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Rosalía knows she’s good at music, but acting? She’s working on it. During a red carpet interview at Monday night’s 2025 Met Gala, the “Bizcochito” singer said she’s doing her best on the set of Euphoria. According to The Hollywood Reporter, Rosalía said she’s excited about her upcoming acting debut in the HBO series about teen […]
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Andre 3000 knows how to make an entrance. The fashion-forward rapper hit the 2025 Met Gala carpet literally wearing a piano on his back—and he wasn’t the only Hip-Hop favorite flexing on the red carpet, which was actually blue.
As HHW has previously noted, the 2025 Met Gala’s theme was “Superfine: Tailoring Black Style” was directly inspired by Monica L. Miller’s, Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Black Dandyism has a rich history and amounts to Black people going all out in expressing their creativity, and giving white supremacy the finger, and asserting their humanity by donning some epically fresh clothing.
Source: Arturo Holmes/MG25 / Getty
The evening’s celebrity co-chairs were Colman Domingo, Lewis Hamilton, A$AP Rocky and Pharrell Williams and they all understood the assignment, delivering some stunning looks. But 3 Stacks may have stolen all their shine thanks to his choice in attire. Coincidentally, shortly after the OutKast rapper hit the carpet in a Burberry-designed outfit, his label Epic Records released his new album called 7 piano sketches—thus the big ass (relatively) piano on hos back. Don’t expect any new fire rap verses though, since as the title implies, it’s strictly Andre 3000 on the keys.
Nevertheless, 3 Stacks still have some heavy competition as Future, Doechie and Pusha T are just some of the Hip-Hop heavyweights who understood the night’s assignment brought the sartorial fire to the event.
See for yourself in the gallery.
Where do you even store a portable piano like that?
1. Pusha T – The 2025 Met Gala Celebrating “Superfine: Tailoring Black Style”
Source:Getty
Malice’s brother came through in a burgundy, double-breasted Louis Vuitton suit outfitted with crystals. Those pants are flared. Got it? Flared.
2. Pharrell – The 2025 Met Gala Celebrating “Superfine: Tailoring Black Style”
Source:Getty
You might have thought Pharrell phoned it in with the well-tailored suit. Until you look closely and realize those are pearls—15,000 of them reportedly. He had to go all out considering his wife, Helen Lasichanh, also came to slay.
3. A$AP Rocky – The 2025 Met Gala Celebrating “Superfine: Tailoring Black Style”
Source:Getty
Pretty Flacko was repping Harlem, and his wife Rihanna is expecting baby no. 3.
4. The 2025 Met Gala Celebrating “Superfine: Tailoring Black Style” – Street Sightings
Source:Getty
Actor Colman Domingo is ours. That is all.
5. The 2025 Met Gala Celebrating “Superfine: Tailoring Black Style” – Street Sightings
Source:Getty
Domingo’s initial red carpet look was giving Soulsonic Force vibe, and we were here for it.
6. The 2025 Met Gala Celebrating “Superfine: Tailoring Black Style” – Arrivals
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Andre Benjamin was styled by Law Roach and the piano was credited to Burberry in collaboration with benji bixby, the latter of which is the latest evolution of 3000’s OG Benjamin Bixby clothing line.
7. Future
Future Hendrix’s locks are gone and he stepped out in a new hairdo.
The voice cast for the upcoming 3D animated film based on Sir Paul McCartney‘s 2005 children’s book High in the Clouds will be lead by Celine Dion, Himesh Patel (Yesterday) and Hannah Waddingham (Ted Lasso). According to Variety, the film adaptation will also feature the voices of Idris Elba, Lionel Richie, McCartney’s former Beatles bandmate […]
Chappell Roan is no piker when it comes to belting out a tune. But on the latest episode of Heart singer Ann Wilson‘s After Dinner Thinks podcast, the “Pink Pony Club” singer made a bold statement about the number one voice in rock. “You’re rockin’ mama! I’m rockin’ because you rockin’, really, truly,” Roan told the singer of the Rock and Roll Hall of Fame band.
