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What If Lady Gaga & Bradley Cooper’s ‘Shallow’ Was a Barry Gibb & Barry White Duet? ‘That’s My Jam’ Has the Answer

Step aside, Lady Gaga and Bradley Cooper. Bashir Salahuddin has treated A Star Is Born fans to a new, very different version of “Shallow.”

On the next episode of That’s My Jam, premiering Monday at 10 p.m. ET on NBC, the Top Gun: Maverick actor took on the “Barry-oke” challenge, in which stars sing a popular song in the style of two famous Barrys: Barry White and Barry Gibb. When Gibb’s face appears above the song’s lyrics, the contestant must sing in a high-pitched tone to mimic the Bee Gees superstar, and if White’s face appears, the contestant channels the “Can’t Get Enough of Your Love Baby” singer’s distinctly deep vocals.

Salahuddin seamlessly flowed through pitches during the game, even switching between Barrys mid-word.

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Season 2 of NBC’s variety show premiered in early March. The show, hosted and executive produced by Jimmy Fallon, features challenges inspired by popular Tonight Show musical segments. In each episode, two teams of two celebrities compete for a charity of their choice in a series of music, dance and trivia-based games and musical performances.

Watch Salahuddin’s Barry-oke exclusively via Billboard below, and catch the full episode of That’s My Jam on Monday, May 1, at 10 p.m. ET/PT, before it becomes available to stream the next day on Peacock, which you can sign up for here. You can also catch the entire first season and previous episodes on Peacock.

Queen Latifah, De La Soul & More to Ring in 2023 Rock the Bells Festival

Queen Latifah, De La Soul, Slick Rick and Salt-N-Pepa are just a few of the trailblazers comprising the legendary lineup for this year’s Rock the Bells Festival. Celebrating hip-hop’s 50th anniversary, the festival will take place Aug. 5 at Forest Hills Stadium in Queens, New York, and is being co-presented by Procter & Gamble and Walmart.

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Joining the aforementioned artists will be fellow genre pioneers Ludacris, Method Man & Redman, Swizz Beatz with special guests, Big Daddy Kane, The God MC Rakim Fabolous, Boot Camp Clik featuring Buckshot and Evil Dee, Smif-N-Wessun, OGC and Rock & Bernadette Price with a tribute to Sean Price, MC Lyte, Yo-Yo, MC Sha Rock, Roxanne Shanté, Monie Love and The Cold Crush Brothers, with more to be announced.

Rock The Bells

Courtesy of Rock The Bells

In a release announcing the 2023 festival lineup, Rock the Bells president James Cuthbert said, “We’ve made it a priority to honor hip-hop culture! This is a celebration for artists who paved the way and the legions of fans around the world throughout hip-hop’s 50th anniversary year. The stage is set for the overdue acknowledgement and celebration of our culture and the fans who live and breathe it. This lineup represents icons and artists from various decades, cities and styles, ensuring fans have the best hip-hop experience possible.” 

Co-produced by The Bowery Presents, the Rock The Bells Festival will also provide immersive experiences highlighting hip-hop’s impact on fashion, art and food. More details will be shared via the Rock the Bells newsletter. Ticket information is available on AXS

Check out the festival’s Set It Off-themed promotional trailer, featuring Rock the Bells founder LL COOL J, Mike Epps, Salt-N-Pepa, Slick Rick and Yo-Yo:

https://www.youtube.com/watch?v=RtjffEk2MzM

Thalia Isn’t Empowered; She’s Powerful

This story is part of Billboard‘s Mujeres Latinas en la Música package.

On a recent Sunday in Miami, Thalia waits for me at the entrance of Sony Music’s 50/20 recording studio, dressed in sweatpants and a T-shirt, with a baseball cap over her almost makeup-free face, to talk about her new project, Thalia’s Mixtape El Soundtrack De Mi Vida.

“You don’t know what this project means!” she tells me, brimming with emotion. “It’s that mixtape back from when I was a teenager! Those songs that were the soundtrack of my life were rock in Spanish.” 

