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With a Wedding on the Horizon, Lele Pons and Guaynaa Are Marrying Their Music, Too

When Lele Pons posts on Instagram, she does it with a mix of glamour, self-deprecating humor and simplicity that has charmed some 50 million fans into following her. And over the past two years, many of her buzziest posts have showcased the Venezuelan influencer’s love for her fiancé, Puerto Rican singer-songwriter Guaynaa, who counts 6.2 million followers of his own. But Pons, 26, and Guaynaa, 30, are much more than just a captivating couple, and their recent engagement isn’t limited to marriage: They’ll now be also making music together.

“Beautiful, my love. Wow!” Guaynaa gushes at his newest collaborator and bride-to-be on a recent sunny morning in Miami at the restaurant-lounge El Tucán, as Pons gets made up for a photo shoot, trading her clean face, sweatshirt and sneakers for an executive skirt suit with a plunging neckline, towering stilettos and cherry red lips.

Pons kisses him with caution, trying not to stain him with her lipstick. It’s one of many gestures of affection they will show each other throughout the day — suggesting that they really are as passionate as they appear on social media posts.

The vision that she has when carrying out a project is incredible. For me, she is the best content creator in the world. — Guaynaa

From the moment they made their relationship official on Instagram on Dec. 12, 2020, to their exciting proposal before thousands of people during Steve Aoki’s set at the Tomorrowland festival in Belgium on July 31, 2022, Pons and Guaynaa kept their fans’ attention with funny photos and videos in which they didn’t shy away from showing snapshots of their lives. And they haven’t stopped since, with a combination of comedy, moments of vulnerability and messages of self-love. (Cellulite is no longer a reason for shame thanks to Pons.)

They’re not the first music artists to unite their lives and intertwine their careers, but their relationship is different from others, as she is best known for her work on social media and he as a respected singer-songwriter in the industry. Working together has its inherent risks, but it could also result in bigger careers for both. Their joint power was shown in their only song released together so far, “Se Te Nota” (2020), whose video has accumulated 422 million views. It’s Pons’ most-viewed music video and Guaynaa’s second most-viewed, after his hit “ReBoTa” (2019) with 526 million.

“This could be a project that will bring us many surprises, both on Guaynaa’s side and on Lele’s side, because she hasn’t released music in a long time and Guaynaa has been on a music hiatus for nine, 10 months, and I think there will be something cool for this generation that follows Lele and the public that anxiously awaits Guaynaa,” says Juan Diego Medina, Guaynaa’s new manager.

Now I have a really good structure to put out a lot of songs, not just one every six months. And finally, I have someone like him (Guaynaa), who is my adviser and can help me more than anyone else. — Pons

In the last months, Eleonora Pons Maronese and Jean Carlos Santiago Pérez (their real names) have been planning a wedding while spending hours in the studio creating songs and producing an album that they plan to release soon after they tie the knot on March 4, in their adoptive city of Miami, before more than 300 guests. The 10-song set, tentatively titled Capitulations and to be released under a partnership between Interscope Records and Guaynaa, will include eight duets, one solo song from Pons and another one from Guaynaa, spanning a variety of genres, from urban pop (“Abajito”) to reggaetón (“Natural”) to reggae (“A Que No”) and bachata (“Todo Sabe Más Rico”).

Lele Pons, Guaynaa

On Lele: Silvia Tcherassi dress, Le Silla shoes. On Guaynaa: Dickson Lim suit, Prada shoes.

Mary Beth Koeth

Nir Seroussi, executive vp at Interscope Geffen A&M (IGA), says: “This album is a celebration of Lele’s and Guaynaa’s relationship and the perfect way to share this precious moment with their fans. While the wedding will surely attract a lot of attention, the focus of our plan is to showcase the music. With this project, Lele and Guaynaa stepped out of their comfort zones and tapped into an artistic side we haven’t heard before.”

It’s their first collaborative effort since 2020’s “Se Te Nota,” that playful urban pop song about wanting someone in an obvious way that spent 18 weeks on the all-genre Billboard Global 200 (where it peaked at No. 44), 25 weeks on the Billboard Global Excl. U.S. chart (No. 19 peak) and 11 weeks on Hot Latin Songs (No. 25). It was also the seed that led them to spend more time together and, eventually, fall in love.

They made their relationship “official” that December, but their first kiss came nearly two months earlier, on Oct. 27, when the Los Angeles Dodgers won the World Series for the first time since 1988. “It was a very exciting and very special moment,” Pons says.

The content creator, with over 50 million followers on Instagram and 29 million more on TikTok, rose to fame on Vine — the short-form video platform where she became the most followed woman (11.5 million) before it shut down in 2017 — and went on to create comedy skits on YouTube, where she has 17.8 million followers. Her interest in music, however, dates to her childhood, when she took opera singing lessons, and in recent years she has released more than a dozen hit singles, including “Bubble Gum” with Yandel and “HIT IT” with the Black Eyed Peas and Saweetie (both from 2021).

