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Latin Grammys Moving to Spain This Year

The Latin Grammys will take place in Spain in 2023, likely in the Southern city of Sevilla, according to sources.

In a press conference between the board of Andalucía and the Latin Academy of Recording Arts and Sciences, Andalucía board president Juanma Moreno said the two entities had a “three year sponsorship deal” that included hosting the Latin Grammys and “two major concerts hosted by the Academy in 2023, and another major concert in 2024 and in 2025.”

The location for all events, said Moreno, would be announced “soon, once the Academy finalizes all details.”

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“We are considering Sevilla to celebrate the 24th Annual Latin GRAMMY Awards this November, but we are still working through the logistics with our partners TelevisaUnivision. We will share additional details about the date and location of the next Latin GRAMMYs soon,” said Latin Academy Manuel Abud in an exclusive statement provided to Billboard.

Sources confirm the awards will take place in Spain and a formal announcement will be made soon. Since their inception in 2000, the Latin Grammys have always taken place in the United States, mostly in Las Vegas, although the award has also been held in New York and Miami. Rumors about the Academy taking the awards out the U.S. have swirled before, but this is the first time concrete plans have been made to host the awards elsewhere.

Although the Latin Recording Academy and the Latin Grammys were created in the U.S. as a sister organization to the Academy, its membership and its ethos have always been international representing recordings made in Spanish and Portuguese around the world.

While details of the negotiations to move the award show out of the United States were not provided, economic incentives clearly had a role.

Moreno estimated the economic impact of having the Grammys and the events in the region would be “in the nieghborhood of 500 million Euros.”

The Latin Grammys will continue to be broadcast on the Univision network.

Nipsey Hussle’s Convicted Killer to be Sentenced

A man convicted of gunning down rapper Nipsey Hussle in 2019 is likely to get life in prison when he is sentenced Wednesday (Feb. 22) in a Los Angeles courtroom.

Jurors in July found Eric R. Holder Jr., 32, guilty of the first-degree murder of the 33-year-old Grammy-nominated hip-hop artist outside the clothing store Hussle founded, the Marathon, in the South Los Angeles neighborhood where both men grew up.

Holder was also convicted of two counts of attempted voluntary manslaughter and two counts of assault with a firearm for gunfire that hit two other men at the scene who survived.

The sentencing has been delayed in part so defense attorney Aaron Jansen could move for Superior Court Judge H. Clay Jacke to reduce Holder’s conviction to manslaughter or second-degree murder, which the judge rejected in December.

Jacke will have a broad range of possibilities when he sentences Holder at the Thursday morning hearing, but the murder conviction alone carries a term of 25 years to life. The other convictions, and special sentencing circumstances that jurors found true, make it almost certain Holder will spend the rest of his life in prison. Holder was not eligible for the death penalty.

“We hope that there is some resounding peace in the fact that his killer will be in prison likely for the rest of his life,” the lead prosecutor, Deputy District Attorney John McKinney, said after the verdict.

Actor Lauren London, who was Hussle’s partner and the mother of his two young children, did not attend any part of the trial, nor did any of his relatives, and none are expected to give victim impact statements, as often happens at such hearings.

The evidence against Holder was so overwhelming — from eyewitnesses to surveillance cameras from local businesses that captured his arrival, the shooting and his departure — that his attorney conceded during trial that he had shot Hussle.

But Jansen argued to jurors that the heated circumstances of the shooting meant a lesser verdict of voluntary manslaughter was merited. The jury returned with the first-degree murder verdict after about six hours of deliberations. Jansen said afterward that he was “deeply disappointed” in the verdict, which they planned to appeal.

He did manage a minor victory for Holder by securing the attempted voluntary manslaughter convictions where prosecutors had sought attempted murder verdicts. The sentencing, originally scheduled for September but postponed at the request of the defense, brings an end to a legal saga that lasted more than three years and a trial that was often delayed because of the pandemic.

Hussle, whose legal name is Ermias Asghedom, and Holder had known each other for years growing up as members of the Rollin’ 60s in South LA. Both were aspiring rappers. But Holder never found the same success as Hussle, who would become a local hero and a national celebrity.

A chance meeting outside the Marathon, in a shopping center Hussle owned, led to a conversation the two men had about rumors that Holder had been acting as an informant for authorities. Jansen argued that being publicly accused of being a “snitch” by a person as prominent as Hussle brought on a “heat of passion” in Holder that prompted the shooting.

A woman who was with Holder that day took a photo with Hussle before becoming Holder’s unwitting getaway driver, was a key witness for the prosecution.

