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MTV News Signs Off for Good After 36-Year Run

Thirty-six years after MTV News was created to expand the stable of programming that defined the cable channel MTV, it is no more.

MTV News was shuttered this week as part of larger layoffs at parent company Paramount Global.

What launched as a single show in 1987 (The Week in Rock, led by correspondent Kurt Loder) eventually became a bona fide news outlet for Gen X and older millennials who found that traditional TV programming on the broadcast networks and CNN wasn’t cutting it.

Correspondents like Loder, Tabitha Soren, SuChin Pak, Gideon Yago, Alison Stewart and others covered music, pop culture, politics and other topics with an eye toward the younger generation that was tuned to MTV, rather than the network evening newscasts.

Along the way, MTV News created some pop culture moments itself, perhaps none bigger than in 1994, when President Clinton appeared on MTV’s Enough Is Enough, a town hall addressing violence in America.

The special was led by Soren and Stewart and saw them, as well as audience members in attendance, asking questions of Clinton about fighting crime and balancing personal freedom with social responsibility. But it was a section of lighter questions and answers that made national headlines, when an audience member asked Clinton, “Mr. President, the world’s dying to know, is it boxers or briefs?”

“Usually briefs. I can’t believe she did that,” Clinton responded, to laughter from the crowd.

MTV News subsequently held town halls with Barack Obama, John McCain, Bill Gates and others, and boxers or briefs would become a running joke still referenced to this day.

Coverage of topics like sexual health, the Iraq War and devastating natural disasters earned the news division and its correspondents Emmys and Peabody Awards, while it continued to deliver news and criticism of music and pop culture.

On April 8, 1994, MTV broke into regular programming after it had confirmed the death of Nirvana frontman Kurt Cobain, with Loder breaking the news to the channel’s viewers.

To be certain, the MTV News of 2023 was much smaller and far less high-profile than the MTV News of the 1990s and early 2000s, when it could help define pop culture and cover stories more traditional outlets wouldn’t touch.

MTV News was already significantly reduced in size back in 2017, when it largely abandoned a strategy to take on outlets like BuzzFeed and Vice with a team of digital journalists led by Grantland alum Dan Fierman. The company said at the time it would refocus on shortform content and video in a return to its roots (MTV News used to have interstitials at the top of the hour on the cable channel with news updates). The most recent iteration focused on entertainment and pop culture news and criticism.

Now, however, amid a larger upheaval in the entertainment business, and with Paramount looking to cut costs, MTV News is one of the pieces that just didn’t fit in the larger strategy at play. According to Comscore, MTV drew 6 million monthly visitors to its flagship website in March, up slightly from 5.6 million in the same month a year earlier.

It was a real digital presence, but small potatoes compared to competitors like BuzzFeed and Vice, which have also shuttered or downsized their news divisions in recent months.

At its peak, beyond covering pop culture, MTV News was a part of the culture, as were its correspondents, none more so than Loder, the former Rolling Stone writer who spanned multiple decades at the news division.

“He never wishes his audience a good night or a pleasant tomorrow,” wrote New York Times reporter Judith Miller in a 1993 story about MTV News’ embrace of politics. “Attired in funereal black, he looks as if he hopes that it will thunder and rain all day. He is, in short, the contemporary Reverend Dimmesdale of rock.”

Loder appeared as himself in episodes of shows like The SimpsonsThat ’90s Show and Kenan & Kel.

In fact, Loder made one final MTV News appearance for corporate parent Paramount in March … sort of.

It was a fictional segment meant as an ad to tee up the new season of the Showtime series Yellowjackets.

Loder played himself at the MTV News desk, reporting on the missing soccer team whose “whereabouts are still unknown,” as Loder told viewers.

It was a throwback in more ways than one, with deepfake technology used to age Loder down to make him look and sound as he did in the early 1990s (he is now 77), the glory days for MTV News.

“Later, we’ll catch up with Grammy winner Alanis Morissette, fresh off her Jagged Little Pill tour,” Loder said to end the fictional segment, before it signed off with MTV News’ tagline: “MTV News, you hear it first.”

This article was originally published by The Hollywood Reporter.

President Biden Nominates Former RIAA Lawyer as U.S. Intellectual Property Enforcement Coordinator

On Monday (May 8), President Joe Biden announced his intent to nominate Deborah Robinson as the next Intellectual Property Enforcement Coordinator (IPEC). The role was formed in 2008 as part of the Executive Office of the President and advises the president on U.S. intellectual property strategy.