Lele Pons, Guaynaa

On Lele: Aknvas dress, FEMME shoes. On Guaynaa: TAAKK top, Versace pants, Prada shoes.

Mary Beth Koeth

Guaynaa, the son of troubadours who began creating music as a child, has made a name for himself as an urban pop artist with his own style and the audacity to experiment with all kinds of genres. He rose to fame in 2019 with “ReBoTa,” a mix of reggaetón and dembow with which he debuted on the Billboard charts, and has since released collaborations with artists as varied as Lola Índigo (“Respira”), Los Ángeles Azules (“Cumbia a La Gente”) and Sebastián Yatra, with whom he recorded “Chica Ideal,” which reached No. 1 on the Latin Airplay chart.

Now they take on their joint music project not only with great enthusiasm, but with great responsibility. Especially after a year that wasn’t all laughter and comedy. In early 2022, Guaynaa was rushed to the hospital after a car accident in Los Angeles, where a drunk driver hit the vehicle he was traveling in, causing the artist a serious cervical injury that required microsurgery and therapy. “It was a very complex recovery process. [I had to] stop all my projects,” he recalls, thankful that Pons traveled to meet him immediately and always accompanied him. Once recovered, it was his turn to take care of his fiancée, who underwent an operation for appendicitis last October.

In the process, Guaynaa also ended his deal with Universal Music and signed a management contract with Medina of La Industria (Nicky Jam, Manuel Turizo), who says the singer is in talks with a couple of record labels. Pons, signed to Interscope, also has a new manager, Polo Molina (Gerardo Ortiz, the Black Eyed Peas), but her manager for social media continues to be John Shahidi of Shots Studios, with whom she has worked for years.

“He and I are good friends,” says Molina about Medina, whom he worked with when the Black Eyed Peas and Nicky Jam teamed up for “Vida Loca” in 2020. “So, when he started working with Guaynaa and I started working with Lele, it was perfect. We just called each other like, ‘Hey, let’s do an album. Yeah! Let’s do a tour.’ Obviously, there’s a wedding going on, there’s a honeymoon going on, but I think they have all the ingredients to be superstars.”

And everything is practically ready for the big day. Before taking off to Dubai, United Arab Emirates, and Paris for their honeymoon, Pons will wear three dresses throughout the evening: one by Zuhair Murad to walk down the aisle, one by Julie Vino to dance at the party, “and the very, very last one, which is for when you’re already feeling unwell, by Pnina Tornai,” she says with a laugh. There will be Puerto Rican, Venezuelan and Italian food (in honor of her ancestry), and both a band and DJ to provide music till the wee hours.

They also expect to sing and have some of their guests sing as well, including relatives and close friends like Puerto Rican pop icon Chayanne (Pons’ uncle) and a stellar bridal party including Paris Hilton, Anitta, Kim Loaiza, Hanna Stocking, Isabela Grutman, Nicole Garcia and Isadora Figueroa, as well as Sebastián Yatra and Mau and Ricky Montaner.

“They all have to sing! I’ve sung at everyone’s weddings,” says Guaynaa, while Pons reminds him that someone already said she wants to do it: Spanish singer Natalia Jiménez.

During our lengthy interview, in which they spoke mostly Spanish, Pons and Guaynaa talked about their life together, their plans and their respective roles in the industry.

The wedding is only a few weeks away and the album will be released soon after. How are you handling the stress?

LELE PONS: We try to help each other with the stress, and the people around us too. (Turns to Guaynaa.) Like your dad, he calms me down a lot. Your mom calms me down a lot.

GUAYNAA: It’s a process, but we always take a couple days a week to do nothing and be at home snuggling, watching TV, talking. That makes us more appreciative and makes us step out of the house with the idea that someone is waiting for you at home to have a nice time when the lights go out, that someone is there for you.

Lele Pons

Aknvas dress.

Mary Beth Koeth

What do you want to say with this album? Is there a particular message?

GUAYNAA: Look, there’s partying, there’s dancing.

PONS: But there are also moments about not wanting to sleep with the person you’re with, like the bachata. All couples have problems, and that’s very important. Not everything is love and kisses. There are moments that you know are difficult, and if you love the person that you’re with, you are going to have to solve it.

Who wrote the songs, and how was the working process in the studio?

PONS: Guaynaa wrote the songs. I’m more into marketing and music videos. We both contribute. We sing together, we help each other. Many times, I change the melody when I don’t like it, like in the song “Abajito.”

GUAYNAA: I try to compose, direct, produce. And Eleonora is basically giving her opinion also in terms of production and lyrics, but in a more relaxed way. The process was quite varied. One song was written in Mexico, the rest in Miami. There were collaborations with songwriters that I’ve worked with. For example, “Estrella Fugaz” was written with Elena Rose. It’s a very special song for us because it essentially represents what our love story is.

Working together can be a double-edged sword. How has this experience been for you?

