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Diversity & Inclusion Officer For Quaker Committee Appears To Be The New Rachel Dolezal

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The Trevor Project's

Source: G. Gershoff / Getty

Welp, it appears that there’s a new Rachel Dolezal in town and, well, her name is still Rachel, allegedly.

Meet Raquel Evita Saraswati, the chief equity, inclusion and culture officer for the American Friends Service Committee, which The Intercept described as “a prominent Quaker organization known for its progressive values and social justice advocacy in the U.S. and abroad.” Saraswati appeared to be perfect for the job since she’s a queer Muslim woman of Latina, South Asian and Arab descent. Except, according to her own mother, she is none of those things.

OK, so let’s back things up a bit.

Meet Rachel Elizabeth Seidel, who has been going by Saraswati since she converted to Islam and started telling folks she’s a melanated and marginalized Muslim maiden while taking a job that would likely have gone to an actual woman of color because it’s a position to oversee diversity and inclusion in the AFSC, and Saraswati isn’t even racially diverse within her own DNA—again, according to her mom.

From the Intercept:

But Saraswati, who was born Rachel Elizabeth Seidel, is not a person of color, according to her mother, Carol Perone.

“I call her Rachel,” Perone told The Intercept, when reached by telephone. “I don’t know why she’s doing what she’s doing.”

Saraswati, her mother added, is of British, German, and Italian descent — not Latina, South Asian, or Arab. “I’m as white as the driven snow and so is she,” added Perone, who also shared with The Intercept photos of Saraswati as a child. In the photos, which the mother asked not be published, Saraswati’s complexion is significantly lighter than the bronzed look in more recent photographs. Perone also shared with The Intercept her Ancestry.com profile and a photo of Saraswati’s biological father, who is deceased. Another relative who asked not to be identified confirmed that Saraswati is white.

Perone noted that her daughter converted to Islam in high school and that at some point she seemed to have felt the need to portray herself as having a different ethnic identity.

“I’m German and British, and her father was Calabrese Italian,” her mother added. “She’s chosen to live a lie, and I find that very, very sad.”

Oskar Pierre Castro, an AFCS human resources worker who was part of the team that recruited Saraswati, appeared to confirm that they wanted a woman of color for the job when he told The Intercept that she had presented herself as a “queer, Muslim, multiethnic woman.”

“It really touched all the points,” Castro said, adding that

Saraswati appeared to fit the diversity and inclusion role perfectly because “it seemed that there was an element of lived experience and understanding because of the lived experience, not just the academic and extra training that come with being in a position where you are an equity and inclusion practitioner.” Unfortunately, that lived experience doesn’t come from growing up as “white as the driven snow.”

“In my mind it was, ‘Great, a person of color, a queer person of color, who happens to be a Muslim, it’s a woman, all these things, and someone who seemed to get it,” Castro continued. “I definitely feel conned…I feel deceived.”

In a series of now-deleted tweets, Saraswati addressed the controversy with promises to explain herself at a later time, even though folks don’t really want to hear it, which she acknowledged.

“I assure people that as soon as I am capable, I will provide answers to the recent discussion and attack on me,” she wrote in one tweet. “I understand all the reactions you’re having. I am currently taking the time to get to where I can answer in a way that is most helpful and thorough.”

“I realize that some will be angered by my use of the word ‘attack’ and that for some, nothing I say will be enough,” she wrote in a follow-up tweet, likely because she realized that describing the act of calling a white woman a white woman as an “attack” is absurd.

Or maybe the problem is, like Dolezal, Saraswati isn’t ready to admit she’s a whole white woman treating non-whiteness like it’s a costume. At least, that’s what the statement by the AFSC appears to indicate.

“We are in receipt of the documentation alleging that our Chief Equity, Inclusion, and Culture Officer, Raquel Saraswati, has been misrepresenting her identity,” AFSC spokesperson Layne Mullett wrote in the statement. “AFSC has given Raquel the opportunity to address the allegations against her, and Raquel stands by her identity. Raquel also assures us that she remains loyal to AFSC’s mission, which we firmly believe. AFSC does not require any employee to ‘prove’ their heritage as a condition of their employment, or in order to be valued as a member of our team.”

