective, Rome’s raps are sharp as ever and the intensity never relents for a second.

Saba – Few Good Things

Saba’s CARE FOR ME album would be a magnum opus for most artists. Somehow, the Chicago rapper dug even deeper into his reflective bag with his latest album and his writing has never been as gripping as it is now.

Sleep Sinai & Ohbliv – Shadow Self

Nebraska might not pique the interest of many Hip-Hop fans seeking the next one to watch within the genre. But for those who know how to dig and sift through the noise, Sleep Sinai is a worthy investment of time. Coupled with the production of Ohbliv, this might be Sleep Sinai’s top project yet.

Smino – Luv 4 Rent

Smino is hard to categorize. Is he a singer? Is he a rapper? He’s all of those things and then some. There aren’t many albums that contain this much soul and swagger in the same breath. St. Louis, stand up.

Vince Staples – Ramona Park Broke My Heart

Vince Staples has yet to drop a clunker of an album and his latest release extends the streak. On this outing, the Long Beach native wrestles yet again with the reality of his upbringing but never scolding from a lofty perch.

Westside Gunn – 10

Westside Gunn is finally closing the chapter on the HHW series and does so by bringing out the best in Busta Rhymes, Raekwon, Ghostface Killah, Black Star, and more. But the true star of the affair is WSG. The knock on the Buffalo boss is that he isn’t a great rapper but those claims should be put to rest. Westside Gunn is compelling as a rapper and it’s time the world accepts it.

Photo: Getty

Mariah Carey Extends ‘Christmas’ Streak In Australia

Mariah Carey already locked up the Christmas No. 1, now she’s certain to see in the New Year as queen of the Australian singles chart.

Carey’s nine-times platinum hit from 1994, “All I Want For Christmas Is You” (Columbia/Sony), enters a third week at No. 1 on the latest ARIA Singles Chart, as holiday numbers flood the survey.

“All I Want” leads an “all-Christmas” top ten, published Dec. 30, and is one of 18 Christmas songs impacting the top 20, with SZA’s “Kill Bill” (down 2-12 via RCA/Sony) and Sam Smith & Kim Petras’ former leader “Unholy” (down 3-14 via Capitol/Universal) the only exceptions.

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A string of Xmas-themed tracks impact the upper tier of the chart for the first time, including the late Nat King Cole’s 1946 recording “The Christmas Song (Merry Christmas To You)” (via Universal), new at No. 27; The Beach Boys’ “Little Saint Nick” (Universal) at No. 39; Bing Crosby’s “White Christmas” (Universal) at No. 41; Darlene Love’s “Christmas (Baby Please Come Home)” (via Sony) at No. 49; and another Nat King Cole classic, “Deck The Hall” (EMI), at No. 50.

Over on the ARIA Albums Chart, Taylor Swift’s platinum-certified Midnights (Universal) retains top spot, ahead of Michael Buble’s Christmas (up 3-2 via Reprise/Warner) and SZA’s SOS. (down 2-3 via RCA/Sony).

As the New Year nears, Swift can rest assured that her fanbase in Australia is amped for a potential tour to these parts. The U.S. pop superstar makes her presence known up and down the national albums survey, with Folklore (up 31-21), Evermore (up 50-22), Red (Taylor’s Version) (up 33-23), 1989 (up 32-27), Lover (up 34-30), Reputation (up 53-44), and Fearless (Taylor’s Version) (up 62-50) making gains.

DaBaby “Joc In ’06,” Yung Booke ft. Future “Easter Fit” & More | Daily Visuals 12.29.22

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DaBaby In Concert - Atlanta, GA

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It’s the holiday season and while many rappers don’t necessarily drop work celebrating the spirit of the season, DaBaby has decided to go that exact route in his latest video.

Getting in the Christmas spirit for his latest visuals to “Joc In ’06,” DaBaby showcases what Christmas is like with his family as he dons a Santa Claus hat to bless his kids with cash as they turn up to the beat on the kitchen counter because, well, it’s Christmas. Everything goes we guess.

Future meanwhile keeps on poppin’ up in the most random records and in Yung Brooke’s visuals to “Easter Fit,” the Toxic King and Brooke politic in a parking lot while they have their women count stacks of cash back in the lab.

Check out the rest of today’s drops including work from Skillibeng, Libianca and more.

DABABY – “JOC IN ‘06”



YUNG BOOKE FT. FUTURE – “EASTER FIT”



SKILLIBENG – “MORE FIRE”



LIBIANCA – “PEOPLE”


https://youtube.com/watch?v=O3Z6J04R2Ko&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

GLOCKBOY BOBO – “COURT TOMORROW”



FLAVOUR – “GAME CHANGER”



BLACK SHERIF – “KONOGO ZONGO”



BLACC ZACC – “PPB”



SZA Teases Vengeful ‘Kill Bill’ Music Video: ‘It’s What Y’all Deserve’

SZA dropped a teaser on Thursday (Dec. 29) for the upcoming visual for her new single “Kill Bill.”

In the 20-second clip, the R&B star appears to suit up for revenge, zipping up a red-and-black moto jacket, sheathing a katana and jetting off on a motorcycle before “SZA…Kill Bill…A film by Christian Breslauer” flashes across the screen in bold, red lettering.

After promising the full-length music video is “coming soon,” the teaser ends with a ferocious tag, in which SZA twirls around to decapitate a fighting dummy with her sword. “It’s what y’all deserve,” she tweeted alongside the video using a saluting emoji, SOS sign and white heart.

“Kill Bill” instantly became a fan favorite when the recent Billboard cover star released her long-awaited sophomore album S.O.S in early December and eventually reached No. 1 on the Streaming Songs chart (dated Dec. 24). On the murderous psychedelic-tinged bop, she admits, “I might/ I might kill my ex, not the best idea/ His new girlfriend’s next, how’d I get here?/ I might kill my ex, I still love him though/ Rather be in jail than alone.”

The 23-track studio set also contains singles “Good Days,” “I Hate U,” “Shirt” and “Nobody Gets Me” as well as collaborations with the likes of Don Toliver (“Used”), Phoebe Bridgers (“Ghost in the Machine“), Open Arms (“Travis Scott”) and the late Ol’ Dirty Bastard (closer “Forgiveless”). Upon its unveiling, S.O.S bowed atop the Billboard 200, becoming the very first No. 1 album of SZA’s career.

Watch SZA’s teaser for “Kill Bill” below.

Vivienne Westwood’s Most Memorable Looks on Musicians

Beloved British fashion designer Vivienne Westwood died on Thursday (Dec. 29). She was 81 years old.

The style icon’s fashion house shared the news via Twitter, revealing that Westwood died “peacefully and surrounded by her family, in Clapham, South London.” The statement added, “The world needs people like Vivienne to make a change for the better.”

The designer rose to prominence in the fashion world in the 1970s, thanks to her anti-establishment punk styles and controversial, androgynous designs. The new wave style icon was also a passionate activist, and frequently channeled issues like climate change into her runway looks.

Over the years, Westwood has been the go-to designer for a number of stars, who have turned to her funky, daring collections for their red carpet appearances, magazine covers and more.

To honor the late fashion legend, we’ve compiled some of our favorite photos of musicians wearing Vivienne Westwood, from Harry Styles, Olivia Rodrigo and Halsey to Lady Gaga and Adele. See below.