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Emilia, Big One & Callejero Fino’s ‘En La Intimidad’ Adds a Fifth Week Atop Billboard Argentina Hot 100

Emilia, Big One and Callejero Fino’s “En La Intimidad” extends its reign on the Billboard Argentina Hot 100 song chart (dated March 25). With five weeks at at No. 1, it becomes the longest-leading song in 2023 thus far. 

Karol G and Shakira’s “TQG” holds steady at No. 2 for a fourth week, encompassing its entire run on the chart. TINI’s “Cupido” remains at No. 3 for a third week, BM’s “M. A. (Mejores Amigos)” keeps at No. 4 for a second week., while, Lil Cake and Migrantes’s “Mercho,” featuring Nico Valdi, adds a second week at No. 5. 

This week, Lolo Og, Callejero Fino and Alejo Isakk take home the Greatest Gainer trophy with a 59-rank surge as “Azote” rallies from No. 84 to No. 25.

Plus, La Joaqui and Alan Gomez’s “Amanecemos” notches the Hot Shot Debut of the week arriving at No. 42.

Elsewhere, Arcangel and Bizarrap’s first partnership “Bzrp Music Sessions, Vol. 54” bows at No. 53. It’s the third simultaneous music session placed by the Argentinian producer on the tally, as “Vol. 53,” with Shakira continues at No. 6, while “Vol. 52, with Quevedo” advances 22-20, both which have ruled the chart. 

Further, Mexican newcomers Yng Lvcas and Peso Pluma make their first visit to the ranking with “La Bebe” at No. 71. Meanwhile, Karol G collects her 31st entry as “Mientras Me Curo Del Cora” launches at No. 73.  

Six other debuts arrive this week, starting with Eladio Carrión who places two tracks from his 3MEN2 KBRN album, which debuted at No. 3 on Billboard’s Top Latin Albums chart: “Coco Chanel,” with Bad Bunny, at No. 74 and “Si La Calle Llama,” featuring Myke Towers, at No. 91.

In addition, Luck Ra and Lit Killah’s “Cuéntame” joins at No. 90; Feid’s “Remix Exclusivo” is at No. 96; Alejo Isakk’s “3 en 1,” featuring Gusty Dj, is at No. 99; while David Bisbal returns with “Ajedrez” at No. 100.

Quavo Continues To Honor TakeOff With New Song ‘Honey Bun’

Today (March 31), Quavo is back with another track dedicated to his late nephew and Migos bandmate, TakeOff, titled “Honey Bun.” 

Previously teased earlier this week on Instagram, “Honey Bun” marks the third track released by Quavo since the November 2022 passing of TakeOff. First, he dropped his heartfelt tribute, “Without You,” in early January, commemorating his partner-in-rhyme. Later that month, Quavo teamed with The Maverick City choir to perform the melancholy record at the 2023 Grammy Awards. “I wish I had a time machine/ Just so you take a ride with me/ I miss just how you smile at me/ Unc & Phew until infinity,” sang Quavo onstage. 

Then, Quavo continued his output when he dropped “Greatness” last month. The wholesome video spoke on a myriad of topics, most notably the status of Migos, in which the frontman debunked any possibility of a reunion. 

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“Came in, swept the game like a storm with the motherf–kin’ flow, ni–a Take’ did that (On God) / So don’t ask about the group, he gone, we gone,” raps Quavo. 

Despite still mourning the passing of TakeOff, Quavo found time this month to engage in some lighter activities, including his appearance on Jimmy Fallon’s new show That’s My Jam. The hour-long music and comedy variety games show found Quavo singing a “nonsense karaoke” version of Lil Jon and The Eastside Boyz’s 2002 single “Get Low.” Other stars to appear on That’s My Jam include Chance The Rapper, French Montana, Saweetie, Keke Palmer, will.i.am and more. 

Check out “Honey Bun” below. 

Chloe Bailey Releases Debut Album ‘In Pieces’: Stream It Now

Chloe Bailey released her debut solo album, In Pieces, Friday (March 31) via Parkwood Entertainment and Columbia Records.

