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Five Burning Questions: PinkPantheress & Ice Spice’s ‘Boy’s a Liar’ Debuts at No. 14 on the Hot 100

While we’ve already seen a few proven hitmakers — Miley Cyrus, Shakira, Morgan Wallen — zooming onto the Billboard Hot 100 with splashy hits so far this year, this week we get something a little different: a top 15 debut from two rising pop artists who’ve never reached higher than No. 82 on the chart before.

“Boy’s a Liar” was already a modest streaming success for acclaimed pop&B singer-songwriter PinkPantheress, racking up millions of plays a week. But it didn’t really threaten the Hot 100 until its “Pt. 2” remix premiered on Feb. 3, alongside viral rapper Ice Spice. The new version took off almost immediately, and continued climbing for all last week — resulting in a No. 14 Hot 100 debut on the chart dated Feb. 18.

Why did their combination prove so potent? And which artist does the breakthrough mean more for? Billboard staffers discuss these questions and more below.

1. PinkPantheress’ and Ice Spice’s names won’t be unfamiliar to anyone who’s paid close attention to pop music over the past couple years — particularly online — but their individual solo Hot 100 histories to this point are minimal. What is about their team-up that allowed “Boy’s a Liar” to have such an explosive Hot 100 debut?  

Rania Aniftos: PinkPantheress and Ice Spice teamed up at the perfect point in their careers, where they both had just enough buzz for the collaboration to take off. Also, “Boy’s a Liar” is two cute, fun women singing about how men are trash. It was made for the Hot 100.

Jason Lipshutz: Sometimes, online popularity is multiplied thanks to a collaboration between two well-known (if not high-charting) artists, and then applied to the right song to have both artists explode up the Hot 100. The effect that we’re seeing from “Boy’s a Liar Pt. 2” reminds me a little of Migos and Lil Uzi Vert’s No. 1 smash from 2017, “Bad and Boujee” — not that those songs sound anything alike, but they both soared up the Hot 100 at a time when their respective creators had been cult favorites for a while without a full-on mainstream embrace. We’ll see how high “Boy’s a Liar Pt. 2” can climb, but PinkPantheress and Ice Spice are likely about to experience highly expanded profiles because of it.

Heran Mamo: TikTok has been an impressive launchpad for both artists, so for PinkPantheress and Ice Spice to join forces (and online fanbases), their collaboration was sure to make a lot of noise on the Billboard charts. Sonically, Pink’s U.K. drum and bass-meets-bubblegum pop and Ice’s Brooklyn drill sounds complement one another with their uniquely frenetic rhythms, while Pink’s sweet-sounding, shrill voice and Ice’s bold, raspier voice delivery provide a noteworthy contrast. Not to mention, the “Boy’s a Liar Pt. 2” music video — which currently sits at No. 1 on YouTube’s U.S. Trending music chart — adds to their indomitable power as Gen-Z’s it-girlies.

Andrew Unterberger: Sometimes it just takes a small boost for artists who have long been knocking on the door of the mainstream to break all the way through. The pairing of PinkPantheress and Ice Spice was unexpected but intriguing — and, once you got the chance to hear and see it, pretty logical. If you were interested in either artist, chances are you were checking this out, and you were probably satisfied enough to share it on put it on your heavy-rotation playlists. To see it just snowball from there — to the point where the song now likely has plenty of listeners who were previously unfamiliar with either artist — is mostly just a testament to the song being real good.

Christine Werthman: PinkPantheress and Ice Spice both get a lot of streaming and TikTok love on their own, though that doesn’t necessarily translate to Hot 100 success. But their team-up on “Boy’s a liar Pt. 2″ — not just for a song but also a video — made for a perfect joining of forces that united their fanbases, and their numbers, and catapulted this vulnerable 2:11-long callout to that impressive No. 14 debut. PinkPantheress recently admitted to being picky about her collaborators, and it seems like she held out for the perfect one.

2. The original “Liar” had been lingering around the Spotify daily charts as one of PinkPantheress’ bigger streaming hits, but could never quite seem to get the juice to cross over on its own. Do you think the Pt. 2 with Ice Spice is a superior and/or more commercial version of the song, or do you think it’s mostly excitement over the combination of artists that’s propelling it so far?  

