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Nathan Jerde, the drummer of Chicago indie-rock outfit The Ponys, has padded away, it has been confirmed.
News of Jerde’s passing was confirmed by the band on social media on Monday (May 5). “It’s with the heaviest of hearts that we let you know our friend, our band mate, and our brother left this world today,” The Ponys wrote.
“Nathan was an amazing drummer and possessed savant like art skills. Nathan loved goofing around, and had the sweetest of hearts. We traveled the world together. We ate amazing meals together and we met lifelong friends together. We fought like brothers sometimes, but we had so much f–king fun together. Nathan, we will miss you so much!”
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Matador Records also expressed their “deepest condolences to all friends, family and bandmates of The Ponys’ Nathan Jerde,” with their sentiments echoed in a social post from In the Red Records, who issued The Ponys’ debut album.
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“We’re beyond sad to hear the news of the passing of Nathan Jerde of The Ponys,” In the Red’s post read. “He was an awesome guy and a fantastic drummer. To say he will be missed is an understatement.”
The Ponys were formed in Chicago in 2001 by vocalist and guitarist Jered Gunmere, who had previously performed with The Defilers and The Guilty Pleasures. Joined by girlfriend (and later, wife) Melissa Elias on bassist, the lineup was rounded out by Jerde, who was previously the drummer for The Mushuganas, and Ian Adams, who also comprised one half of Chicago duo Happy Supply, on guitar and keys.
The band released their debut album Laced with Romance in 2004 via In the Red, before teaming up with veteran producer and Electrical Audio founder Steve Albini, to record their follow-up, 2005’s Celebration Castle. The group would sign to Matador for their third album, with 2007’s Turn the Lights Out reaching No. 39 on the Heatseekers Albums chart that same year.
The band would split in 2007, with members focusing on other projects. Jerde founded the group Mother of Tears and also joined Tyler Jon Tyler as bassist, before The Ponys regrouped for a series of shows throughout 2009 and 2010.
Jerde would continue working in the music industry, focusing on the artwork for bands such as Outer Minds, Mannequin Men, and Choke Chains in the ensuing years. The Ponys would reunite again in 2016 for a series of shows, though had not played live since the following year.
Lady Gaga reportedly played to 2.5 million fans during her concert at Copacabana Beach in Rio de Janeiro, Brazil, on Saturday night. It’s a hard-to-fathom crowd size, considering we’ve never seen anything like it for a concert in the United States. When it comes to free U.S. shows, some estimates put Garth Brooks’ 1997 concert […]
Drew Afualo gives Megan Moroney her flowers, and she shares that she won Miss Sorority Girl during college, her admiration for Kacey Musgraves and more at Billboard Women in Music 2025.
Drew Afualo:
All right, here we are with the iconic, the legendary, the unbelievably beautiful Megan Moroney. How do you feel being here at Billboard Women in Music?
I’m so excited. I mean, we’re just celebrating the girls tonight. So I love it.
Love, and you’re persevering — you don’t feel that great?
Yeah, I got a shot in my butt, my left butt cheek.
She shared that with me.
So now I shared with everyone.
And she’s still here serving. And what are you doing?
Because, Mama ain’t raise no…
Exactly. You fill in the blank, exactly. Well, I’m so excited to have you here. I’m gonna do a little fun thing for you. So I’m gonna give you some flowers. These are for you.
Thanks!
So I want to give you your flowers-
Are they real?
They are real.
Cool!
Isn’t that so funny. OK, so who do you give your flowers to for getting you where you are now?
My mom.
That’s so common tonight. I love that. Moms, shout ’em out.
No, my mom, I feel like, at a very young age, gave me the confidence to be exactly who I am, and she gave me an attitude to match.
Love. I got one for my mom too, period. I love that. OK, so who do you give your flowers to for inspiring your music?
Keep watching for more!
Drew Afualo gives GloRilla her flowers as she talks about GloRilla’s era of livestreaming on Facebook while working at Checkers Drive-In at Billboard Women in Music 2025.
Drew Afualo:
Team, we have the iconic, the legendary, the one and only GloRilla. Welcome backstage, how do you feel being here at the Billboard Women in Music Awards?
GloRilla:
I feel honored.
That’s amazing. You look fab.
Thank you. You look fab.
Thank you so much. Thank you. Did you guys get that on camera? I also hear you’re on tour, and you made time to come here. I love that.
Yes, I did.
How’s tour going?
It’s going great. Sold-out shows every night. You know?
Look at you, yeah, just slight work, you know, you know, a little bit.
Well, really a lot of work, but we gonna call it slight work, you know, make it look easy.
