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BMI to Honor Gospel Music Greats David & Tamela Mann, Dr. Bobby Jones

Gospel music luminaries David and Tamela Mann, as well as Dr. Bobby Jones will be honored during the upcoming 22nd annual Trailblazers of Gospel Music Awards on March 30.

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The event, to be held at Flourish Atlanta, will be hosted by BMI president/CEO Mike O’Neill and BMI vice president, Creative Catherine Brewton.

“BMI is thrilled to be back in Atlanta celebrating the best in Gospel music,” said Brewton via a statement. “We’re extremely proud to honor powerhouse couple Tamela and David Mann for their incredible contributions to the Gospel community, the enduring legacy of Dr. Bobby Jones and the songwriters and publishers behind the top Gospel songs of the previous year. Through song and praise, they deliver inspirational messages of hope, faith and goodwill to music lovers around the world. We feel truly blessed to bring these trailblazers together in fellowship and celebrate their creative works.”

In the 1990s, Tamela and David toured the world as part of the gospel group Kirk Franklin and the Family, before launching solo careers and joint ventures, creating Tillymann Entertainment in 2005 as a base for their various entertainment projects. In 2018, they released Us Against the World, their first collaborative album as a duo. A companion book to the album earned the couple a NAACP Image Award for outstanding literary work, while the album launched the hit “Ups & Downs.” The Manns also launched the Overcomer Family Tour, with their son David Jr. and their daughters La’Tia and Tiffany.

Beyond music, the Manns have appeared in several Tyler Perry plays, films and movies, and starred in their own sitcom, Mann & Wife, and the docuseries It’s a Mann’s World. As a solo artist, Tamela has issued six studio albums and earned a Grammy, BET Award, Billboard Music Award and multiple NAACP, GMA Dove and Stellar Gospel Music awards.

Singer, television host and radio broadcaster Jones will be honored for his more than four decades in entertainment. For more than 35 years, he served as the host of Bobby Jones Gospel on BET, and is credited with giving artists including Yolanda Adams, Kirk Franklin and Mary Mary their first national television exposure. In 1984, Jones earned a Grammy for best soul gospel performance by a duo or group for “I’m So Glad I’m Standing Here Today” with Barbara Mandrell. He has also received recognition from the GMA Dove Awards, and the Stellar Awards, and was inducted into the Black Music & Entertainment Walk of Fame earlier this year.

Throughout the ceremony, BMI will also recognize the songwriters, producers and music publishers of the past year’s 25 most performed gospel songs in the United States. The BMI gospel song, songwriter and publisher of the year will also be named during the event.

Which Is Your Favorite Song From Morgan Wallen’s ‘One Thing At a Time?’ Vote!

With only three months into the new year, Morgan Wallen‘s new album, One Thing At a Time, has outperformed every other album released so far in 2023 — and just three calendar days after its release.

Continuing the format of his second album, Dangerous: The Double Album, One Thing At a Time is a triple LP that contains a total of 36 songs from the country singer. The set, released on March 3 via Big Loud and Republic Records, so far has released four singles: “You Proof,” “Thought You Should Know,” “Last Night” and the album’s title track, “One Thing At a Time.” Each of them hit the Billboard Hot 100 following the album’s release, with “Last Night” and “You Proof” peaking within the top five (Nos. 3 and 5) while the album’s title track and “Should Know” settling within the top 40 (Nos. 12 and 37, respectively).

On March 3, Spotify revealed that Wallen’s One Thing At a Time earned a total of 52.29 million streams, setting the record for being the streaming service’s most-streamed country album in a single day by a male artist. Wallen has also topped the Billboard Artist 100 chart (dated March 11), becoming the top musical act in the U.S. for a seventh total week. While the data continues to pool for One Thing At a Time, the set is anticipated to perform well on next week’s Billboard 200 and Top Country Albums charts (dated March 18).

