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Robert De Niro Co-Signs French Montana Documentary, ‘For Khadija’

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Cannes Film Festival 2023 Photocall

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Robert De Niro has had a history for having a thing for Black women, but we ain’t know he was actually into Hip-Hop culture… kinda.

Earlier this year, French Montana revealed that a documentary about his rags-to-riches story dubbed For Khadija would be releasing at the Tribeca Film Festival. And screen legend, Robert De Niro himself actually co-signed the Mandon Lovett directed feature. During an interview for Extra TV, De Niro and Jane Rosenthal (two of the co-founders of the Tribeca Film Festival) were asked about the Montana documentary with the former giving his two cents about the project. “To me, being part of the fabric of the city and so on is everything and tradition, and hopefully it will last as long as the city is here — and the city should be here forever,” De Niro said.

You have to wonder if Robert De Niro has any tracks from Wave Gods on his playlist somewhere. Just sayin’.

Rosenthal also revealed that after Montana’s documentary is screened at the Beacon Theatre, he will be performing for the crowd on hand to add that exclamation point of his success story. We just wonder if the documentary will feature his relationship with Khloe Kardashian as some feel that was the biggest achievement of his music career.

Growing up in Morrocco and making his way to the Bronx with his parents and younger brother, a teenage Karim Kharbouch (aka French Montana) was only able to speak Arabic and French at the time. He ultimately made his way to Hip-Hop superstardom after years of grinding out on the mean streets of the BX. Now that he’s basically a household name, Montana is looking forward to people seeing his story played out on the big screen and maybe even inspire other immigrants to take the road less traveled on route to achieving their dreams… of getting with a Kardashian (we kid we kid).

Executive produced by Drake and Diddy, For Khadija will certainly be getting a lot of attention either out on these streets or on social media once it hits the big screen.

Check out the trailer for For Khadija below and let us know if you’ll be checking it out when it hits the Tribeca Film Festival June 16.

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Jimin Surprises Fans With Sweet ‘Dear ARMY’ Music Video

BTS is celebrating 10 years since their debut, and Jimin took some time on Wednesday (June 7) to show his appreciation for fans with a sweet live performance of “Dear ARMY.”

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The track is a hidden song found on the CD version of Jimin’s solo debut album, FACE, inside the English version of “Like Crazy.” In the corresponding clip, the 27-year-old star is seen amid a lush green landscape as he croons the lyrics into a microphone.

The surprise video comes just a week before BTS 10th Anniversary FESTA is set to take place on June 17 in Seoul, South Korea. The event at Yeouido, Seoul, will be open to the public, and more information about the FESTA will arrive at a later date.

Jimin’s six-track FACE arrived back in March and entered the Billboard 200 albums chart upon its release at No. 2, with its breakout single “Like Crazy” topping the Hot 100 songs chart. The debut made Jimin the first South Korean solo artist to top the Hot 100 in the chart’s nearly 65-year history.

The star admitted to Consequence ahead of the release that he was nervous for his solo debut before its grand unveiling, explaining, “I don’t want to be an embarrassment to my members. I want to be a proud member of BTS” before hinting that the album will explore “how I overcame… If people understand the emotions I’m trying to express, I’ll consider the album a success.”

Watch the “Dear ARMY” live clip below.

T.I. And Tiny Score Small Win In Legal Battle Against Sabrina Peterson

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While their legal fight against Sabrina Peterson isn’t over, T.I. and Tiny Harris have scored a minor victory. A judge has thrown out some of her claims.

As per AllHipHop the Atlanta trapper turned rapper was sued by Sabrina Peterson back in 2021. The entrepreneur accused T.I. of threatening her life with a firearm. “The first victim allegedly had the same gun that was pulled on me, her three children were forced in the closet at gunpoint. She described the same gun [from T.I.]. She described the same exact gun. There’s no way that this woman would be able to vividly describe this gun unless she actually seen this very gun,” Peterson said on an interview with Hollywood Unlocked at the time.

But Law 360 reports that this week, California’s Second District Court of Appeal tossed out some of her claims specifically her allegations of trade libel, suffering emotional distress and negligent interference with prospective economic advantage. Therefore she will have to pay “fees and costs incurred both in the trial court and on appeal in moving to strike the claims on which they prevailed.” The court is allowing her to move forward with her claims of defamation and false light invasion of privacy.