You make it look easy, tea, love that for you. OK, so I do want to ask you some fun questions, but first I’m gonna give you some flowers. Oh, look at that. That’s for you!
Oh, thank you so much.
Oh my gosh, you’re so welcome. Flowers, literally and metaphorically. But I want to ask you: Who do you give your flowers to for getting you where you are now?
My fans.
Love.
Yeah, most definitely my fans and my team.
That’s amazing. And who do you give flowers to for inspiring your music?
Oh, my cousin. My cousin. I ramp up.
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There’s always one epic selfie that comes out of Met Gala, and we have a contender for the 2025 celebrity group pic of the year — and this time, it wasn’t taken in the bathroom. Fashion designer Stella McCartney managed to get the Queen of Pop and three of pop’s brightest stars in one pic, […]
Host Drew Afualo gives Becky G flowers, and she shares how Selena Quintanilla has helped inspire her music, her love for her fans and more at Billboard Women in Music 2025.
Drew Afualo:
Y’all, we’re here with the talented, iconic, hilarious and stunningly gorgeous Becky G, period. How are you feeling being here at Billboard Women in Music?
Becky G:
We’re not just at Billboard Women in Music. We’re in Inglewood, my hometown, so I’m very happy to be home. It’s very nice. And also, we’re celebrating so many bada– women.
So I love that, and I do want to start off by giving you your flowers. First, hold on. Here you go. That’s for you. So I’d like to ask you: Who do you give flowers to for getting you where you are now?
Ooh, um, my mom. I quite literally would not be here without her.
I love that, that’s beautiful. And who do you give flowers to for inspiring your music?
Selena Quintanilla, easy answer.
What a grand answer. “Si Una Vez” is my favorite song of hers. Yours?
All of them, of course, all of them — “Bidi Bidi Bom Bom,” “Tú Sólo Tú,” “Si Una Vez”
We love that.
I can go on and on.
Don’t get me started on Selena.
It’s fine.
OK? And last, kind of serious one, what do you give flowers to your fans for?
Oh, you know, I think any artist who’s been doing it for a long time, one thing we can thank our fans for is rocking with us throughout every phase. Yeah, I grew up doing this longer than I’ve ever not been doing it, and they have seen my life is basically chronological on the Internet, like a bubble.
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Brandy and Rita Ora are returning as Cinderella and the Queen of Hearts for Descendants: Wicked Wonderland, Disney announced on Tuesday (May 6). The fifth installment of the hit Disney Channel Original Movie series is set for release in 2026 on Disney Channel and Disney+. The two music stars were also featured in 2024’s Descendants: […]
Smokey Robinson and his wife have been hit with an explosive new lawsuit that seeks $50 million in damages over claims that the legendary Motown singer repeatedly raped four housekeepers over nearly two decades.
In the suit, filed on Tuesday (May 6) in Los Angeles County Superior Court, four anonymous women say William “Smokey” Robinson Jr. had a habit of forcing housekeepers to have sex with him in the bedroom of his residence, located in the Chatsworth neighborhood of Los Angeles, between 2007 and 2024.
“Plaintiffs did not consent to defendant Smokey Robinson’s sexual contact or touching,” wrote John W. Harris, an attorney representing the four housekeepers. “Plaintiffs explicitly told defendant Robinson on numerous occasions that they were not interested in his advances and objected to his forceful, physical, sexual and harmful conduct.”
The four women — called Jane Doe 1, Jane Doe 2, Jane Doe 3 and Jane Doe 4 in the lawsuit — claim Robinson followed a consistent pattern of assault over the years. The complaint alleges that the 85-year-old R&B singer and record executive would regularly get housekeepers alone in his blue bedroom wearing only his underwear, put a towel down on the bed, and force them to have oral and vaginal sex without a condom.
Jane Doe 1 says Robinson assaulted her in this manner at least seven times while she worked for him between 2023 and 2024. Jane Doe 2 claims she was raped at least 23 times in Robinson’s bedroom, as well as in the house’s laundry room and garage, during her employment with him between 2014 and 2020.
Jane Doe 3, who says she worked as Robinson’s housekeeper from 2012 to 2024, alleges she was assaulted at least 20 times. Jane Doe 4 does not specify how many times she was allegedly raped but says Robinson “would often create a situation” to get her alone and abuse her between 2007 and 2024.
Each of the four women claim they did not report Robinson’s conduct to law enforcement “due to her fear of losing her livelihood, familial reprisal, public embarrassment, shame and humiliation to her and her family, the possible adverse effect on her immigration status, as well as being threatened and intimidated by defendant Smokey Robinson’s well-recognized celebrity status and his influential friends and associates.”