After years of devoted work that won him underground acclaim — his nickname was both a play on the name of comedian Nipsey Russell and a nod to the hustle the future hip-hop star showed in making music and selling CDs — Hussle had just released his major-label debut album and earned his first Grammy nomination when he was killed.

A year after his death, he was mourned at a memorial at the arena then known as Staples Center, and celebrated in a performance at the Grammy Awards that included DJ Khaled and John Legend.

Pink Talks ‘Trustfall,’ Trauma and Making It In The Music Industry

Pink is back in business with Trustfall, an album that’s at or en route to the top of the charts around the globe. And when she hits the road in support of it, you’ll know about it.

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Everything in Alecia Moore’s world, it seems, is shiny and large, colorful. Pink, even. The Philly native is a total drawcard.

Her ninth and latest album, however, explores some of the tougher angles of life.

On Tuesday night (Feb. 21), Pink stopped by The Late Show With Stephen Colbert, for an exploration of her music, family, courage and more.

Of her new LP and its title, she explains: “I feel like all of us are walking around sort of with this low level of trauma in our bodies and it takes a lot of trust to be human being these days, to get out of bed in the morning, go to work, and drop your kids off at school, and go to public places and participate in elections and have a vagina. It just takes a lot of trust.”

Not everything is shiny and colorful. “I know a lot of teenagers, also, I think a lot of people have anxiety, a lot of kids have anxiety, and a lot of us feel like we’re falling backwards. And we don’t know where the ground is now,” she says. “That’s a trustfall…you have to ask yourself, what’s worth falling for and who’s supposed to catch you, can you catch yourself.”

The pop superstar also discussed reuniting with Chris Stapleton on “Just Say I’m Sorry” (“it sounds dumb, but I just called him up. I am a fan”), collaborating with her own kids (no, they don’t want to follow her lead into showbiz), and the music industry (“I hate people who gave advice”).

And she shared her origin tale of the music biz, which began in the 1990s when Moore signed as a 16-year-old as part of an “absolutely terrible” group. The band was eventually shelved, but the fearless singer stepped up and out, signed a new contract at 17 and eventually released her own music to the world at age 20. “The business is very different now,” she explains.

Pink also performed “When I Get There,” lifted from Trustfall (Feb. 17), which dropped last Friday through RCA. Her Summer Carnival 2023 jaunt kicking off in late July followed by the TRUSTFALL arena tour starting Oct. 12 at the Golden 1 Center in Sacramento, Calif.

Watch below:

Stray Kids Release New Japanese Album ‘The Sound’: Stream It Now

After two No. 1 albums on the Billboard 200 in the last 10 months, Stray Kids have delivered another new project focused on the Japanese market.

Released the morning of Feb. 21 (Feb. 22 local time in Japan), The Sound marks Stray Kids’ first original Japanese full-length album. The 10-track record follows up two previous EPs that the boy band packaged for Japan with Circus from 2022 and All In from 2020. While those earlier EPs consisted of half or more remakes of their K-pop material, The Sound is a majority of original music.

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Ahead of the full album today, several singles previewed the LP including “Scars” and “Thunderous (Japanese Version),” which were both originally released in 2021, “Case 143 (Japanese Version)” from 2022, and the rip-roaring title track “The Sound” from January, and rhythmic ballad “There” from Feb. 15, ahead of the full album today.

Demonstrating fan anticipation for the LP, the Kids took over the top 5 of Billboard’s Hot Trending Songs chart, powered by Twitter, dated Jan. 28, with the title track at No. 1, and the cuts “DLMLU,” “Novel,” “Battle Ground” and “Lost Me” at Nos. 2-5, respectively.

Two tracks from The Sound are on the Japan Hot 100 chart dated Feb. 18, 2023. After peaking at No. 14 last year, “Case 143” is at No. 78 for its 19th week on the chart. Meanwhile, “The Sound” is at No. 96 after debuting at No. 34 last week. So far, SKZ peaked at No. 2 on the Japan Hot 100 with “Scars” in 2021.

While Stray Kids’ most recent Korean albums have been able to top the Billboard 200 thanks to their wide availability in retail stores after signing with Republic Records, there’s no current indication that The Sound or any of the band’s other J-pop material will be made available in retail stores or via physical albums like other Korean bands (such as BTS and TOMORROW X TOGETHER) have previously done.

Looking ahead, Stray Kids will return stateside next month to make up the previously-postponed dates in Atlanta and Fort Worth as part of their Maniac World Tour, and hold their first-ever arena concerts in the U.S. for a pair of shows at Los Angeles’ BMO Stadium on March 31 and April 2.

