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Executive Turntable: WMG Names EVP of Global Marketing; WIN Appoints Board Chair

Jessica Keeley-Carter was promoted to executive vp of global marketing at Warner Music Group. Based in the United Kingdom, Keeley-Carter will take on a bigger global role, working closely with marketing leads in Asia, Latin America and Canada alongside her current remit in the U.K. She most recently served as senior vp of global marketing. That role will now be filled by Tony Corey, who was previously vp of global marketing. Based in New York, Corey will continue supporting campaign executions and long-term artist strategy; he was previously vp of global marketing. He has led Warner’s Global Priority System since joining the company in 2021.

The Worldwide Independent Network (WIN), which represents the global independent music sector, appointed its board of directors for 2023. Partisan Records COO Zena White will serve as chair, working closely with WIN’s newly appointed CEO Noemí Planas on delivering on the organization’s goal of growing and connecting the indie music community worldwide. Joining White on the board are three new directors: AIM’s COO Gee Davy, N.E.W.S managing director Geert De Blaere, Sub Pop Records/Hardly Art/Sub Pop Publishing president Tony Kiewel and GoDigital, Cinq Music and VidaPrimo chair Jason Peterson, who was elevated from his prior role of board observer. They will succeed outgoing directors Lisa Levy (Robbins Entertainment USA), Michael Lambot ([PIAS]) and Paul Pacifico (AIM). Elsewhere, former WIN board chair Maria Amato (AIR) is now treasurer; she will continue to sit with Mark Kitcatt (Everlasting Records), Richard Burgess (A2IM), Oliver Knust (IMICHILE) and White on the executive committee. Finally, Nerea Serrano was appointed community and projects manager at WIN; she joined the organization as communications officer in 2021.

Jamie Spinks was named head of A&R at Columbia Records UK, reporting directly to Columbia UK president Dipesh Parmar. He joined the label last year, signing and developing Venbee. He’ll be tasked with overseeing the direction of the Columbia UK A&R strategy while also running the joint venture label Room Two. Spinks was at Polydor Records for 10 years prior to his Columbia hire.

Rob Brown was hired as COO at mprs Global, the royalty tracking and collection service founded by the team behind mtheory. He joins from Kobalt Music Group, where he worked for nearly 12 years, most recently as vp of business affairs & commercial strategy. He can be reached at rob@mprs.co.

Ultra International Music Publishing opened a new creative hub in Lagos, Nigeria, where its African operations will be overseen by London-based A&R manager Harold Serero. As part of the announcement, the publisher revealed the signing of Nigerian artist Amexin to the roster.

Beville Dunkerley will step down from her role as SiriusXM/Pandora head of country music talent & industry relations to launch her own media training consultancy focusing on actors, athletes, authors and recording artists. She joined Pandora more than six years ago prior to its SiriusXM merger. Dunkerley can be reached at bevilledarden@gmail.com. (via Country Aircheck)

Four executives were promoted at Zync/Round Hill Music: Madison Norris to executive vp of creative operations, Kelly Ross to vp/head of creative licensing and publishing, Becca Luce to senior director of film & TV/creative publishing and Steve Nalbert to vp of sync licensing and digital. Norris will facilitate day-to-day management for the Zync creative licensing team, leading marketing efforts for both frontline and back catalog. Ross will lead synch licensing for the catalog and handle pitching for advertising while also signing songwriters and artists to frontline publishing and master deals. Luce will guide the co-write team with expanded A&R responsibilities along with film and TV pitching. Nalbert will build, optimize and carry out Round Hill Music’s digital strategy, collaborating with partners including Meta, Apple and TikTok.

Agent Dave Kaplan joined Paladin Artists, where he brings more than 20 clients including Spacey Jane, The Black Angels, Gary Numan, The Kills, Melody’s Echo Chamber and Allah-Las. He was previously at ICM Partners and has also worked at Paradigm and The Agency Group.

Keisha Perry Walker joined entertainment law firm Carter + Woodard as a new counsel. She will provide counsel to recording artists, producers, songwriters, manager, executives, independent labels and digital influencers, among others.

