News

Producer Federico Vindver & Yahritza y Su Esencia’s Yahritza Martinez to Be Honored at SESAC Latina Awards 2023

Argentine producer Federico Vindver and Yahritza Martinez, singer of Yahritza y Su Esencia, are set to receive special honors at the upcoming SESAC Latina Awards 2023.

SESAC will award Vindver with producer of the year and 16-year-old Martinez with the breakthrough songwriter award. During the ceremony, which will take place June 27 in Los Angeles, the song of the year, publisher of the year and songwriter of the year — for both regional Mexican and pop/Latin rhythm — winners will also be announced.

“We love every opportunity to recognize our talented affiliates within the Latin songwriting community and l look forward to bringing everyone together for a night of celebration,” said Sam Kling, chief creative officer, SESAC Performing Rights. “The songs and spirit at the SESAC Latina Music Awards always make it a wonderfully special and unique evening.

Vindver has worked with artists such as Jennifer Lopez, Ricky Martin, Marc Anthony and, most recently, Christina Aguilera for her Spanish-language album Aguilera, which was nominated for album of the year at the Latin Grammys 2022.

“Vindver is a one-of-a-kind versatile producer, songwriter, and multi-instrumentalist that has worked with some of the biggest names in music,” said Celeste Zendejas, VP of SESAC Latina. “Additionally, we are recognizing all that Yahritza has done in her career at such a young age — she has broken several records not only as an artist but as a songwriter as well.”

With “Soy El Único,” Yahritza y Su Esencia’s debut single, Martinez made chart history as the youngest Latin performer to enter the Billboard Hot 100 when the track debuted at No. 20 last year. Subsequently, their seven-track debut EP, Obsessed, peaked at No. 1 on the Regional Mexican Albums chart (dated May 7, 2022). Martinez is just one of the two women (the other being Karol G) who have reached No. 1 on the Latin Songwriters chart.

Yahritza Martinez

Yahritza Martinez

Rita Feregrino

J Balvin Shows Off His Speed to Vin Diesel in ‘Toretto’ Music Video

Colombian star J Balvin is going full speed in the music video for “Toretto,” which is part of the Fast X soundtrack. The three-minute clip starts off with Balvin receiving a set of keys from a man who doesn’t appear on screen, but his deep and hoarse voice gives him away.

Explore

See latest videos, charts and news

See latest videos, charts and news

“Let me show you how I ride,” the hitmaker tells Vin Diesel. “Buckle up,” the action star responds. “Watch me,” Balvin says before taking off for a ride.

At the end of his drive, the artist boasts to Diesel, “Told you I’m good!” Responds the impressed actor, “Not bad!”

According to a press release, in “Toretto,” Diesel makes his first music video appearance in the 22-year-spanning Fast & Furious films. The video pays homage to the franchise’s history and affinity for cars, speed and family bonds. Balvin’s fast-paced track is part of the soundtrack for Fast X, the tenth film of the series, which is set to arrive in theaters Friday, May 19.

The Fast X soundtrack includes songs by other artists such as Maria Becerra, Myke Towers, Ludmilla, YoungBoy Never Broke Again, Jimin of BTS, Kodak Black, NLE Choppa. The soundtrack will also be available May 19 via Artist Partner Group.

Most recently, Balvin — who in total has 35 top 10 hits on Billboard‘s Hot Latin Songs chart — officially joined Roc Nation as a management client, where he will be overseen directly by Jay Brown and Chris Knight. Over the summer, he’ll kick off a series of European tour dates, mostly festivals, beginning with a June 24 performance at the Solydays festival in Paris. You can see the dates here.

Watch J Balvin show Vin Diesel what he’s got in the “Toretto” video above.

Courtney Love Sings Kurt Cobain’s Unused ‘Smells Like Teen Spirit’ Lyrics on Podcast

For such an enduring anthem that continues to define wild, wild youth to this day, Nirvana‘s breakthrough 1991 hit “Smell Like Teen Spirit” is inscrutable at best. “A mulatto, an albino, a mosquito, my libido?” Not exactly

Explore

See latest videos, charts and news

See latest videos, charts and news

According to late Nirvana singer/guitarist Kurt Cobain‘s widow, former Hole front woman Courtney Love, the lyrics Cobain didn’t use were somehow more byzantine. Love broke down some of the song’s scrapped lines during an appearance on Rob Harvilla’s The Ringer podcast 60 Songs That Explain the ’90s, an excellent series that has gone way beyond its title’s promise to tackle the tales behind such classics as the Beastie Boys’ “Sabotage,” The Verve’s “Bittersweet Symphony,” Vanilla Ice’s “Ice Ice Baby,” Los Del Rio’s “Macarena” and many, many more.

