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Texas rapper That Mexican OT is known for his rapid flows and quick wordplay, but unfortunately, his speed is limited to his speech as the man just doesn’t have the physical requirement needed to move fast enough to get out of the way of a charging bull.
Over the weekend, a video showing the “Johnny Dang” rapper getting mowed down by a bull at a PBR Rodeo in Fort Worth, Texas, hit the internet and while OT seems fine and dandy, it still wasn’t a pretty sight. Partaking in the rodeo festivities, OT was hit by the bull three times in the video with the final hit actually flipping the Mexican rapper over and onto the ground before the video cut off. Though there was another man trying to get the bull’s attention and get some of that horn himself, that bull saw a slower-moving target with a lot of carne on its person and knew it was chow time.
Luckily, That Mexican OT seemed to have avoided any serious injuries such as a horn impaling any body parts and actually seems to enjoy the sport as he promoted his appearance in anticipation of the event.
Check out That Mexican OT getting mashed on by a bull in slow-mo below, and let us know if this is something you’d do if given the chance in the comments section.
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On May 9, Beyoncé wrapped a historic run of five shows at SoFi Stadium in Inglewood, California, 10 miles from downtown Los Angeles. According to figures reported to Billboard Boxscore, the Cowboy Carter Tour kick-off grossed $55.7 million and sold 217,000 tickets.
Beyoncé’s $50 million-plus run in Los Angeles is the biggest reported single-venue engagement of 2025 so far, eclipsing multiple stops on Coldplay’s tour through Asia and Shakira’s seven-night stay in Mexico City. Further, it’s the fifth-highest grossing tour stop in Boxscore history, only behind two legs of U2’s Sphere residency in Las Vegas (2023-24), Harry Styles’ 15 shows at Madison Square Garden in New York (2022), and eight nights of Take That at Wembley Stadium in London (2011). Notably, it’s the highest-grossing reported single-venue engagement ever by a woman.
Cowboy Carter Tour launched on Monday, April 28, with successive performances on May 1, 4, 7, and 9. On average, Beyoncé grossed $11.1 million per night, playing to more than 43,000 fans at each show. In completing this week-long run, she has now played more shows at SoFi Stadium than any other artist in the venue’s history – eight, including three in 2023 – since its opening at the beginning of the decade.
The L.A.-area shows may not even remain the tour’s peak, as an upcoming five-night stay at MetLife Stadium in East Rutherford, N.J. (13 miles from New York) could challenge that $55 million take. Beyoncé will have her longest run at one venue in London with six nights at Tottenham Hotspur Stadium, though ticket prices overseas often fall below the surging rates in the United States.
Using Cowboy Carter Tour figures in the Los Angeles area as a guide, with city-by-city comparisons to previous tours, it appears that Beyoncé’s 2025 run is barreling toward Billboard’s initial projections of $300 million. It will out-gross all of her previous tours with the lone exception of 2023’s Renaissance World Tour, which ran for 56 shows compared to Cowboy Carter Tour’s current routing of 32. According to Live Nation, total ticket sales will eclipse one million.
The initial reports for Cowboy Carter Tour push Beyoncé’s reported career Boxscore earnings past $1.4 billion, with 11.9 million tickets sold. Those totals will continue to rise until the trek closes on July 26 at Las Vegas’ Allegiant Stadium.
The ACM Awards will return to Prime Video next year.
The Academy of Country Music and ACM Awards producer Dick Clark Productions (DCP) has struck a deal with Prime Video for the return of the show on the service for the next three years, which will take it through its 63rd ceremony in 2028.
The news follows the ACM Awards’ 60th anniversary show, which streamed live on Amazon’s Prime Video on May 8 from the Ford Center at the Star in Frisco, Texas. The show also streamed live for an international audience across more than 240 countries and territories, exclusively on Prime Video and Amazon Music’s channel on Twitch.
During this year’s ceremony, Lainey Wilson took home the night’s top honor of entertainer of the year (marking her second consecutive win in the category), as well as female artist of the year, songwriter-artist of the year and album of the year (for Whirlwind). Ella Langley earned the most trophies of the evening with five wins, followed by Wilson with four wins. Alan Jackson was the recipient of the inaugural ACM Lifetime Achievement Award, while Keith Urban was honored with the ACM Triple Crown Award.
“Our ongoing partnership with the Academy of Country Music and Dick Clark Productions has been an amazing experience for everyone involved,” said Vernon Sanders, global head of television at Amazon MGM Studios, in a statement. “With the tremendous success of this year’s 60th anniversary show hosted by the legendary Reba McEntire, we are overjoyed to continue our relationship with the Academy and DCP for the next three years. We look forward to maintaining this success and bringing even more star-studded and captivating shows to our global Prime Video customers.”