GUAYNAA: Lele and I beat to different rhythms. In music, I can tell you that it is quite cool, because she has a different thinking and approach and drive, she has other filters in her head when she analyzes music. My filters are more about the conceptual elaboration of the album, the musicality, the storytelling, the beginning and the end. There were many disagreements for that very reason, but at the end of the day, I think we managed to develop a project, and that makes us very happy.

What has been the most fun for each of you?

PONS: For me, it was when I had to sing in the studio and Guaynaa would come in to help me. (To Guaynaa.) It was fun because you did things to make me laugh and [help me relax]. And for you?

GUAYNAA: The most fun? (Laughs mischievously.) Oh, for you to say you liked a song, because you were like: “I don’t like it, I don’t like it, I don’t like it… This one I like!” Yes!

PONS: [But] when it comes to songs, I trust in him. Even if I don’t like it, I have a lot of trust in Guaynaa as an artist and I tell him, “OK, bebé, if you really want to release this song, let’s do it.”

Each of you has your own passionate fan base. How do you reach out to fans and build a consensus, especially now that you’re releasing a project together?

GUAYNAA: I think people want music.

PONS: Yes, they already have everything else on social media.

GUAYNAA: They ride the wave and surf with us. People want music, they’d like to hear music from us out there. I mean, there were many people last year who, for example — now that I told you how difficult it was — got upset at my fan base or Lele’s fan base: “Why aren’t they working? Why aren’t they making music? Oh, they’re more dedicated to their relationship than to their careers.” And it’s really that we had a disability — I couldn’t go out and sing with a hole here (points to his neck, referring to the injury from the car accident), and she couldn’t go out and sing with stitches in her belly. It was a very complicated scenario.

Guaynaa, if you could change something in the music industry right now, what would it be? [The singer parted ways with Universal Music and his previous management after releasing his debut album, La República, in 2021.]

GUAYNAA: I would require at least four years of [music business] studies, a master’s or bachelor’s degree for those who want to sing and enter the platforms. Because it seems quite unfair to me that because of ignorance errors an artist’s hard work is put at risk and therefore, their family’s sustenance — like a bad agreement, a bad contract. I have always said that this is like parenthood: First they give you the diploma and then you start studying. I would like for people to study first and then get their diploma.

Guaynaa

TAAKK top, Versace pants, Prada shoes.

Mary Beth Koeth

Has your relationship with Lele or your greater social media presence influenced the way you make music today?

GUAYNAA: Definitely. There are many aspects in music, and I’ve always been a guy who goes out with reggaetón, then makes cumbia, salsa, alternative music… that’s the way I feel comfortable; that’s me and that’s my DNA. So, yes, I think it has given me another notion because I am aware of other things, I see other trends, and when I’m making music that’s leaning to that side, I already have some more knowledge.

How do you structure your businesses?

GUAYNAA: Our businesses are structured completely separately. We do give each other feedback and help each other, but she keeps her business structure on her side and I keep mine on my side.

PONS: Guaynaa is very good with finances, and he has a team that is very united, while I have experience in content creation and marketing. I help him with his social media, and he advises me on my finances, my business and, on many occasions, my personal decisions.

Lele, we know you more as an influencer than as a singer. How important is your music career to you right now, and what have you learned from Guaynaa as a musician?

PONS: My music career is very important. Now that I have a manager who is also in the music business and has had a lot of success, it’s like a new chapter that I want to try. And not only that, I love making music! But there has always been some sort of obstacle. For example, the hospital, or me having to do another project. Now I have a really good structure to put out a lot of songs, not just one every six months. And finally, I have someone like him (points affectionately to Guaynaa), who is my adviser and can help me more than anyone else.

Guaynaa, we have enjoyed seeing you showing your funny side with Lele on social media. What have you learned from her as a content creator?

GUAYNAA: I would say that I’ve learned about passion, attention, projection, planning. The vision that she has when carrying out a project is incredible. For me, she is the best content creator in the world.

PONS: Thanks, bebé. That’s because you love me.

GUAYNAA: It’s one of the things that I most admire about her, her ability to evolve. Because she started doing something, she grew and did other things, became bigger and did more. Reggaetón came knocking at her door looking for her creativity. Now she is in another facet, and her ability to reinvent herself is very admirable for me.

What has been the biggest challenge and the biggest advantage of working together?

GUAYNAA: The biggest challenge has basically been evolving in this ever-changing industry. And the greatest advantage, I would say that who we are as people: We have many friends, we enjoy the love and respect of many, and that makes it easier for us to work and get things done.

PONS: Being on the same page when he and I are very different in the way we work. For example, I like commercial songs, while he likes more artistic songs. This makes us the perfect team, because we come to an agreement and there is balance in every decision.

Lele, going back to the wedding, to what song are you going to walk down the aisle?

GUAYNAA: “Rompe, rompe…” (He sings the first lines of Daddy Yankee’s “Rompe,” which she loves, making her burst into laughter.)

PONS: “A Thousand Years” [by Christina Perri].