With so many songs to choose from, we want to know: Which of the 36 tracks from One Thing at a Time is your favorite? Vote in our poll below.

Watch Kelly Clarkson Reunite With Contestant Jej Vinson on ‘The Voice’

Kelly Clarkson was reunited with her 2019 The Voice team member, Jej Vinson, when the singer returned for season 23 — this time in a group.

The trio, called Sheer Element, took the stage for the blind auditions on Tuesday (March 7), where they delivered a sleek rendition of Silk Sonic’s “Leave the Door Open,” complete with flawless three-part harmonies.

Their impressive performances got chair turns from Chance the Rapper, Niall Horan and Kelly Clarkson, whose jaw dropped when she saw her former team member Vinson. “What the hell!” she screamed upon seeing him.

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“He was Team Kelly on another season. He is incredible, that is insane,” Clarkson explained to her fellow coaches, before later telling the Sheer Element, “You’re incredible and I already love Jej’s voice. You’re so incredibly tight and you know your vibe. You’re not picking a coach to teach you anything about that. You’re picking a coach for song selection, and that’s really key.”

Horan also chimed in, noting that he turned his chair because the group’s performance “made me feel,” before adding that he has some experience in a group as a former member as One Direction. “I’ve been in a group. My favorite acts of all time are The Eagles, Fleetwood Mac, Boyz II Men. I feel that we could work very well together,” Horan shared.

Chance the Rapper also gave his pitch for the trio, sharing, “I can tell that you guys have done this together for a while because it sounds so tight. As an overall presentation, it was just insane.”

He continued, “I also produce music for a few different groups, and I think I could see exactly where you guys could go with your style, aesthetic and with the three of you guys as a group. So, if you want to win, come get down with Team Chance.”

Watch the full performance below, and be sure to tune into The Voice tonight (March 7) at 8 p.m. ET on NBC to see who Sheer Element chose as their coach.

Chanmina, UA & eill Headline Inaugural Billboard Japan Women in Music Concerts

Billboard Japan launched its Women in Music initiative last year to celebrate today’s female achievers who continue to break new ground in Japan’s music industry, in the same spirit as Billboard’s Women in Music event that began in 2007. Billboard has recognized many influential women over the years — the highest honor being Woman of the Year, awarded to some of the industry’s top artists including Beyoncé, Madonna and, this year’s recipient, SZA.

Billboard Japan’s Women in Music consists of a string of projects including interviews, concerts, panel discussions and more. On Friday, March 3 — which also happens to be the traditional annual day celebrating girls in Japan — the inaugural Women in Music concerts took place simultaneously at the Billboard Live venues in Tokyo, Osaka and Yokohama, headlined by three female artists who represent today’s music landscape in Japan. Each artist performed two shows on that day, with the second being livestreamed for fans who couldn’t attend in person.

Rapper and singer Chanmina took the stage at Billboard Live Tokyo in Roppongi, appearing onstage accompanied by four dancers to the striking refrain of her track “Lucy.” Leading an all-female team of performers including the DJ in keeping with the evening’s theme, the trilingual artist performed a hard-hitting set of songs with lyrics mixing Korean, English and Japanese. The WIM setlist included “I’m a Pop,” featuring intense rapping and deep, dynamic vocals, and “Harenchi,” a sultry number with an urban sound and whispery vocalization.

The 24-year-old artist took a moment during her set to address the packed Billboard Live crowd, briefly explaining why she does what she does. “You’re all so beautiful, more so than you probably think,” she said, “I want to keep telling you that no matter how old I get.” She also paused during her song “Angel” later on to express her deep gratitude for her fans’ support. “To tell you the truth,” she shared, “I wasn’t fine during the COVID-19 pandemic! I missed you all so much.”

The “Bijin” rapper closed her WIM set with a raw, passionate performance of “Dahlia.” She stopped mid-song to say earnestly, “Singing was the only thing I had. So I kept singing and waited. Thank you for finding me, everyone!” When she finished the number, Chanmina bowed deeply to the audience and left the stage with a smile.  