Rania Aniftos: The online hype surrounding Ice Spice lately definitely didn’t hurt. Her soothing rap verse adds a digestible, radio-ready quality to the song without sacrificing its unique sound. Fans in general also seem to be loving female collaborations, as we’ve seen through various team-ups Doja Cat and Megan Thee Stallion have done over the past few years. The unexpected-but-so-natural decision for PinkPantheress and Ice Spice to work together was such a good move, and allowed the song to propel into the mainstream. 

Jason Lipshutz: Why not both? The remix has certainly benefited from the presence of Ice Spice, who’s been a prominent figure in popular hip-hop throughout this year, thanks in part to her Like.. ? EP. But her presence on “Boy’s a Liar Pt. 2” isn’t a gimmick: even though the song lengths of the original and remix are exactly the same, Ice Spice balances out PinkPantheress’ melodic sighs and jingly chorus with weighty bars, making the song less of a delightful trifle and more of a fleshed-out pop hit.

Heran Mamo: I’d say both. Adding another fast-growing internet sensation like Ice Spice into the mix is the perfect ingredient to make “Boy’s a Liar” a commercial hit. Even leaked TikTok videos of them filming the “Boy’s a Liar Pt. 2” music video in New York made waves before the song was ever released because fans were in disbelief that their favorites were coming together. Additionally, the beginning of Ice’s verse – “He say that I’m good enough, grabbin’ my duh-duh-duh/ Thinkin’ ‘bout sh— that I shouldn’t have (Huh)” – has proven to be one of the most lyrically memorable components of the track, so she adds more value to “Boy’s a Liar” beyond her presence.  

Andrew Unterberger: I wouldn’t say the new version is better, necessarily, but it does make “Liar” feel more like a commercial pop song. The “Pt. 2” version of “Boy’s a Liar” isn’t actually any longer than the original — both run 2:11, just with Ice Spice’s new verse subbed in for PinkPantheress’ second verse on “Pt. 2” — it just feels fuller, thanks the switch-up to Spice’s completely different (but still well-matching) flow. For two artists whose singles have been consistently satisfying, but maybe a little too clipped and weightless for certain pop audiences to really give them full consideration, the combination ends up being more than the sum of its parts.

Christine Werthman: The Bronx rapper brings a grounding element to the original track, which flits about as the British dance-pop artist vocalizes relationship insecurities and frustrations. “Pt. 2” also catches Ice Spice in a less guarded place than usual, and though there’s something novel about that for fans, I don’t think it upped the song’s commercial appeal. Instead, I think it just granted each artist exclusive access to the other’s fanbase, and that combination propelled the plays.

The video dropped 11 days ago, and it already has 12 million views — so watching these two link, looking ultra cool against a New York City backdrop, is enough to get people excited. That said, if “Pt. 2” (or even the original “Boy’s a Liar”) weren’t such a strong track on its own, the collab might not have had such an impact. But the audio plus the visual made it take off.

3. Which of the two artists do you think this debut ultimately means more for?  

Rania Aniftos: I really want to say both, but I’m not going to cheat on this answer. I’m going to say PinkPantheress, because I’ve always known that she’s great, and it’s about time everyone else does too. 

Jason Lipshutz: Probably Ice Spice — who appears to be on the verge of full-blown stardom, after a months-long run of positively received music, increasing meme-ability and growing respect for her microphone skills from the old school and new school hip-hop communities. Make no mistake, “Boy’s a Liar” represents a significant win for PinkPantheress, a critically adored pop savant who is about to play bigger stages. Yet the song feels like another checked box in Ice Spice’s rapid breakthrough as a major artist.

Heran Mamo: PinkPantheress, considering she’s the lead artist on the track and this marks her career-first entry on the Hot 100. She released her debut mixtape, To Hell With It, in October 2021, and besides her latest slew of singles (which includes “Boy’s a Liar”), it’s been relatively quiet on her end. Her evolution from a faceless singer who teases her music on TikTok via viral snippets to charting star with increasing momentum and an actual physical presence has been remarkable to witness in the short years she’s been on the scene.   