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“I think you have the best voice in rock,” Roan said to Wilson, noting that “nothing” has ever made her feel as powerful as when she sang Heart’s iconic hit “Barracuda” onstage at the Austin City Limits festival in 2024, introducing it as her “favorite song.”
“I was like, ‘actually, this is the coolest song ever. And I feel like a rock star!,” Roan said. Fellow guest Lucy Dacus recalled the pair talking about the cover, with Roan telling her at the time, “I remember when you were like, ‘I’m gonna cover this because I want to feel what it feels like in my body to be a rocker like that.’”
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Wilson agreed that it’s a whole different thing to rock out on stage, with Roan saying that pop is fine, but rock, well, it’s a different beast. “A song like that… you can’t hold it in like that. It has to be an independence of the soul where you just let it go and you go, ‘what the f–k? This is a physical event,” Wilson said.
After watching a Heart show before the pod recording, Dacus opined on how most self-described rockers are wannabes who are just pretending, or trying to be a “rock character or avatar. Y’all are just ‘bees,’ you’re not wannabes… they’re trying to be you.”
That comment got Roan going, with the “Hot To Go” singer slamming “b–ches who will never come out on stage. They’re just like, ‘oh! I can’t. My arm hurts!’ Like you are… that is punk!”
Elsewhere in the chat, the three women talked about how style plays into their identity, Dacus asked Wilson is she’d ever considered retiring from music and Roan wondered how the singer handled the huge success and pressure to follow-up Heart’s smash 1975 debut album, Dreamboat Annie, when the group went in to record the follow-up. Dacus also talked about attending a Heart show with her birth mother, with Wilson sharing her moving journey adopting two children.
Definitely stick around until the end, because Wilson opened up about her record label once sending Paula Abdul to teach Heart some choreography, a move that did not go well.
Chappell Roan, Lucy Dacus and Ann Wilson
Courtesy Photo
Oasis’ reunion tour kicks off in just under two months, but there’s still plenty of questions around the shows, including: what will be played and who will be joining Noel and Liam Gallagher on stage when it all kicks off in Cardiff, Wales on July 4?
While a number of U.K. tabloids have been doing their best to get the scoop on the brothers’ reconciliation, frontman Liam has been using his X (formerly Twitter) profile to plant nuggets of information and strike down any inaccurate reports.
Over the weekend The Sun shared a pair of reports about the upcoming tour. One claimed that Noel and Liam were planning to have separate dressing rooms, and that friends of both brothers were restricted in where they could spend the after parties. It reported that “if you’re on Noel’s list but fancy going across to say hello to Liam, it’s going to be a case of trying to blag entry. It seems like they are totally separate events.” The report claimed: “It’s gutting for people who want to hang out with both of them but it seems they’re keeping it all at a distance.”
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Liam responded to the story and said that “After party’s are for w–––s,” throwing cold water on the idea that they were being kept separated. “I’m getting straight of after the gigs get my beauty sleep this level of sexiness doesn’t happen by staying up talking bollox to bellends.”
After party’s are for wankers I’m getting straight of after the gigs get my beauty sleep this level of sexiness doesn’t happen by staying up talking bollox to bellends— Liam Gallagher (@liamgallagher) May 3, 2025
A second article in the The Sun on Sunday said that Oasis were set to drop the song “Hello” from its setlist due to its connection to convicted pedophile Gary Glitter. The 1995 song, which opened their sophomore album (Whats The Story) Morning Glory?, features the lines “Hello, hello, it’s good to be back, it’s good to be back.” The lyrics and melody mirror Glitter’s 1973 song “Hello, Hello, I’m Back Again,” and Glitter was credited as a writer on the Oasis song alongside writing partner Mike Leadner.
The story added, “The lyrics of the song would obviously have been a good fit for the reunion tour but the band have decided to leave it in the past. It would be inappropriate to play it given its connotations to Glitter and his convictions.” Glam rock star Glitter was convicted of child sexual abuse in 2006 and has faced a number of court cases since; he is currently being held in a U.K. prison for breaching his release conditions.