UA

UA

Shino Hamada/Billboard Japan

Headlining Billboard Live Osaka was UA, a veteran artist hailing from this city who has balanced her alternative music career and motherhood over the years. The 50-year-old songstress painted the venue with her signature sound, with dreamily melancholic numbers like “Kiokusoushitu” (“Amnesia”) and “Senkou” (“Blaze of Light”), and “JAPONESIA” with its effective combination of scat and harmonies. In particular, the audience was treated to the breadth of UA’s musicality through her breakout hit “Jounetsu” (“Passion”) and “AUWA~TIDA,” a track with a danceable groove developing with increasing intensity. After her main set, she returned to perform “Mizuiro” (“Light Blue”) for the encore — a song the mother of four said she wrote when she was pregnant with her first child — bringing her WIM show to a close with her beautifully unique vocals.

In between songs, the artist currently based in Canada looked back on her upbringing and shared anecdotes about the women she grew up around, making the 300-capacity venue feel even more intimate than usual. “Wouldn’t it be great if we could start each day thinking, ‘I want to start off by embracing and loving myself,’” she said, and added, “I’m happy to have been born a woman, and intend to continue moving forward without losing my passion and curiosity, and without being afraid of experiencing lots of things.”

eill

eill

Junichi Itabashi/Billboard Japan

Singer-songwriter eill headlined the stage over at Billboard Live Yokohama. One of today’s hottest young music producers who gives voice to the honest feelings of the youth of her generation, eill delivered some of her popular numbers with her silky, soulful vocals, fronting a band of accomplished musicians (Katsushiro Sato on guitar, Shunsuke Ochi on bass, nabeLTD on keyboards, Yosuke Minowa handling computer manipulation, and Yukino Matsuura on drums). Appearing on stage dressed in all white, the 24-year-old artist kicked off her set with “Koko de iki wo shite” (“Breathe Here”), and went on to perform “FAKE LOVE/” and “((FULLMOON))” back-to-back, showcasing her signature mellow groove accented with delightful charm. The special WIM set also featured strings (Leina Ushiyama on violin, Yasuko Murata on viola and Kaori Imai on cello), adding a lush layer to her performance of “Finale,” which she explained she wrote “around this time last year while thinking about summer,” and on to “Hana no youni” (“Like a Flower”).

In between songs, eill emphasized the importance of being true to yourself, telling the audience to “love yourself and embrace yourself even when you’re not your best self.” Reassuring fans that “whenever you’re having a hard time, I’ll always give you a little push from behind. I’ll be your light at any time,” she launched into a groovy performance of “Spotlight.”

True to her words, she uplifted the crowd and created a sense of unity in the venue through numbers including “20,” which she accompanied herself on the piano, and the last song “Odorasenaide” (“Don’t Make Me Dance”). During the encore, she announced the release of a new song called “WE ARE.” “We’re all alone, but we’re all not alone. We can use our loneliness as our shields. We’re not alone, everyone,” she said, and after treating the WIM audience to the premiere live performance of the brand-new track, eill left the stage with a big smile on her face.

Rêve Has a Flurry of Red-Hot Singles & Three Juno Nominations: Behind One of the Fastest-Rising Artists in Dance

In Billboard’s new monthly emerging dance artist spotlight we get to know Rêve, the Montreal-repping artist bringing dreaminess and raw songwriting to the dancefloor.

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The Occasion: Canada’s Juno Awards, taking place next Monday (Mar. 13), where Rêve is nominated in three categories: breakthrough artist of the year, best dance recording of the year (for “CTRL + ALT + DEL”) and the fan choice award.

The Origin: The Montreal-raised artist, born Briannah Donolo, began songwriting as a child, using her pen and piano as a form of therapy. In 2014, a video of her singing of the U.S. and Canadian national anthems at a Canadiens hockey game went viral, leading to instant media and music industry attention. Despite seemingly reaching the spotlight, she says she still needed time to figure out who she was as an artist.