She stands by her identity and will be keeping her job, huh? Sounds about white, don’t it?

Harry Styles Will Have to Take New Zealand’s Census

It may be a well-known fact that Harry Styles hails from the United Kingdom, but he’ll be taking the New Zealand census come March 7.

As it turns out, the superstar has a concert scheduled at Auckland’s MT Smart Stadium on the very same day the New Zealand government will be conducting its 2023 census. And unlike in the U.S., foreign visitors are required to take part in the bureaucratic process if they just so happen to be in the country on Census Day.

The news was hysterically confirmed by the official Aotearoa New Zealand Census account after a curious fan posed the question via Twitter.

“Thank you for this important query,” the government account tweeted in response. “Everyone who is in Aotearoa New Zealand on census night (Tuesday 7 March), needs to be counted in the census. This includes tourists, visitors, and former members of One Direction.”

The census bureau then attached a hilariously simple artist’s rendering of Styles filling out his census form by using an old photo from his boy-band days. (Ostensibly, the same goes for openers Wet Leg and Styles’ entire touring staff and crew.)

According to a report by CNN, the census requires citizens and visitors to report personal information like number of household members, smoking habits, both gender and sexual identity and personal income, though all answers are kept strictly confidential.

Styles’ Love On Tour is currently in the midst of its latest Oceanic leg with stops planned in the coming days in Melbourne, Gold Coast and Sydney, Australia. After leaving Auckland, the singer will head to Thailand for a run of dates across Asia through the end of March.

Read the New Zealand Census organization’s amusing confirmation that Styles will be filling out a questionnaire next month below.

Master P Clears Up Talk That He Did Not Pay Fat Trel And Jess Hilarious

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Master P

Source: UNCENSORED / TV One

Master P continues to have to keep his good name clean. He has responded to claims that he finessed both Fat Trel and Jess Hilarious.

As per Vibe Magazine the mogul is back on social media to clear up some misconceptions on how others say he conducts business. Recently Fat Trel was a guest on No Jumper podcast. In it he discussed his dealings with Percy during his brief stint as a member of the Louie V Mob and claimed he was never paid for his contributions to a mixtape release. “You know we doing video shoots and photo shoots and we got shirts pressed up that say Louie V Mob and he calling us the Louie V Mob and outside of the money that he was paying me monthly, I was receiving nothing for all of the music I’m putting out!” he explained.

Well Master P gave some more context behind the release on a very detailed Instagram post. “I wish Fat Trel the best. But he is owed nothing from me or my company” he stated. “The only business we ever did was put out a free mixtape on Livemixtapes.com in 2013, which is available to download for free today. We also put it on iTunes, which it didn’t [sell] because you could get it free from Livemixtapes,” he continued. “I covered the entire production costs, paid for flights, an apartment, and rental cars that were trashed and damaged. I’m the only one that made a financial investment in this project and took a loss”.

As the guest host on The Breakfast Club comedian Jess Hilarious also shared her story about allegedly being shorted by Miller when it came to her role in I Got The Hook Up 2. “That man will talk a good game to you, like even with me, I Got The Hook-Up, I’m still owed some bread for that, I’m not gonna lie to you,” she explained. “I did two scenes. He thought you used one scene, you don’t got [to] pay for both of them. No, I stayed there 13 hours to do two scenes.”

The No Limit CEO addressed that claim as well. “For the cowards hiding behind their computers enforcing fake news, I do have @jesshilarious_official contract from 5 years ago for I Got The Hook Up 2 and the copy of the check that was cashed and paid” he responded. “She was joking about a second check that was never in her contract. That’s the narrative they ran with for clickbait and fake headlines. Thank God for receipts!”.

Jess Hilarious has since doubled down on her claim stating she has yet to receive the second half of her payment and also says that his son Romeo also has not been paid. Master P has yet to respond to these claims.