Robinson most recently served as the head of intellectual property enforcement at Paramount Global (formerly ViacomCBS), but before that, she worked at the Recording Industry Association of America (RIAA) for five years, protecting music rights. She also spent seven years as an assistant district attorney for Philadelphia.

Along with her strong history of employment in the entertainment business, Robinson serves as co-chair of the diversity committee of the IP section of the New York State Bar Association and as a Board Member of Aequitas, a non-profit focused on access and quality of justice in cases of human trafficking and gender-based violence.

Robinson would replace Vishal Amin, who was confirmed as IPEC under President Donald Trump and left the post in 2021. Since then, the position has been vacant, something pointed out by Congressman Adam Schiff and Mark Cohen — a distinguished senior fellow and director of Asia IP Project, Berkeley Center for Law and Technology — in a recent meeting for the Congressional subcommittee on courts, intellectual property, and the internet.

“RIAA applauds President Biden’s nomination of Deborah Robinson to serve as Intellectual Property Enforcement Coordinator,” said RIAA chairman/CEO Mitch Glazier in a statement. “Deborah is deeply qualified to serve our nation as IPEC and will bring unmatched policy depth and appreciation for the economic and cultural importance of strong IP enforcement to this vital role. Deborah will be an extremely welcome and effective addition to the Executive Office of the President, filling a position that has been vacant for the past three years and leading an exceptional team. We thank President Biden for selecting such an outstanding nominee to advance smart, pro-growth IP policies and enforcement practices around the world.”

“We welcome the nomination of Deborah Robinson to serve as the Intellectual Property Enforcement Coordinator (IPEC),” added NMPA president/CEO David Israelite. “Ms. Robinson brings incredible experience and insight to the role which serves an important function to spotlight and safeguard creator’s work across the globe. In addition to an extensive career as a prosecutor, she has held senior positions specifically in the field of music and copyright enforcement. We look forward to engaging with Ms. Robinson and supporting her important work once confirmed.”

Eurovision Semifinal: 10 Acts Advance, Including From Sweden & Finland

LIVERPOOL, U.K. — The Eurovision Song Contest 2023 kicked off Tuesday with a jubilant party of elaborate PVC costumes, soaring rock ballads and cheesy Euro pop, as contestants competed in the first of two semi-finals to determine which 20 acts would move on to Saturday’s Grand Final. 

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The semi-final at the 11,000-capacity M&S Bank Arena, standing on Liverpool’s waterfront next to the River Mersey, marked the official start of the annual competition. The 10 acts moving on were Croatia, Moldova, Switzerland, Finland, Czechia, Israel, Portugal, Sweden, Serbia and Norway. That means the Netherlands, Malta, Latvia, Ireland and Azerbaijan were eliminated.

The United Kingdom is hosting this year’s Eurovision Song Contest – famous for introducing ABBA to the world – on behalf of war-torn Ukraine, which won last year’s competition with “Stefania” by Ukrainian rap-folk band Kalush Orchestra (the U.K. finished second through Sam Ryder’s “Space Man”).

It is the first time that the U.K. has held the contest in 25 years with Liverpool – whose illustrious music history includes The Beatles and Echo & the Bunnymen — fully embracing its role as host city.   

Memorable highlights (although not always for the right reasons) included Croatia’s Let 3, who stripped down to their underwear as they wielded giant missile props for their song “Mama ŠČ!”, and Israel’s Noa Kirel with her marauding dance pop track “Unicorn.”   

Some of the night’s biggest cheers went to two of this year’s favorites to take home the main prize: Sweden’s Loreen, who won the competition in 2012 and performed “Tattoo” on Tuesday; and Finnish rapper Käärijä, who sung his catchy song “Cha Cha Cha,” semi-topless, wearing only black spiky trousers and bright green Incredible Hulk-style sleeves.       

In a mid-show interval of the two-and-a-half-hour show Rita Ora also performed a medley of her biggest hits, including singles “Anywhere,” “I Will Never Let You Down” and Praising You.” 

Other non-competition performers included Liverpool singer Rebecca Ferguson and Ukraine’s Alyosha in a duet of Duran Duran’s “Ordinary World,” which they dedicated to refugees who had been forced to leave their country.       

The semi-final was hosted by British TV personality and singer Alesha Dixon, “Ted Lasso” star Hannah Waddingham and Ukrainian singer Julia Sanina — who opened the show with her band The Hardkiss. It was broadcast live on television in the U.K. and throughout Europe.  