Rêve did some of that soul-searching in local nightclub, Velvet, which she describes as dungeon-like with candles lining the walls. It was there that she first experienced club music in its purest form, on a proper sound system. “There were no bells and whistles, just the music and the way that it connected the people in the room,” she tells Billboard. “I was like, ‘Wow, this is one of the most powerful things that I’ve ever felt.’” It ultimately shaped her direction going forward.

To get closer to the music industry, Rêve moved to Toronto at the beginning of 2020 and worked studio sessions to refine her writing and sound. During the first month of COVID lockdown, she met and instantly clicked with production-songwriting duo Banx & Ranx (Dua Lipa, Blackpink, J Balvin) over Zoom. “When we got together [in person], there was this unspoken energy in the room that really flowed,” she recalls.

Many joint sessions later, Banx & Ranx co-signed Rêve to Universal Music Canada via their label 31 East. In July 2021, she made her major-label debut with “Still Dancing.”

The Sound: Taking a cue from one of her biggest influences, Robyn, Rêve aims to make music that, she says, “moves your heart as much as it moves your feet.” “Still Dancing” perfectly captures this balance: the quarantine anthem pairs lyrical longing for the communal clubbing experience (“I don’t know who needs to hear this; we came here to get some healing… f–k, we’re sad, but we’re still dancing”) with a dark, sultry groove and euphoric piano build.

That raw songwriting is key to Rêve’s overall catalog — whether it’s vulnerable, sexual or fun and carefree, it’s unapologetically her. On a wider scale, Rêve pulls from early-2000s pop and R&B and classic ‘90s dance music — clock the nod to The Bucketheads’ 1995 hit “The Bomb (These Sounds Fall Into My Mind)” on “Skin 2 Skin” — yet her sound is still fresh and modern. Her name is French for “dream,” which also reflects how she views her music: “dreamy, ethereal, transformative — and dance/electronic and all of its sub-genres are the glue that keeps it together.”

Key Tracks: “CTRL + ALT + DEL,” released in Sept. 2021, was Rêve’s first major hit. Written during the first wave of the pandemic, she says it brought a fun, lighter mood to previous sessions marked by heaviness and uncertainty: “[Banx & Ranx and I] spent the next couple hours talking about how much we missed going out — not for the drinks, not for the boys or the girls, just to be there with a really good sound system and vibes and listen to music.” 

The song hit multiple Canadian singles charts (AC, Hot AC, CHR/Top 40, Top 100), including a 29-week stint and No. 38 peak on the latter, and was certified platinum in June. To date, it has over 44 million streams between Spotify and YouTube. Rêve pins the success of “CRTL + ALT + DEL” to its earworm melody. “It drove us nuts,” she says with a laugh. “I was like, ‘This is a good thing.’”

A more recent song, “Whitney,” released in Oct. 2022, is coming for its throne. The lyrics were inspired by a dish towel in her mom’s kitchen. “[It] had something very Hallmark on it, like, ‘Dance like nobody’s watching, sing like nobody’s listening’” she says. “I was like, ‘What if I tweak it?’” She name-checks icons such as Michael Jackson, Whitney Houston and Marilyn Monroe to express her desire to live life fully present and not, as the song goes, “grow too old before my time.” 

Like “CTRL + ALT + DEL,” “Whitney” is making a splash on the charts. It’s Rêve’s first top 10 hit on any U.S.-based Billboard chart (Dance/Mix Show Airplay) and has netted two more top 10 placements on Canada’s CHR/Top 40 and Hot AC, as well as a top five first (No. 4) on Canada AC. Rêve herself is holding steady at No. 3 on the Canada Emerging Artists chart.