The Sun’s reporting was once again slapped down by Liam on his X account on Monday (May 5), confirming that the song will appear on the setlist. “We’ll be playing HELLO trust me,” he responded to one fan. He also debunked a rumoured leaked setlist and confirmed that none of his solo songs would appear in the shows.
“Hello” featured prominently in the band’s setlist following its release and appeared at their 1996 appearances at Knebworth House, Hertfordshire. The song fell out of rotation around 2002, but was played a number of times during Liam’s solo tours from 2020 onwards.
The band are set to open their tour on July 4 at the Principality Stadium in Cardiff, before a further run of shows in the U.K. and Ireland, before heading to North America, Latin America, Asia and Australasia.
We’ll be playing HELLO trust me— Liam Gallagher (@liamgallagher) May 5, 2025
American Idol has narrowed its field to seven finalists following Monday night’s (May 5) episode, which featured a surprise save and another emotional elimination.
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The remaining contestants include Jamal Roberts, Mattie Pruitt, and five others vying for the season 22 crown.
Mattie Pruitt, who landed in the bottom two alongside Josh King, was saved by the judges, a decision that meant King was eliminated from the competition. Pruitt performed “Always Been You” during the episode, which featured each contestant selecting one of three songs secretly chosen by judges Carrie Underwood, Lionel Richie or Luke Bryan.
The remaining contestants advancing to the top seven are Breanna Nix (“Independence Day”), John Foster (“I Cross My Heart”), Gabby Samone (“Hero”), Jamal Roberts (“I Believe”), Thunderstorm Artis (“Faithfully”) and Slater Nalley (“Atlantic City”).
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“This gave me a wonderful experience performing in front of massive live audiences again,” contestant Josh King said after his elimination. “I got to feel crowds again. It’s such a wonderful feeling.”
The competition is intensifying for the seven finalists, with Roberts saying, “It’s basically how bad do you want it at this point,” he said. “I want it real bad, so I gotta keep pushing and keep doing what I’m doing now.”
Host Ryan Seacrest praised the season’s talent, noting that the judges, Carrie Underwood, Luke Bryan and Lionel Richie, have been particularly moved by this year’s performances. “I think they have been emotionally moved more so by these performers than maybe ever in the past,” Seacrest observed.
Underwood added, “I want them to shine. I feel like that’s where we’re all coming from. We want these hopefuls to do a great job.”
Looking ahead, American Idol will stage two nights of Disney-themed performances beginning next week. Lin-Manuel Miranda, the Tony, Grammy and Pulitzer-winning creator of Hamilton and Moana, will serve as the contestants’ mentor.
The Disney episodes will also feature double eliminations. On Sunday, the top seven will be whittled down to five contestants. By Monday, only three will advance to the grand finale.
The American Idol season 22 finale is scheduled to air later this month on ABC.
The Playoffs on The Voice wrapped up Monday night (May 5) with a standout moment that had viewers on their feet. Bryson Battle from Team John Legend delivered an out-of-this-world rendition of Ariana Grande’s “pov,” which debuted at No. 40 on the Billboard Hot 100 and eventually climbed to a peak position of No. 27, […]
Australian indie-rock duo Royel Otis have announced another run of U.S. tour dates, with the group detailing their latest round of shows while in the country.
Announced on Monday (May 5), news of the group’s Meet Me in the Car tour coincides with the first of two sold-out shows at the Troubadour in Los Angeles on Monday and Tuesday. The 12-date run of shows launches in Philadelphia at the Franklin Music Hall on Sept. 12 before wrapping up in New York City at The Rooftop at Pier 17 on Oct. 11.
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Following their current Los Angeles shows, the Sydney duo will perform at both New York City’s Governors Ball Music Festival and Tennessee’s Bonnaroo festival ahead of a run of festival dates throughout Europe, the U.K., and North America before launching their own headline shows in September.
