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Ahead of the FIFA World Cup 2026 in North America, the organization has begun unveiling Sonic IDs for each host city, or “audio brands that celebrate diversity, creativity and the unifying power of sport through music,” produced by a local producer, according to a press release. Explore Explore See latest videos, charts and news See […]

Gracie Abrams has canceled two more shows as she continues to fight off an illness, the singer announced Sunday (March 2). In another handwritten note posted to her Instagram Story, Abrams told fans that she would no longer be performing March 3 in Nottingham or March 4 in Leeds. “I hate that I have to […]
Collaborations abound in this week’s Must-Hear column. Kassi Ashton and Parker McCollum team up for a sultry new ballad, Charles Wesley Godwin joins musical forces with Ernest, and Dani Rose partners with Brent Cobb. Meanwhile, Zach Top and Billy Strings offer a take on a Ricky Skaggs classic, while JD Clayton offers up music on his new project, Blue Sky Sundays.
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Check out all of these and more in Billboard‘s roundup of the best country, bluegrass and/or Americana songs of the week below.
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Kassi Ashton feat. Parker McCollum, “Sounds Like Something I’d Say”
Enveloped in a cool, sultry swagger, Ashton and McCollum sing about the hazy, morning-after regrets that follow a night of decisions intended to make one forget the loneliness that haunts them. “It sounds better in the dark than in the light of day,” Ashton sings about recalling words spoken under the influence of heartache and alcohol. They both venture into fervent, soulful territory here, to mighty impact.
Charles Wesley Godwin feat. Ernest, “Dead to Rights”
Charles Wesley Godwin teams with Ernest for this track included on Godwin’s seven-song EP, Lonely Mountain Town, which released Feb. 28 on Big Loud. Somber, acoustic-driven and steel guitar-inflected, “Dead to Rights” finds the song’s protagonist reflecting on how he once reveled in nights on the town and the single life, until finding a love worth trading it all in for. “You crashed into me, like that d–ned left hook I never got to see,” Godwin sings. He’s got a voice with all the warmth of a crackling fire, and he employs it admirably here.
Zach Top and Billy Strings, “Don’t Cheat in Our Hometown”
Bluegrass-and-beyond luminary Strings and ascendant country star Zach Top serve up a slab of classic country, taking on Ricky Skaggs’ 1983 hit “Don’t Cheat in Our Hometown.” The track is from Top’s new three-song EP, Me & Billy, which features a trio of songs previously featured as part of their Apple Music Sessions, and now available to stream everywhere. Strings, of course, has become an arena draw with his superb, genre-agnostic musicianship, while Top is has become one of the most-buzzed-about new country artists. Top also comes from a bluegrass background, formerly leading the band Modern Tradition, which won the SPBGMA Band Championship in 2017. He also issued his solo, self-titled bluegrass-leaning project in 2022, before issuing his breakthrough country project in 2024. Their musical camaraderie and mutual love for the genre is undeniable here.
JD Clayton, “Slow & Steady”
On his previous project Long Way From Home, Clayton focused on more pared-back folk and country vibes. But on his new album, Blue Sky Sundays, he returns to his rock influences. Here, a tale about a balmy Sunday drive gets a laid-back, Southern rock surge, thanks to the solid percussion and muscular guitar work Clayton and his band employ here. His grizzled voice lays into lyrics about soaking in a carefree day, from first sunlight to when the sun’s rays fade. “I said let’s take it slow/ You know we ain’t got no place to go,” he sings.
Blue Sky Sundays released Feb. 28 on Rounder Records.
Dani Rose and Brent Cobb, “I Ain’t Livin’”
Rose and Cobb trade harmonies gloriously on this track, which marked Rose’s fifth placement on the Paramount’s Yellowstone series. The track was written by Cobb and Jessi Alexander, and co-produced by Rose and Maks Gabriel. Together, Rose and Cobb turn in a cool, sultry rendering, declaring devotion to living life to the fullest and seeking adventure wherever they come across it. “May I ride till the wheels fall off/ But my soul’s out there in the ether,” they sing, wrapping in elements of a freewheeling, 1970s feel.