Signed To: 31 East / Universal Music Canada

Managed By: Andrew Kennedy & Pat Murphy, CARE OF Management

Management Strategy: “Our strategy with Rêve has been to stay consistent with her releases; drip feeding singles, collaborations, and remixes to keep her footprint growing across all DSPs and social channels,” write Kennedy and Murphy. “Rêve is an incredible artist and songwriter, and it’s imperative to us that her unique POV is distilled into all of the creative… from the artwork to the live show and so on. 

“For audience growth, we’re looking holistically at all of the potential drivers to ensure that there is strategy employed across all platforms and DSPs. This strategy looks different on platforms like TikTok than it does on radio, but it all comes down to finding the core fans and converting them consistently day by day.”

First Record That Made Her Love Dance Music: Rêve credits her mom for her early love of dance music, having grown up on the synth-based sounds of Eurythmics, Depeche Mode and Madonna. The latter’s 1998 album Ray of Light, especially, was a record she wore out from playing it on her Discman at school. 

“I’ll never forget the way that it made me feel,” she says. “It made me feel like I could be anybody. It was like, this escapism… It’s very rare you have these artists that become even more interesting to you as you grow up. I loved Madonna’s music from the time that I was a child, but growing up trying to break into the music industry — what she did was just truly so incredible on so many levels.”

Advice Every New Dance Artist Needs to Hear: “Don’t worry about trying to copy who’s hot right now. Make things that make you feel something, that get you giddy inside, even though they might not be what’s trending right now. Just do things that feel good to you, and chances are it’s gonna feel good to somebody else.”

Why She Makes Music: “I make music because it’s at the core of everything that I do. I feel like we’re put on this earth to connect to it on the deepest level. I think I was put on this earth to connect to people and to myself through it. It just feels like the most authentic thing to me.”

Up Next: In addition to multiple Juno nominations, Rêve will be performing on the award show’s live broadcast alongside Banx & Ranx and label mate Preston Pablo. Consider it a warm-up to her first-ever headline shows at Toronto’s Access Club (Mar. 23) and Montreal’s Le Studio TD (Mar. 25). A debut album is scheduled to arrive later this year. 

“You’ll hear so many different sub-genre influences within it,” Rêve says. “There’s drum and bass, traditional dance-pop, breakbeat, a little bit of acid… It’s basically my love letter to dance music, and really, to Montreal.”

Maren Morris, Sheryl Crow & More Call Out Tennessee’s Anti-LGBTQ Laws With ‘Love Rising’ Benefit Show

As a continued wave of anti-LGBTQ bills are being passed in Tennessee, a number of artists are saying enough is enough with a new benefit concert.

On Tuesday (March 7), Maren Morris, Sheryl Crow and may other artists announced their participation in Love Rising, an upcoming benefit concert taking place in Nashville to support Tennessee-based LGBTQ organizations including Tennessee Equality Projectinclusion tennesseeOUTMemphis and The Tennessee Pride Chamber.

The show, which will take place at Bridgestone Arena on March 20, is set to feature performances from Morris, Crow, Jason Isbell, Hayley Williams, Brittany Howard, Julien Baker, Allison Russell, Brothers Osbourne, Amanda Shires, Joy Oladokun, Yola, Jake Wesley Rogers, Mya Byrne and the Rainbow Coalition Band.

Last week, Tennessee passed two controversial anti-LGBTQ laws — one banning gender-affirming care from being performed on minors, another aiming to prevent drag queens from performing in public spaces. According to the Human Rights Campaign, Tennessee has passed more anti-LGBTQ laws than any other state in the U.S.

In a statement released alongside the concert’s announcement, singer-songwriter Allison Russell wrote that as “a queer, intersectional artist and mother raising my child in Nashville,” she knows how valuable organizations like the ones being supported through the concert are. “LGBTQIA+ contributions and creativity are foundational to every genre of modern song and arts performance,” she said. “I think it speaks volumes that so many in our community are feeling the same call to support, celebrate and uplift!”

