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Janis Ian to Receive Lifetime Achievement Award at 2023 International Folk Music Awards: Full Nominations List

Janis Ian will receive a lifetime achievement award at the International Folk Music Awards, which will be held at the Sheraton Kansas City Hotel at Crown Center in Kansas City, Mo., on Feb. 1 – the opening night of the Folk Alliance International’s 35th annual conference.

Ian is also nominated for artist of the year at the awards show, along with Aoife O’Donovan, Jake Blount, Leyla McCalla and Prateek Kuhad.

Ian, 77, is a two-time Grammy winner. She won the 1975 award for best pop vocal performance, female for her coming-of-age classic “At Seventeen” and the 2012 award for best spoken word album for Society’s Child: My Autobiography. She received her 10th Grammy nomination this year for best folk album for The Light at the End of the Line. The nod comes 55 years after Ian’s first Grammy nomination (best folk performance) for 1967’s Janis Ian.

The Folk Alliance International bestows three lifetime achievement award each year. Ian is set to receive the award for a living artist. Josh White, who died in 1969 at age 55, will receive the award for a legacy artist. Oh Boy Records, which was founded in 1981 by John Prine, Al Bunetta and Dan Einstein, all now deceased, will receive the business/academic award.

O’Donovan, McCalla and Anaïs Mitchell, who won a Tony and a Grammy for her work on the musical Hadestown, are each nominated in two of the three competitive categories – album, artist and song of the year. Nominations in those categories are based on U.S., Canadian, and international industry year-end lists as well as folk radio airplay. Winners will be determined by the voting membership of the Folk Alliance International. Voting is open until Jan. 17.

Two of the nominees for album of the year are also nominated for album awards at the Grammy Awards on Feb. 5. Molly Tuttle & Golden Highway’s Crooked Tree is up for best bluegrass album at the Grammys. Taj Mahal & Ry Cooder’s Get on Board: The Songs of Sonny Terry & Brownie McGhee, is Grammy-nominated for best traditional blues album.

McCalla is also set to receive the People’s Voice Award, which is presented to an individual who “unabashedly embraces social and political commentary in their creative work and public careers.” Past recipients include Jason Mraz (2022), Jackson Browne (2021) and Ani DiFranco (2020).

Alisa Amador will receive The Rising Tide Award, which was launched in 2021 to celebrate an artist under 30 who “inspires others by embodying the values and ideals of the folk community through their creative work, community role, and public voice.”

Shambala Festival, a four-day contemporary performing arts festival in Northamptonshire, England, will receive the Clearwater Award, which is presented to a festival that “prioritizes environmental stewardship and demonstrates public leadership in sustainable event production.”

Appearances at the ceremony are confirmed by McCalla; keynote speaker Valerie June; The Milk Carton Kids; and 2012 Mercury Prize nominee Sam Lee.

Presenters will include author and NPR Music critic Ann Powers, NPR Alt.Latino’s Catalina Maria Johnson, Ashley Shabankareh, Chris Porter, Sara Leishman, Ayappa Biddanda, Reid Wick, Michael Kornfeld, Laura Thomas and Brandi Waller Pace. All are members of the board of directors of Folk Alliance International.

The organization, based in Kansas City, Mo., was founded in 1989. Today it has more than 3,000 members — artists, agents, managers, labels, publicists, arts administrators, venues, festivals, and concert series presenters.

The organization defines folk broadly as “the music of the people” and programs a diverse array of sub genres including Appalachian, Americana, blues, bluegrass, Celtic, Cajun, global roots, hip-hop, old-time, singer-songwriter, spoken word, traditional, zydeco, and various fusions.

Here are the nominees in competitive categories as well as the recipients of honorary awards:

Album of the year

Anais Mitchell, Anais Mitchell
Crooked Tree, Molly Tuttle & Golden Highway
Get on Board: The Songs of Sonny Terry & Brownie McGhee, Taj Mahal and Ry Cooder
Marchita, Silvana Estrada
Queen Of Sheba, Angélique Kidjo & Ibrahim Maalouf

Artist of the year

Aoife O’Donovan
Jake Blount
Janis Ian
Leyla McCalla
Prateek Kuhad

Song of the year

“Udhero Na,” written by Arooj Aftab, performed by Arooj Aftab and Anoushka Shankar