Love noted that some of the cutting room floor lines ended up in Cobain’s published journals, while others have never seen the light of day. When Harvilla asked if she would mind singing a few of them a cappella, Love obliged, first asking the host if he had a guitar while explaining that some were sketches in which Cobain was trying to work out the rhyme scheme for the song.

Love then sang the lines, “Come out and play/ Make up the rules/ I know I hope to buy the truth/ Who will be the king and queen of all the outcasted teens?” While those lyrics don’t resemble anything in the final, another couplet she sang was somewhat closer to the final chorus: “We’re so lazy and so stupid/ Blame our parents and the cupids/ A deposit for a bottle/ Stick it inside, no role model.”

She then went into another verse that went, “Come out and play/ Make up the rules/ Have lots of fun, we know we’ll lose/ Out little group has always been and always will until the end.” In a fascinating peek into at the subtle lyrical tweaks that can take a good song into all-time-classic, Love sang another couplet that was close, but not quite final. “Something I bought and don’t deserve/ To know, oh no, a dirty word/ Load up on guns and bring your friends/ I know, I know it’s wrong to offend/ Take off your clothes/ I’ll see you in court.”

She then ran through a verse that, again, provided a window into the germ that became an anthem of several generations. “We merge ahead, this special day/ This day giving amnesty to sacrilege/ A denial, and from strangers/ A revival, and from favors/ Here we are now, we’re so famous/ Here we are now, entertain us.”

Believe it or not, there was even more. “Come out and play and make up the rules/ I know I hope to buy the truth/ Who will be the king and queen of all the outcasted teens… We’re so lazy, and so stupid/ And from Vegas, here we are now, entertain us.” The final bit of lyrical leftovers included the lines, “I’ll take a slide, I’ll be over here/ Sustain a pride from a boring stare/ Just humor them, a relaxing dose/ To have a child is a selfish roast.”

Love said the unused lyrics reveal a alternate universe, what with the lines about the outcasted teens and the one about being famous at a time when the world hardly knew the group, not to mention the bit about Las Vegas, a city she said Cobain had never been to at that point. “The only consistencies it retains are ‘load up on guns’ and ‘our little group has always been until the end,’” she said. “There is no more. There is no other lyrics from ‘Smells Like Teen Spirit,’” she added, admitting she tends not to listen to Nirvana’s music.

The lengthy chat also included digressions into her buying Cobain a Leonard Cohen lyric book, the beginnings of Cobain’s private feud with Pearl Jam’s Eddie Vedder, which allegedly included Kurt saying Love “wasn’t allowed” to listen to PJ’s “Jeremy” while pregnant with the couple’s daughter, as well as talk about their heroin use and Kurt’s favorite band, The Melvins.

Listen to the episode below (“Teen Spirit” talk begins around the two-hour mark).

The Deals: Utopia Music Pacts With DP World for $125M Warehouse; Web3 Company anotherblock Raises Over $4M

In order to meet the growing demand for physical music and video in the United Kingdom, Utopia Music has entered a long-term contract with DP World for a £100 million ($124.8 million), 25,000-square meter warehouse in Bicester, United Kingdom. The new warehouse will feature technologically advanced solutions, including high-density storage and robotic transfer of product, to enable the efficient distribution of over 30 million units a year across the United Kingdom and export markets. Stock will be moving from Utopia Distribution Services’ current warehouse in Aylesbury, United Kingdom (inherited from physical distributor Cinram, whose assets were acquired by Utopia in 2022) to the new facility over the summer.

Swedish Web3 music company anotherblock has raised €4 million ($4.34 million) in an investment round led by Stride.VC and joined by Swedish House Mafia member Axwell (whose Swedish House Mafia partner, Steve Angello, previously invested in the company). The money will be used to help anotherblock scale globally and make its product available to a wider range of artists, producers and record companies.