Beck is hitting the road this summer for another run of orchestral shows. The “Saw Lightning” singer announced the run of nine North American gigs in which he’ll team up with local symphony players on Monday (March 3), following a pair of well-received orchestral gigs at New York’s Carnegie Hall and L.A.’s Hollywood Bowl last summer.
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The upcoming run of shows with support from Molly Lewis are slated to kick off on July 15 at the Westville Music Bowl in New Haven, CT with the Westville Philharmonic providing support, followed by stops in Montreal, a two-night stint in Toronto, as well as gigs in Cincinnati, Chicago and Colorado Springs and Morrison, CO before winding down on July 29 at the Rady Shell at Jacobs Park in San Diego.
According to a release, Beck will be accompanied by “native orchestras for nine shows in eight cities in the U.S. and Canada — as they unite to reimagine a body of work that includes hits and deep cuts from classic Beck works including the multi-platinum Odelay, world-tripping Mutations, somber and reflective Sea Change, and GRAMMY Album of the Year winner Morning Phase, plus a share of surprises.”
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Pre-sale and other ticketing information is available here. A general on-sale will kick off on Friday (March 7) at 10 a.m. local time (except for the Chicago show).
Before he hits the road for the orchestral gigs, Beck will play the star-studded 2025 Love Rocks NYC benefit show on March 6 at New York’s Beacon Theatre alongside Cher, Alicia Keys, Kate Hudson, Phish’s Trey Anastasio, Mavis Staples, Michael McDonald, Peter Frampton and more.
The singer released his 14th studio album, Hyperspace, in 2019, which featured the singles “Saw Lightning,” “Uneventful Days” and “Dark Places.”
Check out the dates for Beck’s 2025 North American orchestral tour below.
July 15 – New Haven, CT @ Westville Music Bowl (with The Westville Philharmonic*)July 16 – Montreal, QC @ Salle Wilfrid-Pelletier (with L’Orchestre Métropolitain*)July 18, 19 – Toronto, ON @ Roy Thomson Hall (with Toronto Symphony Orchestra *)July 21 – Cincinnati, OH @ PNC Pavilion at Riverbend Music Center (with Cincinnati Symphony Orchestra *)July 23 – Highland Park, IL @ Ravinia Festival (with Chicago Symphony Orchestra *)July 26 – Colorado Springs, CO @ Ford Amphitheater (with Colorado Symphony ^)July 27 – Morrison, CO @ Red Rocks Amphitheatre (with Colorado Symphony ^)July 29 – San Diego, CA @ The Rady Shell at Jacobs Park (with San Diego Symphony *)
*Conducted by Edwin Outwater^Conducted by Christopher Dragon
Shareholder advisory groups Institutional Shareholder Services (ISS) and Glass Lewis advised Warner Music Group investors to vote against the election of certain board members at the company’s annual meeting on Tuesday, including Val Blavatnik and Lincoln Benet.
The groups say that insider status — Val is the son of WMG owner Len Blavatnik, and he sits on the executive compensation committee — and WMG’s multiple classes of stock present risks for outside investors. WMG says its focused on creating value for all its investors and that most of its directors are independent should allay any investor concerns.
Investor opposition to these directors’ election would need the support of Len Blavatnik to succeed. His Access Industries and its affiliates own more than 70% of WMG’s stock controlling more than 97% of the voting power in WMG. Nonetheless, ISS and Glass Lewis’s concerns put a spotlight on the corporate governance requirements WMG can skirt by being a controlled public company.
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For example, WMG is listed and trades on the NASDAQ stock exchange and is exempt from NASDAQ’s requirement that companies traded on its exchange have a majority of independent board members appointed to the committee that decides executive compensation.
A spokesperson for WMG says, “We welcome input from our shareholders, with a governance structure that goes beyond what is required of controlled companies, including the majority of our directors being independent. Our board and management team are focused on creating long-term value for all investors.”