Linda Yaccarino was appointed group chair at YMU, a role she will occupy alongside her current position as chairman of global advertising and partnerships at NBCUniversal. She will work closely with YMU Group CEO Mary Bekhait. Also at YMU, Dani Chavez was promoted to senior marketing manager of the U.S. music division. Based in Los Angeles, Chavez will work closely with the company’s individual artist managers while reporting to YMU Music US head of marketing SuzAnn Brantner.

Country Music Hall of Fame and Museum senior vps Nina Burghard and Lisa Purcell were promoted to executive vp roles. Burghard was elevated to executive vp of finances and operations and Purcell was upped to executive vp of external affairs. Both will report to CEO Kyle Young. Burghard oversees the museum’s financial operations as well as some information and technology elements, in addition to the human resources and maintenance & operations departments. Purcell supervises the marketing and public relations departments and provides leadership in individual & planned giving, memberships & corporate partnerships, educational programming and public affairs. Purcell can be reached at lpurcell@countrymusichalloffame.org and Burghard can be reached at nburghard@countrymusichalloffame.org.

Also at the Country Music Hall of Fame and Museum, Ben Hall was promoted to vp of development, Paul Kingsbury was hired as senior director of editorial and interpretation, Luke Wiget was promoted to senior director of creative and Leigh Anne Wise was promoted to senior director of facilities, operations and sustainability. Hall oversees diverse fundraising initiatives and manages Country Music Hall of Fame member relations on behalf of the museum. Kingsbury will manage editorial staff and the development of written content for the museum’s website, exhibitions, public programs, publications, educational materials and online offerings. Wiget will guide the creative and project management teams responsible for producing the museum’s exhibitions, books, videos, education materials, marketing collateral and social media content. Wise oversees facilities maintenance, building projects, building operations including security, housekeeping and event setup, as well as sustainability initiatives.

Courtney Allen was promoted to senior director of A&R at Concord Music Publishing in Nashville. She was previously director of A&R. During her time at the publisher, she has signed Justin Wilson and Jennifer Wayne and contributed to catalog and publishing deals with Russell Dickerson and Corey Crowder. Allen can be reached at Courtney.allen@concord.com.

Jon Pikus was named vp of A&R/business development at Wixen Music Publishing. Based in the company’s Calabasas, Calif., office, Pikus will sign new artists, songwriters, producers and catalogs to Wixen’s roster, in addition to setting up collaborations and co-write sessions for the existing roster. He’ll report to Wixen president/CEO Randall Wixen, CFO/COO Andrew Wixen and chief technology officer/executive vp Jason Rys. Pikus has held A&R roles at Columbia Records, Interscope Records, MySpace Records and more. He can be reached at jpikus@wixenmusic.com.

Lydia Kanuga was promoted to vp of media relations at PR firm The Chamber Group. In her new role, Kanuga will create and implement publicity strategies for a roster that includes Usher, the Michael Jackson estate, Mass Appeal and Toni Braxton. She will also take a lead role in business development prospects for the company. Based in New York, Kanuga reports directly to Chamber Group principal/founder Chris Chambers. She can be reached at lydia@thechambergroup.com.

Alex Siciliano was appointed senior vp of communications at the National Association of Broadcasters (NAB). He will lead NAB’s communications team, and oversee the association’s outreach while spearheading messaging strategies to further NAB’s initiatives and advocacy issues before Congress and the Biden administration. He also serves as chief spokesperson for NAB and as a key advisor to senior leadership. He most recently worked as deputy chief of staff to former Sen. Cory Gardner (R-Col.).

John Moser and Ale Delgado were promoted to senior project managers at Thirty Tigers in Nashville; both were previously project managers. With their elevations, Moser and Delgado will play a bigger role in departmental operations while managing album release campaigns for the company. Elsewhere, Micki Windham was promoted to senior production manager, up from her previous role of production manager; Sydney Clancy‘s role was expanded from catalog coordinator to production coordinator, which will see her supporting all production efforts for both new releases and inventory management; and Alex Ramsay was promoted to independent retail sales & marketing manager, a bump from her previous role of independent retail sales & marketing coordinator. Thirty Tigers also announced several recent hires, including Kayla Ganz and Lauren Caudle. Ganz boarded the company in February 2022 as director of digital sales and streaming, joining from Naxos Music Group, while Caudle joined in September 2021 as project manager coordinator before being promoted to project manager in June 2022. Finally, Zack Hallcroft returned to Thirty Tigers as project management coordinator, joining the company from CDA Entertainment.