Seeker Music has acquired the masters and publishing catalog of Charlotte Caffey — lead guitarist, keyboardist and primary songwriter for The Go-Go’s. Caffey wrote some of the group’s biggest hits, including their breakthrough song, “We Got the Beat,” as well as “Head Over Heels,” “Vacation,” “How Much More” and “Turn To You.” Caffey has also written songs for artists including Keith Urban (“But for the Grace of God”) and her Go-Go’s bandmate Belinda Carlisle, as well as songs for film and TV including the theme song for the Clueless TV series. The deal was brokered by veteran record executives Michael Rosenblatt and David Simone.

300 Entertainment has partnered with Florida-based imprint Remain Solid, founded by manager and executive 100k Track, for a label joint venture. The first artist signed under the deal is Brooklyn-based rapper BreezyLYN, who released the remix to her single, “Bad Bitches” featuring Lola Brooke and Kali, earlier this month.

Songtradr announced a partnership with TikTok around the video-sharing platform’s Commercial Music Library. Under the deal, Songtradr is now a certified “Subscription Sound Partner,” supplying music for the Commercial Music Library, which gives businesses, organizations and creators access to pre-licensed, rights-safe music for organic content and paid advertising.

Music technology companies Tuned Global and Revelator struck a partnership that will allow digital service providers and other Tuned Global customers to enable artists to mint and distribute music releases as NFTs directly on Web2 streaming platforms using Revelator’s Web3 tech. “These NFTs will coexist with traditional streamed music, enabling fans to enjoy digital collectibles and actively engage with token gated content, while providing artists with blockchain-based payment opportunities through smart contracts,” according to a press release announcing the deal. Added Revelator CEO/founder Bruno Guez: “This partnership lets music lovers collect NFTs in fan-friendly ways where they are already experiencing music. Fans won’t need to mess with wallets or special Web3 players, or even leave their favorite music platform. They’ll pay with a credit card. This access and ease will open up new revenue streams for artists, as more fans jump in.”

AI music startup AudioShake announced a $2.7 million seed funding round led by Indicator Ventures, with participation from Precursor Ventures and Side Door Ventures. Also taking part in the round are Metallica-backed Black Squirrel Partners, AJR, Google’s Black Angel Group, peermusic, Audius CEO Roneil Rumburg, S-Curve Records CEO Steve Greenberg and Crush Ventures, the venture arm of Crush Music, among others. Audioshake’s B2B deep learning technology deconstructs audio into stems so that they can be made available for new uses across music, film, dubbing, transcription, synthetic voice and more. The company has worked with departments from all three major labels as well as publishers including Primary Wave, Hipgnosis, Spirit, peermusic, Concord, Downtown and Reservoir.

Unitea, a Miami-based engage-to-earn music platform, has raised a seed round of $7 million led by 1st Class Guernsey, Chaos Capital and Fuel Venture Capital. The funds will be used to further expand the platform’s capabilities within the music industry and beyond. The platform allows users to share music and create content to earn digital tokens, called Karma, that can be redeemed for exclusive rewards including custom digital assets, concert tickets and artist meet-and-greets. The company’s board of directors includes Pitbull and Claude VonStroke.

Freshsound, a self-serve licensing platform for commercially released music, closed a €2 million ($2.17 million) seed funding round that will support the company as it seeks to expand internationally while continuing to grow in the Nordic market. The new investment comes less than a year after the company’s pre-seed funding round worth €1.3 million ($1.41 million). The latest investment round was led by Zenith Venture Capital and Aligned. Founded in 2021 by Stevie Gyasi and Sara Larsson, Freshsound boasts a dynamic pricing model that gives clients instant quotes for any use and the ability to license their music for commercial purposes.

CD Baby and creator copyright protection platform Cosynd have expanded their existing partnership with the integration of Cosynd’s Copyright Registration API into the CD Baby platform, which allows artists to register copyrights and establish legal ownership over their work.

Music, entertainment and technology platform LiveOne struck an exclusive content distribution deal with OTT Studio, a streaming technology platform and connected TV (CTV) app publisher. Under the deal, LiveOne will serve as OTT Studio’s exclusive music streaming provider, delivering LiveOne’s 600 radio stations via OTT’s Music Plus application. The agreement will expand the distribution of LiveOne’s audio and entertainment content to an additional 47 million CTVs in North America via LG’s webOS and Vizio’s SmartCast platforms.

SiriusXM announced a multi-year extension and expansion of their services agreement with Mercedes-Benz, under which the automaker is expected to make the installation of SiriusXM a standard feature on Mercedes-Benz models available in the United States, starting with model year 2024 vehicles. SiriusXM’s “most advanced audio entertainment experience,” SiriusXM with 360L, is also expected to be included in future Mercedes-Benz models, according to a press release.