Neither T.I. nor Tiny have commented on the rulings, but their lawyer handling the case said he was “generally pleased with the decision.”

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Niall Horan Says One Direction Reunion Conversation ‘Hasn’t Happened’ Yet

Ever since One Direction went on hiatus in 2015, fans have been wanting a reunion. In a new interview with Apple Music 1’s Zane Lowe, Niall Horan gave Directioners a realistic response when asked if the superstar fivesome will reunite for a performance.

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“It’s just like the conversation hasn’t happened,” the 29-year-old singer explained. “It’s a great legacy to have. No, I don’t think [asking about the reunion] sucks the air out the room. It’s more, the answer’s still the same. The conversation hasn’t happened.”

He continued, “We speak regularly, but that conversation hasn’t happened. God knows whether it ends up being — it could be like the Friends reunion, it could be a whole tour. God knows what it is, but no, it hasn’t been spoken about.”

However, Horan assured that he’ll be performing some One Direction songs on upcoming shows in support of his The Show album. “I’ve never been one to hide away from it. They’re great songs,” he said. “There’s so many on there that feel like my kind of stuff as well. And it’s good to make new versions of as well.”

Horan’s third studio album, The Show, will be arriving on June 9. Heartbreak Weather, the crooner’s previous LP, peaked at No. 4 on the Billboard 200 in March 2020.

Watch the full interview below.

ONE N’ ONLY Talk 5th-Anniversary Album ‘Departure’ & Share Heartfelt Message to SWAGs: Interview

ONE N’ ONLY, the Japanese dance and vocal group that blends J-pop and K-pop to create “JK-pop,” released its new album, Departure, on May 17. This album represents the culmination of the “5 N’ 5” project, which began in January to commemorate the fifth anniversary of the group’s formation. Billboard Japan recently spoke with the six members of the group.

You’ve had several releases during your fifth year, but now you’ve capped them off with the release of Departure. It’s a really full album, packed with songs.

HAYATO: It has all the songs we’ve released over the past five months, of course, but it also has a lot of new songs. It’s a special album, and a lot of care went into making it. We didn’t just throw in all our past songs.

So it must have been really tough for you when you were making it.

Everyone: It was so tough! (they laugh)

HAYATO: There were constant release events, and from what I can remember we were always recording material, so we were super busy.

TETTA: I think it’s probably the busiest ONE N’ ONLY has ever been.

EIKU: We met a lot of SWAGs, too (“SWAGs” is the nickname for ONE N’ ONLY fans).

TETTA: We also gave a speech at the premiere of the movie Battle King!! We’ll Rise Again. Our schedules were really packed. We also did a tour of Latin America, took part in EBiDAN THE PARADE (an event put on by their talent agency), and went on a solo tour. When it was all going on, I just had to remind myself that when it was all done, I’d have grown a lot as a person.

The songs on the album are colorful and unconstrained by genre. Which are your personal favorites?

REI: I like “Call me” the most. It’s addictive, and it has elements that will help it go viral on TikTok. It has a reggae feel, and talking to our voice trainer impressed on me just how important it was to have the rhythm in the background. We grew a lot through our work in Latin America, which is what I think put us in the right position to sing the lyrics to “Call me.”

What about you, HAYATO? What’s your favorite song?

HAYATO: I like the first song, “CIRCLE.” JUNE wrote it for us two years ago, and we’ve been keeping it in our pocket till the time was right. I’ve always loved it, so I asked for it to be put on the album. This is our first song to be performed entirely by the rap team, so it holds a special place in my heart.

What about you, rap team members KENSHIN and NAOYA?

KENSHIN: I sang on the song, and it was really hard. The rapping was technical, and there was a lot I had to do in terms of technique, so I broke each part down and analyzed it, one by one.

Like HAYATO said, the song itself was written two years ago, and at the time I couldn’t quite get a good grip on it. But I’ve experienced a lot over the past two years, and it seems like all I’ve learned has really come together. I was happy to be able to sing on “Circle,” and I think it’s a very special song.