Stream Stray Kids’ The Sound here.

KCON Sets 2023 Dates for U.S., Japan & Thailand: See Which Cities the K-Pop Festival Visits

After 2022 marked KCON’s in-person return following two years online, the world’s biggest K-pop festival has set 2023 dates for events in the U.S., Japan and Thailand in the coming months.

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Once again, KCON will hold its flagship event in California with KCON 2023 Los Angeles between Aug. 18-20 at the Crypto.com Arena and LA Convention Center. Barring 2020 and 2021 due to COVID-19, the West Coast iteration of the festival has been held throughout the Crypto.com Arena (formerly known as the Staples Center) and LA Convention Center since 2015, with 2023 marking its 10th time in the city’s famous L.A. Live campus.

Last year, KCON LA reported 90,000 fans attending across its three days of convention, panels, workshops meet-and-greets and concert activities headlined by artists like Stray Kids, ATEEZ, ITZY, The Boyz, Kep1er, TO1 and more.

After visiting Tokyo in October, KCON also revealed that it will return with its KCON 2023 Japan between May 18-20 at the Makuhari Messe convention center in Chiba. The fest last visited the city for its two-day KCON Premiere Chiba event last year where K-pop boy band TO1 performed alongside J-pop acts like JO1 and INI. KCON 2022 Japan was held at Tokyo’s Ariake Arena with TO1, ATEEZ, TOMORROW X TOGETHER, fromis_9, LE SSERAFIM, NewJeans, Monsta X‘s Kihyun and more K-pop and J-pop acts performing.

KCON Los Angeles and Japan join the preciously announced KCON Thailand, taking place next month at the IMPACT Arena and IMPACT Exhibition Center throughout March 18-19 in Bangkok’s northern suburb of Muang Thong Thani. The festival has TO1, ATEEZ, Kep1er, JO1, BamBam, iKON,(G)I-DLE and more K-pop and J-pop acts scheduled to visit.

KCON followed up in a press release that each location would have “signature programming as well as content tailored for each region” and that KCON will be live streamed globally without regional limitations.

Despite increasing competition from new K-pop festival startups like last year’s KAMP and the upcoming We Bridge Music Festival & Expo, as well as more Korean artists appearing on long-running U.S. music fests like Coachella, Lollapalooza and Governor’s Ball, KCON has managed to keep its attendance and audience engagement strong for more than a decade now.

“KCON, which started out with an audience of 10,000 in 2012, has now grown into the world’s biggest K-culture festival,” said Kim Hyun-soo, Head of Live Entertainment Business at CJ ENM, in a statement. “This year, KCON will meet global fans in Thailand, Japan and the U.S., advancing the spread of K-pop and K-culture around the world.”

Alejandro Fernández Showcases Mexican Pride With Back-to-Back Hits: Highlights From His Viña del Mar Set

Alejandro Fernández took the stage Tuesday (Feb. 21) at the Quinta Vergara for his highly anticipated performance at Chile’s Viña del Mar International Song Festival.

Accompanied by a live band that included mariachi and norteño musicians, the ranchera superstar — who wore an elegant black and gold charro suit — delivered an impressive performance where he belted out anthems such as “Tantita Pena,” “Estuve,” “Hoy Tengo Ganas De Ti” and “Mátalas.” Fernández received silver and gold gaviota trophies for his riveting 90-minute set. “Let’s celebrate, campeones (champs),” he said.

Here are some highlights from his Feb. 21 headlining set at Viña del Mar:

EL POTRILLO RETURNS TO VIÑA

“Chile, Viña,” he said at the beginning, vividly emotional as he made his return to Viña del Mar after last performing there in 2015. “Ahí te va charrito (here you go, charrito),” he added as he walked toward one side of a stage to give a little fan in the audience — who wore a charro outfit — a part of his very own suit. “I always feel great excitement to be on this stage, from the very first time I had the opportunity to be part of this important festival to this day. I promise to leave my soul and heart here. Let music always unite us. Viva Chile! Viva México!”

A SWOON-WORTHY PERFORMANCE

After more urban-leaning sets by Karol G and Tini on the first two days of Viña, Fernández brought romanticism to the festival. Occasionally blowing kisses to his fans — who would scream at the top of their lungs after one of his many charming gestures toward them — the charro sang the classics, or as he called them “viejitas pero bonitas,” that made it seem like the entire Quinta Vergara was either in love or going through a heartbreak that night. The crowd sang along in unison to “Hoy Tengo Ganas De Ti,” “Si Tu Supieras,” “Te Voy a Perder,” “Qué Voy a Hacer Con Mi Amor,” “Como Quien Pierde Una Estrella,” “Me Dediqué a Perderte” and “Canta Corazón.”