Lyric licensing and data solutions company LyricFind signed an agreement with GEMA, Germany’s mechanical and performance rights society, in a further expansion of LyricFind’s international footprint.

Wet Leg’s Rhian Teasdale & Hester Chambers Win Songwriter of the Year at 2023 Ivor Novello Awards: Full List of Winners

Wet Leg’s Rhian Teasdale and Hester Chambers won songwriter of the year at the 2023 Ivor Novello Awards, which were presented at Grosvenor House in London on Thursday (May 18).

Wet Leg’s eponymous debut album was a global hit, spawning the hit singles “Wet Dream” and “Chaise Longue.” The group won two Grammys (best alternative music album and best alternative music performance) and two Brit Awards (British group and best new artist). The Ivors judges described Teasdale and Chambers’ writing as “fresh, unapologetic and direct, with surprising melodies that demand attention.”

Harry Styles, Kid Harpoon and Tyler Johnson won PRS for Music most performed work for their collaboration on “As It Was.” This marks the third Ivor Novello Award for Styles and Kid Harpoon, who won both in that same category for “Adore You” in 2021 and also took songwriter of the year that year.

“As It Was” was nominated for record and song of the year at the Grammys. Styles’ album, Harry’s House, won album of the year and best pop vocal album. Styles did even better at the Brit Awards, taking song of the year for “As It Was,” British album of the year, British artist of the year and best pop/R&B act. In addition, Kid Harpoon won the Brit Award for songwriter of the year.

Best song musically and lyrically went to “King” by Florence + the Machine, written by Florence Welch and Jack Antonoff. A standout from the group’s most recent album, Dance Fever, the song discusses Welch’s conflict in choosing between her career and starting a family as well as gender expectations for women in society. “King” received a Grammy nod for best alternative music performance.

Sting received the Fellowship of The Ivors Academy, the highest honor the Academy bestows. Sting has won seven Ivor Novellos, including a lifetime achievement award in 2002. He joins an illustrious list of Fellows that includes Sir Paul McCartney, Kate Bush CBE and Joan Armatrading MBE. Sting performed The Police’s classic “Message in a Bottle” at the show.

The special international award celebrated the career and influence of Blondie’s Debbie Harry and Chris Stein. Emerging from the New York new wave scene in the mid-1970s, the group was inducted into the Rock and Roll Hall of Fame in 2006. Matilda Mann performed Blondie’s 1978 classic “Heart of Glass” at the ceremony.

In recognition of the impact her musical vision has made on her fellow songwriters, Charli XCX was awarded the visionary award with Amazon Music.

Best contemporary song went to Raye, 070 Shake and Mike Sabath for “Escapism” – which she performed at the ceremony. Described by the judges as “daring, brave and empowering songwriting,” the track took off after going viral on TikTok, marking Raye’s first No. 1 single on the Official U.K. Singles Chart.

Best album went to 11 by SAULT, written by Dean “Inflo” Josiah Cover, Jamar McNaughton, Cleopatra Nikolic and Jack Peñate. Drawing from Afrobeat and blues influences, 11 was one of five critically acclaimed albums released for free simultaneously by SAULT in November 2022. This is the fourth Ivor Novello Award for Dean “Inflo” Josiah Cover.

KAMILLE’s body of work was recognized with the outstanding song collection award. KAMILLE is of Britain’s most successful songwriters, working with artists such as Mabel, The Saturdays, Dua Lipa and Little Mix. She has also launched a career as an artist in her own right.

The PRS for Music icon award went to Tim Booth, Saul Davies, Jim Glennie, Larry Gott and Mark Hunter for their work as James. From their breakthrough in the “Madchester” scene of the early 1990s, James have become an enduring gem of British music.

The rising star award with Amazon Music was awarded to singer-songwriter Victoria Canal. She is the fourth consecutive female songwriter to pick up the award since it was introduced in 2020.

John Powell won best original film score for Don’t Worry Darling, which starred fellow Ivor Novello winner Harry Styles. This marks Powell’s fifth Ivor Novello Award.

Hannah Peel won best television soundtrack for her work on The Midwich Cuckoos. Peel received a 2019 Primetime Emmy nod for Game of Thrones: The Last Watch.

