News

Hate Ticketmaster? Love Taylor Swift? Politicians Are Backing New Bills to Get Your Vote

Sen. Ted Cruz (R-Texas) and many liberal Democrats have two things in common, and perhaps only two: They hate the way concert and sports ticket sales work — specifically the company selling most of them, Ticketmaster — and they love Taylor Swift. Or, at least, they acknowledge that ingratiating themselves to Swift’s fan army as she sells out stadiums in their states is an efficient way to build up constituent support. 

Over the past couple of months, Cruz, Sen. Amy Klobuchar (D-Minn.), Massachusetts Sen. John Velis (D-Hampden and Hampshire) and others have presented a variety of bills intended to reform the ticket-selling business, invoking Swift and fans’ displeasure with Ticketmaster’s Eras Tour on-sale fiasco in November, when more than 100,000 fans were kicked out of the online sale queue. Following a Senate subcommittee hearing focused on Ticketmaster in January, politicians clearly see positioning themselves against the ticketing giant and attaching themselves to Swift’s millions of passionate fans as a winning combination. They’re even naming their bills after her. 

“There’s a growing awareness of the problem, and the Taylor Swift concert debacle played a part in focusing a lot of attention on the issue,” Cruz tells Billboard, adding that his 12-year-old daughter recently attended an Eras Tour show.

That debacle, Ticketmaster declared at the time, was due to unprecedented levels of illegal bots attacking the online sale. But that claim did little to satisfy fans and politicians, who during a January Senate hearing instead chose to focus on monopolistic behavior by Ticketmaster and its owner, promoter Live Nation, often referencing Swift lyrics between swipes at the company. Since then, the rhetoric has changed slightly. While politicians continue to scrutinize the concert giant — Klobuchar says the Department of Justice is investigating Live Nation and Ticketmaster for possible violations of their 2010 consent decree — senators and congresspeople at federal and state levels are proposing solutions to potentially more manageable issues.

In Massachusetts, Velis and his co-sponsor, Rep. Dan Carey (D-Easthampton), have introduced what they nicknamed the “Taylor Swift bill,” which aims to abolish hidden ticket fees and require sellers such as Ticketmaster and SeatGeek to disclose service charges and costs upfront. A similar law already exists in New York state, and Live Nation actually supports the issue — including it in the company’s own proposed legislation outline. “Taylor Swift obviously sells out every concert,” Velis says, “but she’s also got this support ecosystem that lends itself to, ‘If you want to do something about this, why not use something that’s absolutely going to get the public’s attention?’”

But at a time when opposing Ticketmaster is good politics, one source in touring suggested politicians do not want to be seen aligning with the corporate giant. That political strategy may even be holding back legislation on other subjects where there’s popular consensus. Other bills, like the one Klobuchar and Sen. Richard Blumenthal (D-Conn.) introduced in April, limit exclusive deals with venues and therefore more directly target Ticketmaster.

Velis said he and Carey plan to meet with Ticketmaster executives in the coming weeks to discuss their bill. “The more you can firm up a piece of legislation to get rid of unintended consequences, you’re better off,” Velis says. “That being said, as it relates to just telling a consumer, ‘This is what you’re going to spend if you want to go to this concert’ — I can’t think of anything remotely close to approaching how someone can convince me that’s not a good idea.”

To help wade through the many different pro-Swift, Ticketmaster-targeting bills out there, here’s a rundown of what they each intend to achieve — and what each legislator gets out of sponsoring them:

Tom Holland Admits He Has ‘No Rizz,’ Is ‘Happy & In Love’ With Zendaya

Tom Holland took part in a Buzzfeed series in which he answered 30 questions as quickly as possible, and The Crowded Room actor spent much of the video sweetly talking about his girlfriend, Zendaya.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

When asked what the “secret” is to his “rizz” — a.k.a. flirting techniques — Holland admitted, “I have no rizz whatsoever. I have limited rizz,” before revealing that someone needs to “fall in love with me for it to work.”

He then revealed how he got Zendaya to date him, joking, “Long game, probably making a movie with each other, definitely helps when the characters you’re playing are falling in love with one another.” Holland, who has been dating the Euphoria actress for at least two years, stars alongside Zendaya in the Spider-Man films.

“I’m locked up. I’m happy and in love, so I’ve got no need for rizz,” he adorably added.

Holland brought up Zendaya again later in the interview, admitting that she was his childhood celebrity crush and that she’s also the last person he sent a meme to. “It’s nonstop,” he said. “She sends me too much. I can’t keep up because I delete my Instagram for days at a time. I download it to post, then I have to check my messages and I’ll have hundreds and hundreds of things from her.”

Watch the full video below.