In total, 37 countries are taking part in this year’s contest. Ukraine automatically qualifies for the final as 2022 winners, as do the so-called ‘big five’: the U.K., France, Germany, Italy and Spain, who all get a free pass to the main show because of their financial contributions to the event.  

Viewers in participating countries vote to decide the winner, although people can’t vote for an act from their own country. The second semi-final takes place on Thursday when another 16 acts will perform.   

In the runup to the competition, Liverpool has been transformed into a vibrant display of Eurovision banners and Ukrainian flags.  

Ahead of Thursday’s semi-final, the English National Opera put on a free show at the purpose-built fan village on Liverpool’s Pier Head, where they were joined by a series of former Eurovision contestants, including singer Ruslana, who won for Ukraine in 2004, and international opera stars who performed classical arrangements of some of the contest’s past hits.   

“I bring one message: Listen my sisters and brothers, we need to stop this bloody terrible war as soon as possible,” Ruslana said. “And I ask you, just help Ukraine to win. Because we are fighting for freedom. We are fighting for light. The light of human heart.”

Vice President Kamala Harris Showed Off Her New Vinyl Records & They’re All Classics

It’s Small Business Week, and Kamala Harris is celebrating by supporting the record store industry.

The Vice President stepped out of Home Rule Records in Washington, D.C., this week and stopped to tell photographers all about her new purchases. “Do you know music?” she teased in a video posted to her Instagram page on Tuesday (May 9).

She goes on to pull out a record by Charlie Mingus, whom she deems “one of the greatest jazz performers ever;” Roy Ayers’ Everybody Loves the Sunshine, one of her “favorite albums of all time;” and Louis Armstrong and Ella Fitzgerald’s “beautiful” collaborative 1959 album, Porgy and Bess.

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“Mingus, Ayers, Fitzgerald and Armstrong—if you don’t know, now you know!” Harris captioned the post.

Harris has always been passionate about music. In March, she released an official Spotify playlist of African music to highlight her recent trip across the continent. The playlist, titled “My Travels: Ghana, Tanzania, and Zambia,” was designed to “amplify the artists and sounds from my travels” and features Ghanaian and Ghanaian-American artists like Amaarae, Moses Sumney and Black Sherif; Tanzanian and Tanzanian-American artists like Harmonize, Zuchu and Alikiba; and Zambian and Zambian-American artists including Chile One Mr. Zambia, Yo Maps and Chef 187.

Signed: PJ Harvey to Partisan Records; ThxSoMuch to Elektra

PJ Harvey signed with Partisan Records, which will release her tenth studio album, I Inside the Year Old Dying, on July 7. The album — Harvey’s first since 2016’s The Hope Six Demolition Project — was preceded by the song and video, “A Child’s Question, August.” Harvey is managed by Sumit Bothra at ATC; her agents are Marsha Vlasic at AGI in North America and Alex Bruford at ATC for the rest of the world.

Rising Toronto artist ThxSoMuch signed with Elektra Records, which will release his debut EP, Sleez, on May 19, preceded by the single “Crumbled.” ThxSoMuch is managed by Tommy Kiljoy at mad world and Mac Moon; his booking agents are Jay Belin, Jesse Robbins and Robby Fraser at WME.

Country singer/songwriter/rapper David Morris signed with Virgin Music Group via a partnership with Grey Area Music. The label will release Morris’ new single, “Jenny’s Song,” on May 23.

British rock band Skunk Anansie signed with Blue Raincoat Artists for management. They will be managed by the company’s co-founder/CEO Jeremy Lascelles, in partnership with Kat Kennedy of Big Life Management (Lascelles signed the band to their first music publishing agreement in 1994 while at Chrysalis Music). Skunk Anansie was previously managed by Leigh Johnson, who oversaw the band’s career for over three decades. The group is currently working on tracks for a new album to be released next year, with plans to tour in 2024 and 2025.

Singer-songwriter BJ the Chicago Kid signed with Yeti BeatsReach the World Records, a joint venture with RCA Records. His latest single, “Forgot Your Name,” was released May 3, with a second single expected soon. He is managed by Myisha Brooks; his booking agent is DeMont Callender at Wasserman.

Jonas Group Entertainment announced two new management signings: Country-pop artist/songwriter Levi Hummon (“Good Riddance,” “Paying for It”) and country singer MaRynn Taylor. Hummon is signed to Reservoir Media for publishing, while Taylor, who will work directly with Blue Raincoat CEO Phil Guerini, is signed to Black River for both recording and publishing.