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Royel Otis first formed in 2019, releasing a series of EPs between 2021 and 2023 before issuing their debut album, Pratts & Pain in 2024. Though their “Sofa King” track reached No. 12 on the Alternative Airplay chart in 2023, the band found widespread fame last year following their cover of Sophie Ellis-Bextor’s “Murder on the Dancefloor” for Australian radio station triple j’s Like a Version series.
The cover topped the Alternative Airplay charts and also peaked at No. 41 on the Hot Rock & Alternative Songs chart. The group’s penchant for covers was again felt when their SiriusXM session rendition of The Cranberries‘ “Linger” was released, giving them their first appearance on the Hot 100 when it reached No. 94.
In late 2024, Royel Otis won four ARIA Awards from eight nominations, including best group and best rock album, while producer Chris Collins won best produced release and best engineered release for Pratts & Pain.
Currently, Royal Otis are ostensibly preparing the launch of their latest era, having recently overhauled their socials with a largely minimalist approach. Alongside noting that “there will be singing. and dancing. and new music” alongside their latest tour announcement, the group have been teasing a song which “may or may not be called ‘Moody’” for a May 9 release.
Royal Otis – 2025 Meet Me in the Car Tour Dates
Sept. 12 – Franklin Music Hall, Philadelphia, PASept. 14 – The Anthem, Washington, DCSept. 16 – The Ritz, Raleigh, NCSept. 19 – The Bomb Factory, Dallas, TXSept. 20 – Stubb’s, Austin, TXSept. 28 – Marquee Theatre, Tempe, AZSept. 30 – Mission Ballroom, Denver, COOct. 2 – Palace Theatre, St. Paul, MNOct. 3 – Grinders KC, Kansas City, MOOct. 4 – The Factory, Chesterfield, MOOct. 10 – MGM Music Hall at Fenway, Boston, MAOct. 11 – The Rooftop at Pier 17, New York, NY
James Baker, the prolific Australian drummer best known for his work as a member of The Scientists, the Hoodoo Gurus, and the Beasts of Bourbon has passed away at the age of 71.
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Baker’s passing was confirmed by a statement issued to the press on Tuesday (May 6), noting that the rocker had passed away at his home the night prior. “It is with heavy heart that we say that James Baker, the King of the Perth Big Beat, the godfather of Perth Punk and Australia’s Garage Guru passed away around 7:30 last night at home in Perth,” it read.
“It was no secret that James had been suffering from terminal cancer for some time, but he did his best to hold it at bay which enabled a final go round from the Victims – the band he formed with fellow Hoodoo Guru Dave Faulkner in ’77 – and a couple of last tours as well as a new album from the Beasts, the band he co-founded in ’83.
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“He also joined the Gurus on stage in Perth in December,” it continued. “He released his first solo 12” record Born to Rock – his first solo release since 1985’s legendary “Born to Be Punched”/”I Can’t Control Myself” single – in May last year, and a newly recorded single with Dom Mariani as recently as January of this year.”
Baker was born in the Western Australian city of Perth in 1954, purchasing his first drum kit at the age of 16 following a love of The Beatles‘ Ringo Starr. The following year, Baker would launch his own musical career behind the kit of a Beatles cover band before performing with groups such as the hard rock outfit Black Sun and the glam-rock Slick City Boys.
In the mid-’70s, Baker would spend time in the U.S. and U.K., even going so far as to consider auditioning for The Clash after a chance meeting with Joe Strummer and Mick Jones following a show from the Damned. “I had a Ramones T-shirt on and they came up to me and talked to me about that,” he recalled in 2003. “They said they needed a drummer. But I hadn’t played for a year.”
It was in 1977 that Baker first let his presence be felt fully as the co-founder The Victims with bassist Rudolph V (aka Dave Cardwell). The band had its roots in an earlier group called The Geeks, which took influence from the Ramones and their blend of burgeoning punk music. Following the addition of Dave Flick (aka Dave Faulkner), the group would rename and issue their debut single, “Television Addict.” The track remains a pioneering cut from the Australian punk scene, with copies of the ferocious tune selling for small fortunes amidst collectors.