“Dodinin,” words written by Atis Indepandan; music by Atis Indepandan, adapted from slave song, performed by Leyla McCalla

“Bright Star,” written and performed by Anais Mitchell

“How,” written by Marcus Mumford and Brandi Carlile, performed by Marcus Mumford featuring Brandi Carlile

“B61,” written and performed by Aoife O’Donovan

The Elaine Weissman Lifetime Achievement Awards: Janis Ian (living), Josh White (legacy), Oh Boy Records (business/academic)

The People’s Voice Award: Leyla McCalla

The Rising Tide Award: Alisa Amador

The Clearwater Award: Shambala Festival

The Spirit of Folk Awards: Steve Edge, Amy Reitnouer Jacobs, Marcy Marxer, Adrian Sabogal, Pat Mitchell Worley

The Folk DJ Hall of Fame: Robert Resnik, Marilyn Rea Beyer, John Platt, Harry B. Soria Jr.

Hilary Duff Cheers on Lea Michele in ‘Funny Girl’: ‘You Shine So Bright’

Lizzie and Rachel! Hilary Duff spent a girls night out in New York City over the weekend supporting Lea Michele in Broadway’s Funny Girl.

“Lea, what a treat to see you in this role! You shine so bright … it was made for you!” the Lizzie McGuire star wrote on Saturday (Jan. 7) alongside a photo of herself and three pals — including Younger co-star Molly Bernard — posing with the Glee alum at the theater.

Within the slideshow, Duff also shared snaps smiling in front of the Funny Girl marquee outside the August Wilson Theatre, and showing off multiple copies of the musical’s playbill from her seat. For her part, Michele appreciated the social media shout-out, writing, “Love you hil” with a simple red heart emoji in the comments.

The Broadway star’s stint as Fanny Brice in the musical revival has been a resounding success since she stepped into the role in September, replacing original star Beanie Feldstein. In late December, her star power helped the show bring in more than $2 million across eight shows, setting a new record for the historic venue that’s also been home to Tony nominees such as Mean Girls, Jersey Boys, Slave Play and more over the years.

During the holiday season, Michele also dished on the heartwarming letter she received in her dressing room from original Funny Girl star Barbra Streisand in an interview on Late Night With Seth Meyers. Duff, meanwhile, shared an adorably chaotic Christmas card with her rocker husband Matthew Koma and kids Luca, Banks and Mae.

See Duff and Michele celebrate Funny Girl below.

2023 Golden Globes: How to Watch & Stream Online

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The 80th annual Golden Globe Awards return to NBC on Tuesday (Jan. 10). Jerrod Carmichael will host the ceremony, which will air live on NBC at 8 p.m. ET/5 p.m. PT and stream on Peacock.

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Austin Butler, Zendaya, Jenny Ortega, Donald Glover, Selena Gomez, Quinta Brunson, Michelle Yeoh, Brad Pitt, Jeremy Allen White, Colin Farrell, Hugh Jackman, Margot Robbie, Angela Bassett, Lesley Manville, Emma Thompson and Brendan Fraser are among this year’s nominees. Rihanna, Lady Gaga and Taylor Swift are in the running for best original song.

Presenters include Jennifer Coolidge, Billy Porter, Ana De Armas, Quentin Tarantino, Jamie Lee Curtis, Jennifer Hudson, Claire Danes, Ortega, Cole Hauser, Tracy Morgan, Harvey Guillén, Henry Golding, Hilary Swank, Glen Powell, Jay Ellis, Letitia Wright, Mo Brings Plenty, Regina Hall and Salma Hayek Pinault.

Top Gun: Maverick, Avatar: The Way of Water, Tar, The Fabelmans and Elvis are up for best drama, while Better Call Saul, Ozark, Severance, The Crown, and House of the Dragon landed nods for best drama TV series. Brunson’s Abbott Elementary will face off against Hacks, Wednesday, The Bear and Only Murders in the Building in the category for best musical or comedy TV series.  

How to Watch the 2023 Golden Globes From Anywhere

The Golden Globes ceremony will air coast to coast at 8 p.m. ET/5 pm. PT on NBC and livestream on Peacock.

Viewers who already have access to local channels can navigate to NBC to watch the show on Tuesday. The Golden Globes will also be streaming live on NBC.com, but you’ll need a provider log-in to stream from your computer or another device.