The Women’s Music Business Association (WMBA) announced its 2023 board of officers, organizational chairs and board of directors. Serving on the 2023 board are president Virginia P. Brick (SESAC); vp Aura Guadagno (Varnell Enterprises); treasurer Taylor Baird (Wiles + Taylor & Co.); secretary Alyssa Hoffman (manager of Wayland); events & education co-chairs Libby Gardner (Academy of Country Music) and Megan Clemons (CSM Management); and marketing & membership co-chairs Mackenzie Adkins (Rhonda & Company) and Aya Robinson (Opry Entertainment Group). On the WMBA board of directors are newly-elected chairwoman Amery Fridenstine (Above Board Consulting) along with brand-new board members Sheree Spoltore (Global Songwriters Connection), Jensen Sussman (Sweet Talk Publicity) and Christy Walker-Watkins (The AristoMedia Group/AristoPR). Brandi Simms (MooTV, Moo Creative & The Steel Mill) will continue in an advisory role as board of directors emeritus, while Lauren Spahn (Shackelford, Bowen, McKinley, & Norton) will act as legal counsel.

Ed Thompson joined ATC Live, bringing clients Jungle, Iron & Wine, Car Seat Headrest, Zero Zero Bonito and Pigs Pigs Pigs Pigs Pigs Pigs Pigs to the agency. He joins the company from Free Trade Agency. Thompson can be reached at ed@atc-live.com.

Mallory Mason Pascal was promoted to partner at artist business management firm KFBM (previously King Business and Financial Management); she joined the company in 2020. Pascal can be reached at mallory@kbfmgmt.com.

Abi White was named head of dance and electronic promotions at Kartel Marketing Agency, the marketing and media promotions agency within Kartel Music Group. White will lead promotions for all dance and electronic agency clients as well as Kartel’s electronic label, EMK. She joins the company from For the Record PR, where she served as co-founder and co-director.

Desiree McCann was named manager of international marketing at Los Angeles-based management company Hills Artists. She will handle day-to-day management for Hills Artists clients while supporting and driving international marketing campaigns for the roster. Additionally, Brenna Rindfuss has been promoted to manager. McCann joins Hills Artists from Universal Music Australia, where she worked in artist development. She can be reached at desiree@hillsartists.com.

Paramore Blasts to No. 1 on Australia’s Chart With ‘This Is Why’

With their first album in six years, This Is Why (via Atlantic/Warner), Paramore powers all the way to No. 1 in Australia.

This Is Why becomes Paramore’s third leader on the ARIA Chart, following Brand New Eyes (in 2009) and Paramore (2013). It’s their sixth studio album and the followup to 2017’s After Laughter, which peaked at No. 3 in these parts.

The reunited pop-rock trio of Hayley Williams, Taylor York and Zac Farro can boast another neat feat this week; This Is Why is the only new release to impact the ARIA Top 50.

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Completing the podium on the latest ARIA Albums Chart, published Feb. 17, is Harry StylesHarry’s House (Columbia/Sony), up 3-2 following his triumphant nights at the BRITs and Grammy Awards; and Taylor Swift’s Midnights (Universal), down 1-3.

Over on the ARIA Singles Chart, Miley Cyrus makes it five weeks in a row with “Flowers” (Columbia/Sony), a record that just seems to grow on fans.

The pop star’s reign could face a challenge from “Boy’s A Liar” (Plg/Warner) by PinkPantheress, the hotly-tipped British singer, songwriter and producer. “Boy’s A Liar” roars 25-3, following the release of a remix featuring U.S. rising star Ice Spice.

Also on the move up is Miguel’s 2010 release “Sure Thing” (Sony), which lifts 11-7 after getting the viral treatment on TikTok. That’s well-up on the original No. 11 peak for “Sure Thing” back in 2011, and it marks the U.S. R&B artist’s second top 10 appearance (his 2013 collaboration with Mariah Carey on “Beautiful” went to No. 6). “Sure Thing” is now three-times platinum certified.

Finally, American rapper and singer Coi Leray’s catchy number “Players” (Universal) is on the rise. It’s up 18-10.