GUAYNAA: And for the first dance, “Bésame la boca… bésame la luna.” (He sings Ricardo Montaner’s romantic ballad “Bésame,” smiling proudly.) I chose it.

Lele Pons, Guaynaa

Lele Pons & Guaynaa: Photos From the Billboard Español Cover Shoot

When Lele Pons posts on Instagram, she does it with a mix of glamour, self-deprecating humor and simplicity that has charmed some 50 million fans into following her. And over the past two years, many of her buzziest posts have showcased the Venezuelan influencer’s love for her fiancé, Puerto Rican singer-songwriter Guaynaa, who counts 6.2 million followers of his own. But Pons, 26, and Guaynaa, 30, are much more than just a captivating couple, and their recent engagement isn’t limited to marriage: They’ll now be also making music together. 

Check out the exclusive photos below, and read the full Billboard cover story by Sigal Ratner-Arias here.

The Chicks Set 2023 World Tour With Maren Morris, Wild Rivers & Ben Harper

Twelve-time Grammy winning trio The Chicks will take their music global this summer, when The Chicks World Tour 2023 launches in June.

Joining them on the outing are “The Bones” hitmaker Maren Morris, Canadian band Wild Rivers and “Better Way” singer Ben Harper, with each act opening select shows throughout the tour. The tour launches on June 20 in Oslo, Norway and wraps Sept. 18 in Toronto, Ontario. Along the way the Chicks will visit more than 30 cities, including 29 stops in North America. Among their U.S. dates are shows in Nashville, Tennessee (July 27); Grand Rapids, Michigan (Aug. 17); Tulsa, Oklahoma (July 21) and Bethel, New York (Aug. 3).

“Thank you to all our fans for making last Summer so fun! It’s time to get the party going again! We can’t wait to see everyone!” The Chicks said via Instagram.

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Morris also shared the news on social media, saying, “READY TO RUN to ????????????”

Tickets will go on sale for all U.S. shows except for Bethel, Hershey, Columbus, St. Paul, & Sioux Falls on Thursday, Feb. 16 at 10 a.m. local time. Tickets for shows in Europe, UK, Canada, and St. Paul (U.S.) will go on sale on Friday, Feb. 17 at 10 a.m. local time. Tickets for the Bethel, Hershey, Columbus, and Sioux Falls dates will be available beginning Friday, Feb. 24 at 10 a.m. local time.

Prior to the tour launch, The Chicks are slated for their six-concert Las Vegas residency at Zappos Theater starting in May, and will take part in Willie Nelson’s 90th birthday celebration concert on April 30 in Los Angeles.

See the full list of tour dates below:

June 20: Oslo, Norway @ Oslo Spektrum Arena (with Maren Morris)

June 21: Stockholm, Sweden @ Ericsson Globe (with Maren Morris)

June 23: Amsterdam, Netherlands @ Ziggo Dome (with Maren Morris)

June 27: Cardiff, England @ Cardiff Castle (with Maren Morris)

June 28: Glasgow, United Kingdom @ OVO Hydro (with Maren Morris)

June 30: Dublin, Ireland @ 3Arena (with Maren Morris)

July 2: Birmingham, United Kingdom @ Utilita Arena Birmingham (with Maren Morris)

July 4: Manchester, United Kingdom @ AO Arena (with Maren Morris)

July 21: Tulsa, Oklahoma @ BOK Center (with Wild Rivers)

July 22: North Little Rock, Arkansas @ Simmons Bank Arena (with Wild Rivers)

July 25: Louisville, Kentucky @ KFC Yum! Center (with Wild Rivers)

July 27: Nashville, Tennessee @ Bridgestone Arena (with Wild Rivers)

July 29: Knoxville, Tennessee @ Thompson-Boling Arena (with Wild Rivers)

July 30: Greensboro, North Carolina @ Greensboro Coliseum Complex (with Wild Rivers)

Aug. 2: Columbia, Maryland @ Merriweather Post Pavilion (with Wild Rivers)

Aug. 3: Bethel, New York @ Bethel Woods Center for the Arts (with Wild Rivers)

Aug. 5: Gilford, New Hampshire @ Bank of New Hampshire Pavilion (with Wild Rivers)

Aug. 6: Saratoga Springs, New York @ Saratoga Performing Arts Center (with Wild Rivers)

Aug. 10: Hershey, Pennsylvania @ HersheyPark Stadium (with Ben Harper)

Aug. 11: Canandaigua, New York @ CMAC Performing Arts Center (with Ben Harper)

Aug. 13: Bangor, Maine @ Maine Savings Amphitheater (with Wild Rivers)

Aug. 16: Columbus, Ohio – Nationwide Arena (with Ben Harper)

Aug. 17: Grand Rapids, Michigan @ Van Andel Arena (with Ben Harper)

Aug. 19: Des Moines, Iowa @ Iowa State Fairgrounds (with Ben Harper)

Aug. 25: St. Paul, Minnesota @ Minnesota State Fair (with Wild Rivers)