The award for best original video game score went to Gareth Coker, Grant Kirkhope and Yoko Shimomura for Mario + Rabbids Sparks of Hope. Each composer is renowned for their work including Nintendo classics such as Donkey Kong 64 and Super Mario RPG.

Title sponsor and collaborator Amazon Music scaled up The Ivors’ reach with the first livestream from the event. Presented by +44 Podcast hosts Zeze Millz and Sideman, as well as radio DJ Zach Sang, the livestream featured live coverage direct from The Ivors red carpet, plus the award show performances, and backstage interviews with the winners.

The Ivors are judged by songwriters and composers from The Ivors Academy’s membership. The Ivors Academy is the U.K.’s professional association for songwriters and composers.

The following categories recognize British or Irish songwriting and composing for music commercially released in the U.K. in calendar year 2022; best album, best contemporary song, best song musically and lyrically, best original film score, best original video game score and best television soundtrack.

The rising star award with Amazon Music honors British or Irish songwriting talent under the age of 25 who demonstrate exceptional potential and ambition and have begun to capture the imagination of the music creator community.

Here’s a complete list of winners at the 2023 Ivor Novello Awards:

Academy Fellowship: Sting

Best album: 11, written by Dean “Inflo” Josiah Cover, Jamar McNaughton, Cleopatra Nikolic and Jack Peñate; performed by SAULT; published in the U.K. by Copyright Control and Sentric Music

Best contemporary song: “Escapism,” written by 070 Shake, Raye and Mike Sabath; performed by Raye and 070 Shake; published in the U.K. by Sony Music Publishing and Warner Chappell Music

Best original film score: Don’t Worry Darling, composed by John Powell; published in the U.K. by Universal Music Publishing

Best original video game score: Mario + Rabbids Sparks of Hope; composed by Gareth Coker, Grant Kirkhope and Yoko Shimomura

Best song musically and lyrically: “King,” written by Jack Antonoff and Florence Welch; performed by Florence + The Machine; published in the U.K. by Ducky Donath Music-Sony Music Publishing and Universal Music Publishing

Best television soundtrack: The Midwich Cuckoos; composed by Hannah Peel; published in the U.K. by SATV Publishing

Outstanding song collection: Kamille

PRS for Music icon award: Tim Booth, Saul Davies, Jim Glennie, Larry Gott and Mark Hunter for James

PRS for Music most performed work: “As It Was”; written by Kid Harpoon, Tyler Johnson and Harry Styles; performed by Harry Styles; published in the U.K. by Universal Music Publishing and Pulse Songs-Concord Music Publishing

Rising Star award with Amazon Music: Victoria Canal

Songwriter of the year with Amazon Music: Rhian Teasdale and Hester Chambers

Special international award: Debbie Harry and Chris Stein

Visionary award with Amazon Music: Charli XCX

Ahead Of Their EDC Las Vegas Debut, Rising DJ/Producer Salute Talks New EP ‘Shield’ and Taking Their ‘Fast, Soulful House Music’ Worldwide

In Billboard’s monthly emerging dance artist spotlight we get to know Salute, the Vienna-born, Manchester-based artist making colorful, comfy club tunes.

The Project: Shield EP, released earlier this month on Ninja Tune’s Technicolour imprint.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The Origin: Salute, born Felix Nyajo, was raised in Vienna, Austria, in what they describe as a traditional working-class suburb. “Pretty chill, not too much happening,” they say. “Summers were super hot and the winds were super cold. It was good.”

Between their parents and older brother, the household playlist rotated American gospel, highlife, R&B, soul and hip-hop — but as far as their dance music influences go, video games were crucial. FIFA Street 2 and SSX brimmed with the exciting, frenetic sounds of jungle, grime and U.K. garage and inspired Salute to learn production. 

When they were old enough to get in the mix of Vienna’s small club scene, they quickly hit their ceiling. “I kind of felt a bit suffocated, because I knew nothing was gonna come of me staying there and trying to have a career in music,” they say. To get closer to the industry, they moved to the U.K. in 2014. Going to clubs every weekend served as a crash course in U.K. dance music, from breaks and bass music to house and techno. 

Over the next five years they continued releasing music, including the My Heart mixtape and Condition trilogy, based on themes of mourning. Salute’s sonic shift across these early releases is evident, from syrupy post-dubstep instrumentals inspired by Hudson Mohawke and Mount Kimbie to an acutely more clubby vibe. In September of 2021, their track “Joy” launched Atlantic Records U.K.’s dance imprint Signal >> Supply. And in what must be a career milestone for any U.K. artist, “Joy” also appeared on an episode of Love Island U.K.