Hear The Rumble? Skrillex’s Sophomore Album ‘Quest For Fire’ Is Here: Stream It Now

Feel the rumble? After a long nine years, Skrillex is back today (Feb. 17), with his sophomore album, Quest For Fire.

The LP drops amidst a very big moment for our guy Sonny Moore, who came hard out the gates in January with a litany of new singles, starting with the Fred again.. and Flowdan collab “Rumble.”

That track is its sixth week on Hot Dance/Electronic Songs, where it peaked at No. 10 and is currently lodged at No. 16. “Rumble” was followed by “Leave Me Like This” with Bobby Raps (currently at No. 25 on Hot Dance/Electronic Songs), “Way Back” with PinkPantheress and Trippie Redd (currently at No. 29), “Xena” with Nai Barghouti (currently at No. 21), “Real Spring” with Bladee (currently at No. 40) and “Don’t Get Too Close” with Bibi Bourelly.

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In addition to taking over the chart, Skrill is currently also taking over New York City, playing a pop up set with Fred again.. and Four Tet at Good Room in Brooklyn this past Tuesday and the trio doing another small room show last night (Feb. 16) at LPR in lower Manhattan.

In a serious demonstration of going big or going home, the guys — who’ve been referring to each other as brothers in their IG posts — will close out the week with a show at Madison Square Garden this Saturday, February 18. Tickets sold out in less than three minutes, demonstrating the zeal for Skrillex and the continued market value of electronic music.

But first, Quest For Fire. It’s stacked with assists, including guest spots from the likes of Missy Elliott, Pete Wentz, Swae Lee, Four Tet, Mr. Oizo and many more. Stream it in full below.

Niall Horan Unveils Dreamy New Single ‘Heaven’: Stream It Now

Welcome to the show — Niall Horan is your host, and is taking you into a brand new world (ahem, album cycle) with the release of “Heaven,” the lead single off his forthcoming album The Show, on Friday (Feb. 17).

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The track sees the former One Direction member reminiscing on a love that leaves him feeling weightless that, underneath the surface, holds a darkness he would rather not trade.

“Doesn’t get, doesn’t get better than, better than this/ God only knows where this could go/ And even if our love starts to go out of control/ And you let me go up in flames/ Heaven won’t be the same,” Horan sings on the track’s chorus.

“This album is a piece of work I’m so proud of and now it’s time to pass it over to you to go and make it your own,” Horan wrote on Instagram, captioning a post that featured the album’s official cover, a photo of him leaning on a window sill and staring up at the album’s title. “Thank you so much for being there for me all this time and I can’t wait to share the next couple of years of this new era with you. I’ve missed you all so much. It’s good to be back.”

“Heaven” marks Horan’s first release since singles “Our Song” and “Everywhere,” his 2021 collaborations with Anne-Marie. Heartbreak Weather, Horan’s previous LP, peaked at No. 4 on the Billboard 200 in March 2020.

Listen to “Heaven” below.

P!nk Unveils Ninth Album ‘Trustfall’: Stream It Now

It’s a trustfall, baby! P!nk released her new album Trustfall on Friday (Feb. 17) via RCA Records.

The studio effort is the pop veteran’s first follow-up to her 2021 live compilation All I Know So Far: Setlist, and was preceded by roller-skate-ready lead single “Never Gonna Not Dance Again,” the anthemic title track and heaven-sent ballad “When I Get There,” which is dedicated to her late father. The album also contains collaborations with The Lumineers (“Long Way to Go”), First Aid Kit (“Kids in Love”) and Chris Stapleton (closer “Just Say I’m Sorry”).

Ahead of the release, P!nk sat down with Billboard for an exclusive chat about how the album came together and explained the significance of its title.

“It was so easy to name the record,” she said. “I feel like getting out of bed, and getting dressed, and dropping your kids off at school, and being in a relationship, and parenting, and participating in elections — it requires a lot of trust. And most of the time, we feel like we’re falling backwards, and we don’t know where the ground is.”

The singer also offered her unfiltered thoughts on the rise of TikTok and its effect on pop music, adding, “Things have changed, and that’s not what I do,” she said of the popular social platform. “And I’m okay with that. The people that have been coming to my shows, we’ve grown up together. I’m a pop fan. I like The Beatles, I like doo-wop music, I like Broadway. I come from a different thing, and I’ve got to be true to me.”