With or without makeup, in front of or behind the camera, Thalia always speaks with exclamation points — her voice rises and falls in a narrative arc that keeps her listener in a state of engagement. It is an essential quality that has permeated the work and the very essence of Ariadna Thalia Sodi Miranda, from her days as a child TV actress, to her tenure with pop group Timbiriche in the 1980s, to her rise to queen of soap operas and then, to queen of the Billboard charts. Since her 1995 debut album, En Éxtasis, Thalia has placed 13 top 10 hits on the Top Latin Albums chart, as well as four No. 1s. 

Now, she blends visual and musical content, past and present, on the 11-track album Thalia’s Mixtape (out April 28 on Sony Music Latin), for which she covered not only her favorite songs — including Soda Estéreo’s “Persiana Americana,” Aterciopelados’ “Florecita Rockera” and “Duélveveme a Mi Chica” by Hombres G — but also sought out their authors, including Charly Alberti and David Summers, for the recording of both the songs and new music videos. The audiovisual product, Thalia’s Mixtape El Soundtrack De Mi Vida, is available as a three-episode series on Paramount+. 

“My great challenge as an artist is to give the best quality to my audience. The experience, the fun, entertaining them, singing for them, expressing myself through all kinds of musical genres is part of the package,” says the artist, who will be honored with the Global Powerhouse award at Billboard‘s inaugural Latin Women In Music event, airing May 7 on Telemundo.

How do you feel about being a part of the first group of Latin Women in Music honored by Billboard? 

I feel proud, I feel honored; I feel that I belong to a group of extremely talented, powerful women, full of vigor, full of that strength that is so contagious. It’s that sisterhood, that friendship; it is that family that we have built for years that includes singers, producers and executives. 

Who inspired you as a child? 

My mother! Yolanda Miranda de Sodi, period. Setting gender aside, that person’s soul was so powerful that she spoke face to face with any man, with a security and strength that at that time, in that patriarchal system, was impossible. And this woman went against the tide. Also, we are five sisters. My father died when I was 6 years old, so I grew up in a matriarchy. Everything was woman power. I tasted it, I lived it in my house. Women first, women above. 

Did you feel embraced by her? Empowered? 

We have to find a word other than “empowered.” What other word? 

Powerful? 

A powerful woman! A woman with power! A being with power. That’s it.

You stand out, among other things, for having helped many women in your career by recording with artists on the rise. Why have you done that? 

It has always felt good for me to do it. From my perspective, we are better together. If you look good, I will look better. If it’s good for you, it’s good for me too. That’s how I think, and especially when it comes to young, female artists. They go against many prejudices, and in an industry dominated by men it’s important for them to have another woman to support them. 

You opened doors that were closed. Was there a particularly difficult moment? I remember reading that when you were a teenager you were scolded by a TV host on-air. 

Yes. Just imagine the patriarchal system that we lived in, and that still exists. A girl who had just released her first song, her first album, with stars in her eyes, and suddenly they tell you, live: “You’re ordinary, you’re cheap, how can you wear that makeup?” If something like this happened to you now, you’d say: “Wow, there are millions [of women] behind me, and you stop right there.” But at that time there was a system that allowed everything, and everything was normalized. 

You are heavily involved in the production aspect of both music and video. Why? 

When I went solo, I became 100% involved in my videos, in the mix, in the composition. Remember, I lived for many years under the telenovela regime: “Stand here, stand there.” I was up to here with instructions. Now I’m the one calling the shots. And I know what my audience wants to see from me, and I have an inkling of what young people want. 

What advice do you give up-and-coming artists? 

To be themselves. Don’t be afraid of not fitting. It’s OK not to belong, because there is only one person like you on the planet. And we have this society where we’re constantly taught that you have to fit in the pack. I have news for you — you can be yourself and you will find your audience, and you will find your niche, and you will find your expression. 

What’s your mantra? 

I don’t know if it’s a mantra, but it’s faith. I believe that God is always giving me light. That is my gift. 

At the Academy Awards, Michelle Yeoh, at 60, accepted her Oscar for best actress and said: “Ladies, never let anyone tell you you’re past your prime.” What do you think of those words? 