Photo: UNCENSORED

90% Of Drivers Stopped By NYPD In 2022 Black & Latino: Report

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Immigrant Construction Workers Hold Fallen Worker Day March In New York City

Source: Michael M. Santiago / Getty

A new report discloses that the majority of stops made by the New York Police Department last year consisted of Black & Latino drivers, furthering concern from social justice advocates.

According to reports, findings from a comprehensive compilation of data from the New York Civil Liberties Union showed that NYPD officers stopped, searched, and arrested Black & Latino drivers at a far higher rate than white drivers last year. The report showed that more than over 670,000 drivers were stopped last year. 15,000 of those stops led to arrests, with 49% of those drivers being Black and 39% being Latino.

“Race plays a big role in what happens to motorists after they get stopped and that number just jumps off the page,” NYCLU Legal Director Chris Dunn said. “Something is wrong when you see 9 out of ten people getting arrested are Black or Latino.” The report also detailed how the amount of those stopped was equal to the amount recorded at the height of the city’s stop-and-frisk era under former Mayor Michael Bloomberg in 2011.

The data revealed more disturbing facts about these stops by law enforcement. The Policing Project, a research group founded at New York University, found that the NYPD only recorded data concerning the race of the driver for just over 620,000 of the stops. Another fact was that in those stops where force was used and race was recorded, 92% of the cases reported involved Black and Latino drivers. It was also found that arrests occurred only 2.2% of the time after these stops.

The news comes as the NYPD is being criticized for its actions during these traffic stops, with reports of excessive force being inflicted and civilians being shot as they’re taking place. The Civilian Complaint Review Board has investigated numerous complaints by civilians over their treatment during these stops and substantiated hundreds of them by charging officers with violating policy. 

“We know that doesn’t work. We know that does not fix crime problems and we see year after year, very few people are getting arrested as a result of stop and frisk,” Dunn concluded. “Most people are getting stopped and frisked are innocent people and they’re Black and brown New Yorkers.”

More scrutiny of this report comes weeks after the death of Tyre Nichols in Memphis after he was detained at a traffic stop on January 7th. To date, five officers involved in the beating that led to his death are currently awaiting trial after being fired, then indicted. New York City Mayor Eric Adams has defended the stops in the past on several occasions. 

Thomas H. Lee, Billionaire Investor Who Helped Acquire Warner Music From Time Warner in 2004, Dies at 78

Thomas H. Lee, a billionaire private equity investor and part of the group that acquired Warner Music from Time Warner in 2004, died Thursday (Feb. 24) in New York at age 78, his family said in a statement.

A pioneer in the private equity world, Lee was the chairman of Lee Equity and formerly the chief executive of Thomas H. Lee Partners, the namesake firm he founded in 1974. Over nearly five decades in finance, Lee invested $15 billion in hundreds of companies and transactions, including the acquisition and sale of household brands like Snapple.

The Wall Street Journal, citing a New York Police Department source, said Lee was found dead in a bathroom at his Fifth Avenue office from what first responders believe to be a self-inflicted gunshot wound to the head. They were responding to an emergency call placed Thursday morning by Lee’s office assistant, the WSJ reported.

“The family is extremely saddened by Tom’s death,” Lee’s family said. “Our hearts are broken. We ask that our privacy be respected and that we be allowed to grieve.”

Lee’s Thomas H. Lee Partners, Bain Capital, Providence Equity Partners and Edgar Bronfman Jr. bought Warner Music from Time Warner Inc. for $2.6 billion in 2004. The group took the company public the following year, and Lee’s firm, Bain Capital Partners and Bronfman controlled 56% of Warner’s outstanding shares when it was sold to Len Blavatnik‘s Access Industries in 2011 in a deal valued at $3.3 billion.

Lee sat on WMG’s board as a director from 2004 to 2021, when he became a director emeritus.