NEW MATERIAL

The last time Fernández performed at Viña del Mar was eight years ago. “Every single time, the response from the Chile audience only gets bigger,” he said mid-set when he received the silver gaviota. Since he last performed there, he’s released new albums and new singles and he took this opportunity to play his new material, which included “Hecho En México,” “Caballero,” “Decepciones” and “Inexperto En Olvidarte.”

A TRIBUTE TO VICENTE FERNÁNDEZ

One of the most special moments of the night, and definitely a highlight, was when El Potrillo paid tribute to his father, the Mexican icon Vicente Fernández, who died in December 2021. “My father would be so happy to see the response I’ve gotten at Viña this year,” he said. “But, you know, I think he’s here with me. I feel him, he’s probably here on my shoulder.” He went on to perform a medley of Chente’s greatest hits, including “Por Tu Maldito Amor,” “Mujeres Divinas,” “Las Llaves de Mi Alma,” “De Qué Manera Te Olvido” and “El Rey.”

For the first time in its more than six-decade history, the Viña del Mar International Song Festival is being livestreamed in the United States, exclusively on Billboard.com, Billboard’s YouTube channel, and via Twitter @Billboard. The six-day festival continues with Fito Páez on Feb. 22; Christina Aguilera on Feb. 23; and ending with Camilo on Feb. 24. All headliners will perform at 8 p.m. ET.

Find the rest of the week’s schedule below.

Wednesday, Feb. 22: Fito Páez

Thursday, Feb. 23: Christina Aguilera

Friday, Feb. 24: Camilo

Nicki Minaj Is a Vision in Violet at Trinidad Carnival 2023

One thing about Nicki Minaj, she’s the baddest alive. She proved her “Super Freaky Girl” lyrics true when she rolled up to the 2023 Carnival in her home island of Trinidad and Tobago on Tuesday (Feb. 21).

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In a series of photos posted to Instagram, the “Do We Have a Problem?” rapper wore a curve-hugging purple body suit styled by DiAndre Tristan, complete with beading down the chest in classic Mardi Gras colors. She added to her look with a beaded headpiece, fishnet tights, white sneakers and a huge pair of feathered wings. “Thank you to TRIBE for this gorgeous costume,” she captioned her colorful, celebratory Instagram post.

Last week, Minaj teamed up with Machel Montano and Destra for a remix of their single, “Shake the Place,” in which she reflected on her Caribbean roots. “Trinidad my country, the greatest carnival of all time,” she raps. “I’m reppin’ that red, that white, that black / I’m reppin’ my real flag,” she raps on the track.

“If you f$&@ with ISLAND GIRLS rep your flag for me in the comments. Trinidad CARNIVAL is about to #ShakeThePlace shake up di whole place,” she captioned an Instagram post revealing the remix on Feb. 18.

She followed up by showing off her other stunning looks while spending time down in Trinidad and Tobago, including one in which she’s rocking a tight pink corset with matching knee high boots, denim shorts, long wavy red hair and a blinged-out chain that says “Queen,” of course. See it here.

Seattle’s Bumbershoot Festival to Return in 2023 – With a Little Help from Amazon

After a four-year hiatus, long-running Seattle music festival Bumbershoot will return this Labor Day weekend — with help from e-commerce giant Amazon.

As announced Tuesday (Feb. 21) by new Bumbershoot producer New Rising Sun, the festival will return for its 50th edition on Sept. 2-3, 2023, and Amazon has agreed to underwrite presale tickets for this year’s edition to keep it affordable. The e-retailer will sponsor a special early bird $50 single-day ticket and $85 two-day general admission ticket — prices that are 50% lower than when the event was last held in 2019. Amazon has also announced plans to work with arts organization Third Stone to give out 5,000 tickets to area non-profits and community organizations.

First launched in 1971, Bumbershoot faced a double whammy in recent years thanks to declining ticket sales and attendance in the 2010s followed by three years of closure due to the pandemic.

Bumbershoot was previously produced by AEG Presents, which had agreed to produce the festival with Seattle non-profit festival production company One Reel beginning in 2014 to help cover the $1 million in debt One Reel had racked up and restore the event’s financial footing. In 2019, AEG Pacific Northwest vp Rob Thomas announced the company was not renewing its agreement, hinting at financial differences with One Reel. That same year, a barricade collapse at Bumbershoot injured four attendees.