The housekeepers say Robinson’s wife, Frances, shares the blame for these assaults. According to the plaintiffs, Frances Robinson did nothing to protect them, even though she knew her husband had a history of sexual misconduct and that he’d previously struck settlements with alleged assault victims.
The women say Frances also created a hostile work environment by “regularly screaming” and using racial slurs, and that they were paid below minimum wage and did not receive overtime or legally-mandated work breaks.
“Despite having full knowledge of defendant Smokey Robinson’s conduct, defendant Frances Robinson would further perpetuate hostilities towards plaintiffs instead of preventing further harassment and assaults,” writes the housekeepers’ lawyer. “Instead, defendant Frances Robinson, throughout plaintiffs’ employment, berated plaintiffs with derogatory, racially-charged epithets, assign[ed] additional arduous tasks, and forbid plaintiffs from exercising their rights to meals and rest periods.”
The lawsuit brings a total of 16 claims, including sexual battery, assault, false imprisonment, gender violence and negligence. The four housekeepers are seeking at least $50 million in damages from Smokey and Frances for economic, emotional and physical harm.
Representatives for Smokey Robinson did not immediately return requests for comment on Tuesday.
Blue Note Jazz Club has confirmed that plans to open a new venue in London, England will proceed following the granting of a late license by the local council. The 350-capacity venue will be the first Blue Note Jazz Club to be established in the U.K. and is slated for an early 2026 opening.
The news follows reports of opposition by the Metropolitan Police Service and local residents. In February a Licensing Sub-Committee Report from the City of Westminster outlined a number of objections from the local police enforcement, who objected to the venue’s opening on the grounds it would undermine the licensing objective of “prevention of crime and disorder”.
The move was criticised by a number of local musicians and industry figures, with claims that the council was stifling the capital’s nightlife scene. The venue was initially granted a license that would see the club close at 11:30 p.m., but Steven Bensusan – president of Blue Note Entertainment Group and son of the original Blue Note Cafe founder Danny Bensusan – told Sky News that the opening of its planned European flagship venue may not be viable without a late license. “If they’re not giving us a late license, I can’t imagine how they would be supportive of other smaller venues, which are important for the ecosystem in general.”
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However the Westminster City Council has since reversed its opposition and said that the “venue management have engaged extensively with local people to improve their application and address the concerns that were raised by the police.”
The venue will be based in the basement of the St Martins Lane hotel in Covent Garden in central London. The license will allow the club to open until 1 a.m. on Monday to Saturday, to midnight on Sundays.
The Blue Note Jazz Club will host two performance spaces: a main room with 250 person capacity, alongside a secondary 100 person capacity space. The venue will host a full-service kitchen and beverage menu and will be open for dinner throughout the week.
The new venue will continue the expansion of Blue Note Jazz Clubs internationally. The original club in New York City was opened in 1981, and new venues have since opened in Milan, Beijing, Shanghai, Tokyo, Rio de Janeiro and São Paulo. Stevie Wonder, Tony Bennett, Ezra Collective and more have all performed at the club and its sister institutions.
Steven Bensusan, president of Blue Note Entertainment Group said in a statement, “We’re excited to be coming to London and grateful to Westminster Council for recognising what Blue Note can bring to the city’s nightlife. As we prepare to open in early 2026, we’re looking forward to bringing world-class jazz and a deep cultural legacy to one of the greatest music cities in the world.”
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Over the past few weeks Kodak Black has been more consistent with the visual work he’s been dropping off on the regular, and with the summer steadily approaching it seems like he’s heating up himself as he continues to stay on his grind and come through a new joint that his fans will appreciate.
Dropping off some new visuals to “Mayhem,” Kodak Black shows viewers how he’s been living these days as he hops on private jets to get to his next destination while rocking some ridiculously iced out pieces while stunting on balconies and sipping on some soda. We’re just glad to see the man is okay after that health scare he had on IG live a few years back.
Back on the Left Coast, Hip-Hop OG Rass Kass shows he’s still got bars for decades and in his Apollo Brown assisted clip to “Humble Pi,” Rass and Apollo politic on the block to drop their music and remind us what Hip-Hop videos used to look like on the regular back in the 90’s.
Check out the rest of today’s drops including work from Roc Marciano, Killah Priest and Solo Gemz, and more.
KODAK BLACK – “MAYHEM”
RASS KASS & APOLLO BROWN – “HUMBLE PI”
ROC MARCIANO – “PERIOD BLOOD”
KILLAH PRIEST FT. SOLO GEMZ – “THE WALKING LIFE”
ICEWEAR VEZZO FT. PEEZY – “MIDWEST CONNECT”
SKYWALKER – “AFRICANTHEARTIST”
K-TRAP – “ATTACK THE DAY”
BIG YBA – “SEX ME”
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