The 14-track project features previously released singles “Pray It Away” and “How Does It Feel,” featuring Chris Brown, and more collaborations with Missy Elliott (“Told Ya”) and Future (“Cheatback”). Bailey performed “Cheatback” on Jimmy Kimmel Live! earlier this week ahead of the LP’s release. In Pieces marks her first solo project apart from her sister duo Chloe x Halle.

Earlier this month, the 24-year-old artist — who also goes by just Chlöe — shared a heartfelt note on Twitter unpacking the inspiration behind the album artwork, which features a red-haired Bailey wearing a Victorian-style baby-blue gown while holding her heart in her right hand.

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“I saw a photo of a porcelain doll 3 years ago, holding her heart just like this and from then, I said this will be my album cover… that same day I also wrote heart on my sleeve,” the Swarm actress wrote. “The beginning of a scary and exciting journey for me. This cover represents so much for me, down to the color of my hair. When I had red hair 1.5 years ago, it was one of the darkest times in my life. That’s why I never wore it again.”

She continued: “In Pieces is for the ones who behind closed doors are breaking and don’t know how much more they can take. In Pieces is for the ones who hold the people up around them while barely holding themselves. In Pieces is for the people who continue to get stabbed in the back, heart broken by the ones they thought they could trust, but STILL that doesn’t change their heart and how they love. In Pieces is for the ones like me, who wear their outer shell so well that you’d have no idea what they’re going through.”

Listen to In Pieces below.

Tyler, The Creator Returns With ‘Call Me If You Get Lost: The Estate Sale’

After releasing two entrancing visuals for “DOGTOOTH” and “SORRY NOT SORRY,” Tyler, the Creator, gifts his fans Call Me If You Get Lost: The Estate Sale

The Billboard 200 chart-topper had a splashy debut in June 2021, as Tyler enlisted DJ Drama to narrate his newest concept. Under the guise of “Tyler Bauderlade,” the Odd Future frontman offers his ruminations on love and relationships. The 16-track effort includes top-tier features from Pharrell, YoungBoy Never Broke Again, Brent Faiyaz, Ty Dolla $ign, Lil Uzi Vert, Lil Wayne, and more. Upon release, Call Me If You Get Lost earned 169,000 album-equivalent units, marking his second No. 1 effort, with his first dating back to 2019 (Igor). Last April, CMIFGL dashed back to No. 1 on the Billboard 200 after landing the largest week for a hip-hop on vinyl in the modern era.

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After winning the best rap album for Igor in 2020, two years after, Tyler notched his second gold trophy for the same category for CMIUGL. Tyler bested Drake, Kanye West, J. Cole, and Nas. “First off, I’m hyped,” he said on his Instagram story last year. “Thank you to DJ Drama. You are fu–ing so important to rap music. Thank you to all of my friends for being my cheerleaders.” He also praised his team, which allowed him to “make an album where [he] can just flex all goddamn day.”

Tyler, The Creator, is also part of Hulu’s new docuseries Rapcaviar Presents, and there, spoke about why he enjoys his profession as a rapper. “We’re good with words. We’re good with rhythm. We know pockets. We hear a collection of sounds and one thing and say, ‘Ahh, I know what could go over this,’ that takes skill,” he said.

Stream Call Me If You Get Lost: The Estate Sale below.

BLACKPINK’s Jisoo Makes a Stunning Solo Debut With ‘ME’: Stream It Now

Nearly seven years since BLACKPINK officially entered in our area, Jisoo is finally making her solo debut with the two-song project ME.

After two weeks of teases leading up to that included two different visual films released on March 15 and March 21, a poster with ME‘s tracklist and song credits on March 27, and the high-fashion music video teaser for lead single “Flower” on March 28, the full project has finally arrived for pop fans around the world.

The first ME song, “Flower,” is a subtle-yet-powerful sonic rollercoaster. It opens with a delicate blend of violin plucks and snappy, trappy production that spotlights Jisoo’s voice.