If you don’t have access to local channels through cable, internet, satellite or a TV antenna, you can watch NBC and other local and cable channels with DirectTV Stream, Hulu + Live TV, Sling TV and Philo, the latter being the cheapest of the bunch at $25 a month (free trial included). If you’re streaming intentionally, use ExpressVPN and NordVPN to access NBC and more.

Thinking about joining Peacock? Plans start at just $4.99 per month to stream with commercials and $9.99 to watch commercial-free.

Peacock

$from $4.99/month

Stream the Golden Globe Awards and other live NBC events, in addition to sports, news, hit films and Peacock Originals such as The Best Man: The Final Chapters, Poker Face, Sick, Pitch Perfect: Bumper in Berlin, The Real Housewives of Miami, Vampire Academy and Paul T. Goldman.

Episodes of Yellowstone, That 70’s Show, The Office and other fan-favorite shows are on Peacock as well as She Said, Ticket to Paradise, Nope and other must-watch movies.

Ascend Agency is at the Forefront of Playlist Marketing for Indie Artists

The music marketing scene is rapidly evolving. With streaming services rising to become the number one income source for most artists, there is a declining interest in record deals for independent artists.

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The evolution of streaming services has provided new and more exciting ways for artists to market their work, from playlist marketing to social media reels and trends. In many ways, social media, and music streaming have leveled the playing field in the music industry, and everyone is grappling for their place. Over the last decade, it has become normal to see independent artists’ work at the top of Billboard’s charts.

Ascend Agency has built a powerful reputation around taking brands from relative obscurity to profitable visibility. In the last two years, Ascend Agency has distinguished itself as a top player in the PR and Content Marketing space, rising to the very top of the game in record time purely on the wings of its genius strategy.

CEO of Ascend Agency, Jonathan Jadali told Billboard, “At Ascend, we have an uncanny ability to reach across the gap between Fortune 500 companies and startups. We service the million-dollar brands while at the same time pitching our tent with the underdogs and bringing them visibility on a budget.”

Ascend Agency’s revolutionary strategy has always depended upon building strategic partnerships. According to Jadali, partnerships trump patronage any day.

 “In the PR space, we have built strategic partnerships with hundreds of publications as well as some of the top publishing chains in the country, like A360 Media and Modern Luxury. These partnerships have been the lifeblood of our amazing success. We are great at building networks, and that’s what the music game is about; getting the right type of music heard by the right people on the right platforms. We are only replicating our winning strategy in the music scene.”

Brauch Owens, who oversees Ascend’s Music Department sees the music marketing and reputation management space as a newly evolving industry. While these industries have always existed in some form, the explosion of independent artists creates a huge vacuum to fill by marketing agencies and brand management platforms like Ascend.

“Many creatives are creating on Youtube and releasing songs on streaming platforms. The volume of phenomenal talent on display in some places is amazing, but many of them remain relatively unknown. This is where we come in.” Owens explains, “At the end of the day, we love variety in our music, just like we love it in our food. There will never be enough music or enough artists to serve the tastes of all the music lovers out there. This means that the room for expansion in this industry is limitless.”

Ascend Agency has built an extensive network of playlist curators on platforms like Spotify, Youtube, Apple Music, and Soundcloud and is leveraging these partnerships to great effect to deliver phenomenal results for their clients in record time. This strategy is consistent with Ascend’s plan to build and maintain a valuable network.

“We try to have partners everywhere who are doing it at a very high level,” Jadali opines, “This makes it much easier to give our clients the desired results faster. Playlists are to today’s artists what radio used to be in the past. We are careful to find the right playlist fit for each client. While many independent artists are trying to reinvent the wheel, we can give our clients faster results by partnering with the right people. When it comes to music, the first on the scene often takes the day.”

Ascend Music Group a Subdivision of Ascend Agency has quickly become a one-stop shop for independent artists’ needs, from playlist marketing to providing press, reputation management, iTunes charting, distribution, and Album/Single releases. Ascend has entered the music game with clear intent and is gradually translating all its previous success in the PR space into the music space.

Ascend’s success in the music space in this short time has taken many by surprise, but not the company’s CEO Jonathan Jadali, “The market is there and has been growing for a long time, not many are taking advantage of it.” he says. Ascend Agency hit $2.5 million in 2021 its first year of operation and has now hit the $7.5 million mark in 2022 its second year.