Mysterious artist-producer underscores signed with Mom+Pop Music. Her first release on the label is the new song and video, “Cops and robbers.”

Swedish synth-pop duo Kite signed with Dais Records, which released their single, “Don’t Take the Light Away,” last month. Kite is represented by manager Adam Borjesson and booking agent Robin Sumpton at Luger.

Married Americana artists Mark and Maggie O’Connor signed with ONErpm Nashville, which will release their latest album, Life After Life, this summer. It will be preceded by the lead single “Verbovaya Doschechka,” which is a new arrangement of the Ukrainian folk song of the same name. Maggie will play violin and sing leads on the new album, while Mark will add harmonies while playing acoustic guitar, violin and mandolin. They’re represented by Skyline Artists for booking and managed by MOC Enterprises. They were previously signed to Sony/The Orchard for distribution.

Jazz artist/pianist/producer/composer Kayla Waters signed with Shanachie Entertaiment, which will release her label debut album, Presence, on July 7.

Australia garage rock band Girl and Girl signed to Sub Pop, which released their single, “All I See,” last month. The group is currently working on new music and touring throughout May. Girl and Girl are managed by Simone Ubaldi and Andrew Parisi; they’re signed to Virgin in Australia.

Tim Kinsella and Jenny Pulse signed to Kill Rock Stars, coinciding with the release of their new single, “Sun Inspector.” Kinsella has played with bands including Joan of Arc, Carp’n Jazz and Owls; Pulse is a vocalist, electronic musician and producer who has released dance-oriented pop songs under her own name as well as experimental soundscapes and field recordings as Spa Moans. The duo is represented by booking agent Robin Taylor at Inland Empire.

Montreal quartet Nora Kelly Band signed with Mint Records for the release of their debut album, Rodeo Clown, on August 25. The label released their new single, “Lay Down Girl,” earlier this month. The group is managed by Kathryn Huyhn at Danagement.

Americana artist and songwriter Al Staehely signed with Quarto Valley Records, which will release his new album in June. Staehely is also a music/entertainment attorney; as a musician, he has played with Spirit, the Staehely Brothers and more. He has also released music as a solo artist and written songs for acts including Bobbie Gentry, Marty Balin and Keith Moon.

Priyanka Chopra Reveals Her Favorite Song on the Jonas Brothers’ New Album

Priyanka Chopra spilled the tea on the Jonas Brothers‘ new music on Tuesday (May 9) in an interview promoting her movie Love Again.

“I love the new album so much,” the actress told The Hollywood Reporter. “And there’s a song called ‘Walls’ — which they’ve performed a few times — which just goes off especially live. So I love [that song].”

Indeed, Nick Jonas‘ wife was on her feet and visibly excited when the band performed the bombastic closing track — which will feature Jon Bellion on The Album — during the final night of their intimate, five-night run on Broadway — where the brothers also debuted as-yet-unreleased songs like “Montana Sky,” “Vacation Eyes,” “Celebrate!” and “Sail Away.”

During the joint interview with co-star Sam Heughan, Chopra dished on her pop star hubby’s hilarious cameo in the film as a douchey gym bro her character meets on a dating app. “I may have broken character so many times,” she confessed. “I was a complete, utter unprofessional on set that day. And usually my work ethic is very important to me, so… But it was just so funny and Nick really was, like, trying to figure out how this douchbag guy would, like, walk or talk or admire himself. And it was just little choices he made in the scenes, like, I was dying. It was very funny.”

Meanwhile, the JoBros’ The Album is set to be released Friday (May 12), the same day the siblings will take over Rockefeller Plaza in New York City to kickstart TODAY‘s Citi Summer Concert Series.

Watch Chopra talk about “Walls” and working with Nick on the set of Love Again below.

WMG CEO Robert Kyncl on AI’s Problems & Potential: ‘Framing It Only As a Threat Is Inaccurate’

As the music industry grapples with the far-reaching implications of artificial intelligence, Warner Music Group CEO Robert Kyncl is being mindful of the opportunities it will create. “Framing it only as a threat is inaccurate,” he said on Tuesday (May 9) during the earnings call for the company’s second fiscal quarter ended March 31.

Kyncl’s tenure as chief business officer at YouTube informs his viewpoint on AI’s potential to contribute to the music industry’s growth. “When I arrived [at YouTube] in 2010, we were fighting many lawsuits around the world and were generating low tens of millions of dollars from [user-generated content],” he continued. “We turned that liability into a billion-dollar opportunity in a handful of years and multibillion-dollar revenue stream over time. In 2022, YouTube announced that it paid out over $2 billion from UGC to music rightsholders alone and far more across all content industries.”