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Like some of her best vocal moments on BLACKPINK records, “Flower” sees Jisoo letting loose with emotional warbles and passionate runs before the track shifts gear with a pitched-up vocal sequence that will likely become one of 2023’s most notable earworms. The second track, “All Eyes on Me,” points to Jisoo’s love of robust dance-pop records, which fans saw firsthand via her cover of Zedd and Foxes’ “Clarity” during their In Your Area world tour. Jisoo commands listeners to “Make me feel alive” before demanding “All eyes on me” amid a stomping synth-pop dance breakdown.

Along with ME‘s release at midnight on March 31, the official video for Jisoo’s “Flower” premiered on BLACKPINK’s YouTube channel.

With the release of Jisoo’s solo record, all four BLACKPINK members have now put out chart-topping solo music. The girl group’s solos kicked off in 2018 with Jennie‘s “Solo” single (which hit No. 1 on Billboard‘s World Digital Song Sales chart) before both Rosé and Lisa dropped two-song projects in 2021 (Rosé’s “On the Ground” hit No. 1 on both the Billboard Global 200 and Global Excl. U.S; Lisa’s “Lalisa” peaked at No. 1 on the World Digital Song Sales chart while “Money” topped Rap Digital Song Sales). It won’t be long to see how Jisoo ranks alongside her beloved members.

Watch the “Flower” music video and listen to ME in full below:

Flavor Flav Says He’s ‘Always’ Been a Taylor Swift Fan

Flavor Flav proved he’s the ultimate Swiftie at the 2023 iHeartRadio Music Awards on Monday night (March 27), where he took a now-viral selfie with Taylor Swift.

Billboard‘s Tetris Kelly caught up with the “Fight the Power” rapper on the red carpet before the show, where he revealed just how big of a fan he is. “Love me some Taylor Swift, man, always did,” Flav proclaimed, before opening up his green puffer jacket to reveal a white t-shirt featuring the popular lyrics from Swift’s Evermore track, “Willow”: “I come back stronger than a 90’s trend.” He even captioned his Instagram post with Swift using the same lyric.

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Flav then doubled-down on his love for the Midnights superstar, revealing his iced-out chain of a clock with its hands pointing at, of course, midnight. “I heard that Taylor Swift keeps her clock on 12, just like mine,” he explained. “The reason why I keep my clock on 12 is because 12 o’clock points straight up. Every day, I’m straight up with you.”

Swift was honored with the Innovator Award later in the evening at the ceremony. “The thing about these exciting nights and moments and especially this award, they’re shining a light on the choices I made that worked out, that turned out to be good ideas,” she said during her acceptance speech. “I want everyone to know — especially young people — that the hundreds and thousands of dumb ideas that I had led me to my good ideas. You have to give yourself permission to fail. I try as hard as I can not to fail because it’s embarrassing, but I give myself permission to.

“Make the right choices that make sense for you and someone one day might thing you’re innovative.”

Watch Billboard‘s interview with Flavor Flav above.

Nick Carter Can Countersue His Rape Accuser, Judge Rules

A Las Vegas judge on Wednesday (March 29) reportedly refused to dismiss a countersuit filed by Backstreet Boys member Nick Carter against a woman who has accused him of rape, rejecting her arguments that he’s merely using the case to “harass and intimidate” her.

Shannon “Shay” Ruth, who sued Carter in December over allegations that he raped her after a 2001 concert, had asked the judge to dismiss his defamation countersuit under Nevada’s so-called anti-SLAPP law — a statute designed to prevent lawsuits that are filed as retaliation against free speech.

But at a court hearing Wednesday, Judge Nancy Alff denied that anti-SLAPP motion and allowed Carter’s countersuit to move forward, according to a report by the Las Vegas Review-Journal. Carter reportedly appeared in court with his lawyers on Wednesday, though Ruth was not physically present.

Ruth sued Carter in December, claiming he raped her when she was 17 years old following a 2001 concert in Washington state. Now 39, Ruth says she waited more than 20 years to come forward because she was afraid of retaliation.