We live in a streaming era as all other forms of music consumption continue to decline. Global subscribers to music streaming platforms grew by 26.4% in 2022 and now average about 523.9 million subscribers. The music streaming revenue in America now makes up 84% of the U.S. music industry revenue and is projected to grow to 90% in the next few years. “The pie is enormous, and independent artists want a slice of it,” says George Nellist.

The reason for this growth in independent artists can be tied to the growth in sound engineering technology, making it relatively easier to create music and the relative visibility social media provides. According to Owens, “the sheer volume of independent artists building a following outside the establishment is impossible to ignore. Independent artists will likely become the future of the industry or at least a major player, and Ascend will be right there at the forefront making sure that their amazing art gets heard.”

Dr. Dre Calls Marjorie Taylor Greene ‘Divisive & Hateful’ After She Uses ‘Still D.R.E’ in Promo Video

If your name is Marjorie Taylor Greene and you’re looking to license music from a certain legendary hip-hop star … let’s just say you can forget about Dre. Dr. Dre has addressed the controversial Georgia congresswoman following a video she posted using his and Snoop Dogg‘s 1999 smash hit “Still D.R.E.” to celebrate Kevin McCarthy’s choppy Speaker of the House win — and the artist isn’t happy.

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“I don’t license my music to politicians, especially someone as divisive and hateful as this one,” Dre said in a scathing statement about Greene to TMZ Monday (Jan. 9).

Billboard has reached out to Snoop Dogg for comment.

The video in question — posted Monday morning on Greene’s social media accounts — features the Republican representative strutting through the halls of Congress in slow motion, grinning at the camera as Dre’s infamous piano riff repeats on a loop. Toward the end, it calls back to a photograph taken of her on the House floor during McCarthy’s speakership vote, holding up her phone to show she’s conversing with “DT” — presumably former president Donald Trump.

The video then cuts to footage of McCarthy being confirmed as the new Speaker of the House, a title he won only after several grueling days of back-and-forth between members of the Republican party and 15 rounds of voting. Greene had backed McCarthy in the speakership vote, and she immediately posted a selfie with the California congressman after he was declared winner.

Reactions to Greene’s video ranged from amusement to anger, with many calling on Dre to address the use of his song, which reached a new Billboard Hot 100 peak of No. 22 last year after the rapper performed at the 2022 Super Bowl. “Hey @drdre & @SnoopDogg y’all cool with this lunacy?” tweeted House of Cards actor Michael Kelly, re-sharing Greene’s post.

“@DrDre @SnoopDogg, did you approve this?” tweeted the Lincoln Project.

“Marjorie Taylor Greene using Dr. Dre songs for her campaign videos,” commented another. “We’re living in an episode of South Park.”

Morgan Wallen Pays Tribute to Keith Whitley in New Song

Morgan Wallen shared an early look at a new song over the weekend, and it is a musical nod to the late country music artist Keith Whitley.

“Sitting here waiting on the sun in a deer blind…here’s a new one,” Wallen wrote via Instagram on Sunday (Jan. 8), along with an audio snippet of a demo tape labeled “Keith Whitley Ref 1 Jan 6.”

The ballad, which includes the lyrics, “I’m no stranger to the rain/ It starts rainin’, I start pouring, I’ll take hurtin’ like hell in the morning over feeling this way…there ain’t a mirror in this house anymore,” nods to Whitley songs including “I Never Go Around Mirrors” and “I’m No Stranger to the Rain.”

This isn’t the first time Wallen has paid tribute to Whitley. Over the holidays, Wallen shared a video of himself singing a cover of Whitley’s “Kentucky Bluebird,” calling it one of his favorite Whitley songs. The song is the title track to a 1991 Whitley compilation album.

Whitley, who was posthumously inducted into the Country Music Hall of Fame in 2022, is known for his hits including “I’m No Stranger to the Rain,” “Miami, My Amy.” As a teenager, Kentucky native Whitley teamed with another talented teen, Ricky Skaggs, to begin a bluegrass band, and soon bluegrass luminary Ralph Stanley hired Whitley and Skaggs as part of his own Clinch Mountain Boys.