Meanwhile, Isbell used his statement to condemn the latest bills signed into law in Tennessee. “SB3/HB9 and SB1/HB1 are clearly targeted attacks on Tennesseans who haven’t done anything wrong,” he said. “These bills add up to an attempt to eradicate a valuable part of our community and force good people to live in fear. We can’t in good conscience just stand by and let that happen.”

Throughout her career, Morris has been an outspoken advocate for the LGBTQ community. Just last year, the singer called out Brittany Aldean (the wife of country star Jason Aldean) for posting misinformation about gender-affirming care on Instagram. Morris went on to raise more than $100,000 for transgender organizations fighting against this kind of misinformation by selling T-shirts bearing the words “Lunatic Country Music Person,” in reference to Fox News commentator Tucker Carlson referring to her as a “lunatic” on his show.

Tickets for Love Rising officially go on sale Wednesday, March 8, at 10 a.m. local time, with net proceeds benefiting the organizations listed above. Get your tickets here.

Rapper Chanmina Talks Thinking in 3 Languages: Billboard Japan Women in Music Interview

Japan-based rapper and singer Chanmina is the next featured guest in Billboard Japan’s Women In Music interview series. Billboard Japan launched its WIM initiative last year, highlighting various trailblazing women in the music industry in a string of projects including this series. The initiative follows the established example of Billboard’s Women in Music event that has honored artists, producers and executives who have made significant contributions to the music industry and empowered women through their work since 2007.

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Chanmina, who performed at Billboard Japan’s Women In Music vol. 0 event at Billboard Live Tokyo on March 3, is a trilingual artist who first came into the spotlight through a rap competition for high school students. Seven years since being lauded as a “high school girl rapper,” she has long cast off that label and continues to grow as a global artist transcending the boundaries of J-pop music. Here, she talks about the subtleties of being fluent in three languages, standing on the shoulders of her predecessors and more.

You started learning piano, ballet, dancing, and singing at an early age. Were there any women you looked up to growing up?

My mother, who was a professional ballet dancer, was my ideal when I was little. I admired the way she would do her hair up and wear stage makeup when she left for work, and the jewelry she bought with her own earnings. My father was also work-minded, but my mother didn’t rely on him [for income]. She found what she was good at, drew out her own strengths, and connected them to her work with conviction. I think I was impressed by that attitude even as a child. When I was a little older, I discovered Avril Lavigne and became a fan; I still love her and listen to her music a lot when I need to gather up some courage. I’m inspired by the way she shines doing what she wants to do, and it’s the same feeling I had for my mother.

So you’ve been able to maintain your own style and beliefs based on respect for women like your mother and Avril Lavigne.

I’ve always been the type of person who can’t listen to what my mind is trying to tell me. I’d push myself too hard when I needed a break, and end up damaging my health. But through music, when I’m writing poetry in a notebook, I try to face the prickly parts of my mind by asking myself things like, “What am I feeling right now?” and “What do I want and what don’t I need?” Writing poetry might be close to therapy for me.

I’ve been writing poetry since I was seven or eight years old. I couldn’t concentrate on my classes at school and began writing down what I was feeling. It become a habit, and when I made my debut and many people heard my songs, some said they could relate. When that happened, although I’d never given it much thought before, I realized that there were people who empathized with me, even though all I was doing was expressing how I felt. That made me want to write about what I really feel even more, rather than accommodate what people wanted me to write. So from there I made a conscious effort to think about the act of writing poetry, which I’d been doing without much thought until then, and realized once again that for me this was a daily routine, a form of therapy, and something like life itself.

You use three different languages, Japanese, English, and Korean. If writing lyrics is therapeutic for you, do you find that your thoughts also change depending on the language you use?