One Reel executives announced plans to stage the festival in 2020, only to be stymied by the COVID-19 pandemic. In 2021, host venue the Seattle Center put out a new request for proposals for the event, with the winning bid going to New Rising Sun, a collective founded by Neumos co-owner Steven Severin, who now serves as Bumbershoot’s co-president & director of music programming; Vital 5 Productions founder Greg Lundgren, who serves as curator; and McCaw Hall general manager Joe Paganelli, who serves as producer.

“We heard from our community and took action — fulfilling our promise of affordability and inclusivity,” Severin said in a statement to Billboard. “When re-imagining our festival for this return, we examined everything through an arts lens and expanded upon what art is and can be. We look forward to sharing our vision this Labor Day weekend.” 

“As ticket prices steadily climb for concerts and events around the globe, we’re excited to support reduced and free ticket prices, creating opportunity for more of our community to enjoy the diversity of Seattle’s creative ecosystem, participate in Bumbershoot’s exciting education programs, and immerse themselves in the arts,” added Amazon senior vp/general counsel/secretary David Zapolsky.

Tickets go on sale Friday (Feb. 24) at 10:00 a.m. PT via bumbershoot.com. Fans are encouraged to purchase tickets in advance as they are expected to sell quickly. A performer lineup will be announced at a later date.

Kelly Clarkson Promises ‘Better Days’ Ahead With Dermot Kennedy Cover

Kelly Clarkson brought her usual positive energy to her eponymous talk show on Tuesday (Feb. 21), this time taking on Dermot Kennedy‘s upbeat ballad “Better Days” for her daily Kellyoke segment.

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Backed by her My Band Y’all, the pop superstar performed an emotional rendition of the track, singing in the chorus, “I know you’ve been hurtin’ / Waitin’ on a train that just won’t come / The rain, it ain’t permanent / And soon, we’ll be dancin’ in the sun / We’ll be dancin’ in the sun.”

The track is featured on the 31-year-old Irish singer-songwriter’s 2022 album, Sonder. “I found the word ‘sonder’ a few years ago, the meaning being just the awareness that everybody is living a life just as important and as complex as your own,” he recently told Billboard of his sophomore LP’s title. “At that point, I didn’t really have any part of my life or career to attach it to, so it was just a word that I appreciated and it meant something to me.”

Clarkson’s daily mini-performances have become so popular since The Kelly Clarkson Show first began in 2019, she released an EP featuring recordings of six Kellyoke-ified songs over the summer. Her standout cover of Whitney Houston’s “Queen of the Night” was one of them, along with Billie Eilish’s “Happier Than Ever,” The Weeknd’s “Call Out My Name” and more.

Watch Kelly Clarkson’s cover of Dermot Kennedy’s “Better Days” below.

Logic ft. Lucy Rose “Wake Up,” Polo G ft. Future “No Time Wasted” & More | Daily Visuals 2.21.23

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Wiz Khalifa & Logic Vinyl Verse Summer Tour 2022 - Atlanta, GA

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Last week Logic jumped back into the rap scene with the help of Jay and Silent Bob in his visuals to “Highlife,” and now the rapper from Maryland returns with some new work that’s sure to keep his fans heads boppin.’

Linking up with Lucy Rose for his visuals to “Wake Up,” Logic finds himself sitting in Latino household where a gun is the special prize inside of a cereal box and no one seems to be bothered by the fact that a white man is rapping up a storm in the middle of their living room. They must’ve thought he was taking a Census or something.

Elsewhere Polo G gets to balling and in his Future assisted clip to “No Time Wasted,” Polo takes to the football field to get his Friday Night Lights on as Future rocks a fur bucket hat and does his thing under the bleachers. Interesting hat nonetheless.

Check out the rest of today’s drops and some joints you might’ve missed over the weekend including work from Lotto featuring Lu Kala, Rican Da Menace featuring Moneybagg Yo, and more.

LOGIC FT. LUCY ROSE – “WAKE UP”



POLO G FT. FUTURE – “NO TIME WASTED”



LATTO FT. LU KALA – “LOTTERY”



RICAN DA MENACE FT. MONEYBAGG YO – “DUMB”


https://youtube.com/watch?v=1PA5RH1Rsf8&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

TROUBLE – “DA OTHER DAY”



LIL SKIES – “MAKE A TOAST”



IDK – “RADIOACTIVE”



SPIFFIE LUCIANO FT. BOOSIE BADAZZ – “BIGG DOGG”



REMA – “HOLIDAY”



RICH GREEDY – “LEVELING UP”