NAOYA: This song has an inner strength. It’s not like the sound itself is super powerful, and the song’s hook is laid back, but when I sang on it, I hoped to accent the song with something new. I don’t think that the me of two years ago could have sung that hook. It’s a song that I can sing because of where I am today.

I’m really looking forward to seeing how you perform it live.

HAYATO: It’s probably going to be pretty aggressive. Before we finished recording, we lined the songs all up once. We were talking about the songs, and everyone agreed that “Circle” got them fired up. I think it came out really well.

KENSHIN: I also really like “Set a Fire.” The album has a lot of aggressive songs and a lot of fascinating songs, but “Set a Fire” is a lighter song, in a good way. It’s a party song. When we were thinking about how we could improve ONE N’ ONLY’s live shows, we strongly felt that we needed something that everyone could take part in, that would make them all be like, “ONE N’s shows are so fun!” I think this song adds that kind of spice.

TETTA: It’ll probably get people moving in Latin America. It’d be great to perform outdoors!

NAOYA: I like “10,000 miles,” which is named after the distance between here and Brazil. I personally love the sound of the song, and the fact that we performed in Brazil is what makes us so right to sing this song. Our SWAGs in Latin America are so far away, but we’re always thinking about them, and this song expresses how even though we’re physically far apart, we’re together in spirit.

Wow, looking at the distance as an actual number, that’s really far away.

NAOYA: Yeah. And yet, despite this distance, our fans are out there supporting us. I feel so thankful.

TETTA: I also like “10,000 miles.” It expresses the way we feel, always keeping our SWAGs number one in our hearts. I recommend the song, because it’s got a gentle feel but the sound strikes right at your heart, which I love.

The album is full of bold, rich songs, with both a JK-pop and a Western pop feel.

EIKU: Yeah, it’s a rich album. I like “Reflection,” which I helped write, but I also like “Be Alright,” which is only on the standard version of the album. I played guitar on the recording, and both the melody and the lyrics are wonderful. Even when you’re trying your best every day, there are times when your spirit just crumbles. When that happens, instead of someone trying to encourage you, it feels better to hear “you’re not alone,” “it’ll be alright,” “we’re here for you.” That’s what I wanted to convey when I sang the song.

It sounds like the kind of song that would bring the audience to tears when played live.

EIKU: And us singers, too (laughs). I think that’s the kind of song it’s going to turn out to be.

Do you have a message you’d like to share with the people who are looking forward to this densely packed new album?

HAYATO: Every day has been a really fulfilling one during this fifth year commemorative project, and our new album is the culmination of our series of recent releases. We named it Departure because it’s a starting point, and we want to pick up speed from here. Once we make our spring tour a great success, we’ll use what we learn from the experience going forward, showing off a ONE N’ ONLY that is steadily evolving. I hope everyone can feel how special this album is, a commemoration of our fifth anniversary, and that they experience this boundless emotion together with us. 

This interview by Kana Yoshida first appeared on Billboard Japan

Stray Kids Lead Swarm of New Releases Aiming for Top of Billboard 200 

The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week (for the upcoming charts dated June 18), Stray Kids aim for their third No. 1 album in two years, while new albums from rising country hitmakers, star producers and veteran rockers also jockey for position.  

Stray Kids, 5-Star (JYP/Republic): Stray Kids have proven themselves among pop’s most consistent performers of any nationality on the Billboard 200 in the past couple years, having topped the chart twice already in 2022 alone, with EPs Oddinary and Maxident. This week, they should have a pretty good shot at making it three in a row with their new 12-track LP, 5-Star.  

Once again, physical sales should drive consumption of the new set, with a variety of available options for fans. That includes 18 total collectible CD packages (with exclusives for Barnes & Noble, Target, Walmart, the Weverse store and a signed edition in the group’s official webstore) that contain artist-branded merch, some of which is standard across all packages and some of which is randomized (photo cards, mini posters, sticker sets, photo books). 

There are also four alternative digital versions of the album, sold only in the act’s webstore, each containing the same tracklists, but with alternative covers and bonus tracks (each with different voice memos from individual members of the group), selling for $6.99 each. After 12 consecutive weeks of Morgan Wallen largely streaming his way to No. 1, we might have our second straight week of sales determining the chart’s top spot, following Taylor Swift’s reissue-prompted Midnights rebound last week.  