I’m sort of lacking in each of those languages, and feel that I become just barely whole when I use all three. Each language has its own nuances, and I wish I could speak using all three. That finally gets me up to full power. When I talk in my sleep or think in my head, I always mix up the three languages. The Japanese I learned from my father is a masculine way of speaking, the Korean I learned from my mother is feminine, and the English I learned from television and dramas is a frank way of speaking. The way I’m thinking is probably slightly different in each, but they all exist within me.

That’s really interesting, and it shows how subtle and important words are to you. Freestyle rapping is a field where you battle it out with your vocabulary, and you were often referred to as a high school girl rapper because you first attracted attention for your skill as a teen. How did you feel about that at the time?

I strongly resented being called a high school girl rapper and being compared to my opponents, other female rappers, in areas other than rapping. We were insulted by being compared to each other for our looks, like who’s cuter or sexier, and our accomplishments were considered irrelevant. But I made it a rule not to argue with those voices on social media, and to respond with my music. That’s how songs like “Bijin” (“Beautiful Woman”), “Princess,” and “Doctor” were created. If I hadn’t been able to sublimate my resentment and hang-ups into music like that, I think I would have given up on more things in my life.

You must have been in the minority just for being a woman in the Japanese hip-hop community. Did you ever feel inconvenienced in that respect?

Fortunately, other than what I just mentioned, there weren’t any situations where I felt negatively about being a woman. I was never ignored in the scene, and I think I got a lot of attention because I was a minority in the hip-hop community, so I think I was lucky in some ways. And if I get married or get pregnant and have children in the future, the content of my lyrics and what I can express may expand.

The thing is, though, the reason I’m able to feel this way is because women have fought (to achieve it) in the past. So I’m grateful for that, and we also have to keep fighting, while also being careful not to rest on our laurels and discriminate against men.

When did you realize that you’re now standing where women of the past fought and paved the way?

I think going to different countries and meeting different people were a big part of it. Living in Japan, there’s still a sense that women are supposed to do the housework, and there are people who say stuff like, “You make money by showing some skin and pandering to people,” so there’s no way I can say discrimination against women doesn’t exist here, but there are countries in the world where the situation is much worse. I’m sort of surrounded by open-minded people who don’t have biased views about gender, and I’ve been able to come this far without thinking much about matters of gender imbalance. That’s the result of women facing those problems in the past in Japan, and men and women gradually coming to terms with each other. I just want everyone to be equal, so I want to continue tackling problems while also recognizing the improvements that have been made. As an artist, I want to keep my feet on the ground and make music about what I’m feeling as a 24-year-old woman living today.

This interview by Rio Hirai (SOW SWEET PUBLISHING) first appeared on Billboard Japan

King & Prince’s ‘Life goes on’ Sells a Million-Plus CDs to Top Japan Hot 100

King & Prince’s “Life goes on” comes in at No. 1 on this week’s Billboard Japan Hot 100, dated March 1, marking the highest sales week of this year with over a million CDs sold in its first week.

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“Life goes on” sold 1,051,909 copies this week to rule physical sales and also comes in at No. 4 for video views and No. 12 for radio airplay. The million threshold for first-week CD sales hadn’t been surpassed since AKB48’s “Shitsuren, Arigato” (1,414,077 copies) and Nogizaka46’s “Shiawase no Hogoshoku” (1,049,667 copies) from March 2020, so the five-man boy band has achieved a major feat this week.

“Life goes on” was released as a double A-sided single with “We are young,” written by two of J-pop’s leading hitmakers with music by Koji Tamaki and lyrics by Junji Ishiwatari, which also garnered attention and came in at No. 11 for video. The Johnny’s group’s previously released songs are also performing well in the sales and video metrics, indicating that the ardent support of the group’s core fanbase is influencing the so-called gray-layer listeners and resulting in King & Prince’s dominance on this week’s charts.