One hundred percent! I believe that life is a constant evolution. Everyone is going to die, everyone is going to grow old, we are all going to depend on each other. That’s life. And if you go there, do all you can to enjoy the trip. Do everything that challenges you, do everything that gives you a vision, do everything that you fear. 

Are you in your prime? 

I am always in my prime! It’s a constant prime state of mind. 

Tickets to Billboard‘s Latin Women In Music can be purchased here.

Latin Women in Music, Shakira, Thalia, Maria Becerra, Emilia Mernes, Evaluna Montaner, Goyo

Old Crow Medicine Show Calls for Action Against Gun Violence in New Song ‘Louder Than Guns’

Old Crow Medicine Show has earned a reputation for top-shelf musicianship and hits including the now-classic “Wagon Wheel,” but the two-time Grammy-winning group is also advocating for gun reforms.

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The group has released the protest song “Louder Than Guns” to all streaming platforms, in partnership with 97Percent, a bipartisan gun-safety organization that is working to create research-backed policies supported by both gun owners and non-gun owners.

Old Crow bandleader and Nashville resident Ketch Secor wrote the song in the aftermath of the March 27 school shooting at The Covenant School in Nashville, which took the lives of three children and three school staffers. (The shooter was also killed during the incident.) “This time it was people I know, gunned down in a minute or so/ Only God knows when it’ll stop/ But thoughts and prayers ain’t enough,” Secor sings in the song.

“When the lives of six teachers and students were snuffed out in a couple minutes at Covenant School in Nashville, I knew I had to speak out, and so I sought every opportunity to do so,” Secor said via a statement. “I wrote the song ‘Louder Than Guns’ and recorded it just a week after the funerals for the slain. Before we recorded the track, I carved their names in my fiddle — Hallie, Evelyn, William, the three 9-year-olds, and Mike, Cynthia and Katherine, the three educators. I dedicate this song to them because I swore when the shooting came to Nashville, I was going to work my hardest to make it the last stop on this runaway train of murders, gun violence and terror. I stand up not knowing the answers as to how this will be done. I am a musician, not a politician. But I will use my voice from now on to demand the change our communities deserve. Won’t you join us in Old Crow Medicine Show and take a stand in your community, too?”

Secor, a father of two children and a co-founder of The Episcopal School of Nashville, has been a leading voice for change following the shooting at The Covenant School. He performed at a benefit concert at Belmont University’s The Fisher Center to support those impacted by the Nashville school shooting, as well as at a vigil held in downtown Nashville. He is also joining the board of the 97Percent.

On Wednesday (April 26), 97Percent and Wunderman Thompson launched the Aim For Change campaign, a petition featuring four gun reform laws that 97Percent’s research shows are supported by gun owners.

Of the band’s partnership with 97Percent, Secor said, “We’re proud to partner with 97Percent, an organization focused on pragmatic, impactful solutions that both non-gun owners and gun owners want, because we recognize the huge importance of getting through the gridlock on the issue of gun violence. Parents across America must set the example for politicians; the time is now for the Left and Right to come together at the bargaining table. As 97Percent believes, we’re never going to make progress without engaging gun owners. Old Crow hopes our partnership will be a calling to gun owners and sportsmen. The time to act is now and both sides simply must come together before the next innocent lives are lost.”

Listen to “Louder Than Guns” below:

Kelly Clarkson Makes an ‘Exception’ for Her Gorgeous Paramore Cover: Watch

Kelly Clarkson‘s Kellyoke covers are always incredible, and — despite the title of her latest song of choice — her Thursday (April 27) performance is no exception. The three-time Grammy winner sounded absolutely stunning while passionately belting out Paramore‘s hit bittersweet love song “The Only Exception,” singing on stage with no accompaniment other than a solo acoustic guitarist.

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Just like Hayley Williams does on the original track, Clarkson starts off soft and effortlessly before ramping up the intensity for the choruses and angst-filled bridge. “I’ve got a tight grip on reality
but I can’t let go of what’s in front of me right here,” she belts, hitting each high note with crystal clear resonance. “I know you’re leaving in the morning when you wake up/ Leave me with some kind of proof it’s not a dream.”

