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Nicki Minaj Signs With New Management

Nicki Minaj has signed a management deal with Range Media Partners, according to sources close to the situation. Managing partner Melissa Ruderman will oversee her career.

Ruderman joined Range Media Partners as a partner in the music division at the top of 2021. She is no stranger to working with superstars, having a yearslong partnership with Mariah Carey, including previously at Roc Nation (their relationship spans back to 2005, when Ruderman handled Carey’s day-to-day under veteran manager Benny Medina).

As of last spring, Minaj was self-managing after a short stint working with Wassim “Sal” Slaiby‘s SALXCO — with whom she announced she was working in September 2021. From 2019-2021, Minaj was working with Irving Azoff at Full Stop Management, and then before that was repped by Gee Roberson and Cortez Bryant at Blueprint/Maverick Management.

Range Media launched in Sept. 2020 by former Entertainment One chief strategy officer Peter Micelli and a coalition of former CAA, WME and UTA agents. By July 2021, the company formed Range Music, a record label under the Range Media umbrella and a partnership with Capitol Music Group and Virgin Music & Artist Label Services.

Range clients include Jack Harlow, Justin Tranter, Cordae, Midland and many more.

As for Minaj, her solo catalog has logged 11.9 billion on-demand official U.S. streams, according to Luminate. Her albums have earned a combined 14.1 million equivalent album units, selling a combined total of 3.9 million copies across four full lengths.

Minaj has scored two No. 1 albums on the Billboard 200Pink Friday and Pink Friday: Roman Reloaded. On the Hot 100, she has three No. 1s: “Trollz,” “Kiss Me More,” and most recently “Super Freaky Girl.” She is signed to Republic Records.

 

Calvin Harris, The Chemical Brothers, Eric Prydz’s HOLO, & More: Here’s Every Electronic Artist Playing Coachella 2023

Coachella season is officially upon us. After weeks of swirling rumors about who’d be filling out the 2023 lineup, the desert’s most hyped music festival on Tuesday (Jan. 10) announced its 2023 lineup.

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In addition to headliners Bad Bunny, BLACKPINK and Frank Ocean, there is of course, as always, a robust slate of dance/electronic artists on the bill. Key players include Calvin Harris, who hasn’t played Coachella since his mainstage slot back in 2014, the Coachella debut of Eric Prydz’s massively hyped (and with good reason) HOLO show, a set from Deadmau5′ TESTPILOT alter-ego, along with genre pioneers The Chemical Brothers, whose last Coachella appearance was back in 2011.

Notably, Harris’ name currently appears at the bottom of the bill, signifying that festival organizers have not yet decided on which day of the fest the Scottish superstar will play the show. Last year, Swedish House Mafia initially appeared in this area of the lineup poster as well, until the group replaced Ye as the event’s Sunday night co-headliner, along with The Weeknd.

The finer print of the Coachella 2023 bill features a crew of major dance players, including a reunion from Sasha & Digweed, Alison Wonderland’s Whyte Fang project, actor/DJ/heartthrob Idris Elba, Danish sensations WhoMadeWho and LP Giobbi.

Coachella has two stages dedicated exclusively to dance music, with the Yuma tent providing a club-style space for house and techno, while the massive Sahara Tent hosts more commercial sounds, with the genre also spread out between the festival’s other stages. The festival’s Do Lab stage also annually hosts its own three-day slate of electronic artists, with that companion lineup — which typically includes a few massive surprise sets — to drop in the coming months.

Here’s when the electronic acts are playing at this year’s festival:

Friday, April 14 & 21

  • The Chemical Brothers
  • Kaytranada
  • Yves Tumor
  • TESTPILOT
  • Maceo Plex
  • Jamie Jones
  • Malaa
  • Whyte Fang (Alison Wonderland)
  • Idris Elba
  • Vintage Culture
  • Dombresky
  • Nora En Pure
  • Uncle Waffles
  • Mochakk
  • Dennis Cruz
  • PAWSA
  • Oliver Koletzki
  • Chris Stussy