Andrew Unterberger: It’s tough, because it means a whole lot for both in different ways. But I’d say Ice Spice gets the slightly bigger boost here as the difference-maker; she also debuts her own slowly growing solo hit “In Ha Mood” at No. 85 this week, and seems well on her way to being one of the most ubiquitous pop figures of 2023. This is a big breakthrough for PinkPantheress and should help her visibility significantly, but if she went back to being a mostly cult-level pop hitmaker after this it wouldn’t be shocking.

Christine Werthman: Ice Spice, since it looks like her co-sign/feature can boost songs to new heights.

4. Once the initial excitement passes, do you see “Liar” continuing to grow into one of the biggest hits of early 2023? Or do you think this strong start is about as good as it will get for the song?  

Rania Aniftos: It’s hard to say because I still haven’t been able to pinpoint what the major 2023 trend in music is yet. It seems like this is going to be the viral song that stays through the summer due to its bubbly nature, but you really never know with the Internet. Every time we think we figured out what’s viral, another random smash comes out of nowhere.  

Jason Lipshutz: Although it will be tough for “Liar” to challenge smashes from A-list artists like Miley Cyrus, SZA, Morgan Wallen and Taylor Swift at the top of the Hot 100 in the coming weeks, I do expect the song to keep rising and make a top 10 bow sooner than later. “Liar” is too damn catchy and well-made to be relegated to “viral hit” status, and even though PinkPantheress and Ice Spice have zero track record at pop radio, I could see top 40 programmers taking a chance on a single that’s this accessible, and help its upward momentum continue.

Heran Mamo: I have hope that “Boy’s a Liar” has the momentum to become one of the year’s earliest hits. Pink’s catchy “Good eno-o-ough, good eno-o-ough” post-chorus, cheeky Ice Spice-isms like “grabbin’ my duh-duh-duh” and the candy-coated production ensure this track will be a mainstay. I mean, how could they lose if they’re already chose… like?  

Andrew Unterberger: It’s really never a good idea to underestimate the commercial ceiling for a song that debuts strong out the gate and just keeps growing from there. The song has continued to climb on streaming services’ daily charts — and not just one of them; it’s in the daily top 10 for each of Spotify, Apple Music and YouTube — and radio shouldn’t be far behind. It’ll have its work cut out for it passing some of those bigger names currently occupying the chart’s top spots, so No. 1 might end up being out of reach for it. But the top five feels like a distinct possibility, and sooner than later.

Christine Werthman: All the attention is boosting “Liar” beyond the Ice Spice and PinkPantheress fan spheres, so I think it will climb a little higher from here. Maybe even top 10 material.

5. When a song like this comes out of nowhere (relatively speaking) and zooms into a debut like this, it’s guaranteed the industry will sit up and pay attention to it. So what important industry lessons, if any, do you think can be taken from the early success of “Boy’s a Liar”?  

Rania Aniftos: Songs that sound like Paris Hilton listened to them in 2005 are still very much in – and so are female collaborations! We’ve been on this early 2000’s nostalgia wave in music over the past few months, and I think it’s going to continue well into 2003. I expect to see more of these pop, digital-sounding hooks in the future.  

Jason Lipshutz: A decade ago, there were certain indie-pop artists who were never going to remove the “indie-“ prefix from their categorization and score a mainstream hit; now, in the age of TikTok, left-of-center artists have a very real shot at scoring top 40 hits under the right circumstances. So as unlikely as a hit PinkPantheress single may have seemed a few weeks ago, the industry cannot afford to shrug off the mainstream potential of singer-songwriters who continue to produce top-notch pop. You never know which “Boy’s a Liar” is just around the corner.

Heran Mamo: Make remixes that make sense. Sometimes, songs that are already performing well on their own will be supplemented with remixes that don’t necessarily add to the track beside A-list names (e.g., the Justin Bieber and J Balvin remix of 24k Goldn and iann dior’s “Mood”) and end up doing nothing. PinkPantheress and Ice Spice are two 20-something, pop and rap princesses of the digital age with a similarly eclectic taste in beats. Even Pink said it herself in a cover interview with NME that “when it comes to collaborations, I’m quite picky: I always want someone who can match me well on a track.” And Ice does exactly that on “Boy’s a Liar.”  