“We are deeply saddened by the passing of our friend and colleague Tom Lee,” Warner Music Group CEO Robert Kyncl said in an emailed statement. “Tom made valuable contributions to WMG’s trajectory for almost two decades. Tom’s experience, wisdom, and enthusiastic support helped guide WMG through periods of major transformation, both within our company and in the music industry at large. Our condolences go out to his family and many friends.”

When Lee announced he would retire from the role of WMG board director in 2021, he described the company as having “undergone an extraordinary evolution,” and said he was gratified to have helped it transform and grow.

Lee was worth an estimated $2 billion, according to Forbes, and he was an active philanthropist involved in several New York City cultural institutions, including Lincoln Center for the Performing Arts and the Museum of Modern Art.

These Were the Top 50 Most-Played Artists at Dutch Electronic Music Festivals in 2022

With The Netherlands hosting more than 200 electronic music festivals every year, it’s reasonable to figure that music by thousands and thousands of artists is played during the Dutch dance festival season.

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But in 2022, 50 artists were played more than all the others, with the list below representing the most-played acts at Dutch dance fests last year. This list was compiled based on plays and performances from 211 events from February to November, across roughly 800 stages at events throughout the Netherlands. Data was collected by DJ Monitor, a global leader in electronic music monitoring with exclusive access to performance data from festivals, clubs, venues and online streams. DJ Monitor identifies music for Collective Management Organizations, rights users, and technology companies worldwide.

Topping the list is afrobeats star Burna Boy, who’s followed by Colombian phenom J Balvin and UK hardstyle producer Act of Rage. Puerto Rico’s eternal favorite Daddy Yankee follows in fourth, with Dutch hip-hop outfit Broederliefde rounding out the top five. The rest of the list spans techno, hardstyle, disco, dubstep and more.

These were the top 50 artists compiled from the data, with tracks with the same list number indicating a tie.

1. Burna Boy

2. J Balvin

3. Act of Rage

4. Daddy Yankee

5. Broederliefde

6. D-Block & S-te-Fan

7. Bizzey

8. Warface

9. Rihanna

10. Frenna

11. Beyoncé

12. Sean Paul

13. Angerfist

14. Rema

15. DSturb

16. Drake

17. Rebelion

18. Dopebwoy

19. Sickmode

20. Rejecta

21. Bad Bunny

22. Chris Brown

23. Ran-D

24. Farruko

25. Tha Playah

26. WizKid

27. Rooler

28. Sub Zero Project

29. DJ Snake

30. Skrillex

30. SFB

32. Usher

32. Kris Kross Amsterdam

32. Radical Redemption

35. Afro Bros

36. Ronnie Flex

36. Vertile

38. Da Tweekaz

39. Headhunterz

40. Jonna Fraser

40. Dr. Peacock

42. Frequencerz

43. Deadly Guns

44. Tekno

45. ABBA

46. CHO

47. Charly Black

47. Don Omar

47. David Guetta

50. Armin van Buuren

Miley Cyrus’ Fans Have Theories About the New Countdown Clock on Her Website

Miley Cyrus quietly dropped a new countdown onto her website Friday (Feb. 24) and promptly sent fans buzzing with anticipation.

The clock will end on Monday (Feb. 27), leading Smilers to speculate that something new is coming down the pipeline from their queen, even if they’re not quite sure what it could be. “What is the new Miley Cyrus countdown for? Let’s bet,” one fan tweeted alongside a poll with several different options, including a new single or tour announcement.

“A countdown for ENDLESS SUMMER VACATION tracklist would be a good idea…,” another user suggested, while a third speculated that the surprise could be a remix of her hit single “Flowers” featuring Bruno Mars.

Speaking of “Flowers,” the Endless Summer Vacation lead single is currently spending its fifth consecutive week at No. 1 on the Billboard Hot 100. Additionally, the empowering anthem recently notched Cyrus her third leader on the Pop Airplay chart (dated Feb. 25), becoming the fastest song to reach No. 1 on the chart since 2016 when Justin Timberlake’s “Can’t Stop the Feeling!” made the same leap to the top.