By 1977, Whitley had joined J.D. Crowe & the New South, performing on albums including 1982’s Somewhere Between. In 1984, Whitley inked a deal with RCA Records and released the EP A Hard Act to Follow. He followed by his album L.A. to Miami, which included the singles “Ten Feet Away,” “Homecoming ’63” and “Hard Livin’.” Whitley’s 1988 album, Don’t Close Your Eyes, earned Whitley three consecutive Billboard Hot Country Songs chart toppers, including “When You Say Nothing at All,” “I’m No Stranger to the Rain,” and the album’s title track. Whitley died on May 9, 1989.

Later this year, Wallen will launch his massive One Night at a Time World Tour. He will welcome several openers for various shows, including HARDYERNESTBailey Zimmerman and Parker McCollum. The U.S. leg of the tour includes stops at Boston’s Fenway Park, Los Angeles’ SoFi Stadium, Chicago’s Wrigley Field, St, Louis’ Busch Stadium and Detroit’s Ford Field, while the trek will also head overseas to Australia and New Zealand.

Listen to the clip of Wallen’s new tribute song to Whitley below.

10 Cool New Pop Songs to Get You Through The Week: Monsta X, The New Pornographers, Leony & More

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

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These 10 tracks from artists including Monsta X, The New Pornographers, Leony and JW Francis and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist of all 10.

Monsta X, “Beautiful Liar”

The members of Monsta X have always been adept at synthesizing different genres into a fun, immediate product, and on “Beautiful Liar,” the standout track from new mini-album Reason, the K-pop stars mash up funk, hair metal, dance-pop and hip-hop in a manner that doesn’t sound overstuffed or lose its foundation. Plenty of Monsta X singles possess interesting tidbits in their margins, but “Beautiful Liar” keeps its ambition front and center. – Jason Lipshutz

India Theiriot, “Montage”

Ever scroll New Music Friday and hear a pop song so self-assured and satisfying that it stops you in your tracks? That effect undoubtedly happened to anyone lucky enough to stumble upon singer-songwriter India Theiriot’s “Montage,” a heartfelt and ornately produced track that possessed the quality of a breakthrough. Theiriot’s vocal warmth wraps around the synths here, presenting observations and memories with a gravity that invites the listener closer. – J.L.

Leony, “Somewhere in Between”

Now this is how you do a pre-chorus: on “Somewhere in Between,” the new single from Leony, the German pop artist’s voice keeps creeping upward, inching toward higher octaves, before the hook kicks in and the listener feels a rush of speed and danger. Best of all, “Somewhere in Between” matches its construction with a tale of self-confidence (“Got clarity inside of me, I know who I am / No matter what you saw, I know my heart always stayed the same,” Leony sings), so that the payoff feels earned. – J.L.

Debby Friday, “So Hard To Tell”

Debby Friday’s backstory is fascinating enough to fill a novel — the Nigerian-born artist grew up hopscotching across Canada, attending all-night raves, quitting DJ’ing due to personal issues, then picking up the pieces as a singer-songwriter through YouTube tutorials. Even a context-free listen to new single “So Hard To Tell,” however, reveals one of the young year’s most audacious bangers, a daring and cacophonous piece of pop that wants to entrance (or maybe pummel) its listener with its percussion. – J.L.

The New Pornographers, “Really Really Light”

The New Pornographers have been slinging pristine indie-pop hooks for over two decades now, and new single “Really Really Light,” from just-announced album Continue as a Guest, reminds the world of the combined power of A.C. Newman, Dan Bejar and Neko Case as singers, songwriters and complementary pieces in a group setting. “Really Really Light” is at once big and driving, but also reserved and a little clouded, as if the New Pornos want to make their pop sheen slightly askew here. – J.L.

Violet Saturn, “Love U Madly”

Looking to re-create some Warped Tour memories… or at least the time you scream-shouted “good 4 u” with your friends? Siblings Lauren and Spencer Carr Reed have you covered with this enjoyable pop-punk offering from their group Violet Saturn — just don’t headbang too hard to miss the sly time-signature change on “Love U Madly,” where the phrase “My heart stops” literally causes the tempo to rearrange. – J.L.