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“Our powerful partnership with Amazon MGM Studios and Prime Video has expanded the reach and accessibility of our show and the country music genre to viewers anytime, anywhere around the world and has redefined what an awards show experience can and should be in today’s environment,” said Damon Whiteside, CEO of the Academy of Country Music, in a statement. “The synergies between Prime Video, Amazon Music, Twitch, and the other divisions of Amazon bring exponential value to our artists, our genre, and our fans through an immersive 360 music experience they can’t get from any other platform. I am so proud of our pioneering first four years in the streaming space, and we are excited to continue to deliver the future of country music and the ACM Awards to fans everywhere over the next three years.”
“We’re thrilled to continue our partnership with Prime Video through 2028,” added Jay Penske, CEO of Dick Clark Productions. “The Academy of Country Music Awards made history in 2022 as the first major awards show to exclusively livestream and continues to break new ground, creating a world-class music event and providing dynamic, unparalleled reach through Prime Video, connecting country music with a global audience.”
“I feel like it’s just another way for us to get country music out there to the world,” added the Academy of Country Music’s winningest artist of all time, Miranda Lambert, of the partnership between the ACM Awards and Prime Video. “Country music is really popular right now, and I’m so glad more people are understanding what we’re about, and I’m so happy to be part of the ACM history, and that it’s gonna continue for three more years is really exciting.”
The 60th Academy of Country Music Awards was produced by DCP, with Raj Kapoor serving as executive producer and showrunner and Patrick Menton serving as co-executive producer. Whiteside served as executive producer for the Academy of Country Music, while Penske and Barry Adelman served as executive producers for DCP, with John Saade working as consulting producer for Amazon MGM Studios.
The ACM Awards are produced by Dick Clark Productions, which is owned by Penske Media Eldridge, a joint venture between Eldridge Industries and Billboard parent company Penske Media.
To celebrate 30 years of steering the Korean entertainment sphere, SM Entertainment hit Los Angeles with its star-studded SMTOWN Live 2025 concert. Boasting 68 individual artists, representing 13 different groups, all on one sprawling stage at the Dignity Health Sports Park, the showcase brought out a range of K-pop talent that showcases SM’s expansive impact […]
05/12/2025
Twin Cities musical landmarks, concert venues, record stores, festivals and more.
05/12/2025
San Francisco’s Portola festival has announced the lineup for its fourth edition this fall. The bill is led by LCD Soundsystem, The Prodigy, Underworld, Dom Dolla, Peggy Gou, Mau P, Chris Lake and Chris Lorenzo performing under their Anti Up alias and, in the festival’s continued tradition of delivering a marquee pop moment, Christina Aguilera. […]
05/12/2025
These are the strongest bonds in rap.
05/12/2025
A modern iteration of Grammy-winning band The Kingston Trio is suing a Los Angeles music attorney for fraud, saying he lied about having an “inside track” to book the folk group at the Greek Theatre last summer.
The lawsuit was filed in California federal court on Friday (May 9) by Trident Concert Productions LLC, a concert promotion company for the lineup that performs as The Kingston Trio following the death of all the legendary folk band’s original members.
The new Kingston Trio claims it retained music lawyer David A. Helfant back in 2023 to help the group secure concert dates at Los Angeles’ famed Greek Theatre the following summer. According to the lawsuit, Helfant promised that he had an “inside track” for booking acts at the venue.
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“Helfant did not have expertise or the inside track or any superior knowledge about how to secure concert dates at the Greek Theater,” writes the group’s current attorney, Konrad L. Trope. “Instead, Helfant created an overinflated bill, along with convincing Trident that it needed to retain a former Greek Theatergeneral manager who could provide inside access.”
The group claims Helfant fraudulently convinced them to pay a hefty $650 per hour billing rate, plus $10,000 to a consultant who supposedly could help “grease the wheels” at the Greek Theatre.
In reality, says The Kingston Trio, neither Helfant nor his consultant had any “inside track.” But that didn’t even matter; according to the group, the Greek Theatre actually has a transparent booking protocol that allows anybody to bid for dates online.
The group was eventually able to secure two August 2024 dates at the Greek Theater using this public bidding system. But the group claims Helfant’s misdeeds delayed the booking process significantly, giving them only seven months to promote the shows.
“Helfant did not help, but rather hindered plaintiff’s efforts,” the lawsuit says.