Not that AI doesn’t pose challenges for owners of intellectual property. A wave of high-profile AI-generated songs — such as the “fake Drake”/The Weeknd track, “Heart on My Sleeve,” by an anonymous producer under the name Ghostwriter — has revealed how off-the-shelf generative AI technologies can easily replicate the sound and style of popular artists without their consent.

“Our first priority is to vigorously enforce our copyrights and our rights in name, image, likeness, and voice, to defend the originality of our artists and songwriters,” said Kyncl, echoing comments by Universal Music Group CEO Lucian Grainge in a letter sent to Spotify and other music streaming platforms in March. In that letter, Grainge said UMG “would not hesitate to take steps to protect our rights and those of our artists” against AI companies that use its intellectual property to “train” their AI.

“It is crucial that any AI generative platform discloses what their AI is trained on and this must happen all around the world,” Kyncl said on Tuesday. He pointed to the EU Artificial Intelligence Act — a proposed law that would establish government oversight and transparency requirements for AI systems — and efforts by U.S. Sen. Chuck Schumer in April to build “a flexible and resilient AI policy framework” to impose guardrails while allowing for innovation.

“I can promise you that whenever and wherever there is a legislative initiative on AI, we will be there in force to ensure that protection of intellectual property is high on the agenda,” Kyncl continued.

Kyncl went on to note that technological problems also require technological solutions. AI companies and distribution platforms can manage the proliferation of AI music by building new technologies for “identifying and tracking of content on consumption platforms that can appropriately identify copyright and remunerate copyright holders,” he continued.

Again, Kyncl’s employment at YouTube comes into play here. Prior to his arrival, the platform built a proprietary digital fingerprinting system, Content ID, to manage and monetize copyrighted material. In fact, one of Kyncl’s first hires as CEO of WMG, president of technology Ariel Bardin, is a former YouTube vp of product management who oversaw Content ID.

Labels are also attempting to rein in AI content by adopting “user-centric” royalty payment models that reward authentic, human-created recordings over mass-produced imitations. During UMG’s first quarter earnings call on April 26, Grainge said that “with the right incentive structures in place, platforms can focus on rewarding and enhancing the artist-fan relationship and, at the same time, elevate the user experience on their platforms, by reducing the sea of noise … eliminating unauthorized, unwanted and infringing content entirely.” WMG adopted user-centric (i.e. “fan-powered”) royalties on SoundCloud in 2022.

‘Yellowstone’ Season 5 Is Coming to Peacock — Just in Time for Memorial Day Weekend

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Yellowstone Season 5 is coming to Peacock, just in time for Memorial Day weekend. The fifth and final season of the hit series will be available on Peacock on May 25, the streamer announced Tuesday (May 9).

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The news comes days after fans learned that Yellowstone will officially end after its fifth season. New episodes of the Western series — starring Kevin Costner, Kelly Reilly, Cole Hauser, Wes Bentley, Kelsey Asbille, and Luke Grimes — will premiere on the Paramount Network in November followed by another Yellowstone prequel, which debuts in December.

The fate of the hit series, whose Season 5 premiere snagged more than 8.8 million viewers, was announced amid rumors of a conflict between Costner and show creator Taylor Sheridan.

Besides episodes of Yellowstone, Peacock is home to beloved shows like The Office along with original series, movies, sports and more. Peacock starts at $4.999/month to stream with commercials and $9.99/month for ad-free streaming. Subscribe to an annual plan ($49.99/month) and save 17% on your subscription.

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Peacock carries a nice selection of exclusive series and movies such as Mrs. Davis, Poker Face, Bel-Air, Bupkis, Praise This, The Best Man: The Final Chapters, LoveIsland USA, Dr. Death and Days of Our Lives.

Is Yellowstone streaming on Paramount+? Unfortunately, the series is not currently available on Paramount+ but you can stream the prequels, 1923 and 1883, on the platform for free.

Yellowstone Season 5 premiered last November before going on hiatus. The series has been the “cornerstone on which we have launched an entire universe of global hits – from 1883 to Tulsa King, and I am confident our Yellowstone sequel will be another big hit, thanks to the brilliant creative mind of Taylor Sheridan and our incredible casts who bring these shows to life,” Chris McCarthy president & CEO of Showtime and MTV Entertainment Studios said in a statement last week, according to Variety.

Fans who want to own a physical copy of the series can purchase the first four seasons on blu-ray and DVD.