Jelly Roll, Whitsitt Chapel (Bailey & Buddee/BBR Music Group): Billboard’s May cover star has yet to get higher than No. 97 on the Billboard 200 – but that should change with the release of Whitsitt Chapel, Jelly Roll‘s first album since pivoting fully to country. The set follows the 2022 breakout success of Ballads of the Broken singles “Dead Man Walking” and “Son of a Sinner” — as well as a star making night at the 2023 CMT Awards, where he took home three trophies — and features a hit of its own with “Need a Favor,” which climbs 40-31 on the Billboard Hot 100 this week.  

Though Jelly Roll streams fairly well, sales should also make up the majority of Whitsitt Chapel’s first-week numbers. To that end, he’s released the album in three vinyl LPs (including a color variant exclusive for Walmart), a standard CD, a signed CD that was sold through his webstore, a digital download (which is discounted to an on-brand $4.20 in his webstore), nine deluxe CD boxed sets that include branded merch and a copy of the CD, and even a “hymnal” Zine/CD package. 

Metro Boomin, Spider-Man: Across the Spider-Verse (Soundtrack From and Inspired by the Motion Picture) (Boominati/Republic): With rave reviews and strong early box office returns, the new Across the Spider-Verse is well on its way to becoming one of the year’s biggest movies – and its soundtrack might not be too far behind. Curated by super-producer Metro Boomin, who most recently topped the Billboard 200 last December with his Heroes &Villains set, the similarly star-studded soundtrack features appearances from such big names as Future, Lil Uzi Vert, 21 Savage, A$AP Rocky, Coi Leray, Nas and Swae Lee.  

The set does not yet have a physical release – it is available for digital download — but it should stream enough to still be a major factor on the chart, with three tracks still in the top 20 of Spotify’s Daily Top Songs USA chart as of Wednesday. It should also get a nice boost from the mid-week drop of a deluxe edition of the album, boasting an extra six tracks and additional appearances from Dominic Fike, Becky G, Shenseea and more hitmakers.  

IN THE MIX 

Foo Fighters, But Here We Are (Roswell/RCA): The first Foo Fighters album since the shocking death of drummer Taylor Hawkins in early 2022, But Here We Are is led by the Rock & Alternative Airplay-topping single “Rescued,” and has received some of the strongest reviews of the band’s career. The album is not expected to stream in huge numbers, though, and is available in fewer variants than some of its competition: just in black vinyl, white vinyl, CD and cassette versions and as a digital download. 

Enhypen, Dark Blood (Belift Lab/Genie/Stone): Stray Kids aren’t the only Korean boy band expected to make a big impact on the Billboard 200 this week – there’s also septet Enhypen, who previously hit No. 6 on the chart with 2022 EP Manifesto: Day 1. Their new six-track set Dark Blood was released digitally on May 22, but this chart week brings its physical release – which, like 5-Star, includes 17 collectible CD packages (with a number of store exclusives) that contain artist-branded merch, some of which is standard across all packages and some randomized.  

Moneybagg Yo, Hard to Love (Roc Nation/Bread Gang/N-Less/Collective Music Group, Interscope): Moneybagg Yo was set to release new mixtape Hard to Love the previous Friday, but decided not to go up against his “little baby Taylor” and her Midnights reissues. He’s still going to have his work cut out for him rising above the glut of new releases this week, particularly without any kind of physical release – but the Memphis rapper has enjoyed regular success on the Billboard 200 in recent years, with his last three albums all hitting the chart‘s top five, and 2021’s A Gangsta’s Pain reaching the top spot.   

Texas Court Upholds Astroworld Gag Order, Rejecting Fears of A ‘News Desert’

You might not be seeing many headlines these days about the massive litigation underway in Houston over the deadly 2021 disaster at Travis Scott‘s Astroworld festival. That’s by design.

In a ruling Tuesday, an appeals court in Texas refused to lift a strict gag order that for more than a year has barred attorneys and others from discussing the sprawling litigation over the crowd crush at Astroworld, which left 10 dead and hundreds physically injured.

ABC News had challenged the “sweeping” restrictions, arguing they clearly violated the First Amendment’s protections on free speech and had created a “news desert,” in which almost no reliable information about an important case was being shared with the public.