Aug. 26: Madison, Wisconsin @ Kohl Center (with Ben Harper)

Aug. 29: Kansas City, Missouri @ T-Mobile Center (with Ben Harper)

Aug. 30: Omaha, Nebraska @ CHI Health Center Omaha (with Ben Harper)

Sept. 1: Sioux Falls, South Dakota @ Denny Sanford Premier Center (with Ben Harper)

Sept. 5: Vancouver, British Columbia @ Rogers Arena (with Maren Morris)

Sept. 7: Calgary, AB @ Scotiabank Saddledome (with Maren Morris)

Sept. 8: Edmonton, Alberta @ Rogers Place (with Maren Morris)

Sept. 10: Saskatoon, SK @ Sasktel Centre (with Maren Morris)

Sept. 12: Winnepeg, MB @ Canada Life Centre (with Maren Morris)

Sept. 15: Ottawa, ON @ Canadian Tire Centre (with Maren Morris)

Sept. 16: London, ON @ Budweiser Gardens (with Maren Morris)

Sept. 18: Toronto, ON @ Scotiabank Arena (with Maren Morris)

P!nk Pays Tearful Tribute to Her Late Dad on Emotional Preview of ‘When I Get There’

Valentine’s Day is the time to tell the ones you love how you feel about them. But it’s also a day to remember the people in your heart who you can’t share a box of chocolates with anymore. That seemed to be the mood P!nk was in on Tuesday morning (Feb. 14) when she shared a snippet of a moving ballad from her upcoming Trustfall album dedicated to her late father, Jim Moore, who passed away in 2021.

“Sometimes love leaves us too soon. On Valentine’s Day – I cherish the love I have that I can touch – and the love I have in my heart for those who have gone on to the next adventure,” she wrote alongside a 30-second video preview of the song “When I Get There.”

“This one’s for you, Daddy Sir,” she added, using her affectionate nickname for the Vietnam veteran who provides voiceover for the clip. “I thought it would be nice if you had some memories of how it all began and where you all came from,” Moore says over images of P!nk hugging her dad, as well as a montage of school pictures of the singer from childhood through her teen years and film of her parent’s wedding.

“It’ll always be so important to all of us,” Moore says before revealing footage of the singer on her first birthday as the song’s majestic piano bed swells up. “I think of you when I think about forever,” P!nk sings amid a montage of video of her and her dad together. “I hear a joke, and I know you would’a told it better/ I think of you out of the blue.”

P!nk recently revealed the dance-heavy video for the album’s title track; Trustfall is due out on Friday (Feb. 17) via RCA Records. In addition to the singles “Never Gonna Not Dance Again” and the title track, the Lumineers lend a hand on “Long Way to Go,” First Aid Kit join her on “Kids in Love” and Stapleton helps to close things out with final track “Just Say I’m Sorry.”

The high-flying singer has also announced the dates for her massive 21-city “Summer Carnival 2023” stadium tour featuring Brandi Carlile, as well as new Rock and Roll Hall of Famers Pat Benatar & Neil Girlado on select dates and Grouplove and KidCutUp on all the shows.

Check out P!nk’s “When I Get There” preview below.

Harry Styles Songwriter Tyler Johnson Sells Partial Catalog to Influence Media

Influence Media has acquired the publisher’s share of a big chunk of the song catalog of Harry Styles collaborator Tyler Johnson. While terms of the deal weren’t disclosed, the acquired catalog includes all songs Johnson co-wrote on Styles’ first two solo albums, as well as tunes recorded by Meghan Trainor, Sam Smith, Maren Morris, Keith Urban, Diplo, Miley Cyrus and John Legend.

According to the ASCAP/BMI SoundView song platform, Johnson is credited with writing or co-writing 197 songs. The 67 songs included in the catalog acquisition cover those he wrote from 2012 through 2020, according to the announcement.

“Influence Media is committed to partnering with the secret weapons behind some of music’s modern classics, and Tyler Johnson is at the top of that list for his work with Harry Styles alone, along with fellow superstars like Sam Smith, Meghan Trainor and Miley Cyrus,” Influence Media partner and founding advisor Rene McLean said in a statement. “We are so proud to represent Tyler’s works and look forward to introducing them to even wider audiences.”

Influence Media, which is partnered with Black Rock and Warner Music Group, previously acquired the master recording catalog of Blake Shelton for his records issued between 2001 and 2019 as well as Future’s song publishing catalog, among other music investments.

“It has been a pleasure working with the trusted team at Influence Media on my song catalog,” Johnson, a Grammy winner and five-time Grammy nominee, said in a statement. “These songs are very important to me and I feel our deal reflects the value of this catalog that I have built over the last 10 years.”

According to Influence Media, it formed the collaboration with Johnson “as part of its investment strategy built on ‘modern evergreens,’ songs and artists with a strong potential for long-term impact on pop culture.”

“Rene and I have been doing business with various clients for a while now, he’s a straight shooter,” said Johnson’s manager Nathaniel Cochrane in a statement about the deal. “It was a pleasure to get this deal over the line together and I look forward to building with Influence.”