The Sound: Salute, 27, describes their style as “fast and soulful house music,” a catch-all term encompassing their many influences including U.K. garage, techno, classic house and French house. It’s also incredibly warm, inviting and cozy — it just feels good.

The Record: Shield is Salute’s first EP on Ninja Tune’s Technicolour imprint. To some, the title connotes visions of protection and defense — literal armor. For Salute, “It’s just comfort. Most of these songs just feel very comfortable to me… Obviously a lot of them are very, but at the same time they feel like a blanket.”

The EP’s opening track, “Run Away With You,” sets this tone with a soaring mix of synths, vocal snippets and accents that, like a sunrise, inspire a mood of promise and possibility. Over a brisk rhythm and ballooning bassline, vocalist No Rome sings, “I would run away with you if you would run away with me, too.” Meanwhile, buzzing lead single “Wait For It” anticipates the ecstasy of partying all night. Made around the same time as “Joy,” it sat in Salute’s vault for years, just waiting for the right moment for release. Similarly, “Feels Like My Hands Are On Fire” has existed in several iterations over the past five years. Salute finally finished it with help from The 1975’s George Daniel, whose careful restructuring added a greater pop appeal.

Peach” with Sammy Virji is the most recently produced of the bunch. A rolling bassline and crooning vocals coated in a silk finish, it rightfully caused a stir when Salute debuted it at their Boiler Room set last December. The song is also a callback to 2012-2013, the years they call “one of the golden eras of dance music … I feel like music back then was just super fun, and I think that’s one thing that kind of got lost over the years, up until recently.”

Managed By: Will Frost and Luke James of London’s House Of Us

Management Strategy: “Broadly, the strategy is always adapting,” says Frost, “but when it comes to Felix’s records, it’s always been having a huge degree of trust which we’ve built up over the years of working so closely together, around ten years now. When they’re putting together a project, I have complete trust in their vision for the body of work whether that’s creatively in the visuals or the music itself, and they’ve always given me space to help them with the right people to either write a vocal or get the right mix engineer or feature on the record and it all shows in Shield, which is some of their best work to date. 

“Now with the excellent Luke on the management team, the strategy has very much become building a fanbase who will come to watch Felix play. Felix’s sets are so incredible, and the reception and interaction with the crowd because of their skill and energy is unmatched, so we want to maximize that by putting on amazing shows, capturing the atmosphere of the night and building an audience that will buy tickets to experience it for themselves — we are seeing it grow rapidly over the last few months globally and have some really exciting plans as we also develop it in to a live show that still maintains that energy from their DJ sets.”

First Song That Made Salute Love Dance Music: They cite Lethal Bizzle’s 2005 single “Kickback,” which appeared on the FIFA Street 2 soundtrack, as their introduction to grime. “I was completely blown away by it ’cause it was unlike anything I’ve ever heard,” they say. The moment led them down a YouTube rabbit hole where they discovered artists like Dizzee Rascal and Wiley on the way to dubstep, garage and the wider web of U.K. dance music.

Advice Every New Dance Artist Needs to Hear: “Just make as much music as possible. You can’t really skip that step. There’s no way to like, just overnight, become really good. If you’re starting out, what you’ll naturally tend to do is to imitate an artist that you really like, which is a good way to learn production. I actually encourage it. 

“But after a while, you’re gonna have to make a decision about what it is you want to do in music. The only way you can do that is by thinking very intentionally about the space you want to take up. That requires asking yourself questions about what your taste is, what you want to achieve as a DJ or a producer, whether you want to DJ at all, what you want your place to be, why you enjoy making dance music, what it is about dance music that makes you happy. I feel like that allows you to develop a sense of identity, which is something that people who listen to music can latch onto… I think people can really sense when the music comes from somewhere special.”

Why They Make Music: “The most important thing when I make music is I’m having fun doing it, and that makes me really happy. Figuring out how to achieve that has been one of the biggest things for me… putting an idea from your brain into a computer is the funnest part of it all.”

Up Next: Salute is currently on the U.S. leg of their international spring/summer tour, with stops Thursday (May 18) in San Francisco, Friday (May 19) in Los Angeles and their first EDC Las Vegas set this Saturday (May 20.) “I’d hear about [EDC] on podcasts that I was listening to like, ten years ago,” they say. “When I got the offer to play it, I kind of laughed to myself ‘cause like, that’s actually quite crazy.”