But in its decision on Tuesday, a three-judge panel from the Court of Appeals For The First District of Texas rejected those arguments. Ruling on a battle over judicial transparency, the appeals court did not issue any written explanation for why it had denied ABC’s challenge.

Starting hours after Nov. 5, 2021 incident, lawyers claiming to represent more than 4,900 victims eventually filed more than 400 lawsuits against Scott, Live Nation and other organizers. The cases, later consolidated into a single “multidistrict litigation,” accuse the Astroworld organizers of being legally negligent in how they planned and conducted the event, including not providing enough security and having insufficient emergency protocols in place. Combined, the victims are seeking billions in damages.

But for a case dealing with a mass-casualty event at a popular music festival with billions at stake, relatively little is known about the Astroworld litigation.

Shortly after Judge Kristen Brauchle Hawkins was appointed to oversee the cases, she issued a “publicity order” that largely prohibited attorneys from speaking about the case, citing concerns that “extensive media coverage” threatened to deprive the parties of their right to a fair trial by tainting the jury pool.

The Feb. 15 ruling was both specific and broad – banning attorneys from discussing a wide range of particular topics, including “the strength and weaknesses of any party” and “rulings of the court,“ but also imposing catch-all restrictions on “any other information” that would “prejudice the trial.”

In challenging that order to the appeals court, ABC News argued that it had deprived the public of information about important judicial proceedings over a newsworthy event. The network warned that attorneys were refusing to share even basic information about the case with journalists, out of “fear of violating its broad and vague provisions.”

“The Gag Order, coupled with the lack of transparency from local and state officials, has created a news desert where many questions raised in the days after the Astroworld Festival remain unanswered,” the company wrote. “By [lifting] the Gag Order, this court would provide those connected to both the Astroworld Festival and the litigation the ‘breathing space’ needed to freely share their experiences, the press the ability to hold them to account, and the public the valuable information they need to better understand the events of November 5, 2021.”

But on Tuesday, the appeals court rejected those arguments. In a one-paragraph decision, the panel recounted ABC News’ argument and said simply: “We deny the petition.”

ABC News can appeal the ruling to the Texas Supreme Court. An attorney for the company did not return a request for comment on Wednesday.

Here’s How Willie Nelson Reacted to Maren Morris Dressing in Drag As Him

After seeing Maren Morris offer her own interpretation of his iconic style, Willie Nelson has some thoughts.

On Wednesday (June 7), Morris graced the cover of Billboard alongside drag stars Eureka O’Hara, Landon Cider, Sasha Colby and Symone. Surrounded by all kinds of different drag, Morris decided to dress in full Willie Nelson drag, complete with the “Always on My Mind” singer’s signature braids and old-school country look.

Billboard asked Nelson what he thought of Maren’s take on his classic look, and the country icon seemed to offer his personal stamp of approval. “Was wondering where that outfit went,” he wrote in a cheeky comment on Instagram. Morris had her own thoughts on the look, posting a photo of herself to her stories saying she looked like “Willie meets Wednesday,” referring to the lovably misanthropic member of The Addams Family.

In their roundtable conversation, Morris and the drag performers talked at length about the ongoing legislative attacks against the LGBTQ community, and what people can do to fight back. Morris, for one, offered some advice to her fellow country artists on speaking up for what you believe in.

“You’re going to lose fans along the way — that is just part and parcel of being public-facing. But there is a lane that you’re widening,” she said. “I know everyone likes money, but is it worth your biography saying that you never picked a side because both sides pay money to buy a T-shirt?”

Check out Maren Morris’ look and read Willie Nelson’s comment below:

Maren Morris in drag as Willie Nelson photographed on May 9, 2023 in Los Angeles.

Maren Morris in drag as Willie Nelson photographed on May 9, 2023 in Los Angeles. Hair by Laura Polko at PRTNRS. Makeup by Diane Buzzetta at Blended Strategy. Drag Makeup Consulting by Landon Cider. Manicure by Queenie Nguyen at Nailing Hollywood. Styling by Dani Michelle at The Only Agency. Vintage shirt and bolo tie, Our Legacy jeans, Nick Fouquet hat.