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Yellowstone: The Dutton Legacy Collection (includes 1883) – Limited Edition Giftset

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Perfect for a last-minute Mother’s Day gift, the Yellowstone: The Dutton Legacy Collection box set features all four seasons, 16 hours of special features, never-before-seen content, and episodes of the Paramount+ prequel, 1923, starring Helen Mirren and Harrison Ford.

Watch Kelly Clarkson Deliver Soulful Rendition of Eva Cassidy’s ‘Bridge Over Troubled Water’

Kelly Clarkson took fans back to the ’90s for the Tuesday (May 9) episode of The Kelly Clarkson Show, performing the Eva Cassidy version of Simon & Garfunkel‘s signature hit “Bridge Over Trouble” for the opening Kellyoke segment.

Accompanied by her band, the three-time Grammy winner put her own spin on the Cassidy’s version of the classic track, using her signature belt to hit flawless high notes and stunning vibrato moments.

“When you’re weary/ Feeling small/ When tears are in your eyes/ I’ll dry them all/ I’m on your side/ Oh, when times get rough/ And friends just can’t be found/ Like a bridge over troubled water/ I will lay me down/ Like a bridge over troubled water/ I will lay me down,” she powerfully sang on the intro verse and well-known chorus.

“Bridge Over Trouble Water” was originally released as the second single from Simon and Garfunkel’s fifth and final studio album of the same name. Released in 1970, the Paul Simon-penned track has become a signature for the folk duo — upon its release, the track spent six weeks at No. 1 on the Billboard Hot 100 and a cumulatively 14 weeks on the chart. The track is their group’s most successful to date.

Cassidy’s version of the folk classic arrived in 1996 and appeared on her album, Live at Blues Alley. The LP was recorded live at the Washington, D.C.’s Blues Alley nightclub in January 1996.

Watch Clarkson’s cover of Cassidy’s “Bridge Over Trouble Water” in the video above.

Colde & RM Snag Hot Trending Songs No. 1 With ‘Don’t Ever Say Love Me’

Colde’s RM collaboration “Don’t Ever Say Love Me” takes the No. 1 spot on Billboard’s May 13-dated Hot Trending Songs chart, powered by Twitter.

Billboard’s Hot Trending charts, powered by Twitter, track global music-related trends and conversations in real-time across Twitter, viewable over either the last 24 hours or past seven days. A weekly, 20-position version of the chart, covering activity from Friday through Thursday of each week, posts alongside Billboard’s other weekly charts on Billboard.com each Tuesday, with the latest tracking period running April 28-May 4.

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“Don’t Ever Say Love Me” was released May 4 after being teased for a few days on Korean singer-songwriter Colde’s social media, with some chatter owed to the featured appearance from BTS’ RM.

Concurrently, “Don’t Ever Say Love Me” debuts at No. 4 on the World Digital Song Sales chart thanks to 2,000 downloads, according to Luminate, with more chart appearances possible on the May 20-dated surveys upon the song’s first full seven weeks of tracking. It’s Colde’s second appearance on the chart, following his appearance on RM’s “Hectic,” which peaked at No. 6 in December 2022. As for RM, it’s his seventh appearance, which includes a No. 1 in “No.2” the same month.

“Don’t Ever Say Love Me” is one of eight songs from Colde’s new album Love Part 2. Another, for “Heartbreak Club” (featuring LEE CHANHYUK), received a music video treatment on May 4 as well.

Colde and RM reign over Jack Harlow, whose “They Don’t Love It” bows at No. 2 on Hot Trending Songs. “They Don’t Love It” is the breakout hit from the rapper’s surprise new album Jackman., which concurrently debuts at No. 8 on the Billboard 200 with 36,000 equivalent album units earned, as previously reported. The song itself is also the Billboard Hot 100’s Hot Shot Debut at No. 54, thanks to 8.6 million official U.S. streams and 1,000 downloads.

Nos. 3-5 on Hot Trending Songs are taken up by music from the late Gordon Lightfoot, who died May 1 at age 84. “The Wreck of the Edmund Fitzgerald,” a No. 2 hit on the Hot 100 in November 1976 for Lightfoot, starts at No. 3, followed by his lone Hot 100 No. 1, 1974’s “Sundown” (No. 4) and “If You Could Read My Mind” at No. 5 (also No. 5 on the Hot 100 in February 1971).

Keep visiting Billboard.com for the constantly evolving Hot Trending Songs rankings, and check in each Tuesday for the latest weekly chart.