“He told plaintiff she would go to jail if she told anyone what happened between them,” Ruth’s lawyers wrote at the time. “He said that he was Nick Carter, and that he had the power to do that. Due to his various threats, plaintiff did not report Carter’s crimes for many years.”

Carter fired back with a countersuit in February, claiming he’d been the victim of a “five-year conspiracy” that aimed to “to harass, defame and extort” him by exploiting the #MeToo movement. He said Ruth was “a vulnerable and highly impressionable individual” who was manipulated into making false accusations by Melissa Schuman Henschel — a former member of the teen-pop group Dream who previously accused Carter of assaulting her in 2003.

Weeks later, Ruth’s attorneys labeled Carter’s lawsuit a SLAPP suit, saying the defamation allegations had been brought with “no other purpose than to harass, intimate, and potentially silence plaintiff.”

“He seeks to use his wealth and celebrity status to outlast plaintiff,” Ruth’s lawyers wrote. “All while hiding behind being the ‘victim’ of the ‘#MeToo’ movement and the preposterous notion that plaintiff is only seeking attention and publicity.”

Wednesday’s ruling, which denied Ruth’s motion, came after Carter’s attorneys submitted detailed arguments backing up their contention that Ruth’s allegations were false and that his allegations of a conspiracy were plausible. His filings included testimony from 12 witnesses who supported his side of the story, including one who called Ruth’s story “factually impossible.”

LFO’s Brian ‘Brizz’ Gillis Dead at 47

Brian “Brizz” Gillis, a founding member of the beloved ’90s boy band LFO, died on Wednesday (March 29). He was 47 years old.

His former bandmate Brad Fischetti shared the news in an Instagram post. “Every story is made up of chapters. Some develop naturally. Some you have to cut up in your mind. The first two chapters of the LFO story lost a main character yesterday. Brian ‘Brizz’ Gillis passed away,” he wrote alongside a black-and-white photo of the musician, noting that he did not have any “details” surrounding his cause of death.

“I am really struggling to process this tragic loss,” he continued. “I’ve said it before and I will continue to say it; the LFO Story is a tragedy. If you know what I’ve been doing, you know I’m trying to bring light into the darkness. Trying find redemption in pain and suffering. Trying to honor the legacy.”

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Fischetti added, “My relationship with Brian was complex. It contained moments of great tribulation but also of great joy. I learned a lot from him about the business of music and how to put together and rock a show. And it’s those positive aspects of our relationship that I will lean on now and forever.”

Gillis’ death comes almost five years after the 2018 death of LFO singer Devin Lima, who lost his battle with stage 4 cancer at age 41, making Fischetti the only surviving member of the group.

The pop trio formed in 1995 in Massachusetts as Lyte Funkie Ones, before Gillis left the band in 1998 to pursue his own ventures and was replaced by Lima. The group broke up in 2010, following the death of lead singer/songwriter Rich Cronin from leukemia, then reunited without Gillis in 2017 as a duo featuring Lima and Fischetti.

“I know that soon or maybe already, Brizz will be greeted by Rich and Devin,” Fischetti concluded his post. “And I hope that together, they will make some sweet sounds. I would really like that.”

UMG Chairman/CEO Lucian Grainge Signs Five-Year Contract Extension

The board of directors at Universal Music Group (UMG) has extended the contract of chairman and CEO Sir Lucian Grainge until May 1, 2028, the company announced Thursday (March 30).

The updated agreement transitions Grainge from an all-cash compensation package to one that combines cash and equity; the latter of these includes performance-based objectives that align with the interest of shareholders and correlate with the company’s long-term growth strategy. The majority of the compensation package’s value will be paid in UMG equity and performance-based stock options. As a result, Grainge’s annual salary will be reduced by more than two-thirds from his current salary, down to $5 million. He will be eligible for an annual bonus with a target of $10 million. The EBITA bonus from his previous contract has been eliminated, and he will only be entitled to the contingent bonus under his prior agreement on a pro rata basis until Friday (March 31).