After Vegas, it’s non-stop until September: Salute is scheduled to play a full slate of festivals — Parklife, Glastonbury and Defected Croatia among them — while also touring Asia for the first time and later playing Ibiza’s lauded Circoloco.

Britney Spears & Sam Asghari Show Off Their Flower Garden in PDA-Packed Video

Britney Spears may have a green thumb, but looking at the amount of PDA she and husband Sam Asghari are packing on in a new video taken in her garden, hopefully, her flowers thrive in hot environments.

The couple showed off their home’s outdoor landscaping in a clip posted to the pop star’s Instagram account Wednesday (May 17), in which they frolic together in the sunshine under impressive archways of blooming pink perennials. “Ok so I’m proud of my flowers,” wrote the “Toxic” singer in her caption. “I’ve been pretty modest about my home!!! I’m redesigning my house !!!”

Some of the clips in the video make it a little difficult to focus on the plants, however, as the pair engages in a hot and heavy makeout sesh on camera. “I feel so blessed to be with such an incredible husband who inspires me everyday,” Spears added. “Have a brilliant day my friends and godspeed ✨✨✨ !!!”

The steamy video comes just a couple days after Asghari made headlines for an impassioned rant on Instagram Stories about his wife’s privacy and media coverage. And though he didn’t mention the project directly, many assumed that his remarks came in response to TMZ’s recent FOX special, TMZ Investigates: Britney Spears: The Price of Freedom.

“I found it absolutely disgusting for the people that were in her life at the time, when she didn’t have a voice, they went and told her story like it was theirs,” Asghari said of Spears’ 13-year conservatorship, which was finally terminated in November 2021. “It was absolutely disgusting.”

“Then all the sudden after 15 years, when she’s free after all those gaslighting and after all those things that went down, now you’re gonna put her under a microscope and tell her story?” he continued. “No. That’s also disgusting, so don’t do that.”

Check out Britney and Sam’s new video below:

John Mayer Remembers Bob Saget in Birthday Tribute Post: ‘Thank God for Our Memories’

John Mayer took a moment on Wednesday (May 17) to remember a close friend of his. The “Daughters” singer penned a sweet message remembering late comedian Bob Saget on what would have been his 67th birthday. The late Full House star died in 2022 while on his stand-up comedy tour.

“I guess what I’m saying is… thank God for our ability to remember those who have left us. It’s one of the rare divine traits of being human; we can reflect and revisit and keep the flame of someone’s impact on our lives burning bright,” Mayer captioned a black-and-white photo of himself and Saget smiling alongside each other to his Twitter. “Thank God we don’t ever have to let go. Thank God for our memories. Happy Birthday Bob, I love you.”

Mayer also reflected on his relationship with the Fuller House star on the one year anniversary of the comedian’s death on Jan. 9, and remarked that Saget was an “otherworldy” person while he was alive.

“Every moment we spent together was the stuff of Old Hollywood Magic, of dinners and drinks and stories and laughs and memories you knew were cutting deep grooves into your soul as the lathe was turning. Grief is a journey, and it’s a profound trip that someone you lose takes as well; they leave the space around you and slowly climb a staircase to find a space within you,” he wrote via Instagram. “I miss him all the time, but those memories? They’re solid objects. And today we’ll take them out and hold them and trade them and remember how much Bob Saget meant to us.”

See Mayer’s post honoring Saget below.

Street In Oakland Renamed for Tupac Shakur

HipHopWired Featured Video

Oakland, CA January 7, 1992 - Tupac Shakur. (Gary Reyes / Oakland Tribune Staff Archives)

Source: MediaNews Group/Bay Area News via Getty Images / Getty

The late Tupac Shakur will now be a permanent part of Oakland, California as a street in the city is renamed after him.

On Tuesday (May 16th) the Oakland City Council voted unanimously to rename a stretch of MacArthur Boulevard in the Lake Merritt area where Shakur once after the iconic rapper. The street will keep its name but gain “Tupac Shakur Way” in addition, with commemorative signs and plaques. The Tupac Shakur Foundation will be responsible for paying for those signs and plaques.