Johnson was represented in the deal by Francois Mobasser, Audrey Benoualid and Andrew Paster at Myman Greenspan Fox Rosenberg Mobasser Younger & Light. Influence Media Partners was represented by Lisa Alter, Katie Baron and Jaclyn Felber at Alter, Kendrick & Baron.

Disney Music Group, Andscape Introduce Good Company Records

The Disney Music Group (DMG) and Andscape are partnering on a new record label, Good Company Records. Oscar- and Grammy Award-winning songwriter/producer D’Mile, talent manager Natalie Prospere and Grammy-winning mixing/audio engineer John Kercy are the founders of the new global venture. 

In addition to signing and developing artists, Good Company will collaborate with other Andscape divisions on various projects. First up will be the Andscape documentary Shyne. The forthcoming film will chronicle Shyne’s life and journey from rap artist on Sean Combs’ Bad Boy label to becoming a member of the Belize House of Representatives. 

Announcing the partnership with Good Company today (Feb. 14), Disney Music Group president Ken Bunt stated, “It’s special and unique to have a shared vision for the future of music, and the opportunity to visually tell new stories with Andscape. We can’t wait to collaborate with D’Mile, Natalie, John and the Andscape team to deliver on this goal.”

Added DMG head of creative Mio Vukovic, “We could not be more excited about working with the talented team behind Good Company and our partnership with Andscape. It allows us the dream of creating a home to cultivate and nurture Black artists through storytelling.” Disney Music Group houses Walt Disney Records, Hollywood Records, Disney Music Publishing and Disney Concerts.

Andscape is the 2022 rebrand and expansion of ESPN’s former media platform The Undefeated. Dedicated to exploring all facets of Black identity, Andscape encompasses several divisions including editorial, book publishing, film/television and music publishing. 

“D’Mile, Natalie and John are special individuals – each true to Andscape’s vision: deep and dimensional multi-hyphenate storytellers,” said Andscape vice president/editor-in-chief Raina Kelley in the announcement release. “We’re thrilled to welcome them to the Andscape family. This incredible partnership vaults forward Andscape’s evolution as a content creator across The Walt Disney Company.”

Prior to creating Good Company, D’Mile became the first songwriter in Grammy history to win back-to-back song of the year Grammys: for H.E.R.’s “I Can’t Breathe” in 2021 and Silk Sonic’s “Leave the Door Open” in 2022. Also in 2021, he won the Academy Award for best original song for co-writing and producing “Fight for You,” performed by H.E.R., from the film Judas and the Black Messiah. A producer of the year nominee at the 65th Grammy Awards on Feb. 5, D’Mile has also worked with Rihanna, Bruno Mars, Mary J. Blige and Janet Jackson, among others.

The longtime manager of D’Mile and fellow Good Company co-founder Kercy, Prospere has also managed Grammy-winning artist Lucky Daye and songwriter/producer DJ Camper. She is also the creator of the Friends Only collective, focusing on forward-thinking business development and artist partnerships throughout the Caribbean and Black diaspora. Kercy’s resumé includes collaborations with Daye, Lil Wayne, Disclosure, Diddy, Ty Dolla $ign, Normani and more.

In a joint statement, D’Mile, Prospere and Kercy said, “We are so excited to partner with Disney/Andscape on Good Company. Disney is a place where we believe all of our creative ideas can come to life, and we are looking forward to where this partnership takes us!”

Lorde Working on Fourth Album: ‘I Feel Excited About What’s Coming’

Lorde is already hard at work on her follow-up to 2021’s Solar Power album. “It has taken me quite a while [to start working on it],” she told Ensemble magazine. “I mean, I do just take a long time… I do a lot of research, I write a lot down.”

She then broke down her workflow for her as-yet-untitled project, saying, “Sort of a big chunk of work before I actually start writing music. So yeah, that’s been a really big part of it. It’s been super exciting and I feel excited about what’s coming.” Lorde also gave some hope that it may not be another four years of waiting, as it was between her second and third albums.

“You know, it’s my intention, it’s always my intention, to move as quickly as I f—ng can and then that ends up taking different forms,” she said. “But this one, I really am trying to. I don’t want to wait, you know, so take from that what you will.”

And while she didn’t share any details about who she’s working with or what sound fans can expect, it seems unlikely that we’ll hear it this year… maybe. “Anything could happen. Let’s see!,” she said.

Back in September during her headlining set at Los Angeles’ Primavera Sound festival, the singer began teasing her next era. “Who knows what will come next?” she said while running through the themes of her three studio albums. “Well, I know. And you’ll know sometime soon.”

Though Power was polarizing for some fans (and critics), Lorde told the magazine that she took the response in stride, accepting that some people liked it and some didn’t. “I think the third album is like always a real… you do sort of cross over in a way, you know, you’re not new any more, and also you want maybe different things,” she said. “I had real things I wanted that I just had to do with that album, and I feel more clear and calm for having done that.”