The equity components of the compensation program include annual grants of $20 million, comprised of as much as 50% performance share units (PSUs), with annual PSU goals set by the board of directors; the remainder will be comprised of restricted share units (RSUs). Grainge will also receive a one-time transition equity award of $100 million, comprised of 50% RSUs and 50% performance stock options (PSOs). The PSOs will be paid out only if the company surpasses stock price hurdles — 1/3rd at 26.50 euros ($28.90), another 1/3rd at 30.00 euros ($32.71) and 1/3rd at 38.00 euros ($41.44) — within the term of the agreement.

UMG went public in September 2021 with a listing on the Euronext Amsterdam Stock Exchange.

“UMG is the world´s most successful music company and there are incredible opportunities ahead for a company with the right leadership and vision,” said UMG chairman of the board Sherry Lansing in a statement. “The UMG Board is resolutely committed to converting those opportunities and maximizing shareholder value for the long term. Only the right kind of chief executive can help achieve that goal and Lucian is just the one to do it. Through his clear vision and strong execution in building UMG into the industry leader, Lucian has also essentially created a new category of music company. This agreement is designed to drive both the sustainable success of UMG and long-term shareholder value.”

To align Grainge’s term as executive director and chairman/CEO with the term of the extended contract, the board will put forth a proposal to reappoint him as executive director for a term ending on May 1, 2028, at UMG’s 2023 general meeting on May 11; it will also seek approval for a supplement to UMG’s existing executive directors remuneration policy with respect to his new compensation.

Grainge got his start in the music publishing business in 1979 at age 18. He joined Universal Music in 1986 when he launched PolyGram Music Publishing in the U.K. and steadily climbed the ladder from there, rising to chairman/CEO of UMG’s international division in 2005 and chairman/CEO of UMG in 2011, succeeding Doug Morris. He placed atop this year’s Billboard‘s Power 100, marking his seventh appearance at No. 1 on the list; in 2020, he was named Billboard‘s executive of the decade.

In 2022, UMG’s overall revenues increased 21.6% to 10.34 billion euros ($10.96 billion), boosted by solid returns from recorded music subscriptions and streaming. It remains far and away the largest recorded music company by market share.

Sony Unveils the ‘Ultimate Vlog Camera’: Here’s Where You Can Pre-Order It Online

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Looking to start a music vlog? Sony has unveiled the “ultimate vlog camera” for content creators in need of a gear upgrade.

Touted as the “world’s smallest” and “lightest” full-frame lens camera, Sony’s ZV-E1 Mirrorless Camera is equipped with a whopping 12 megapixels and serves up cinema-grade video content in up to 4K UHD.

The ZV-E1 Mirrorless Camera, which became available for pre-order on Thursday (March 30), retails for nearly $2,200 by itself and $2,499.99 for the camera and 28-60mm zoom lenses. The camera will hit shelves in May.

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Smaller than Sony’s a7S III Mirrorless Camera and EV-10 Mirrorless Vlog Camera, the ZV-E1 features a full-frame Exmor R CMOS image sensor along with the latest Sony BIONZ XR high-speed processor with up to eight times more processing power to support 4K 60p, 120p upgradable recording.

Additional features include an intuitive AI processing unit to stabilize frames and auto framing, 5-axis image stabilization for stable recording, up to 10x slow motion with full HD resolution, an Intelligent 3 Capsule Microphone that captures clear audio and LED touch screen operation to adjust shooting mode, Cinematic Vlog Setting and other capabilities.

According to Sony, the camera has improved gradation rendering to better capture skin tones, Soft Skin Effects to smooth out wrinkles and blemishes and enhance clarity around the eyes and mouth, and a Bokeh Switch to emphasize the main shooting subject and create “impressive full-frame bokeh in the background.”

The ZV-E1 camera is available in black and white colorways and can record 10-bit 4:2:2 video with direct pixel readout. The dust and moisture-resistant camera is compatible with all Sony E-mount lenses and has a high-capacity Z battery. The camera connects to your computer through USB and offers seamless image transfer to your phone via the Creators’ App.

Pre-order the Sony ZV-E1 Mirrorless Camera below.

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Sony SV-E1 Mirrorless Camera

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