Neriah, “Puppet on a String”

Los Angeles newcomer Neriah’s latest single successfully see-saws between her airy vocals and some punchier production as the song builds toward a sticky chorus. Though on the shorter side — the track clocks in at two minutes — “Puppet on a String” has just enough for fans to trust where Neriah is headed. – Lyndsey Havens

MyKey, “Bender”

Singer-songwriter MyKey (a moniker inspired by his real name, Mikey… get it?) blissfully blends acoustic riffs with folk-inspired pop melodies, creating contemplative, consuming songs like “Bender.” With its bare-bones production, the single’s power is in its subtlety, but MyKey pulls off a rare feat here. – L.H.

JW Francis, “Going Home to a Party”

With a style reminiscent of the 2000s indie-rock heyday, “Going Home to a Party” could help usher back in a renaissance of rollicking riffs and whimsical production. Courtesy of bedroom pop artist JW Francis, the single is a strong coming attraction of his upcoming album Dream House, out Jan. 27. – L.H.

Suriel Hess, “Wasted”

There’s a refreshing immediacy to “Wasted” that comes from Suriel Hess’ lyrics rather than any grabbing melody. Supported by an acoustic guitar, he sings, “It could be easier, to sit back and just observe, but my mind races.” It’s a perfect lay-up for what follows, as he chronicles what exactly is running sprints through his mind (spoiler alert: it’s a girl). – L.H.

Adam Lambert Saves Himself (& Everyone Else) in Glamorous ‘Holding Out For A Hero’ Video: Watch

It’s been 39 years since Bonnie Tyler first announced that she was waiting for her white knight, and Adam Lambert is done biding his time.

On Monday (Jan. 9), Lambert unveiled the official music video for his cover of Tyler’s “Holding Out For A Hero.” Bringing his version’s glam-rock stylings into the video, the Jordan Rossi-directed clip sees a disguised Lambert and a group of bedazzled helmet-wearing backup dancers start their performance of the song in a liminal, all-white space.

It doesn’t take long for Lambert to shed his sunglasses revealing a full-face of glittering makeup — and as he sings about needing to be saved by a hero, the singer instead takes on the role of the savior by removing the helmets from his backup dancers, allowing them to express their truest selves. By the end of the journey, a kilt-wearing Lambert is joined by an ensemble of queer performers, rocking out to the moody rendition of the track.

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“Holding Out For A Hero” is just one of the covers set to appear on Lambert’s upcoming new album High Drama. Due on Feb. 24, the album will see Adam covering classic rock artists like Culture Club, Noel Coward and Ann Peebles, while also offering his takes on more contemporary music by stars like Sia, Lana Del Rey, P!nk and Billie Eilish. His last single to be released off the album saw Lambert taking on an haunting version of Duran Duran’s 1993 hit “Ordinary World.”

Check out Lambert’s official video for “Holding Out For A Hero” above.

Ryan Griffin Talks Viral Success of ‘Salt, Lime & Tequila’ & Writing ‘Dibs’ With Kelsea Ballerini’: Watch

Ryan Griffin is soaking up his recent success — and has “Salt, Lime & Tequila” to thank for it. The country singer and songwriter at down with Billboard News to discuss his TikTok viral song, and how co-writing a track for Kelsea Ballerini opened the doors for his music career.

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Griffin debuted “Salt” — which peaked at No. 52 and spent a total of 20 weeks on Billboard‘s Country Airplay chart — via TikTok in a fun video with his dad. He explained, “I knew my dad would like that song because it has that beach-y vibe to it, and I threw the phone up and I was like, ‘Pops, listen to this! Just tell me you like the song.’”

The day after the country singer posted the video to his TikTok account, the track started making waves on the platform. “I look at my phone and it’s been going massively viral,” he added. “That’s what we’ve been touring on, that was my first single to country radio that I’ve been doing a radio tour [for] all year across the country. It’s definitely the song has launched my career and put me in the right direction.”

As for Griffin’s “Dibs” collaboration with Ballerini — her second No. 1 single on Country Airplay — it happened as a result of a serendipitous writing session.

“The day that we wrote that song, we weren’t even supposed to have written. We wrote it in 45 minutes and it popped out. I’ll never forget the day she called me and told me it would be her second single. My wife and I were pretty broke at the time, to be honest — being a broke songwriter is a real thing,” he recalled. “[Ballerini] called and told me it was going to be he second single and it was just this huge weight off my shoulders. It was really the song that helped me stick around Nashville a little bit longer and start doing my artist thing.”

Watch Ryan Griffin’s full interview with Billboard News in the video above.