Saturday April 15 & 22

  • Eric Prydz Presents HOLO
  • Underworld
  • SOFI TUKKER
  • Chromeo
  • Mura Masa
  • Tale Of Us
  • Yaeji
  • Elderbrook
  • Kenny Beats
  • Keinemusic
  • Hot Since 82
  • Monolink
  • Nia Archives
  • Jan Blomqvist
  • WhoMadeWho
  • DJ Tennis + Carlita
  • Mathame
  • Chloé Caillet
  • Francis Mercier

Sunday April 16 & 23

  • Porter Robinson
  • Fisher
  • Chris Lake
  • Jai Wolf
  • Boris Brejcha
  • 2manydjs
  • Sasha & John Digweed
  • Camelphat
  • LP Giobbi
  • MK
  • Adam Beyer
  • Big Wild
  • Romy
  • TSHA
  • Cassian
  • Gordo

Dolly Parton Funko Pops Are Coming Soon: Where to Pre-Order the Collectibles Online

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Just in time for her birthday! Dolly Parton turns 77 on Jan. 19, and Funko is paying homage to the country legend with two Funko Pops.

Funko’s Pop! Rocks collectibles, which went up for pre-order on Tuesday (Jan. 10), are available at Funko.com and Walmart.com while supplies last. The adorable figurines retail for $12-$15 at Funko.com and $19.47 for the Walmart-exclusive Pop! Rocks collectible that comes with a durable, protective case. Per Walmart, the vinyl figurines will ship in April.

Each vinyl figure channels one of Parton’s many legendary outfits. The Pop! Rocks: Dolly Parton figurine (measuring 4.37-inches tall) looks ready to hit the stage in an orange sequin jumpsuit with silver fringe similar to what Parton wore to a benefit concert in 2014.

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The other Pop Rocks! vinyl figurine (4.50 inches) shines in a white, glittery pantsuit and a matching bedazzled guitar, reminiscent of what she wore when she headlined the Glastonbury music festival in 2014.

Funko

After more than 50 years in the business, Parton’s career might be hotter than ever. Between releasing her own line of cake mixes, pet accessories, a greatest hits album, a novel and giving out free books through her Imagination Library, Parton has been busy over the last year, and she doesn’t appear to be slowing down for 2023.

The country star will merge into a new lane with the release of a rock album due out this fall. According to Parton, the album will feature a mix of new songs and remakes of rock classics such as Led Zeppelin’s “Stairway to Heaven,” Prince’s “Purple Rain,” Lynyrd Skynyrd’s “Free Bird,” and “(I Can’t Get No) Satisfaction” by the Rolling Stones.

Pre-order Dolly Parton’s Funko Pop! Rocks vinyl figurine below.

Funko

Funko Pop! Dolly Parton (with protective case)

$19.76

Phish Announce West Coast Tour, Including Three-Night Hollywood Bowl Stint

Phish is slated to embark on a short West Coast tour this coming spring, with the beloved jam band announcing eight shows as part of a 10-day sprint from Seattle to Berkley, California, capped by their first-ever three-night stand at Los Angeles’ legendary Hollywood Bowl.

Starting in Seattle, Phish is set to perform for two nights at the city’s Climate Pledge Arena (Apr. 14-15) before heading down to Berkeley, where they’re slated to play for three nights at the Greek Theatre (Apr. 17-19) followed by their three-night run at the Hollywood Bowl (Apr. 21-23).

A ticket request period for the shows is now underway at tickets.phish.com and it will continue through Monday, Jan. 16 at noon ET. Tickets for the 10-day run officially go on sale to the general public beginning on Friday, Jan. 20 at 10 am PT. Specific ticketing information for each show is now available at phish.com/tours.

Tickets are still available for Phish’s return to Mexico for the sixth installment of the band’s “concert vacation” getaway Phish: Riviera Maya, which is slated to run from February 23-26 at the Moon Palace Cancún in Riviera Maya, Cancún. The all-inclusive event will feature four unique Phish shows in a state-of-the-art concert venue set against the backdrop of Mexico’s Caribbean coastline. Packages for Phish: Riviera Maya 2023 at the Moon Palace are currently sold out, though an extremely limited number of four-night rooms have been reserved at Hilton Cancún for Phish: Riviera Maya guests. To book a package, visit www.phishrivieramaya.com.