Released in 2009, “The Only Exception” holds up as one of Paramore’s biggest hitss. The soft-rock ballad peaked at No. 24 on the Billboard Hot 100 in 2010 and remained on the chart for 20 weeks; it also earned the band a Grammy nod for best pop performance by a duo/group with vocals in 2011.

Williams and bandmates Taylor York and Zac Farro are currently touring in support of their first group album in nearly six years, the February-released Billboard 200 No. 2 This Is Why. The global stint included an opening slot for the first couple shows of Taylor Swift’s Eras Tour in Glendale, Ariz.

Clarkson is also about to make a comeback of her own. She also hasn’t released a proper (non-Christmas) album since 2017, but that’s set to change when Chemistry drops June 23. Earlier this month, she released the album’s double lead singles, “Me” and “Mine,” the latter of which she performed live for the first time on Kellyoke.

Watch Kelly Clarkson nail Paramore’s “The Only Exception” below:

Cyndi Lauper, French Montana, Carlos Santana Docs to Premiere at 2023 Tribeca Festival

The 2023 Tribeca Festival announced the star-studded lineup for its gala events and the opening, closing and centerpiece selections on Thursday (April 27). This year’s fest will kick off on June 7 with the North American premiere of Kiss the Future, a documentary following a group of underground musicians and creatives during the nearly four-year siege of Sarajevo and the 1997 U2 concert celebrating the liberation of the Bosnian capital.

The doc, produced by Matt Damon, Ben Affleck and Sarah Anthony — and featuring U2’s Bono, The Edge and Adam Clayton — will officially open the 12-day event’s theme of artists-activists.

“We know U2’s marquee is helpful in getting the lives of these local heroes to a wider audience, but even at my most puffed up I couldn’t have imagined our tiny role being given so much care, attention, and screen time by Nenad Cicin-Sain,” U2 singer Bono said in a statement. “If defiance is the essence of romance, then the people of Sarajevo are the most romantic figures. Viva Sarajevo!” 

Damon added that he and childhood friend and producer/writing partner Affleck are proud that Kiss the Future was selected to open this year’s festival. “We are grateful to the people of Sarajevo and to U2 for giving us the opportunity to help tell this special story,” he said in a statement. “Though this event happened almost 30 years ago, we feel it has strong relevance to today’s world, serving as a powerful reminder that human creativity can provide a powerful antidote to even the most horrific of situations.”

The Centerpiece Gala will spotlight the NY premiere of Disney/Pixar’s Elemental, as well as musical documentaries about Carlos Santana (Carlos), Cyndi Lauper (Let the Canary Sing) and French Montana (For Khadija), with each artist performing after the screenings. Megan Thee Stallion will also be on hand for a Storyteller’s conversation on June 14.

“Music is an instrumental form of storytelling, and the Tribeca Festival is thrilled to weave dynamic performances into our Gala events. Our lineup features the best of soul, rock & roll, pop, and hip-hop,” Tribeca Festival Director and VP of Programming Cara Cusuamno said in a statement. “We hope our audiences are inspired by activism in art and riled up by the electrifying acts paired with the screenings.”

This year’s festival will take place from June 7-18 in New York and feature 109 films, including documentaries about Alicia Keys, Gogol Bordello, Milli Vanilli, Gloria Gaynor, Biz Markie, the Indigo Girls and Tierra Whack.

Publishing Briefs: Reach Music Buys Judas Priest Albums

Reach Music has acquired master and publishing rights to Judas Priest‘s first two records, Rocka Rolla and Sad Wings of Destiny from Gull Entertainments. As part of their new purchase, Reach will work alongside the British metal legends to release a 50th anniversary edition of Rocka Rolla in 2024 as well as other special projects. This deal builds upon Reach’s existing relationship with the band — in 2021, Reach acquired a 50% copyright interest and the administration rights to guitarist Glenn Tipton’s song catalog, beginning with songs released in 1977.