She also explained why after the cycle of recording and touring her 2017 sophomore album Melodrama everything felt… “too big… It felt like people believed in me too much or something. I was like, I’m 20 or 21, this is my hobby. You know, I felt really spooked by it. And so to sort of go down this weird road and for people to have absolutely no idea what’s going to come next, that is super cool to me. I’m stoked that I don’t feel pigeonholed at this stage.“

Lorde is gearing up for the latest round of dates on her Solar Power tour, with dates in her native New Zealand kicking off on Feb. 21 in Wellington and gigs in Australia slated to run through a March 18 gig in Perth at Belvoir Amphitheater.

Academy President Says Response to Will Smith Oscars Slap Was ‘Inadequate’

Academy President Janet Yang reiterated that the organization’s response to Will Smith slapping Chris Rock at the 2022 ceremony was “inadequate” and that “we must act swiftly, compassionately and decisively” on similar issues in the future.

Yang addressed the Academy of Motion Picture Arts and Sciences’ response to the incident at last year’s awards show during the 2023 Oscars Nominees Luncheon while touching broadly on “their exciting vision” for the 95th iteration of the show.

“As I’m sure you all remember we experienced an unprecedented event at the Oscars,” Yang said. “What happened on stage was wholly unacceptable and the response from the organization was inadequate. We learned from this that the Academy must be fully transparent and accountable in our actions and particularly in times of crisis.”

“We must act swiftly, compassionately and decisively for ourselves and for our industry. You should and can expect no less from us going forward,” she added. “We are committed to maintaining the highest of standards while creating the changes we wish to see in our industry.”

During the 2022 ceremony, ahead of his best Oscar win, Smith took to the Dolby Theatre stage and slapped comedian Rock after he made an unscripted joke about Pinkett Smith’s baldness while presenting an award. Smith has since offered several apologies, in addition to resigning from the Academy, which previously said Smith was asked to leave the ceremony but declined. What ensued was several weeks of deliberation over how to address Smith’s behavior, resulting in the actor being banned from appearing at their events for 10 years. 

“Violence in all of its forms is poisonous and destructive. My behavior at last night’s Academy Awards was unacceptable and inexcusable,” Smith wrote in an Instagram post at the time. “I deeply regret that my behavior has stained what has been an otherwise gorgeous journey for all of us.”

The Academy previously addressed Smith’s behavior, at one point admitting that “we could have handled the situation differently.” They also called Smith’s actions “unacceptable and harmful behavior” and, once again, noted that they did not “adequately address the situation in the room.”

“This was an opportunity for us to set an example for our guests, viewers and our Academy family around the world, and we fell short — unprepared for the unprecedented,” it concluded.

The remainder of Yang’s speech saw the AMPAS president addressing how the “collaborative nature of cinema” will be the focal point of this year’s ceremony.

“The Academy aims to be a driver of unity for our artists and for the public,” she said. “I urge us all to focus our efforts on nurturing the extraordinary, brilliant community that we inhabit. I want to remind us of the deep respect and love we have for our fellow colleagues and for the art of filmmaking. I invite us to grow together because the collective power of this room and this industry are unstoppable.”

This article originally appeared on The Hollywood Reporter.

Babyface on His Super Bowl Performance and Unreleased SZA Track

R&B legend Kenneth “Babyface” Edmonds is happy his Super Bowl performance is over — sort of.

“I feel relieved — now I can breathe,” he told The Hollywood Reporter outside his suite following his moment on the field Sunday. “Before it was moments of nervousness and then I’d be chill and then I’d get a little nervous again. Right before they introduced me [I was like], ‘Oh shit, there it is.’ I just have to be chill and just try to concentrate on the song.”

“You know the words, but it’s a different kind of song. It’s not something that you sing every day and you’re on the spot,” he added of singing “America the Beautiful” at the State Farm Arena in Glendale, Arizona.

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“If you go wrong in this, you go wrong forever. I’m thankful that we made it through it good,” he said.

Babyface strummed a custom-made guitar featuring the American flag during the performance.

The singer/songwriter/producer has won 12 Grammys, written all of his own hits and also written for Beyoncé, Toni Braxton, Boyz II Men, Ariana Grande, Mary J. Blige, TLC, Mariah Carey, Usher and Whitney Houston, whose 11-year death anniversary was Saturday. 

“I can only say that Whitney was always fun. She was silly and that was the relationship that we had when we were in the studio. We always had fun with each other,” he recalled.

Babyface is still penning hits today: He recently co-wrote the track “Snooze” on SZA’s critically acclaimed album SOS, which is spending its eighth week at No. 1 on Billboard’s 200 albums chart.

“SZA is great. We worked on two songs, actually. Hopefully one day she’ll let us put out that other song, but she’s amazing,” he said. “I don’t know any artist that’s like her, male or female. She is truly one of the best that I’ve ever written with.”