Andrew Unterberger: I think there’s something to be said about looking out for buzzy singles that internalize trends that have been going on for some time in the underground, while filtering them through a more accessible pop framework. You can hear some of the frenetic airiness of hyperpop and even a little bit of the bounce of Jersey club in “Boy’s a Liar,” but at the end of the day you wouldn’t say it really belongs to either of those genres — you’d just call it a pop song. Songs that can pull that off, without seeming trend-hoppy or late… the sky’s the limit for ’em, really.

Christine Werthman: PinkPantheress has more monthly listeners on Spotify than Ice Spice (20 million vs. 14 million, respectively), but they’re not lightyears apart in terms of popularity. Perhaps the takeaway is that you don’t need a big Drake-sized feature on your track to make it soar — you just need a smart pairing of artists who naturally vibe, who differ stylistically but aren’t total opposites and, sure, who have each found love in the streaming world. 

Imaginary Players: Big Gipp Thinks Beyoncé Would Be With 2Pac Instead Of Jay-Z If Alive

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Big Gipp feels a way about the recent GOAT rappers list. So much so that he thinks 2Pac would have landed Beyoncé if he were alive.

As spotted on AllHipHop.com the Goodie Mob member recently conducted an interview with Art Of Dialogue. In it he took serious umbrage with Billboard Magazine’s and Vibe Magazine’s “Top 50 Greatest Rappers of All Time” list. Their rankings had some very interesting surprises which naturally caused a stir online. The “Dirty South” MC expressed his frustration with Jay-Z taking the top slot and championed that 2Pac was more deserving of the honors.

“The only reason why you inching Jay past 2Pac is because he got God damn Beyoncé,” Gipp reasoned. “You take Beyoncé away then sh*t, bar for bar, yeah, he might rap better than ‘Pac. But ‘Pac came with the heart. That’s different, that’s just different. You can never beat the heart, bro. Some people can be technical, just like the difference between Jordan and LeBron.”

And he went on to further explain his position and also said Shakur would have bagged Queen B if he were still with us.

“If ‘Pac was here, who you think the girl would have been with? Hold up … you still can’t act. You can’t do no movies you can’t do what ‘Pac was doing” he said. “C’mon, how can you be better than ‘Pac? … that boy was a triple threat. He did groups that was successful, solo albums that was successful and movies that was successful, hands down partner. If he had lived he would have smoked everything walking.”

You can see Big Gipp discuss 2Pac in more detail below.



Photo: Getty

TikTok Considers Paywalling Videos, Changing Creator Fund Payouts & Eligibility

TikTok is working on a feature that will allow creators to charge a price of their own choosing for some videos, according to The Information

In addition, the popular app is rethinking its creator fund and experimenting with a change that would pay out more to creators than the initial version of the program, The Information reports. The new iteration of the fund may also potentially change the limits of who is eligible; creators might need to have more than 100,000 followers, for example. This “Creator Fund 2.0” could launch as early as March.

“We’re committed to exploring new ways to create a valuable and rewarding experience for the TikTok creator community,” a TikTok spokesperson says in an email. “On TikTok, anyone can be a creator and everyone can enjoy entertainment from our inspiring creators, and we aim to continue innovating this experience so people can express themselves, find their community, and be rewarded for their creativity.”

TikTok originally launched its creator fund in the summer of 2020 with $200 million “to help support ambitious creators who are seeking opportunities to foster a livelihood through their innovative content.” Shortly after, TikTok announced that the fund would eventually grow to more than $1 billion in the United States. 

While TikTok’s growth has been meteoric in the last few years, it actually slowed in the United States in 2022, according to The Information, which reports that after the platform hit 114 million monthly users in June, the number has since decreased to 111 million. 

As TikTok explores these new features, the company is also engaged in another test in Australia, where the platform is temporarily restricting the use of major-label songs in videos. “This will only affect certain music and is scheduled work while we analyze how sounds are accessed and added to videos, as well as looking to improve and enhance the wider Sounds Library,” a TikTok spokesperson said in a statement. “We appreciate it’s disappointing if a certain track is unavailable or if a sound is muted on a previous video. This change will not be in place for long and not all music is affected.”