Reservoir has launched a joint venture with American Idol producer, 19 Entertainment, which is part of Sony Pictures Television and already partnered with BMG on the master side. Through their new jv, the two will jointly sign new publishing deals with some of Idol’s contestants, and Reservoir will aid in the young writers’ development.

Peermusic Australia has inked a worldwide publishing deal with Sydney-based hip-hop/rock crossover group Triple One. The agreement includes both Triple One’s full back catalog as well as future works.

Position Music has signed artist and songwriter Sam Tinnesz to a worldwide publishing deal. The deal includes some selected catalog cuts as well as all of Tinnesz future releases, including those made under his artist project and those made as a songwriter.

Prescription Songs has signed Nashville-based artist and writer Josie Dunne. As an artist she played alongside artists like Julia Michaels, COIN, Ben Rector, and Andy Grammer. As a writer, she’s create songs with Natalie Imbruglia, Corook, Spencer Sutherland, and more. She was brought into the roster by A&R Chris Martingnago.

Warner Chappell Music has signed a global publishing deal with country sibling trio Voth. The deal was signed just ahead of their next single “You Own It,” out April 28th.

Record Store Day 2023: Taylor Swift’s ‘Folklore’ Release Brings Long Lines, Sellouts at Retailers

Record Store Day already has a magnificent track record of bringing music fans out to stores, but this year, the event received an added boost from Taylor Swift’s folklore, the long pond studio sessions — a double LP that resulted in longer-than-usual lines at retailers.

While the spread of Record Store Day (RSD) releases is now a major draw unto itself, the Swift release, which enjoyed a 75,000-unit distribution to stores across the U.S., was the best-selling title by far. Or as Stu Goldberg, owner of Mr. Cheapo CD & Record Exchange on Long Island, N.Y., put it: “Today, it was all about Taylor Swift.”

An assessment of Record Store Day wouldn’t be complete without a call to its administrator and co-founder, Michael Kurtz, who noted that RSD is on course to break the sales record for the most vinyl sold in a single day. When RSD “began 16 years ago, we had 30 releases that sold about 80,000 copies,” Kurtz says. “On Saturday, we had one record, Taylor Swift, selling 75,000 or almost that amount, and plenty of sales from other releases.” It’s likely that her release could be a Top 5 record on next next week’s Billboard 200.

Likewise, Rough Trade store manager George Flanagan said the store’s line was “informed by Taylor Swift fans,” while Newbury Comics store manager Therrien Dolby says the Swift release was the “big draw.” And In Patchogue, NY, Jeff Berg, the owner of Record Stop, says there were so many Swift fans, the store had to create two lines: one for fans seeking her release and one for everybody else. The Swift line had its own dedicated cash register too.

In acknowledgement of the day’s impact, Alliance Entertainment, the largest music wholesaler, says that more than 800,000 units of vinyl were created and shipped for RSD, with retail sales expected to surpass $32 million. “Record Store Day has been a long-time partner to Alliance Entertainment, always collaborating to benefit the independent record store community,” Alliance senior vp of sales Ken Glaser said in a statement.

RSD In NYC

Billboard began its New York City-area Record Store Day trek by driving out to Newbury Comics at Roosevelt Field Mall on Long Island. Upon arrival at 9 a.m., about 40 people were lined up outside. Like other stores later in the day, store manager Dolby positioned himself at the front door, regulating entry to make sure the store didn’t get too crowded and overwhelm the staff. At the 8 a.m. opening time, about 150 people were waiting, Dolby reported, including one customer who arrived at 1 a.m. (Dolby added that mall management, the Simon Property Group, was very helpful and accommodating to the store for the event.)

record store day

A common sight on RSD.

Ed Christman

Inside the store, a quick scan revealed that roughly 25% of its bin floor space is devoted to music, with 17 bins dedicated to vinyl and two dedicated to CDs. The store also carries a healthy stock of music merch, mainly artists-t-shirts, and music titles also enjoy a prominent position in front-of-the-store end caps.

Upon leaving Newbury Comics, Billboard headed to Mr. Cheapo CD & Record Exchange in Mineola (the store has a second location in Commack, Long Island). When co-owner Goldberg arrived at the store on Saturday morning, he found a line around the block due in large part to the Swift record, though he admitted that the store underbought the title and quickly ran out of it as a result. That was the store’s number one title for the day, he says, and “if we had more, it would have been the biggest by a mile.”