To make matters worse, the group claims Helfant also spent precious hours pitching his other clients to work as cinematographers on a concert documentary that was to be filmed during the shows, but the pitches lacked proper disclosures about the regulations around private film investors, the lawsuit alleges.
The Kingston Trio is suing Helfant for breach of contract and fraud and asking for at least $250,000 in damages.
Reached for comment on Monday (May 12), Helfant tells Billboard that the allegations in the lawsuit are “are completely without merit.”
“I am confident that when the facts come to light in this action, I will prevail,” says Helfant.
The Kingston Trio, established by Bob Shane, Dave Guard and Nick Reynolds in San Francisco in the 1950s, charted 17 folk songs on the Billboard Hot 100 and won two Grammy Awards for its No. 1 hit, “Tom Dooley.”
All three original members of The Kingston Trio have died, with Shane the last to pass away in 2020. The group continues to perform under a new lineup that’s currently made up of Mike Marvin, Tim Gorelangton and Buddy Woodward.
Source: iOne / IG
The city of Philly stood still on May 11, 2025, after news broke that beloved rapper and community leader LGP Qua had been killed.
At just 25 years old, Qua wasn’t just another rapper, he was *the* voice of the youth, a real one who stood on positivity, upliftment, and pushing the culture forward in a city that’s seen too much pain. Known for his powerful, truth-filled bars and raw freestyles that went viral, Qua wasn’t rapping for clout, he was rapping for change.
His music always had a message. He spoke *to* the streets, not *from* them. Instead of glorifying the violence, he pushed young people to think twice, to do better, and to move smarter. Every freestyle felt like a sermon. Every verse had purpose.
We caught up with Philly media legend and radio host Quincy Harris, aka Q Deezy, who knew Qua personally and saw the impact up close.
“He (LGP Qua) was literally steering the youth of Philly not to go to the streets,” Harris said. “His nickname was ‘Voice of the Youth.’ He was always telling his peers, ‘Hey, don’t do this, this could happen.’ He didn’t just talk it, he lived it. He pulled up, he gave back, he spoke to the people, that’s all he was about.”
Q Deezy added, “Qua moved like a nonprofit. That’s the best way I can put it. He had the personification of a rapper that was a nonprofit, his whole energy was about giving.”
In a city like Philly, where the streets can swallow talent whole, Qua was different. He stood tall on integrity. He didn’t need gimmicks. His bars were full of pain, growth, and game, and the industry took notice.
Meek Mill gave him major love, seeing him as part of the next wave of Philly artists with purpose. Jay-Z’s Roc Nation tapped in, giving him game and a platform. Even Nas shouted him out, calling Qua “a voice the game needs.” LGP Qua’s life was cut short, but his impact? That’s forever. He gave a generation something to believe in, and even in his absence, his voice still rings through the city.
Rest in power to a real one, LGP Qua, the heart of Philly.
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Host Drew Afualo gives flowers to Billboard‘s Women in Music 2025 presenters and honorees, including aespa, Ángela Aguilar, Doechii and more. She also asks them who they give their flowers to, shares fun facts, and so much more!
Who do you give your flowers to? Let us know in the comments below!
Drew Afualo:
Hey y’all it’s Drew Afualo and I am back, yet again, hosting, but this time for 2025 Billboard Women in Music Awards and we are backstage. I am inside the belly of the beast team. Here I’m talking to all of the award winners, the presenters, the performers, everyone and anyone and I’m going to be falling in love with many tonight, and I will catch you in a little. Bye! Here we are again, backstage with the iconic, the legendary Ángela Aguilar. Honored to have you, queen. How are you feeling tonight?
Ángela Aguilar:
I’m so happy. No more nerves. Tequila hit and the speech was good. I feel good.
Period. I could hear the mariachis in the air.
I know!
Stunning and gorgeous. And when they walked out, I said, ‘Period, period, period,’ as they were walking past. ‘Yes, thank you. Yes, yes, yes, yes. Work, it, work, it.’ Love that. I think you’re stunning and amazing. So actually, first I want to ask you, how does it feel celebrating other women in music tonight?
It feels amazing. You know, I’m very happy to be here, because my mom has always been behind the scenes, and she was always my momager, she was like, helping me since I was very little with like my dress and stuff,
That’s cute.
And they’re honoring her tonight as well.
Oh my gosh, how amazing.
The first awards ceremony that they honor me and my mom, and she deserves it more than I do.
Oh my gosh, that’s so sweet and amazing. What a milestone. Incredible. So for some fun things, I actually am going to give you some flowers tonight.
Keep watching for more!