Shareholder advisory groups like ISS and Glass Lewis exist to research publicly traded companies’ proxy statements and make voting suggestions for investors ahead of annual shareholder meetings. Both groups say in their 2025 benchmark policy guidelines that they broadly support board independence, but they agree controlled companies should be exempt from certain requirements, such as having an independent executive compensation committee, because “controlled companies serve a unique shareholder … whose voting power ensures the protection of its interests,” Glass Lewis’s policy states.
Glass Lewis advises against voting for the election of Val Blavatnik, 27, in its report because of his status as an insider on the compensation committee. Val holds the title of senior director, business development of Warner Chappell Music, and he was elected to WMG’s board in April 2023.
As the chief executive of Access Industries, Glass Lewis considers Lincoln Benet, 61, an affiliate and non-independent board member, and they advise against voting for his election because WMG’s multi-class share structures gives him disproportionate voting rights.
In its report, ISS advises voting against the of seven of WMG’s 11 board members—Val Blavatnik, Lincoln Benet, Len Blavatnik, Donald Wagner, Noreena Hertz, Ynon Kreiz and Cecilia Kurzman. For Val Blavatnik, Benet and Wagner, it raises similar concerns to Glass Lewis about their seats on certain board committees as non-independent members. For the remainder of the directors, ISS raises concerns about their support for a “dual class structure that is not subject to a reasonable time-based sunset provision.”
It also advises voting against Len Blavatnik because “his ownership of the super voting shares provides him with voting power control of the company.”
ISS has advised voting against the majority of WMG’s board members for at least the past three years, and it has taken similar stances against the election of board members of Meta and Alphabet.
Five out of WMG’s 11 board members, or 55%, are independent, including its chairman, nominating and corporate governance committees.
It is worth noting that the WMG chief executive Robert Kyncl’s total compensation of $18.6 million declined 9% from the year prior.
You wouldn’t have been able to tell from watching RAYE‘s performance at the 2025 Oscars Sunday (March 2) — during which she absolutely nailed Adele‘s “Skyfall” as part of the night’s James Bond tribute — but the British star was actually quite nervous.
And during a post-show interview with Entertainment Tonight, RAYE explained why paying homage to the “Rolling in the Deep” vocalist was particularly “terrifying.” “No one can sing Adele like Adele,” she said. “It’s scary.”
The “Escapism” artist added, “It was terrifying, but also so incredible at the same time.”
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RAYE closed out the Bond medley by taking the stage shrouded in fog, showing off her powerful vocals on Adele’s original theme for the franchise’s 2012 film, Skyfall. The track reached No. 8 on the Billboard Hot 100 and won best original song at the Oscars in 2013.
Before RAYE took the stage, The Substance actress Margaret Qualley performed a slinky dance number with a troupe of tuxedoed men — about which the former told ET, “She ate that up … Multi-talented and fine as hell, Jack [Antonoff] is a very lucky man.”
After Qualley’s number, RAYE’s “Born Again” collaborators LISA and Doja Cat each performed solo renditions of two other famous Bond themes, with the BLACKPINK star delivering both choreography and vocals on Wings’ “Live and Let Die” before the “Paint the Town Red” rapper commanded the spotlight singing Shirley Bassey’s “Diamonds Are Forever.” After RAYE closed out the 007 tribute, the trio came together on stage to receive the applause together.
“We have such a beautiful chemistry together,” RAYE said of LISA and Doja. “I just love those girls, they’re so kind and hardworking and inspiring.”
The Academy Awards come a few weeks after the 2025 Grammys, where the “Oscar Winning Tears” vocalist performed in a best new artist medley alongside fellow nominees Doechii, Benson Boone, Teddy Swims and Shaboozey; winner Chappell Roan performed elsewhere in the evening. She was also up for songwriter of the year, which ended up going to Amy Allen.
One day prior to the Oscars, RAYE won best R&B act at the 2025 BRIT Awards.
