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Doechii Talks the ‘Responsibility’ of Being the First Female Rapper Signed to TDE

First-time Coachella performer Doechii caught up with Billboard News’ Tetris Kelly to discuss her historic set, a possible “mini tour” this year spanning major cities, collabing with SZA, and her upcoming album. The Tampa, Fla.-born artist is the first female rapper on the TDE roster and views the role as “a huge responsibility.”

“I know that after me, there’s going to be more female rappers that are a part of TDE,” she says. “I want to make sure that I do everything, so that the next girl feels comfortable doing everything.”

Doechii, who joins SZA on the TDE roster, was honored alongside the “Kill Bill” singer at Billboard‘s 2023 Women In Music event. “She actually gave me a shout-out that night,” Doechii recalls. “To even be peers with her, to be getting honored along with artists as big as SZA is amazing.”

Propelled into music by her mother at a young age, Doechii is trained in ballet, tap dance, jazz, contemporary dance and gymnastics, which explains the rapper’s vibrant stage presence and involvement in the creative direction of her visuals and performances.

“I’ve just always been creative and my mom gave me the freedom to be an artist ever since I was young,” she tells Billboard.

In March, Doechii released her single “What It Is (Block Boy),” sampling “Some Cut” and TLC’s “No Scrubs.” Initially released with a feature from Kodak Black, a solo version without the “Super Gremlin” rapper was released after fan backlash. The solo version is trending and has been used in more than 40,000 TikTok videos.

“When [producer J White Did It] played it for me, I was like, ‘This is the summer bop, this is exactly what I’m looking for,’” she explains. “I wanted a fun song, I wanted a hit. And that’s what we got.”

When it comes to her upcoming album, Doechii is leaning into a “genre-bending” style, specifying, “a little bit of alternative hip-hop, rock, pop, rap, it’s a lot.”

Federal Bill Limiting Use of Rap Lyrics in Court Reintroduced in Congress

Representatives from the Black Music Coalition (BMAC), the Recording Academy and SAG-AFTRA came together with Congressmen Hank Johnson (D-GA) and Jamaal Bowman (D-NY) on Capitol Hill Thursday (April 27) to reintroduce the Restoring Artistic Protection (RAP) Act, a bill that would limit the use of song lyrics in court — a practice that disproportionately affects Black artists working in rap and hip-hop.

“Since the 1990s, there are hundreds literally hundreds of documented cases where prosecutors use lyrics as criminal evidence in court and this practice disproportionately affects rap artists,” said Recording Academy CEO Harvey Mason jr. during a press conference announcing the bill’s reintroduction. “But this act is absolutely not just about hip-hop artists. Silencing creative expression is a violation against all artists and all forms of creative expression. The Restoring Artistic Protection Act affirms that every single artist, no matter the discipline, should be able to express themselves without fear of prosecution.”

SAG-AFTRA president Fran Drescher, who was also in attendance, advocated for the First Amendment rights of musicians. “Rap music actually is folk music, because folk music is the voice of the people,” she said. “I urge Congress to pass the RAP act to ensure fair and equitable treatment in the justice system.”

First introduced in July 2022, if passed, the RAP Act would be the first federal law to limit the use of lyrics in criminal cases.

Also participating in the press conference was 300 Elektra Entertainment CEO Kevin Liles, who urged bipartisan support for the bill: “For the first time in a long time, I have hope…in groups on the right and the left both saying that this is against the values of Americans.”

The revived interest in the issue of rap lyrics being used in court came about due to the May 2022 indictment against rappers Young Thug and Gunna along with dozens of others on RICO charges, with prosecutors claiming their group YSL was not really a record label called “Young Stoner Life” but a violent Atlanta street gang called “Young Slime Life.” The 88-page indictment cited lyrics and music videos as evidence, including quotes from Young Thug songs including, “I never killed anybody but got something to do with that body” and “I killed his man in front of his momma.”

Though Young Thug remains in custody ahead of trial, Gunna was released in December after pleading guilty to a gang-related charge.

On the state level, a similar bill in California known as the Decriminalizing Artistic Expression Act was signed into law by Governor Gavin Newsom in September. In New York, another bill known as “Rap Music on Trial” passed the state’s Senate in May but failed to secure a vote in the New York Assembly before the end of last year’s legislative session. Comparable bills are making their way through the sate legislatures in both Louisiana and Missouri.