Academy President Deems Will Smith Slap Response “Inadequate”

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The president of the body responsible for the Oscars recently said that its response to Will Smith’s slapping of Chris Rock last year was sub-par.

Academy of Motion Picture Arts and Sciences President Janet Yang made the remarks at the 2023 Oscars Nominees Luncheon held on Monday (Feb. 13th). “As I’m sure you all remember we experienced an unprecedented event at the Oscars,” she began, referencing the incident where Will Smith stepped onstage and slapped Chris Rock after the comedian made a joke about his wife, Jada-Pinkett Smith at last year’s ceremony.

“What happened on stage was wholly unacceptable and the response from the organization was inadequate. We learned from this that the Academy must be fully transparent and accountable in our actions and particularly in times of crisis.”

Yang went on to declare that “we must act swiftly, compassionately and decisively for ourselves and for our industry. You should and can expect no less from us going forward,” finishing her comments on the subject before pivoting to her thoughts on an expanded vision for the Academy.

“I want to remind us of the deep respect and love we have for our fellow colleagues and for the art of filmmaking. I invite us to grow together because the collective power of this room and this industry are unstoppable,” she concluded in front of a packed audience.

Yang’s remarks are a reiteration of the stance the Academy held in the wake of the infamous moment. “This was an opportunity for us to set an example for our guests, viewers and our Academy family around the world, and we fell short — unprepared for the unprecedented,” they said in a statement.

The Academy had spent several weeks after the situation at the 94th edition of the Oscars deciding what to do before announcing that it would bar Smith from appearing at any of its events for a period of 10 years. The Oscar-winning actor would go on to resign from the Academy and issue several public apologies online.

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Everything We Know About Lele Pons and Guaynaa’s Wedding: Date, Bridal Party, Honeymoon & More

Lele Pons and Guaynaa are celebrating their Valentine’s Day as Billboard Español’s first cover story of the year, fittingly published today (Feb. 14). 

In the hour-long interview, the Latin power couple revealed exciting details about their upcoming wedding and their plan to release a joint album together. They admit that doing both — planning their special day and recording new music together — can be a stressful process. 

“We try to help each other with the stress, and the people around us, too,” Pons tells Billboard Español. “Like your dad, he calms me down a lot. Your mom calms me down a lot,” she says to Guaynaa. 

“It’s a process,” he admits, “but we always take a couple of days a week to do nothing and be at home snuggling, watching TV, talking. That makes us more appreciative and makes us step out of the house with the idea that someone is waiting for you at home to have a nice time when the lights go out, that someone is there for you.” Read Sigal Ratner-Arias’ complete Billboard Español cover story here.

Pons and Guaynaa first met in 2019 and dropped their first collaborative effort, “Se Te Nota,” in 2020. After much speculation about whether they were dating, Pons made the relationship Instagram official in December of that same year. Guaynaa popped the big question at the 2022 Tomorrowland during Steve Aoki’s set. 

“Guys, this is my beautiful girlfriend Lele Pons and I want to ask her a quick question,” the Puerto Rican artist said to the many thousands of fans in the audience. “I know what this means to you and how much you love Tomorrowland — Lele, will you marry me?” Among tears of joy, the Venezuelan influencer-turned-singer said “yes” without hesitation. 

Below, find out everything we know about their wedding day (so far) from the new cover story.

Depeche Mode’s ‘Ghosts Again’ Tops Hot Trending Songs Chart

“Ghosts Again,” Depeche Mode’s first single since 2017, debuts at No. 1 on Billboard’s Hot Trending Songs chart, powered by Twitter, dated Feb. 18.

Billboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running Feb. 3-9.

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“Ghosts” was released Feb. 9. Despite just one day of data toward the latest tracking week, it not only earned a No. 1 debut on Hot Trending Songs but is also bubbling under Billboard’s Alternative Airplay chart.

It’s the first taste of music from Memento Mori, the band’s 15th studio album and first since 2017’s Spirit. Due March 24, it’s the group’s first LP since the death of keyboardist Andy Fletcher last year.