New York City’s celebrity hotspot Sei Less is celebrating Women’s History Month in style with a special menu dedicated to some of the most influential women in music. The limited-time menu, available starting Monday (March 3), will pay tribute to stars such as Cardi B, Ice Spice, Lil Kim, La La Anthony, Teyana Taylor and […]
Starting Tuesday (March 4), SiriusXM will deliver the sounds of Tomorrowland and the global dance scene with a new channel curated by the team at the Belgian mega-festival festival.
One World Radio will be featured within the SiriusXM app and feature music programmed by the team that curates Tomorrowland’s One World Radio internet radio station, with the SiriusXM channel to offer new music and live DJ sets from Tomorrowland festivals including the flagship event in Boom, Belgium, along with Tomorrowland Winter, Tomorrowland Brasil and more.
SiriusXM’s One World Radio channel will be an extension of Tomorrowland’s pre-existing One World Radio feed, but will be curated a bit differently and customized to the SiriusXM audience.
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“We are really excited about hearing the nearly unlimited Tomorrowland archives, giving SiriusXM listeners a peak into past vibes of the legendary two-weekend festival in Belgium,” Geronimo, SiriusXM’s Vice President of Music Programing, tells Billboard.
Aside from regularly scheduled and rotated music, the channel will also feature exclusive song cuts from previous festivals. “You’ll be able to hear the crowd reaction which really put you in the moment,” Geronimo continues. “It’s truly a place where the global dance community comes together and enjoys each other. Dance music is really about fun, love, positivity and enjoying life and each other and One World Radio captures this essence perfectly.”
The channel will feature music spanning the two decades of Tomorrowland history and span the spectrum of electronic music sounds. The “main thing is to give people a good time and spread positive vibes, without necessarily being bound to a genre,” says Bram Franssen, station lead at the pre-existing One World Radio and curator for the new SiriusXM channel.
With the launch, One World Radio joins SiriusXM’s suite of dance channels that include BPM, Diplo’s Revolution, SiriusXM Chill, Studio 54 Radio, Utopia and more.
“We’re excited to not only hear classic archived Tomorrowland sets but also what One World Radio has for the future,” says Geronimo. “The world outside of North America has historically been a step ahead when it comes to dance music and emerging genres, and One World Radio on SiriusXM will help bridge that gap.”
Juanita Stephens, a barrier-breaking music industry veteran who helmed media and artist relations departments at major labels such as Warner Bros., MCA and Polygram, died March 1 in Atlanta after a lengthy battle with cancer.
Stephens’ industry background also includes a tenure with Bad Boy Worldwide. After that, the well-respected executive launched her own media and publicity firm, JS Media Relations, with bases in New York and Atlanta. Under that banner, she helped oversee the solo career of Grammy-winning artist Bobby Brown.
“Juanita Stephens was a true trailblazer — one of the first Black female executives to shatter barriers in the music industry,” veteran entertainment attorney and longtime friend Rev. Dr. Denise J. Brown tells Billboard.
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Founder of the faith-based entertainment content incubator Oikeo Ministries, Brown (no relation to the singer) also remembers Stephens as “a consummate professional and relentless perfectionist. She never accepted ‘no’ as an answer, fiercely championing every artist and project she believed in. Her impact was profound, her presence commanding and her legacy unshakable. The industry has lost a pioneer, and she will be deeply missed.”
Stephens was born in New York’s Spanish Harlem, moving with her family to Queens as a young child. Her initial entry into the music business occurred in 1987 when she joined MCA Records as assistant to the vp of publicity, longtime friend Katie Valk. With no prior record company experience, Stephens learned the ropes by helping to organize national and international campaigns for a roster of pop, heavy metal and country artists that included superstars such as Elton John, Dolly Parton and The Kinks.
Later tapped as director of publicity by the heads of MCA’s Black music division, Jheryl Busby and Louil Silas, Stephens oversaw campaigns for Bobby Womack, Patti LaBelle, New Edition, Jody Watley and The Jets, among others. From there, Stephens became the first Black female vp of publicity and artist development appointed at MCA, working with Bobby Brown along with a multi-genre roster that included hip-hop, alternative, jazz, gospel and reggae acts.