“As a music creator myself, I know how important it is that we safeguard artists’ freedom to create at all costs, and to work to eradicate the biases that come with the unconstitutional practice of using lyrics as evidence, which disproportionately affects artists of color, and penalizes the creativity of Black and brown fields,” added songwriter-producer-artist Rico Love, who serves as chair of the Recording Academy’s Black Music Collective.

Love added, “Music makers are storytellers who have provided important insight into our country throughout history. We have the responsibility to protect them and their works of creative expression, which helped define American culture.”

The announcement of the RAP Act’s reintroduction followed the Recording Academy’s annual GRAMMYs on the Hill, a two-day event that honored Pharrell Williams, Senate Majority Leader Chuck Schumer and Senator Bill Cassidy and connected music creators with members of Congress to advocate for the RAP Act, the HITS Act, the American Music Fairness Act and reform in the live event ticketing space.

What’s Your Favorite Lizzo Hot 100 Hit? Vote!

Happy birthday, Lizzo! The Grammy-winning superstar turned 35 years old on Thursday (April 27), and to celebrate, we’re looking through some of her biggest Billboard hits.

“About Damn Time” gave Lizzo her second Hot 100 chart topper, as the TikTok-viral hit made its way to the top of the tally dated July 30, 2022. Her first leader was “Truth Hurts,” which dominated the chart for seven weeks beginning in September 2019.

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In total, Lizzo has eight tracks that have made the Hot 100, including jams like “Good As Hell,” “Juice” and her Cardi B collaboration, “Rumors.” Most recently, her “Special” collaboration with SZA, “2 Be Loved (Am I Ready) and her holiday hit “Someday at Christmas” all appeared the tally.

To celebrate Lizzo’s birthday, we want to know which of her Hot 100 hits is your favorite. Let us know by voting below!

Lizzo Celebrates Her Birthday By Cheekily Threatening to Quit Music

Lizzo turned another year older on Thursday (April 27) and celebrated by, well, wishing herself a happy birthday on social media.

“HAPPY BIRTHDAY LIZZO,” the singer wrote on Instagram alongside a video of herself blowing out the candles on a marbled birthday cake featuring a portrait of her face framed by thick gold icing. She went even harder on TikTok by cheekily demanding, “IF 26.9 MILLION PEOPLE DONT WISH ME HAPPY BIRTHDAY IM QUITTING.”

While Lizzo posted the same celebratory video from her Instagram, the star also played her own 2022 song “Birthday Girl” over the clip on TikTok, her voice gleefully singing, “Is it your birthday, girl?/ ‘Cause you lookin’ like a present.” (Turns out the track is a reliable perennial for the hitmaker, considering she also used it to mark her birthday — and the official start of Taurus season — in 2022.)

Plenty of the “Grrrls” singer’s famous friends hopped into the comments to help celebrate her day. Chlöe Bailey wrote, “happy birthday beautiful,” while her younger sister Halle Bailey echoed her sentiments with birthday wishes of her own. Meanwhile, Lil Nas X, Saucy Santana, Yara Shahidi and others also filled Lizzo’s comments section with love.

This year, the Yitty designer is marking her birthday from the road as she’s in the middle of another trek across North America in support of her 2022 album Special. So far, she’s used the tour to protest anti-LGBTQ+ laws in Tennessee with help from several queens from RuPaul’s Drag Race, design a custom tattoo for a fan mid-show, dance in a bikini in front of the famous St. Louis Arch and more.

Watch Lizzo revel in her birthday festivities below.

Bhad Bhabie Says She Got 6 Chief Keef Tattoos While They Were Dating

Like many people out there, Bhad Bhabie has regrettably gotten a tattoo inspired by an ex. However, in the case of the 20-year-old rapper, she got six.

Bhabie — real name Danielle Bregoli — joined Emily Ratajkowski on the model’s High Low podcast this week, where she revealed that she has six Chief Keef tattoos from when they were dating.