While still a member of The Victims, Baker would join The Scientists in 1978, replacing drummer John Rowlings. Emerging from the punk scene, The Scientists would later become one of the most notable independent groups to emerge from Australia, with their influence on grunge being felt by later groups in the genre such as Mudhoney and Nirvana.
Following the release of their 1981 self-titled album, the band would briefly split, and Baker would embark on new ventures. This included the formation of the Hoodoo Gurus with former Victims bandmate Faulkner, former Scientists bandmate Roddy Radalj, and Kimble Rendall, who would pass away in April 2025.
Baker would depart the band in 1984 following the release of their debut album, Stoneage Romeos, which would be the first of four consecutive records to top the US College Radio charts.
While still a member of the Hoodoo Gurus, Baker would also co-found the Beasts of Bourbon, a rock supergroup of sorts fronted by former vocalist of the Dum-Dums, Tex Perkins. The initial lineup would be complemented by Baker, guitarist Spencer P. Jones of The Johnnys, and former members of The Scientists Kim Salmon and Boris Sujdovic.
Baker would remain most active in the Beasts of Bourbon, performing with most versions of the band until 2024. Additionally, he was a prolific songwriter and performer, going on to serve as a member of myriad bands, including the James Baker Experience and The Dubrovniks.
In 2006, he was inducted into the Hall of Fame by the West Australian Music Industry Awards, while The Scientists would follow in 2019. The Hoodoo Gurus, meanwhile, were inducted into the ARIA Hall of Fame in 2007.
In 2014, Baker was diagnosed with liver cancer, which he battled for the remainder of his life. Fundraising campaigns were launched to aid his medical journey, and Baker continued to perform live in spite of his health issues, even releasing his debut solo EP, Born to Rock, in 2024.
“James is survived by his wife Cathy, daughters Lorna and Faye and sister Barbara, and his unborn grandson who will be arriving on the scene in the next week or so,” the statement issued to media concluded.
The death of Baker is another loss experienced by the extended Hoodoo Gurus family over the past year. In April 2024, longtime manager Michael McMartin passed away, just one month after handing the reins over to Mick Mazzone. In April 2025, Mazzone himself would pass away, with founding member Kimble Rendall following just days later.
Maluma walked the 2025 Met Gala carpet with his designer friend, Willy Chavarría, who was behind the artist’s statement-making fit on Monday (May 5).
The Colombian artist arrived in a custom floral long blazer that went past his knees, matching wide-leg dress pants, and a black hat with pink roses, making a cultural statement that paid tribute to Pachucos and their zoot suit.
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“The Pachuco as we know is the quintessential dandy from the 30s and 40s representing Latinos and black, who dressed as a form of resistance and beauty. I hope to have encapsulated that,” Chavarría said to Women’s Wear Daily.
Maluma was one of many Latin acts who stunned at the gala including Bad Bunny, Shakira, J Balvin, and Rosalía.
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Held at New York City’s Metropolitan Museum of Art on Monday, this year’s Met Gala celebrated the theme of “Superfine: Tailoring Black Style,” inspired by Monica L. Miller’s 2009 book Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. The official dress code is “Tailored for You,” a nod to the spring 2025 exhibition’s focus on menswear and is “purposefully designed to provide guidance and invite creative interpretation,” according to Vogue.
Pharrell Williams, A$AP Rocky, Colman Domingo and Lewis Hamilton served as co-chairs, while LeBron James served as honorary chair. Tyla, Doechii, André 3000, Usher, Janelle Monáe and more also served as members of the costume institute benefit host committee. Other artists who attended the Met Gala 2025 were Bad Bunny, Sabrina Carpenter, LISA, Diana Ross, JENNIE and Dua Lipa.
Maluma attends the 2025 Met Gala Celebrating “Superfine: Tailoring Black Style” at Metropolitan Museum of Art on May 05, 2025 in New York City.
Dimitrios Kambouris/Getty Images for The Met Museum/Vogue