A spokesperson for the City Council said that the Tupac Shakur Way of the boulevard will serve as a lasting reminder of his musical and cultural contributions and provide inspiration for more moments of societal change through art. “Tupac Shakur’s legacy will continue through his contributions in art and social outreach, through his family and fans, touching countless lives of children and elders over the years while alive and after his death, taken too young by gun violence,” the accompanying resolution said. There was no set timeline announced for the change.

The late rapper and actor, who was tragically killed in a drive-by shooting at the age of 25 in Las Vegas, Nevada in 1996, was born in Harlem, New York to Black Panther Party members Afeni Shakur & Billy Garland. He would later move with Afeni to Baltimore, Maryland, and then live in Marin City before settling in Oakland for a time. It was there where he claimed he got his “game” and further expanded his career, linking up with area Hip-Hop legends Digital Underground. “I give all my love to Oakland, if I’ma claim somewhere I’ma claim Oakland,” he once said.

Oakland is no stranger to honoring its heroes. Other notable figures whom the City Council has renamed streets for include Black Panther Party co-founder Huey P. Newton and rapper Too Short. The city also has had a history of celebrating Tupac annually since 2016 when they proclaimed June 16th as “Tupac Shakur Day”.

Tems’ ‘Free Mind’ Breaks Female Record for Most Weeks at No. 1 on R&B/Hip-Hop Airplay Chart

Tems’ “Free Mind” captures a 17th week at No. 1 on Billboard’s R&B/Hip-Hop Airplay chart, a new record for the most weeks atop the list for any song by a lead female artist. The achievement continues the sleeper hit’s success story, which saw the 2020 EP deep cut work its way to becoming a fan-pushed streaming hit in 2022 and, now, a record-setting radio smash.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

The historic week for “Free Mind” is on the chart dated May 20, where it wins a 17th frame on top after a 1% bump to 19.2 million audience impressions made it, yet again, the most-heard song from a combined slate of U.S. monitored adult R&B and mainstream R&B/hip-hop radio stations in the week ending May 11, according to Luminate.

Now with 17 weeks, “Free Mind” surpasses Ella Mai’s “Boo’d Up” for sole possession of the record for the longest-leading No. 1 by a lead female artist. The former champ reigned for 16 weeks in 2018. As “Free Mind” shakes up the leaderboard, here’s a look at the songs by women in lead or co-lead roles with the most weeks at No. 1 on R&B/Hip-Hop Airplay since the chart launched in 1992:

  • 17, “Free Mind,” Tems, 2022-23
  • 16, “Boo’d Up,” Ella Mai, 2018
  • 15, “Be Without You,” Mary J. Blige, 2006
  • 14, “We Belong Together,” Mariah Carey, 2005
  • 13, “You’re Makin’ Me High,” Toni Braxton, 1996
  • 13, “Trip,” Ella Mai, 2018-19
  • 12, “Single Ladies (Put a Ring on It),” Beyoncé, 2008-09
  • 12, “Un-thinkable (I’m Ready),” Alicia Keys, 2010
  • 11, “Work,” Rihanna featuring Drake, 2016
  • 11, “Please Me,” Cardi B & Bruno Mars, 2

Expanding to women in both lead and featured roles, Tems still holds the record for the song with the most weeks at No. 1. She featured on Wizkid’s 27-week champ “Essence” in 2021-22. The breakthrough Afrobeats hit is tied as the second-longest-leading No. 1 in R&B/Hip-Hop Airplay history with Chris Brown’s “No Guidance,” featuring Drake. Both songs trail only another Brown track, “Go Crazy,” with Young Thug, which posted 29 weeks at the summit in 2020-21.

Though “Free Mind” was released in 2020 on the EP For Broken Ears, the song generated its earliest significant attention only after Tems’ breakthroughs on a trio of other high-profile songs. In addition to “Essence,” she featured on Drake’s Certified Lover Boy cut “Fountains,” and, with Drake, on Future’s No. 1 Billboard Hot 100 hit “Wait for U.” Thanks to the triple play of hits, her own material experienced renewed interest and streaming gains, with “Free Mind” as the leading beneficiary, which sparked an official radio promotion push soon after. The track climbed to No. 1 on Mainstream R&B/Hip-Hop Airplay in November 2022, and later crossed over onto the Adult R&B Airplay chart, crowning that for nine weeks beginning in February 2023. The one-two punch put Tems in rare, and enviable, company. Such dual coronations on both radio charts occurred only twice in 2022, with Silk Sonic’s “Smokin’ out the Window” and Beyoncé’s “Break My Soul.”