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“I have one guy that managed to make it six times, five or six,” she said in the podcast. “So, I have Chief Keef’s birthday, his last name, his name, his nickname, and I have ‘CK’ on my ankle, then I have his last name right here. Actually, I just covered his birthday, and then I have ‘So’ on my ear, and then I have ‘Keef’ on my wrist.”

When Ratajkowski asked why she covered his birthday, Bregoli responded, that she’s “sick of his s—.” She went on to note that she’s planning on getting all of her Keef-inspired tattoos removed. “I’m just tired of being delusional. I’m so over it,” she explained.

The “Gucci Flip Flops” rapper revealed that while “it’s been a long run,” she and Keef were never officially together. “I would say we were pretty close, but I’ve known him for a minute,” she continued, without giving an exact timeline. “I feel like I’m kind of wrong, in a way, because I just walked out without rhyme or reason. I mean, I had a little bit of a reason but it was like, ‘Damn, b—-, you just stopped talking to me?’”

“I don’t mean to sit here and put him on blast,” Bhabie continued, noting that Keef is one of “the only people I could say I really took to and I really loved him.”

Listen to the full episode here.

Warner Music Group Names Val Blavatnik, Len’s Son, to Board of Directors

The board of Warner Music Group (WMG) announced Thursday (April 27) that it’s elected Val Blavatnik, son of WMG’s controlling shareholder Len Blavatnik, to a seat on the board of directors as well as the company’s executive committee.

Val Blavatnik replaces Len’s brother Alex Blavatnik, who’s served as a director on the WMG board since Access Industries acquired WMG in July 2011. Len Blavatnick currently serves as a director and vice chairman of WMG’s board.

Val Blavatnik has worked on the investment team at LionTree, covering the media and tech industries, since 2021. He has also been a production executive at the New York-based film and TV production company Eden Productions. He serves on the executive committee of Access Industries and previously worked in the music industry, primarily as an artist manager, according to a press release.

“We’re pleased to welcome Val to the WMG Board,” Michael Lynton, WMG’s board chairman, said in a statement. “His experience working with a variety of companies as well as directly with artists makes him well suited to his new post. He’ll also bring a fresh perspective as we chart the future of WMG. We’re incredibly grateful to Alex for his wisdom, guidance, and enthusiasm over the past 12 years, as the company has grown and thrived in the streaming era.”

“I’m excited to be joining the Board during this dynamic, transformational time at WMG, with so many innovative opportunities ahead for artists and songwriters,” Blavatnik said. “I’ve previously worked on artist projects with the senior team, and I’m looking forward to collaborating with the impressive group of leaders on the Board.”  

Selena & Kelly Snag Emmy Noms, Ice Spice & Nessa Barrett for Skims, & More | Billboard News

Selena Gomez’s ‘Selena + Chef’ has been nominated for Outstanding Culinary Series and Kelly Clarkson’s ‘The Kelly Clarkson Show’ leads all talk series with 11 nominations. Billboard News’ Tetris Kelly caught up with Doechii after her set at Coachella. Ice Spice, Nessa Barrett, PinkPatheress, & RAYE are the face of the new Skims campaign. And more!

Blink-182: A Timeline of the Band’s History

Blink-182 has been through a lot. Since forming in 1992, the rock band — a staple of the late ’90s, early 2000s punk takeover — has experienced several fallings-out, lineup changes, hiatuses and reunions that have kept fans on their toes for two decades and counting. For those keeping track, Travis Barker, Tom DeLonge, Mark Hoppus, Scott Raynor and Matt Skiba have all been part of the group throughout its various iterations, but never more than three of them at a time.

But while many things have changed for the band over the years, one thing is for certain as far as fans are concerned: Whenever they are together, the guys of Blink-182 make some good music. They have the commercial success to prove it, too. According to Luminate, the group’s eight-album catalog has raked in a combined 15.3 million copies sold and nearly five billion on-demand official U.S. streams.

Not to mention its chart successes, which solidify the band’s status as pop-punk artists who have paved the way for several acts following in its footsteps. Blink-182 has topped both the Billboard 200 and the Album Sales charts twice, scored four No. 1s on the Alternative Airplay chart and notched eight songs in the Billboard Hot 100.