Fortunately for Goldberg, most people stayed in line after learning the Swift release had sold out. The other big sellers on Saturday were Billy Joel‘s Live at the Great American Music Hall, 1975 and Eric Carr’s Rockology, because “Kiss is always a great seller here,” he adds. Behind the counter, store staffer Jessica commanded the cash register and bagged purchases while touting her band T.O.Y.S.’ next gig with a bag-stuffer flyer for their set supporting hardcore punk band Urban Waste at the Amityville Music Hall on May 5.

Beyond the vinyl explosion, Goldberg noted that CDs are again becoming a big deal because young fans “want something tangible” from their favorite artists.

While at Mr. Cheapo, Billboard ran into respected sales/commerce executive Ken Gullic, who was doing his best to support RSD by picking up Soul Asylum‘s MTV Unplugged 1993 and Tori AmosLittle Earthquakes – The B-Sides. Most recently with MNRK, Gullic is entertaining freelance options; entertainment suppliers can reach him at kengullic@gmail.com.

After Long Island, Billboard decided to hit record stores in Ridgewood, Queens and then Bushwick, Brooklyn, on the way to Rough Trade Records on Sixth Avenue near 49th Street in Manhattan. Trying Google for Ridgewood, Billboard hit Scorpio Records and then Deep Cut Records, but things didn’t work out so well. At 11:30 a.m., Scorpio Records was closed and, as it turns out, generally doesn’t open until 2 p.m.

While Deep Cut Records was open and had about 20 people in line, the owner effectively told Billboard to get lost by slamming the door after being asked what his best-selling title was.

Onward Octopus Records in Bushwick. While Octopus didn’t stock any RSD titles, Nigel, who identified himself as the store owner, says it wasn’t for a lack of trying. He explained that his store is relatively new, having opened last summer and that an e-mail to the Record Store Day website was never returned. Nevertheless, the store advertised a 10%-off sale for RSD on a sign placed outside to celebrate the event. Nigel says Octopus Records has a deep selection of electronica music and is now building out other genres.

Down the block from Octopus, Brooklyn Vintage, a clothing store that also sells other merchandise, including records, was getting some Record Store Day action too, with crates of vinyl set outside the door  (where a DJ was spinning tunes) and a bin of vinyl inside.

Finally, Billboard headed to Rough Trade in Manhattan, where things were still swinging at 2 p.m. Upon arrival, at least 150 people were still in line, which ran to the corner of 6th Avenue and then a third of the way down 49th Street. The size of the line held steady throughout most of the day, as security never let more than eight or so customers in the store at one time to allow staff to handle sales in an orderly manner.

Store manager Flanagan reports that the first customer lined up sometime before 8 p.m. on Friday night and that the same customer has been the first person in line for at Rough Trade on RSD for at least five years. Meanwhile, beyond the hundreds of copies of the Swift record sold by the store, The 1975’s Dirty Hit release, Live With The BBC Philharmonic Orchestra, was its second most popular, having sold out by 3 p.m.

After Rough Trade, Billboard called it a day but is sorry to have bypassed Record Stop in Patchogue on Long Island, as that store put on an old-school Record Store Day bash reminiscent of the early days when stores threw parties for the annual event. “The town of Patchogue is very pro-business, so we did a block party, getting permits and had the street closed off from cars,” Record Stop owner Berg reports. “We had a food truck and the nearby Burgerology restaurant was hawking Blue Point beer, while we had five bands and a DJ.” According to a Record Stop flyer, the bands were Thee Unsung, the Detonators, Bang For Your Buc and War Pigs, while the DJ set was supplied by Vinyl Guy Tom.

Berg says he decided to make this year special because he wanted to thank his customers as well as his staff. “Record Store Day is about a celebration of what we do,” he says.