Shakira to Join Bizarrap for One of His Popular Music Sessions 

Shakira is joining forces with Bizarrap for one of the Argentine producer’s Music Sessions. After teasing a new track on Monday (Jan. 9), the Colombian star and Bizarrap both took to social media to confirm their collaboration.  

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Initially, the new single had been teased with release date of Wednesday (Jan. 11) and a one liner: “a wolf like me doesn’t have time for men like you.” Subsequently, they announced the collab, simply writing, “Tomorrow, BZRP Music Session #53.”

It’s the first time the pair has teamed up for a track. Shakira joins a number of artists — including Nicky Jam, Residente and Paulo Londra — who’ve jumped on one of Bizarrap’s zealously streamed music sessions. His session with Spanish act Quevedo scored both their first entry on the Billboard Hot 100. Currently, it has more than 400 million views on YouTube.

This new song will follow Shakira’s Ozuna-assisted “Monotonía,” which peaked at No. 3 on Billboard’s Hot Latin Songs chart (dated Nov. 5). It currently sits at No. 1 on the Latin Airplay chart, where it’s ruled for four weeks.  

Recently, Shakira shared a heartfelt message of hope to start off the new year. “Even if our wounds are still open in this new year, time has a surgeon’s hands. Even if someone’s betrayed us, we must continue to trust others,” wrote the Colombian singer. “When faced with contempt, continue to know your worth. Because there are more good people than indecent ones. More people with empathy than indifference.”

She continued: “The ones who leave are fewer than the many who stay by our side. Our tears are not in vain, they water the soil our future will spring from and make us more human, so that even while suffering heartache we can continue to love.”

The message came after a difficult year due to her separation from Spanish soccer player Gerard Piqué, the father of her children. The singer has spoken openly about the breakup since it was confirmed in June, and has posted material — including releasing the heartbreak song “Monotonía” — alluding to her pain.

Here’s What Readers Picked as Their Favorite Latin Album of 2022

In December, Billboard highlighted the 25 best Latin albums of 2022, according to the Latin editorial team. The list included a wide variety of titles, from Bad Bunny’s historic Un Verano Sin Ti to Romeo Santos’ Fórmula, Vol. 3 to Paulo Londra’s comeback set Back to the Game, and beyond.

Billboard also asked readers to vote for their favorite album, and the results are now in.

With more than 40 percent of the votes (43.4% to be exact), Sebastián Yatra’s Dharma (Universal Music Latino) was crowned the best studio album by fans. The 17-track set, which nabbed the best pop vocal album award at the 2022 Latin Grammys, is Yatra’s most eclectic album yet, featuring him dabbling in punk rock (“Las Dudas”), cumbia (“Amor Pasajero”), vallenato and flamenco (“Dharma”), reggaeton (“Si Me La Haces”) and pop (“Modo Avión”). Dharma also debuted at No. 2 on Billboard’s Latin Pop Albums chart-dated Feb. 12, 2022.

“[This album] taught me that you don’t have to limit your creativity,” the Colombian singer-songwriter previously said to Billboard. “If I tell myself that I’m only good at making ballads or that I’m only good at making pop, I will only be good at that. But I’ve never questioned if I would sound good in a rhythm or not. I’m also not thinking, ‘Oh, I’m going to show everyone that I can be good in every genre.’ I just try to make an amazing song that goes with who I am and it just happens to be that type of music.”

A very close second on the fan poll was Yuridia’s first-ever Regional Mexican album Pa’ Luego Es Tarde, helmed by Eden Muñoz as producer, with 40 percent of the votes. The 14-track set that includes the Ángela Aguilar-assisted “Qué Agonía,” debuted at No. 7 on the Regional Mexican Albums chart (dated Nov. 5, 2022) and earned the Mexican powerhouse her first-ever Top 10 title on the chart.

See where other Latin albums in the fan poll landed below.

Bad Bunny, BLACKPINK & Frank Ocean to Headline Coachella 2023

The lineup for this year’s Coachella Valley Music & Arts Festival was revealed on Tuesday (Jan. 10), and it featured a two-weekend run topped by Bad Bunny, Frank Ocean and K-pop superstars BLACKPINK. The 2023 edition is slated to run on two consecutive weekends, from April 14-16 and then again from April 21-23.

Also set to perform are Gorillaz, Rosalia, Bjork and many more.