Charlie Puth Makes ‘Fast & Furious’ Return on ‘Angel Pt. 2’ With Jimin, Jvke & Muni Long: Listen

Charlie Puth has made his official return to the Fast & Furious franchise. The “Light Switch” singer is the latest musician to feature on the Fast X single “Angel Pt. 2,” which was released on Thursday (June 15).

Following Jvke, Jimin and Muni Long’s verses on the track — which were also features on the previously released “Angels Pt. 1” with Kodak Black and NLE Choppa — Puth hops on the later half of the piano-led song, telling the listener to be safe on their journey, wherever it may lead.

“So be careful when you’re on your way, on your way out/ That you won’t find your way back in the dark, dark/ And now I’ll pray for signs you’re doin’ OK out there/ And that you’re happy wherever you are, you are/ We weren’t meant to last forever/ Someone else will love you better/ Baby, now it’s time to let me go,” he sings.

Puth previously featured on the Furious 7 soundtrack with his feature on “See You Again” by Wiz Khalifa. The track served as Puth’s first and only No. 1 hit on the Billboard Hot 100 when it was released in 2015, and charted on the all-genre tally for a total of 52 weeks.

“I owe so much to this franchise and have always been so proud to be a part of the Fast Family,” Puth said in a statement of being featured on the Fast X track. “I’m thrilled to come back and collaborate with all of these fantastic artists on ‘Angel Pt. 2.’”

Gloria Trevi Leaves Universal Music Latino To Be an Independent Artist: Exclusive

Gloria Trevi will not renew her contract with Universal Music Latino after 15 years with the label, Billboard Español can exclusively report.

The Mexican superstar will now be an independent artist through her own company, Great Talent Records, Trevi’s publicist, Mayna Nevarez, confirmed. She has also signed a new distribution deal with Tango, and another one with ByteDance’s SoundOn for TikTok.

Furthermore, she has an agreement with Live Nation for an upcoming U.S. tour.

“This new stage is very exciting for me,” Trevi said in a statement to Billboard Español. “With our label, I will be able to have more investment, open new markets and work with dream collaborations. I love being the head of my own label now, Great Talent Records.”

On Friday (June 16), Trevi’s fans will be able to hear her first independent release, “Medusa,” a techno dance beat track produced by Dabruk, Manu Chalud and Alcover that will be available on all digital platforms.

During her years with Universal Music Latino, Trevi, known for classics like “Pelo suelto” and “Dr. Psiquiatra”, reached No. 1 on Billboard‘s Top Latin Albums chart with Gloria (2011), El Amor (2015), Inmortal (2016) and Versus (2017), the latter a joint album with Alejandra Guzmán.

Prior to Universal Music Latino, Trevi was previously with Sony BMG Mexico (1989-2004) and Univision (2005-2008).

The news of Trevi’s departure from Universal comes amid a wave of other major Latin music artists switching labels. On Wednesday (June 14), Billboard exclusively reported that Spaniard star Alejandro Sanz left Universal and joined Sony Music. And in April, Anitta and Warner Music Group announced their separation; the Brazilian star subsequently signed with Republic Records and will work closely with Universal Music Latino.

GloRilla, Lil Uzi Vert & More Set to Perform at 2023 BET Awards

GloRilla, who tied with Drake for most nominations for the 2023 BET Awards, is set to perform on the show, which airs live on BET on Sunday, June 25, at 8 p.m. ET/ PT. Lil Uzi Vert, Doechii and Coco Jones are also set to perform on the show, with more performers to be announced.

The centerpiece of the show will be a 50th anniversary celebration of hip-hop. Artists set for that segment are 69 Boyz, Big Daddy Kane, Chief Keef, DJ Unk, E-40, Fast Life Yungstaz & Easton (F.L.Y.), Fat Joe, Ja Rule, Kid ‘N Play, MC Lyte, Percy “Master P” Miller, Remy Ma, Soulja Boy, The Sugarhill Gang, Trick Daddy, Trina, Tyga, Uncle Luke, Warren G, Ying Yang Twins and Yo-Yo.

“We have an incredible lineup of performers who will take us on a musical journey, covering hip-hop spanning every decade, style, and region,” Connie Orlando, BET evp, specials, music programming & music strategy said in a statement. “From music to dance and fashion, we are digging through every crate as we celebrate 50 years of hip-hop and its diversity, evolution, and global impact.” 

Orlando will oversee and executive produce the annual show, with Jamal Noisette, vp, specials, music programming & music strategy to co-executive produce for BET. Jesse Collins Entertainment is the production company for the show, with Collins, Dionne Harmon and Jeannae Rouzan-Clay also serving as executive producers.

Last year, GloRilla took home best breakthrough hip-hop artist of the year award at the BET Hip Hop Awards. 

Following GloRilla and Drake, who each received seven nominations, 21 Savage and Lizzo each received five nods, followed by Beyoncé, Burna Boy, Chris Brown, Ice Spice and SZA with four nods each.