Helen Mirren, Woody Harrelson & Chelsea Handler Join Willie Nelson’s 90th Birthday Hollywood Bowl Concert: Exclusive

Long Story Short: Willie Nelson 90, A Star-Studded Concert Celebrating Willie’s 90th Birthday just got a little longer and a little more star-studded with the addition of a big-name presenters who will help Willie Nelson celebrate his milestone this weekend at the Hollywood Bowl. 

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Woody Harrelson, Chelsea Handler, Ethan Hawke, Helen Mirren, Jennifer Garner, Owen Wilson and Gabriel Iglesias will be presenters at the two-night Los Angeles extravaganza, which boasts more than 45 acts on hand to celebrate the national treasure that is Nelson.

The presenters join a diverse artist lineup for Saturday and Sunday that includes George Strait, Snoop Dogg, Miranda Lambert, Norah Jones, Sheryl Crow, Dave Matthews, Tom Jones, The Chicks, Chris Stapleton and more who will salute the “On the Road Again” singer, who is also slated to perform. 

Willie Nelson 90 lineup poster

Also on the bill are Allison Russell, Beck, Billy Strings, Bobby Weir, Booker T. Jones, Buddy Cannon, Charley Crockett, Daniel Lanois, Dwight Yoakam, Edie Brickell, Emmylou Harris, Gary Clark Jr., Jack Johnson, Jamey Johnson, Kris Kristofferson, Leon Bridges, Lily Meola, Lukas Nelson, Lyle Lovett, Margo Price, Nathaniel Rateliff, Neil Young, Orville Peck, Particle Kid, Rodney Crowell, Rosanne Cash, Shooter Jennings, Stephen Stills, Sturgill Simpson, The Avett Brothers, The Lumineers, Tyler Childers, Warren Haynes, Waylon Payne and Ziggy Marley. Kacey Musgraves, who had originally been scheduled to perform, can no longer appear.

Each evening is expected to last at least four hours with the two nights’ experiences varying from each other.

At 90, Nelson continues to be a musical force. He was nominated for four Grammys earlier this year and a multi-part documentary on Nelson, titled Willie Nelson & Family, premiered at the Sundance Film Festival. On March 3, he released his latest album, I Don’t Know a Thing About Love, which highlighted songs written by Harlan Howard, on Sony’s Legacy Recordings.

Produced by Blackbird Presents, Live Nation and Hewitt Silva, the Hollywood Bowl event’s executive producers are Mark Rothbaum, Keith Wortman, Bill Silva, Brian Smith and Creative Artists Agency.

Jerry Springer, Tabloid TV Show Legend, Dead At 79

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Jerry Springer, an early leader in the tabloid talk show and unscripted television space, has reportedly died. Springer, a former mayor of Cincinnati in the 1970s, engaged in a decades-long career as a broadcaster and host up until last year.

Jerry Springer, born Gerald Norman Springer on February 13, 1944, in London, England. His parents resettled in America and Springer attended public school in Queens, N.Y. ahead of attending Tulane University en route to earning a law degree from Northwestern University. Early on, Springer worked in the legal field and was a partner of a Cincinnati law firm before engaging in a career in politics.

Springer was elected to the Cincinnati City Council in 1971 and stepped down in 1974 after admitting to soliciting a prostitute. However, his admittance won over the public and he was eventually reelected. Via a now-defunct political arrangement, Springer was elected to serve one year as mayor of the city by the council and entered into a failed bid for the governor’s seat in Ohio in the early 1980s.

From politics, Springer began his career as a television journalist, working for local station WLWT in Cincinnati. The network helped Springer establish his eponymously-named show, Jerry Springer, in 1991, which ran in syndication until 2018. The program proved to be popular once it shifted into having guests confront one another onstage, often coming to blows in the process before security would break up the fracas.

In 2015, Springer started The Jerry Springer Podcast, and in 2019, he also hosted the courtroom series Judge Jerry until it was canceled in 2022.

According to a family spokesperson, Springer died with his family nearby in his Chicago home. Springer was previously diagnosed with cancer according to a statement from the family.

On Twitter, the reactions to the death of Jerry Springer have the host’s name trending. We have those replies below.

Springer was 79.

Photo: Getty