Elusive singer Ocean was originally booked to perform at the 2020 pandemic-canceled edition of the festival; he made his Coachella debut on a side stage in 2012. Puerto Rican superstar Bad Bunny is a logical headliner choice, as his 2022 tour was the year’s top grosser with $373.5 million, and his top slot would make him the first-ever Spanish-language artist to close out the fest’s main stage.

Last year’s edition featured headline sets from Harry Styles, Billie Eilish, The Weeknd and the reunited Swedish House Mafia following the cancellation of the event in 2020 and 2021 due to the COVID-19 pandemic. As always, it was also full of unexpected, buzzy moments that made the crowd at the Empire Polo Club grounds (and those at home watching virtually) lose their minds, including Styles jamming with Shania Twain on her hits “Man! I Feel Like a Woman!” and “You’re Still the One.”

They also saw Eilish bring out Blur frontman Damon Albarn for a special rendition of her “Getting Older” and the Gorillaz’s “Feel Good Inc.,” as well as Justin Bieber making a surprise appearance with Daniel Caesar to perform JB’s hit “Peaches.” They even got to see 2NE1 reunite with CL during 88Rising’s Heads in the Clouds Forever showcase.

See the full lineup below.

‘RuPaul’s Drag Race’: Irene DuBois Finally Puts ’40-Inch-Gate’ to Rest Following Her Elimination

The engines have officially started, and with them, our first contestant of RuPaul’s Drag Race season 15 has crossed their finish line.

The two-hour premiere episode of the now-MTV-helmed franchise saw a record number of queens (16 of them!) enter the work room for the first time, as they sized up their competition — in some cases, quite literally measuring the length of their wigs.

As has become custom in seasons past, the premiere challenge saw the queens vying against one another in an all-out talent show extravaganza. Thanks to her tae kwon do-chopping, duck-walking, comedy-fueled lip sync performance, Las Vegas star Anetra took home the very first challenge win of the season.

Meanwhile, Seattle’s premiere “alien queen” Irene DuBois found herself in the bottom after a less-than-stellar comedy tutorial for making ice water, as did Connecticut queen Amethyst following her underwhelming lip sync to Lisa Stansfield’s “All Around the World.” Facing off in a fiery lip sync to guest judge Ariana Grande’s hit single “7 Rings,” Amethyst eked out a victory, making DuBois the first eliminated queen of the season.

DuBois chatted with Billboard following the airing of the premiere about her time on the show, getting to meet Ariana Grande, joining the legendary sisterhood of the First Eliminated Queens, and the thrilling conclusion to the work room drama dubbed “40-Inch-Gate” by Twitter.

Irene, you did it, you premiered on Drag Race! How are you feeling after watching the episode?

Honestly, watching myself on television has probably been one of the most cringe-y moments of my entire life. Being knocked off first might have been the best thing that could’ve happened for me. 

I was going to say, the First Eliminated Queens has become this almost mythical group to be a part of — so if there’s a good time to go, it’s first. 

Not only am I now a part of a legendary group of girls — the PorkChops, if you will — but I don’t have to watch myself on TV anymore. [Laughs.] I will say, I have won more money than any other first out in history, so I will be taking that $2,500 and buying a finale outfit. 

Well, Irene, I want to get the most important question of our interview out of the way up top —

I swear to God, if this is about the 40 inches, I’m going to lose my mind. 

… Okay, but did you ever get to the bottom of how long Luxx’s wig was?

Look, I’m gonna say one thing, and then we’re going to put this issue to bed, for good — that wig was 32 inches long. Absolutely nothing against my sister Luxx, because here is what I have come to learn about Luxx; the laws of physics that guide the reality that the rest of us live in are not the same laws that govern the world of Luxx Noir London. Her reality is its own specific dimension, and in that dimension, that wig is 40 inches. I can’t take that away from her, I don’t have that power, I’m not a god.

If you ever manage to make it into Luxx’s world, you will see what she sees. For the rest of us out here, we can appreciate a 32-inch wig. It’s a beautiful wig, by the way, and she looks gorgeous in it. We don’t judge a wig’s value by its inches. 

But I do appreciate that this ended up becoming a very real conversation on the show, because you are a very funny queen who uses playful shade to sort of bond with the girls around you — have you found that art is lost on more people now?