Munachi Osegbu

Congrats On The Sex: Zion Williamson Shares He’s About To Be A Dad, Moriah Mills Enters The Chat

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New Orleans Pelicans v Golden State Warriors

Zion Williamson should be rejoicing the fact that he’s about to join the honorable ranks of fatherhood but instead, he’s contending with some comments from the peanut gallery. Not only are folks online questioning how he got with the mother of his child, but adult star Moriah Mills also entered the chat and put the young NBA star on blast.

Zion Williamson, 22, and his girlfriend Ahkeema, reportedly 29 and also known on Instagram as @ahh_concreterose, shared some beautiful gender reveal photos from an event the couple recently held. Williamson is in a few of the shots but the mother naturally had the spotlight. In the reveal, it was discovered that Williamson and his partner will be parents to a beautiful baby girl and despite all the criticism the New Orleans Pelicans star has garnered over his lack of NBA action, some folks rightfully congratulated the young star.

However, that feel-good period was short-lived when fans online began digging up @ahh_concreterose’s past and alleged that she was a credit card scam artist in the past and a well-known stripper who may have hooked up with Boosie Badazz and others. Further, a video of Ahkeema fighting in the street until she came out of her dress also resurfaced and it’s been off to the races since.

Moriah Mills, 32, is a popular Instagram model and adult actress with a popular OnlyFans account. In a string of tweets, Mills claims that she and Williamson were a couple and that they even saw each other recently. Processing her anger for all to see, Mills posted private messages she received from Williamson on the social media app Snapchat.

“I hate you .. ong [wilted rose] #ZionWilliamson looks like you been had a girlfriend and sleeping with other women behind my back. @Zionwilliamson you liar,” read one tweet.

She followed that message with, “Better pray I’m not pregnant too because I’m definitely late @Zionwilliamson.”

Mills continued by saying she’s not severing her relationship with Williamson.

“I guess imma be step mommy you not f*cking up me and @Zionwilliamson plans baby or not it is what is off this,” Mills wrote.

Yeah, man.

On Twitter, the reactions are still coming in and we’ve got them all below. As it stands, Zion Williamson and Ahkeema have not responded to Moriah Mills.

Photo: Loren Elliott / Getty

Manuel Turizo Is Drunk in Love in Marshmello’s ‘El Merengue’: Translated Lyrics

Marshmello has achieved his first-ever No. 1 entry on the Billboard Latin Airplay chart (dated June 9) with his Manuel Turizo-assisted “El Merengue,” becoming the first non-Latin genre artist to top the chart in 2023.

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The infectious EDM-merengue fusion, which dropped on March 2, finds Turizo singing about not getting over an ex and drinking his sorrows away.   

Additionally, “El Merengue”—named after the traditional Dominican music genre—reached No. 1 on Billboard’s Tropical Airplay chart (dated April 8). The song sent Turizo’s own “La Bachata”  to No. 2 after 14 weeks in charge.

Below, check out the complete lyrics translated into English:

I’m tired of thinking about you
With my heart broken
There’s sun but it’s cold since you left
I’m only drinking
Looking at your photos
Wanting to delete them but I can’t

I should’ve said I’m sorry
To not hold anything back
The kisses I didn’t give you
I should’ve stolen them from you
Missing you has me
With my eyes red
It’s not the same as being alone
Than being alone and in love

I said I forgot about you
But I didn’t forget you
Ay, ay, ay
I also said I got over you
But I haven’t gotten over you
Drunk I said I forgot about you
But I didn’t forget you
Ay, ay, ay
I also said I got over you
But I haven’t gotten over you

Entering the club, I saw her, I saw her, I saw her
She was dancing alone
Dancing alone
I got close, I got close, I got close
And the hours flew by
A couple of hours

Tell me, without shame tell me
Ask me whatever you want 
Except to forget about you
When one is drinking
They don’t measure words 
Today I apologize
If one day drunk

I said I forgot about you
But I didn’t forget yo
Ay, ay, ay
I also said I got over you
But I haven’t gotten over you
Drunk I said I forgot about you
But I didn’t forget you
Ay, ay, ay
I also said I got over you
But I haven’t gotten over you

Entering the club, I saw her, I saw her, I saw her
She was dancing alone
Dancing alone
I got close, I got close, I got close
And the hours flew by
A couple of hours