Once it arrives on March 10, Endless Summer Vacation will serve as Cyrus’ eighth studio album and follow-up to 2020’s Plastic Hearts, which bowed at No. 2 on the Billboard 200 and featured singles “Midnight Sky,” “Prisoner” with Dua Lipa and “Angel Like You.” In the interim, she also released her 2022 live album Attention: Miley Live.

Check out the countdown on Cyrus’ website here and scroll through some of the fan theories as to what it could mean below.

Black Excellence: Howard Bison’s Swim & Dive Team Make History With Sports Illustrated Cover Feature

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Howard University Swim & Dive Team Makes History

Source: The Washington Post / Getty / Howard University

Who said Black people couldn’t swim? Howard University’s swim and dive team is making a big splash and history at the same damn time.

The Howard Bison have made history after becoming the first all-Black swim and dive team to be featured on the cover of Sports Illustrated, earning a well-deserved spotlight in the sports publication while kick-splashing the idea that Black people are no fans of water and swimming.

Howard is the only Historical Black College or University with a swim team. While racking up wins, The Bison are also breaking records.

Sports Illustrated highlighted the team to kick off Black History Month to spotlight the team’s accomplishments in the predominately white sport. The magazine spoke with the Bison’s coach Nic Askew.

“This is about our mission as a university and the message we want to send as an HBCU…,” Askew told Sports Illustrated. “This isn’t a bunch of Black people in a pool; it’s young Black men and women succeeding in a sport that, for years, has shut them out of this experience.

The Howard University Swim Team Features Athletes From Different Countries

Per Hilltop, the team brings together many athletes from different countries in the Americas and the Caribbean, with each team member already being accomplished athletes before joining Howard’s team.

Blavity spoke with women’s team captain Raychel Fauntroy, a Miami native who is a senior at Howard University. She has been swimming competitively for the past decade.

“We love what we do. We chose a sport and stuck to it for around 10+ years, which most of us have. We love it so much … there are people on the team willing to teach people how to swim and water safety,” she detailed. We volunteer at swim clubs and teach them tips and tricks to be successful. I’m proud to say that I’ve been a part of the team and am very grateful to have had this experience. Howard University swim and dive has a familial bond and a team unlike any other,” she told the website.

Currently, the men’s (6-2) and women’s (5-3) have an excellent chance to capture the Northeast Conference crown.

Black excellence we love to see.

Photo: The Washington Post / Getty

The Ledger: Can Ticket Fees Really Be Killed?

The Ledger is a weekly newsletter that covers the financial and economic side of the music business. An abridged version appears at Billboard Pro. Sign up here to receive the newsletter.

Ticket fees have been called everything from “exorbitant” (Sens. Richard Blumenthal and Amy Klobuchar) to “completely bats—” (Last Week Tonight with John Oliver). And they can increase the price of a concert ticket by an average of 27-31%, according to a 2017 study by the U.S. Government Accountability Office.

Unfortunately for ticket buyers, those fees aren’t going anywhere quickly. They may change or disappear completely, but consumers won’t reap any savings in the end, Live Nation CEO Michael Rapino explained during Live Nation’s fourth quarter 2022 earnings call on Thursday.

Say, for example, a venue is prohibited from charging fees on top of a ticket’s face value. “Well, then the venue would say, ‘Okay, artists, the rent isn’t $50,000 anymore. It’s $100,000,’” Rapino said.

The ticket fee is a surcharge that helps cover a venue’s costs. Rapino’s point is that the venue needs to cover its costs, so it’s going to collect money to cover them, no matter what. In a normal scenario, the consumer helps cover those costs by paying a surcharge directly to the venue.

If fees were eliminated, artists — who are the final authority on primary ticket prices — would be forced to raise them to cover the additional cost. The surcharge may have disappeared, but that cost would still exist in the form of a higher face value. Regardless of the approach, the consumer’s expense and the venue’s revenues would be unchanged.