I think that we live in a culture where, rightfully so, we are very vigilant about making sure that people are not being taken down for things like weight, race, age, sexuality. That’s important. I think some people might swing the pendulum a little too far in that direction, and try saying that we can’t make a joke at anyone’s expense, period. Obviously that’s not true, I just like to make sure the jokes are at people’s expense and aimed towards things that they are in control of — things like their drag, the things they’ve made an active choice about. If it’s something you haven’t made a choice about, I’m not going to touch it.

I think I know how to read a room pretty well — just because people don’t like the jokes I’m telling doesn’t mean they’re offensive jokes, and that’s also important to keep in mind! Also, if you are racist or homophobic or transphobic and you think I’m funny, f–k off. I’m not making jokes for you. 

There’s so much to talk about from the episode — let’s start with the big gag of Ariana Grande entering the work room dressed as Vivacious and then guest judging. What was you experience working with her as a guest judge like?

I have not met many celebrities at her level — she’s more than A-list at this point, she’s like A-A-list. She is maybe one of the most humble, down-to-earth, genuine people I have ever interacted with in my life. That person is exactly who she portrays, she has such true genuine appreciation for what it is that we’re doing, she made eye contact with all of us, she took the time to get to know us. She was on the work room on camera for probably, what, two minutes? She was talking to us for at least 15 minutes — so lovely, and it almost felt like she was more starstruck than we were. 

It was also very clear, as you said, that she not only appreciated what you were doing, but had a very clear, deep understanding of how it works — both drag and Drag Race

Oh, she fully gets it, and she loves it. She’s not just some average Drag Race watcher; you could tell that she really wanted to be a part of this world. Straight-A’s for Ms. Ariana. 

Let’s talk about the talent show. I appreciated that you chose to take a risk in the talent show with a tutorial on making ice water — how much of you choosing to do the ice water bit was you trying to stand out from queens who were lip-syncing?

Oh, at least 100 percent, if not 200 percent. [Laughs.] I can lip-sync — I can’t lip-sync to “7 Rings” apparently, but I can lip-sync very well—

Well, hold on now, let’s be clear — that was a phenomenal Lip Sync For Your Life, and it felt like it could have gone either way for a good two-thirds of it. You did great.

Well, thank you. There were plenty of songs they gave us on our iPods that we could have done, and it wouldn’t matter who I was up against, I could have sent them packing. That song was not one of them. But all of that is to say, I am a lip sync artist, it is what I do in my act five shows a week.

This moment is the one time where I get the choice to do something other than a lip-sync. So, why would I choose to do the thing that I do all of the time? I mean, now I know why, because the other option sent my ass home, so maybe a lip sync would have worked. I just thought that I’d get points for originality, but they were not awarding those points on that night. 

You mentioned on the runway that this is normally a much longer bit that had to be cut down to fit the show. What were some of the parts of that act that you wish you had kept? 

I was shocked that I was able to get as much in as I did, to be honest. Part of what makes the act work is that it’s a slow burn — something like making a glass of ice water should take about 15 seconds, and I usually draw it out to about five minutes, and there is a lot of comedy that comes with that. There’s also several bits about where you can find things like water or ice, and with those asides you can kind of convey the tone of the piece and sort of illuminate my perspective. You add little jokes in like, “Make sure your water doesn’t contain lead,” “make sure you get some ice before this planet doesn’t have any left,” on and on. 

It kind of reminded me of a performance from the incredible Chicago queen Aunty Chan, where she also just takes a very simple concept and milks it — instead of lip syncing, she plays an instrumental Christmas song, and rings a bell like a member of the Salvation Army until people start tipping her. 

I have seen the act, I love Aunty Chan. That idea of breaking the mold of what a drag performance is going to be is what I’m interested in doing with my art. That’s why I’m such a fan of Aunty Chan’s, to be honest. Whether or not it got me sent home, I am very proud to have brought a piece of that to the main stage. 

Before you go, Irene, what can fans hope to see from you in the near future?

Generally, I am a queen who is very focused on look, I put a lot of work into the visual aspect of drag. I would encourage folks to make sure they’re tuned to my Instagram, because I will be dropping my looks for the show — I will say, if you liked the first runway, you will be obsessed with the rest of them.