Further appearances for “Ghosts” are expected on the Billboard charts dated Feb. 25.

Future’s “I’m Dat N***a,” from his 2022 album I Never Liked You, follows at No. 2. Its surge in activity is owed to a viral social media post showing LeBron James playing the song after he broke the NBA’s all-time scoring record on Feb. 7.

New music from Gracie Abrams, BSS, Linkin Park, Luke Combs and more also appears.

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.

Searches For Red Fashion Skyrocket After Rihanna’s Super Bowl Performance

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Rihanna’s influence on popular culture can’t be denied. Searches for red clothing have skyrocketed since her Super Bowl performance.

It’s official, “Rihanna Red” is officially a thing. On Sunday, February 12 the Barbadian songstress, cheered on by boyfriend A$AP Rocky, performed at the Super Bowl LVII. And now her outfit is one of the hottest sought-after trends around the world. The superstar made her mark on this year’s game in an all-red custom Loewe and Alaïa look, composed of an unzipped jumpsuit, leather corset, sleeping bag coat, gloves, and Maison Margiela x Salomon sneakers.

According to a study by Boohoo, Google searches skyrocketed by over 610% worldwide for ‘red jumpsuit’, an increase of over seven times the average, and 203% for the term ‘red coat’, after Rihanna’s Super Bowl half-time show. The same analysis reveals searches for ‘red puffer jacket’, ‘red boots’, and ‘red sneakers’ have soared 188%, 173%, and 78% worldwide after the performance.

RiRi wore the all-red ensemble while performing 12 hit songs – including Only Girl in the World and We Found Love at the major sports event in Glendale, Arizona. In the last few minutes, she donned an Alaïa sleeping bag coat in tribute to fashion legend André Leon Talley, which resembles his iconic Norma Kamali coat. Talley’s official Instagram account acknowledged the tribute with the caption: ‘When the sun shines, we’ll shine together. Told you I’ll be here forever… said I’ll always be your friend,’ the caption reads, tagging Rihanna and including the Super Bowl hashtag with a photo of Talley in the coat mentioned above.

Rihanna also appeared to reveal baby bump number two on stage, later confirmed by her rep. The superstar also plugged her brand Fenty Beauty on stage, which saw a massive 1,860% spike in searches worldwide after applying makeup during the setlist.

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Adidas Aims To Repurpose & Sell Yeezys

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In a bid to get ahead of profit losses in the wake of its split with Ye aka Kanye West, Adidas intends to rebrand its Yeezy stock.

According to reports, the global athletic brand pointed to a plan of repurposing its surplus of clothing and footwear already manufactured before its severing of ties with the controversial artist last October as a way to avoid a massive financial loss estimated at $1.3 billion. The company detailed this in a profit warning issued through its website last Thursday (Feb. 9th).

The move to repurpose the Yeezy stock under the Adidas name may play out through a couple of options. The first would see the company sell the inventory removing the Yeezy label and selling the product at its own stores and at a discount to other retail partners.

Another option is for Adidas to sell the repurposed items in smaller markets outside of the United States. “Somewhere where it’s not visible in their primary markets would be one approach they might take”, said Marshall Fisher, a professor at the Wharton School at the University of Pennsylvania.

The brand could take the drastic move of destroying the remaining stock. The risk of further damaging its reputation is higher with this move as other companies who’ve done so have come under fire in the past. “We’ve seen that happen with other luxury brands out there who didn’t want to see their product discounted at the end of the season,” said footwear expert & former collaborator Matt Powell. Donating all of the stock is also on the table, and according to Fisher would go a long way to bolster Adidas in the eyes of consumers.

Adidas is still investigating the after-effects of ending the deal with Ye after he made several antisemitic comments last October. The brand said at the time that it does not tolerate antisemitism or other forms of hate speech. Shares in the company went down 11% after the news was announced.

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Diplo’s Mad Decent Publishing Sells Catalog to Iconoclast

Diplo’s Mad Decent Publishing has sold its catalog to Olivier Chastan‘s music rights and brand management company Iconoclast, the company announced Tuesday (Feb. 14). Financial details were not disclosed.