This July, P!nk will embark on her Summer Carnival 2023 stadium tour in support of the album with special guests Brandi Carlile, Pat Benatar & Neil Girlado, Grouplove and KidCutUp.

Stream P!nk’s Trustfall in full below.

How to Watch the 2023 NBA All-Star Game, Halftime Show & More Without Cable

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Now that the Super Bowl is behind us, sports fans can set their sights on the NBA All-Star Game. The 2023 NBA All-Star weekend launches on Friday (Feb. 17).

From the slam dunk contest to the halftime show, keep reading for the NBA All-Star Weekend details and how to watch without cable.

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NBA All-Star Game Schedule

When and where is All-Star Weekend? This year’s events will be held in Salt Lake City from Feb. 17-19.

21 Savage, Cordae, Janelle Monáe, Ozuna, Nicky Jam and more will suit up for the Ruffles Celeb Game airing Friday at 7 p.m. ET on ESPN followed by the Jordan Rising Stars three-game mini-tournament on TNT (click here for tickets).

Saturday’s schedule includes the NBA All-Star Practice Presented by AT&T at 1 p.m. ET on NBA TV, NBA x HBCU Classic Presented by AT&T at 4 p.m. ET on NBA TV, TNT and ESPN2; and the State Farm All-Star Saturday Night — featuring the Kia Skills Challenge, Starry 3-Point Contest and AT&T Slam Dunk — at 8 p.m. ET on TNT.

Welcoming fans to State Farm All-Star Saturday Night will be Creed III stars Michael B. Jordan and Jonathan Majors.

The 2023 NBA All-Star Game goes down at the Vivint Smart Home Arena on Sunday at 8 p.m ET. Tickets are still available for the game and other events.

(Find the full 2023 NBA All-Star Weekend schedule here.)

Who’s Performing at the 2023 All-Star Game?

Burna Boy, Tems and Rema will headline the halftime show with an Afrobeats-themed performance. After the halftime show, LeBron James will be honored for becoming the league’s all-time scorer.

Post Malone is set to perform a medley of hits during pre-game show at 6 p.m. ET on TNT. The All-Star Draft Presented by Jordan Brand will take place before the game at 7:30 p.m. ET.

Actor Vin Diesel will introduce the All-Star Game players. Grammy-nominated singer, and Utah native, Jewel will perform the national anthem while platinum-selling Toronto artist Jully Black will perform Canada’s anthem.

2023 NBA All-Star: How to Watch the Game, Halftime Show & Other Events Online

The 2023 NBA All-Star Game begins on Sunday at 8:00 p.m. ET (TNT coverage starts at 6:00 p.m.). The game will broadcast on TNT, which gives you different options when it comes to streaming.

If you already have TNT through a cable, internet or satellite provider, you can watch or stream the NBA All-Star game on your TV or online from any location.

No cable? Streaming plans tend to be cheaper than cable, plus you don’t have to worry about renting (and returning) a cable box. The 2023 NBA All-Star Game will be streaming on platforms like SlingTV, and Fubo (Vidgo offers ESPN, ESPN2 and ESPN Deportes but not TNT).

Philo is certainly a more affordable streaming option at $25 a month, but the streamer does not carry TNT. However, Sling TV has TNT and other sports, news and entertainment channels for just $20 for the first month (regular $40/month).

DirectTV Stream is another decent option for live television — it’s not very expensive and you can get perks like free HBO Max with select plans and a free trial for five days. The streaming start at $74.99/month for 75+ channels. Hulu + Live TV is around the same price for 85+ channels and access to Disney+ and ESPN+.

Sport lovers who want to stream the NBA All-Star Game internationally can do so with ExpressVPN or NordVPN. Additionally certain All-Star Weekend events can be streamed on the NBA app, including Saturday’s NBA All-Star Media Day Presented by AT&T (1 p.m. ET),

Adam Silver’s news conference on Saturday at 7 p.m. ET will air on NBA TV and stream on the NBA app. The same goes for the NBA Legends Awards on Sunday at 1 p.m. ET.