In a comment sent to Billboard, Bobby Brown notes, “Juanita was a beautiful and gifted sister. We had decades of memories, and I could always count on her wisdom and kindness. I love you, Juanita. You will be deeply missed.”
After MCA, Stephens segued to similar senior executive-level posts with Polygram in 1992, Warner Bros. Records (now Warner Records) in 1995 and then Bad Boy Worldwide in 1998. She exited the in-house label publicity circuit to establish JS Media Relations in 2000; its clients included Charlie Wilson and Tito Jackson.
Through JS Media Relations, Stephens handled publicity for tours featuring LaBelle and Stephanie Mills in addition to Brown and Wilson. Among the various media events with which JS Media Relations collaborated were the BET Awards, American Music Awards, Trumpet Awards, VH1 Music Awards and the Otis Redding 70th Birthday Tribute.
Brad Paisley announced the initial run of dates for his upcoming 2025 Truck Still Works World Tour on Monday (March 3). The first leg of the outing is slated to kick off on May 21 at the Mountain America Center in Idaho Falls, ID and bring the “No I in Beer” singer to Montana, Colorado, Oregon, Arizona, California, Ohio, New York, Virginia, Connecticut, New Hampshire, North Carolina, Georgia and Florida before winding down on August 8 at in Arcadia, WI at the Ashley for the Arts festival.
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The first announced dates of the Live Nation-promoted tour will feature support from Walker Hayes, as well as Avery Anna, Mae Estes and Alexandra Kay and Paisley’s first-ever stops at Morrison, CO’s historic Red Rocks Amphitheatre and Los Angeles’ Greek Theatre. The tour is named for Paisley’s current radio single “Truck Still Works,” which the singer debuted last fall on NBC’s People’s Choice Country Awards and the American Music Awards 50th anniversary special on CBS.
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A fan club presale will open on Tuesday (March 4) at 10 a.m. local time through Thursday (March 6) at 10 p.m. local time. The general on-sale will kick off on Friday (March 7) here. In addition, there will be an exclusive Verizon presale through Verizon Access for select shows beginning on Tuesday at noon local; for more details click here. Official tour sponsor Citi will give cardmembers access to a presale beginning on Tuesday at 10 a.m. local time through 10 p.m. local on Thursday here.
Check out the dates for Paisley’s Truck Still Works World Tour below.
May 21 – Idaho Falls, ID @ Mountain America Center #
May 22 – Bonner, MT @ KettleHouse Amphitheater #
May 24 – Morrison, CO @ Red Rocks Amphitheatre *#
May 29 – Bend, OR @ Hayden Homes Amphitheater *+
May 30 – Airway Heights, WA @ BECU Live at Northern Quest *+
May 31 – Everett, WA @ Angel Of the Winds Arena *+
June 5 – Phoenix, AZ @ Arizona Financial Theatre @ *#
June 6 – Los Angeles, CA @ The Greek Theatre *#
June 7 – San Diego, CA @ Gallagher Square at Petco Park *#
July 10 – Ft. Loramie, OH @ Country Concert festival line up
July 12 – Canandaigua, NY @ Constellation Brands Marvin Sands Performing Arts Center ++ xx
July 17 – Richmond, VA @ Allianz Amphitheater at Riverfront *=
July 18 – Bridgeport, CT @ Hartford HealthCare Amphitheater *=
July 19 – Gilford, NH @ BankNH Pavilion *=
July 24 – Wilmington, NC @ Live Oak Bank Pavilion @ *=
July 25 – Simpsonville, SC @ CCNB Amphitheatre *=
August 1 – Savannah, GA @ Enmarket Arena *=
August 2 – St. Augustine, FL @ The St. Augustine Amphitheatre *=
August 3 – Clearwater, FL @ The Baycare Sound @ *= ++
August 8 – Arcadia, WI @ Ashley For the Arts Festival
* Walker Hayes
# Avery Anna
+ Mae Estes
= Alexandra Kay
@ No Citi & Verizon pre sale
++ non Live Nation show
xx Dylan Scott & Alexandra Kay