Diplo launched Mad Decent with his manager and business partner Kevin Kusatsu as a record label in 2006 before branching into publishing. The deal with Iconoclast includes songs by Mad Decent Publishing songwriters Henry Agincourt Allen (professionally known as King Henry), Philip Meckseper (Jr Blender), Karen Orsted (), Valentino Kahn, Clement & Maxime Picard and Dillon Francis. Songs in the catalog include Major Lazer hits like “Lean On (featuring MØ and DJ Snake),” “Cold Water (featuring Justin Bieber and MØ)” and “Know No Better (featuring Travis Scott, Camila Cabello and Quavo)” as well as Mark Ronson’s “Nothing Breaks Like A Heart (featuring Miley Cyrus).”

Previously the head of Irving Azoff‘s Iconic Artists Group, Chastan founded Iconoclast in 2021 and has been quietly acquiring assets large and small, powered by the heft of institutional backing. In February 2022, the company bought The Band musician Robbie Robertson‘s music publishing, recorded interests and name, image & likeness rights in a deal that Variety valued at worth roughly $25 million.

In a statement, Chastan described the body of work at Mad Decent Publishing as “one of the most exciting and original catalogs where Brazilian Baile Funk and Angolan Kuduro mix with EDM and pop.

“I first became aware of Mad Decent when Kevin Kusatsu and Diplo were working on the first Major Lazer album,” Chastan continued. “The sound was completely different, the songwriting utterly original and fresh-sounding, and the production uniquely creative. Our acquisition of the Mad Decent Publishing catalog illustrates our commitment to preserving and growing culturally significant art of any era including with artists that are shaping contemporary music.”

Representing Iconoclast in the deal were Scott McDowell and Peter Paterno of King, Holmes, Paterno & Soriano. Mad Decent Publishing was represented by Jordan BromleyEric Custer and Alex Spring of Manatt, Phelps, & Phillips.

Morgan Wallen Rebounds for Sixth Week at No. 1 on Artist 100 Chart

Morgan Wallen rises from No. 4 to No. 1 on the Billboard Artist 100 chart (dated Feb. 18), becoming the top musical act in the U.S. for a sixth total week. He tallied his first five weeks at No. 1 in January-February 2021.

Wallen returns to the top spot thanks to seven charting hits on the Billboard Hot 100, led by “Last Night,” which vaults 27-3 after its first full week of tracking, becoming his fifth top 10 song and highest-charting career hit.

Here’s a recap of Wallen’s seven current Hot 100 hits, all of which are on his new album One Thing at a Time, due March 3:

Rank, Title
No. 3, “Last Night”
No. 13, “Thought You Should Know”
No. 18, “You Proof”
No. 38, “I Wrote the Book”
No. 47, “One Thing at a Time”
No. 51, “Everything I Love”
No. 81, “Tennessee Fan”

Also fueling Wallen’s return to No. 1 on the Artist 100 is his prior LP Dangerous: The Double Album, which rises 6-4 on the Billboard 200. The January 2021 release, which sparked his first five weeks atop the Artist 100, spends a 106th week in the Billboard 200’s top 10, tying the West Side Story soundtrack from 1962 for the third-most weeks totaled in the region. They trail only the My Fair Lady original cast recording from 1956 (173 weeks in the top 10) and the Sound of Music soundtrack from 1965 (109).

Wallen extends his record for the most weeks spent at No. 1 on the Artist 100 among primarily country acts. Jason Aldean and Luke Combs follow with three weeks on top apiece. Taylor Swift leads all acts with 63 weeks logged at the summit.

Elsewhere in the Artist 100’s top 10, Shania Twain re-enters at No. 8, as she appears in the top 10 for the first time since reaching No. 2 in 2017. Her new album Queen of Me arrives at No. 10 on the Billboard 200 with 38,000 equivalent album units earned, becoming her sixth top 10. Notably, she joins Madonna as the only women with newly-charting Billboard 200 top 10s in the 1990s, 2000s, ’10s and ’20s (Madonna’s streak also includes the ’80s).

The Artist 100 measures artist activity across key metrics of music consumption, blending album and track sales, radio airplay and streaming to provide a weekly multi-dimensional ranking of artist popularity.