The 1975, Kelsea Ballerini Join ‘SNL’ Musical Guest Lineup

Saturday Night Live is continuing its jam-packed 2023 with its next lineup of hosts and musical guests, revealed on Thursday (Feb. 16).

The iconic NBC sketch comedy show previously announced that Woody Harrelson will host SNL for the fifth time on Feb. 25, just weeks ahead of the release of his upcoming film, Champions, which hits theaters on March 10. Jack White will join the episode as musical guest.

The next weekend, on March 4, tight end for the recent Super Bowl champion team Kansas City Chiefs, Travis Kelce, will make his hosting debut. Kelsea Ballerini will also take the stage as musical guest for the first time, fresh off the release of her heartbreaking EP Rolling Up the Welcome Mat and its accompanying short film.

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On March 10, Wednesday star Jenna Ortega will host the show for the first time, accompanied by The 1975 as musical guests. The band, who have previously performed on SNL one other time, is currently on their sold-out world tour for their recent album, Being Funny in a Foreign Language.

Saturday Night Live enjoyed an impressive 2022, in which the series won an Emmy Award for outstanding variety sketch series. SNL is the most Emmy-nominated show in television history and currently holds 93 Emmy wins.

The show airs every Saturday live on NBC at 11:30 p.m. ET/8:30 p.m. PT. For those without cable, the broadcast will also stream on NBC’s streaming service, Peacock, which you can sign up for at the link here. Having a Peacock account also gives fans on demand access to previous SNL episodes as well.

Method Man ft. Cortez “Training Day,” Papoose ft. Jim Jones & Jaquae “Makin Plays” & More | Daily Visuals 2.16.23

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65th GRAMMY Awards - Show

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It’s been a minute since Method Man has dropped off new work for the Wu-Tang faithful. And though he’s been flourishing in multiple aspects of his career, the Ticallian Stallion returns to the platform that made him a household name.

Linking up with Cortez for his visuals to “Training Day,” Method Man takes on the role that got Denzel Washington that elusive Best Actor Oscar award back in 2002. He rolls around with Cortez blazing trees and pulling over drivers to shake them down. Cortez really had no problem taking to the dark side of policing compared to Ethan Hawk in Training Day.

Keeping the vibe in New York, Papoose makes a Brooklyn to Harlem connection, and in his clip to “Makin Plays,” calls on Jim Jones and Jaquae to meet him at the corner bodega to talk their sh*t and floss some heavy ice.

Check out the rest of today’s drops including work from Quando Rondo, Larry June and The Alchemist, and more.

METHOD MAN FT. CORTEZ – “TRAINING DAY”



PAPOOSE FT. JIM JONES & JAQUAE – “MAKIN PLAYS”



QUANDO RONDO – “ME FIRST”



LARRY JUNE & THE ALCHEMIST – ’60 DAYS”



FRIDAYY – “MOMMA”



BIGXTHAPLUG – “DREAM”



ANTHA PANTHA – “B.W.A.”



SKILLIBENG FT. NARDO WICK – “16CHOPPA”



Kelly Clarkson Enlists ‘The Voice’ Star Corey Ward for ‘Once’ Duet

Kelly Clarkson brought a special guest to help open the Thursday (Feb. 16) episode of The Kelly Clarkson Show: Corey Ward of The Voice.

To kick off the “Kellyoke” duet, the superstar and her former protégé harmonized on “Falling Slowly” from John Carney’s 2007 musical film Once. “I don’t know you but I want you all the more for that,” Ward crooned, strumming an acoustic guitar before Clarkson joined him in singing the chorus: “Take this sinking boat and point it home/ We’ve still got time/ Raise your hopeful voice, you have a choice/ You’ve made it now/ Falling slowly, sing your melody/ I’ll sing along.”

Ward was part of Team Kelly back in 2021 during Season 20, where he was eliminated in the Live Semifinal round before Cam Anthony eventually took the trophy for Blake Shelton’s team. Some of his most memorable performances on The Voice include his audition with Robyn’s “Dancing On My Own” as well as covers of Clarkson’s “Already Gone,” Lewis Capaldi’s “Bruises” and “Iris” by the Goo Goo Dolls.