Two other songs debuted on the Japan Hot 100 this week powered by sales. =LOVE’s “Kono Sora ga Trigger” came in at No. 2 for the metric with 216,215 copies, and Tsubaki Factory’s “Machigai janai, Naitari shinai” at No. 3 with 99,816 copies. But the latter hit No. 16 for downloads and No. 44 for radio, which added additional points to give the track a slim lead over “Kono Sora ga Trigger” — “Machigai janai, Naitari shinai”” debuts at No. 3 on the Japan Hot 100, while “Trigger” bows at No. 4.

The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, YouTube and GYAO! video views and karaoke data.

Check out the full Billboard Japan Hot 100 chart, tallying the week from Feb. 20 to Feb. 26, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account

Nick Cannon Wants to Know ‘Who’s Having My Baby?’

Nick Cannon let slip earlier this week that he’s been expecting, and on Tuesday (March 7), the stork officially arrived with his latest bundle of joy … in the form of a new game show!

The host of The Masked Singer confirmed the news by dropping the official teaser for Who’s Having My Baby With Nick Cannon. Hosted by his close friend Kevin Hart, the series will premiere sometime this spring on E! and, according to the clip, seems to involve trotting out female contestants in front of Cannon for some sort of prize … and actual pyrotechnics.

“You’re gonna get some contestants that wanna have your baby,” Hart explains to Cannon, who then proceeds to jokingly pull an “Eenie, meenie, minie, mo” to choose among the ladies. The rest of the rules are unclear, but as the network cheekily promises in the tease, it’s sure to be the “mother of all game shows.”

Cannon’s already incredibly busy on the daddy-duty front, considering he now has 12 kids with six different women, including Dem Babies with ex-wife Mariah Carey. He’s welcomed all five of his youngest kids since last July alone — from Legendary Love with Bre Tiesi, Onyx Cole with LaNisha Cole, to Rise Messiah with Brittany Bell, Beautiful Zeppelin with Abby De La Rosa and, as of December, Halo Marie with Alyssa Scott.

In February, the Drumline actor fielded a question about possibly having even more children down the line, telling Entertainment Tonight, “God decides when we’re done, but I believe I definitely got my hands full.”

Watch the teaser for Nick Cannon’s new baby-centric game show below.

Tyga & Avril Lavigne Confirm Relationship With Paris Kiss, Twitter Is Baffled At The Unlikely Couple

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Tyga & Avril Lavigne Confirm Relationship With Kiss, Twitter Reacts

Source: Arnold Jerocki / Getty / Tyga / Avril Lavigne

Nobody had Tyga and Avril Lavigne dating on their 2023 bingo cards.

Well, this is something no one saw coming, Tyga and Avril Lavigne being a thing. The two musicians confirmed their romance with a kiss while at the Mugler X Hunter Schafer Party during Paris Fashion Week on Monday, March 6.

According to TMZ, the couple was holding hands when they arrived at the bash after rumors began swirling of them possibly dating after being spotted together in Los Angeles and Paris, which also happens to be the same place Lavigne’s ex, Mod Son popped the question to her.

The celebrity gossip site also saw Lavigne and the OnlyFans content creator/rapper grabbing dinner at the swanky seafood spot NOBU and hugging in the parking lot.

The “Complicated” singer gave Mod Son the boot in February, a year after he put a ring on it, TMZ exclusively reported.  According to sources, their relationship was off and on before moving on from him.

Following the confirmation of the swirling, Twitter’s reaction to the news has been utter confusion and shock. “Tyga and Avril Lavigne was not on my Bingo card,” one Twitter user said, and we totally understand. 

Tyga dating Avril Lavigne is the most random thing.. What..” another Twitter user wrote and sentiments we can totally get behind.

Before linking up with the Pop-Punk music star, Tyga has been romantically linked to Blac Chyna, with whom he shares a child, Kendall Jenner, and Camaryn Swanson.

We are intrigued to see how long this relationship lasts.

You can peep more reactions in the gallery below.

Photo: Arnold Jerocki / Getty

1. Accurate

2. No one did.

4. Accurate