The 64-year-old debuted in the R&B group The Deele, who released their debut album 40 years ago in 1983. He said he’s happy to still have a career strong enough to bring him to the Super Bowl.

“I just find it interesting that I’m here at this event doing this. I didn’t see this coming and so it’s such an honor to be here,” he said. “I was honored that Roc Nation and Jay-Z thought I was worthy of doing it. It’s great.”

Watch SZA’s “Snooze” lyric video below.

This article originally appeared on The Hollywood Reporter.

2 Jazz Artists Receive 2023 Doris Duke Artist Awards – And the $550,000 Prize Money That Goes With It

Two jazz musicians, Chief Xian aTunde Adjuah and Somi Kakoma, were among six creators who were named Doris Duke Artists on Monday at New York’s Jazz at Lincoln Center. Oscar- and Grammy-winning rapper Common hosted the event.

The Doris Duke Foundation also announced the doubling of the prize money associated with the award. Each recipient is receiving an award of $550,000, up from $275,000, in recognition of their contributions to the fields of contemporary dance, jazz and theater.

This year’s other Doris Duke Artists are director Charlotte Brathwaite and playwright and performer Kristina Wong in the theater category, and choreographers and performers Ayodele Casel and Rosy Simas in the dance category.

“When artists thrive, we all thrive,” Sam Gill, president and CEO of the Doris Duke Foundation, said at the event. “Tonight we evolve the Doris Duke Artist Award from an award to a platform—a platform to advocate and fight for the future of artists.”

“What a decade of this award has revealed to us is that if you trust extraordinary artists like the ones here tonight and give them the conditions to thrive, they will go beyond the boundaries and expectations that you or anyone else could set for them,” added Maurine Knighton, chief program officer at the Doris Duke Foundation.

Chief Xian aTunde Adjuah, 39, is a jazz trumpeter, composer and producer. Has received six Grammy nominations since 2008 – three for best contemporary instrumental album, two for best improvised jazz solo and one for best contemporary jazz album.

“Receiving the Doris Duke Artist Award offers me the ability to dedicate more time and care to what I truly love, which in itself is the most valuable gift a person can receive,” Chief Adjuah said in a statement. “Not only is this tremendously meaningful for myself, it also puts me in the position to create new opportunities throughout my community. Growing up, I often heard elders use the phrase ‘Take my song and pass it along,’ and I look forward to embodying this spirit in passing along this gift to others.”

Somi Kakoma, 41, is singer, songwriter, playwright and actor. In July 2020, Somi released Holy Room – Live at Alte Oper on her own Salon Africana label. The live album, which featured the Frankfurt Radio Big Band, was nominated for a 2021 Grammy for best jazz vocal album. It also won the 2021 NAACP Image Award for outstanding jazz album, vocal.

“As a proud daughter of immigrants, I have never fit neatly into a ‘here’ or ‘there’—nor has my music,” she said in a statement. “Receiving this award is affirmation that this journey has not been in vain. Knowing that it was determined by a panel of my peers is especially meaningful—I feel seen, understood, supported, and so very grateful. This award will allow me to pursue or formalize more of my artistic projects on the African continent in spaces where the local cultural economy doesn’t always have the resources in place to support them.”

The event included performances by six members from the inaugural class of Doris Duke Artists: Vijay Iyer, Marc Bamuthi Joseph, Bebe Miller, Nicole Mitchell, Eiko Otake and Basil Twist.

The Doris Duke Artist Awards program supports approximately six performing artists annually with unrestricted individual grants. Recipients may use funds on anything: work space, travel, study, a new home, health care, exploring new collaborations or retirement savings.

The increase to the grant amount from $275,000 to $550,000 per artist reaffirms the Doris Duke Foundation’s commitment to investing in individual artists as the lifeblood of the performing arts. Gill announced the increase to an audience of around 400. He additionally revealed that the foundation has locked in a $30 million commitment to carry the program forward.

Established in 2012, the Doris Duke Artist Award is the largest national prize dedicated exclusively to individual performing artists. Since its inception, 129 Doris Duke Artists have received a total of $35.5 million in Doris Duke Artist Awards. This includes a total of $12.6 million in funding to 44 jazz artists.

The program was originally launched as a five-year program in 2012 as part of a $50 million special initiative but was made a core part of the foundation’s arts funding strategy in 2018. It was, and continues to be, the largest national prize dedicated to individual performing artists. It was also one of the first grant programs to offer a unique matching feature for up to $25,000 of the award to encourage artists to invest in late-career savings given the limited benefits programs available to them.

The Doris Duke Foundation operates five national grantmaking programs—in the performing arts, the environment, medical research, child and family well-being, and mutual understanding between communities—as well as Duke Farms and Shangri La, two centers that serve the public directly.

The Doris Duke Foundation is one of only two foundations to have received the National Medal of the Arts from the National Endowment for the Arts. To learn more, visit www.dorisduke.org.

To learn more about the Doris Duke Artist Awards and the six new Doris Duke Artists, visit: DorisDukeArtistAwards.org.