“The true cost of going to a show and making the show happen is the full price all-in,” said Rapino. The concept is apparent to anybody who has pondered how airlines set prices. If airlines charged an all-in fee that encompassed all its costs, ticket prices would be dramatically higher. Legislation that banned fees for checked baggage could result in higher prices for everything from flight themselves to in-flight beverages. Airlines that previously allowed free carry-on bags might start imposing fees on those. They could also charge more to change your travel plans (which used to cost the consumer nothing).

Rapino acknowledged that Live Nation, which owns and operates venues, would do the same. “If tomorrow someone said, ‘You know, you can’t charge 20% service fees on your amphitheater, you have to [charge] 10%.’ Well, then the $75,000 house rent that we charge artists would be $100,000,” he said as an example. Live Nation couldn’t simply absorb the cost, he explained. Since the company requires money to pay staff and operate the venue, it would find a way to recoup the lost fees.

While what consumers pay won’t change, they may get more transparency. In the wake of Ticketmaster’s disastrous Taylor Swift Eras Tour pre-sale, President Joe Biden unveiled an initiative to limit, among other types of fees, mandatory, back-end fees that “often hide the full price” of a good or service. The White House pointed to research that found hiding the full price encourages consumers to spend more than they would have otherwise.

Live Nation has also come out publicly — and forcefully — against hidden fees. On Thursday, Rapino called numerous times for the industry to adopt all-in pricing that show the ticket buyer a single price at the beginning of the transaction. Also on Thursday, Live Nation issued a press release that encouraged lawmakers to introduce legislation that includes, among other things, mandatory all-in pricing.

The uproar against Live Nation and Ticketmaster over ticket fees is just one of many criticisms to gain momentum in recent months. Some members of Congress have called Live Nation a monopoly that limits competition in the touring business and harms consumers by charging high prices and leaving some unable to purchase tickets for in-demand concerts like Swift’s Eras tour. Many inside and outside of Washington have called for the Department of Justice to break up the company’s concert promotion and ticketing operations. On Thursday, Sens. Klobuchar and Mike Lee sent evidence of the Jan. 24 Senate hearing on the ticketing market to the Department of Justice and encouraged its antitrust division “to take action if it finds that Ticketmaster has walled itself off from competitive pressure at the expense of the industry and fans.” Others have suggested Ticketmaster improve its security practices to deal with the bot attacks that derailed Swift’s pre-sale.

Ticketmaster may be most reviled for its fees, though. And as Rapino pointed out, those aren’t going away anytime soon.


Luke Combs’ New Song ‘Joe’ Addresses Those Struggling With Alcohol Addiction

Reigning CMA entertainer of the year Luke Combs‘ new song “Joe” speaks to themes of alcohol addiction and sobriety.

“Joe” is featured on the singer-songwriter’s upcoming album, Gettin’ Old (out March 24), and was written by Combs, Erik Dylan and James Slater.

Combs posted a note on Instagram, detailing what the song means to him.

“There have been some folks in my family that have struggled with alcoholism and addiction through the years,” Combs wrote. “I’ve got buddies who live a sober lifestyle, and I’m sure y’all know someone who has struggled with these type of things, or maybe you, yourself do. This song is really important to me for that reason.”

Combs also spoke to the longstanding history of drinking songs as a bedrock of country music and its potential impact those struggling with alcohol dependency.

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“Our genre has so many songs about drinking and partying, hell, I’m probably one of the worst culprits of it,” he said in his note. “There’s nothing wrong with that I don’t think, but sometimes I wonder what someone in the crowd who doesn’t drink, or struggles with addiction, is thinking or feeling when there’s thousands of people around them screaming ‘Beer Never Broke My Heart’ or ‘1, 2 Many.’

“I’ve always wanted a song for those people to have for themselves,” said, adding, “to have a song they can sing at the top of their lungs and feel like they’re not forgotten.”

Gettin’ Old follows Combs’ 2022 album Growin’ Up and includes songs such as his recent release “Love You Anyway” as well as a cover of Tracy Chapman’s 1988 hit “Fast Car.” Another fan-favorite, “5 Leaf Clover,” will debut on St. Patrick’s Day on March 17.