Later in the show, Clarkson interviewed Ward about his time on the reality singing competition, his mom’s cancer diagnosis — which led him to initially audition for Season 19 — as well as his new single “Close to Love.”

In recent days, the original American Idol winner has also covered everything from Whitesnake’s “Here I Go Again,” Adele’s “Set Fire to the Rain,” Mark Morrison’s “Return of the Mack,” Camille Yarbrough’s Fatboy Slim-sampling “Take Yo’ Praise” and more.

Watch Clarkson and Ward duet on “Falling Slowly” below.

Layoffs Hit Motown Records Amid Capitol Reintegration

Staff at Motown Records were hit with news of layoffs Thursday (Feb. 16) as the label gets reintegrated under the Capitol Music Group (CMG) umbrella, multiple sources tell Billboard. The number of people and departments affected are unknown as of press time.

A spokesperson for Motown Records confirmed the layoffs to Billboard. “As Motown returns to the Capitol family, certain positions that had been created when we became a stand-alone label have since become duplicative,” the person said in a statement. “These employees are leaving the company and our People, Inclusion and Culture department is helping them find new opportunities — either within or outside of UMG.”

Layoffs were feared by staffers since chairwoman/CEO Ethiopia Habtemariam’s sudden announcement of her departure on Nov. 29, at which point the future of Motown — which had been spun out of the Capitol Music Group into a standalone label in March 2021, with Habtemariam promoted to the top title — was unclear. In the weeks that followed, it emerged that Motown would be consolidated once again into CMG, at which point the prospect of layoffs loomed.

Motown had been under the CMG umbrella since 2014 when Universal Music Group (UMG) dissolved the Island Def Jam Music Group and moved Motown to Los Angeles to operate out of the Capitol Tower. Habtemariam, who had been president of Motown since that year, oversaw the shift from New York to L.A. and in 2015 led the signing of Motown’s landmark partnership with Atlanta-based Quality Control, which brought Migos, Lil Baby, Lil Yachty, City Girls and others to the label. That led to a surge in interest, signings and market share for Motown, resulting in the establishment of the label as a standalone frontline in 2021, with Habtemariam given the chairman/CEO title.

However, just 20 months after assuming that role, Habtemariam announced she was leaving UMG entirely to “pursue new endeavors,” departing a label that had been energized in recent years without a clear leader. As a standalone label, Motown maintained its own A&R and marketing departments, though it shared services such as radio promotion with Capitol.

CMG is run by Michelle Jubelirer, who was promoted from COO to chair/CEO in December 2021, succeeding Jeff Vaughn, who lasted just a year in the role. Jubelirer oversees a record group that also encompasses Blue Note, Astralwerks and Capitol Christian Music Group, in addition to Motown. While its market share remains under CMG, in September indie distributor Virgin was consolidated alongside Ingrooves and mTheory into the Virgin Music Group, whose co-CEOs report directly to UMG chairman/CEO Lucian Grainge.

However, Capitol will not have Quality Control in its purview moving forward, as the label was sold to HYBE America in a deal that was announced Feb. 8. That means that while Capitol will oversee Motown, it will not have any future releases from some of Motown’s biggest stars of the past decade.

Motown is the latest music company to undergo layoffs in recent months, as the global economy’s outlook remains uncertain. The tech sector was hit particularly hard in that respect, with Amazon, Google/YouTube, Spotify, Twitter, SoundCloud, BMI and others shedding jobs; many cited the dwindling advertising market, which has stubbornly retracted. In October, Grainge himself addressed the advertising market’s downturn when speaking about UMG’s third quarter financials, noting that ad-supported streaming revenue grew slower than expected, up just 5.2% over the third quarter period of 2021, though it was offset by increases in other sectors such as subscription, licensing, tour merchandising and publishing.

In 2022, Motown had raised its overall market share to 0.97%, up from 0.90% in 2021. In terms of current market share — music released over the most recent 18 months — Motown grew its share from 1.18% in 2021 to 1.33% in 2022. It had remained part of Capitol’s market share during that period, despite its ostensible status as a standalone entity. Capitol’s overall market share declined from 6.81% in 2021 to 6.40% in 2022, while its current share dropped from 5.64% in 2021 to 4.97% in 2022.

Additional reporting by Gail Mitchell.