That’s why it was so exciting for fans when the band announced in October 2022 that after seven years away, DeLonge would be returning to Blink-182, restoring its classic lineup with Barker and Hoppus. The trio revealed plans to go on a reunion tour in 2023, dropped a new single in celebration of DeLonge’s homecoming titled “Edging” and went on to become impromptu headliners for Coachella 2023’s second weekend lineup after Frank Ocean dropped out.

Keep reading to take a look through the tumultuous history of Blink-182.

Lindsay Lohan Is All Smiles in Pregnancy Snaps With Friends & Family

Lindsay Lohan is enjoying the “good times” while pregnant. The Just My Luck star took to Instagram on Thursday (April 27) to share a series of happy, smiling photos while showing off her baby bump.

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The photos included selfies in which she’s seen holding her growing stomach, as well as snaps with friends and family from a variety of recent events. “Good times,” she captioned the photo, along with a smiley face and pregnant emoji. “So grateful for all of the wonderful people in my life!”

“So happy for you love!” Paris Hilton — who recently welcomed her first child with husband Carter Reum — commented on the post. Jersey Shore star Nicole “Snooki” Polizzi also commented in support, writing, “Oh queen you look amazing.”

Lohan revealed last month that she and husband Bader Shammas are expecting their first child. “We are blessed and excited!” she wrote alongside a surprise Instagram photo of a white onesie with the words “Coming Soon …” written on it.

“We are very excited for our new family member to arrive and we are looking forward to this next chapter of our lives,” she later shared in a sweet statement to TMZ. The pregnancy news comes less than a year after Lohan and Shammas tied the knot.

Two New Senate Bills Aim to Clean Up Ticketing Industry

Two new bills introduced to the Senate Wednesday aim to clean up the ticketing industry and address long-standing criticisms about Ticketmaster’s dominance over the primary ticketing market.

The TICKET ACT, introduced by Sens. Maria Cantwell (D-Wash.) and Ted Cruz (R-Texas) — chair and ranking member of Chair of the Senate Committee on Commerce, Science and Transportation, respectively — would ban hidden ticket fees, requiring vendors to display the total price of a ticket up front. These fees can sometimes increase the purchase price by as much as 60% or higher. For example, some tickets in the upper seating section for Luke Combscurrent stadium tour being sold by Ticketmaster are marked up more than 100% when fees and taxes are added to the face value.

The bill would also attempt to reign in speculative ticket sales, a heavily criticized sales technique used by ticket scalpers to maximize profits. Speculative ticket selling is the practice of selling a ticket one does not own, often at the height of the market, and then waiting until the price drops to procure and deliver the ticket to the consumer. The TICKET ACT would require scalpers to display in a “clear and conspicuous manner” that the ticket seller does not actually possess the ticket at the time the ticket is listed for sale.

Recent ticketing legislation proposals by both Live Nation and the National Independent Talent Organization have called for a ban of speculative ticketing – with several prominent music industry executives comparing the practice to fraud.

The other bill, the Unlocking Ticketing Markets Act, was presented by longtime Ticketmaster critics Sens. Amy Klobuchar (D-Minn.) and Richard Blumenthal (D-Conn.), seeking to limit the use and scope of exclusive multi-year ticketing contracts in live entertainment. The legislation is aimed at Ticketmaster, which “by some estimates has locked up 70 to 80 percent market share and has used its dominance to pressure venues to agree to ticketing contracts that last up to ten years, insulating it from competition,” explains a press release from Klobuchar’s office announcing the legislation.

It follows a January Senate Judiciary Committee hearing probing the cause of the Ticketmaster Taylor Swift crash. During the hearing, Ticketmaster was regular criticized by the committee for the company’s dominate market share of the U.S. ticketing industry, with several senators accusing the company of acting like a monopoly.

The Unlocking Ticketing Markets Act would empower “the Federal Trade Commission to prevent the use of excessively long multi-year exclusive contracts that lock out competitors, decrease incentives to innovate new services, and increase costs for fans.”

The text of the Unlocking Ticketing Markets Acts has not yet been released to the public and it’s unclear how the bill would define excessively long contracts. In a press release announcing the legislation, Klobuchar’s office noted that some exclusive ticketing contracts last as long as ten years, but the average contract term in sports and live entertainment is typically five to seven years, according to multiple sources, including the often-cited Ticketmaster vs. Tickets.com lawsuit from 2003.