The BET Awards has been the No. 1 cable award show among all adults 18-49 for the last two years and is the No. 1 cable award show among Black adults 18-49 for the 21st consecutive year (CY02-CY22).

Voting for BET Awards 2023 Viewer’s Choice Award ends June 25 at 6:30 p.m. PT/ 9:30 p.m. ET. Cast your vote on BET’s website.

Latto & Cardi B’s ‘Put It On Da Floor Again’ Hits Top 10 on Hot R&B/Hip-Hop Songs Chart

Latto lands her second top 10 on Billboard’s Hot R&B/Hip-Hop Songs chart as “Put It on Da Floor Again,” re-enters the list at No. 6 following its high-profile remix featuring Cardi B.

Thanks to the new version, which arrived on June 2, the track surges as one of the genre’s top three selling and streaming tracks for the week. (Both the original Latto version – “Put It on Da Floor” and the Cardi B-featuring remix, “Put It on Da Floor Again” – of the song are combined into one entry for tracking and charting purposes. As the Cardi B version contributes the majority of activity, its billing and title are listed.)

“Put It On Da Floor Again,” released through StreamCut/RCA Records, captured 17.2 million official U.S. streams in the week ending June 8, according to Luminate, a 342% vault from 3.9 million in the prior week. The eight-figure gain prompts its No. 3 debut on R&B/Hip-Hop Streaming Songs. In the sales market, the single sold 13,000 copies, enough to spark a No. 2 entrance on R&B/Hip-Hop Digital Song Sales. The remix’s arrival also reinvigorates its radio momentum, with a 135% weekly audience improvement to 5.3 million in the week ending June 8.

With the new remix, Latto revives her current single after its previous, pre-remix version peaked at No. 43. Now, it secures her a second career top 10 on Hot R&B/Hip-Hop Songs. Her first, “Big Energy,” reached No. 1 for two weeks in April 2022 and spent 45 weeks on the list, the longest stay for any track by a woman in the 2020s decade.

Cardi B, meanwhile, achieves her 19th Hot R&B/Hip-Hop Songs top 10 and first since she assisted another female rapper, GloRilla, on her “Tomorrow 2” remix that peaked at No. 3. The superstar rapper took to social media to celebrate the surge in activity and reception for “Put It on Da Floor Again,” sharing a video of which her bottom is seen on full display underneath a minidress, as she spanks herself a few times. “YALL DID THAT !!! Put it on the floor then !!,” she captioned the post.

Elsewhere, “Put It on Da Floor Again” opens at No. 3 on the Hot Rap Songs chart and at No. 13 on the all-genre Billboard Hot 100.

Billboard’s Top 5 Songs of the Summer of 2011 | Billboard News

Billboard looks back and counts down the top five songs that ruled the summer of 2011.

Rania Aniftos
2011 was the year of women, with three of the five Billboard Hot 100 Songs of the Summer belonging to female powerhouses. First up: Nicki Minaj and her explosive hit “Super Bass.”

Rania Aniftos
The No. 4 song on the Hot 100 Songs of the Summer belongs to one of our favorite California girls, Katy Perry. Her hit “Last Friday Night (TGIF)” had us singing along all summer long.

Rania Aniftos
We bring in a softer touch to the summer of 2011 with the queen of ballads and her hit “Rolling in the Deep.” Adele is No. 3.

Rania Aniftos
Now, it wouldn’t be summertime without a huge collaboration. Pitbull brought together some big names for the second biggest song of the summer, featuring Ne-Yo, Afrojack and Nayer. “Give Me Everything” is No. 2.

Rania Aniftos
And the No. 1 song of 2011: The party song to end all party songs. “Party Rock Anthem” by LMFAO featuring Lauren Bennett and Goon Rock stuck in our heads all summer long.

Rania Aniftos
Tune in next week as we continue counting down Billboard‘s Hot 100 Songs of the Summer.

Ben Carrillo Crossed the Border on Foot; Today He’s Opened for Bad Bunny and Recorded With Thalia

Ben Carrillo came to the United States from Guatemala as an undocumented immigrant when he was 15 years old. Today, the young man who crossed the border completely alone is a rising producer and singer-songwriter, managed by Fabio Acosta and Vibras Lab. He has worked with Sky Rompiendo and Mosty, recorded with Thalia and Bruses, opened concerts for Bad Bunny and, this month, released his Broken Hearts Anthem EP.

Explore

Explore

See latest videos, charts and news

See latest videos, charts and news

But beyond his success, Carrillo hopes that his extraordinary story of work, self-improvement and motivation will serve as an inspiration to other immigrants who arrive in the United States — or anywhere in the world — with only dreams as luggage. “We are not illegal aliens; We’re dreamers,” says Carrillo. This is his story, in his own words.

Thousands of immigrants try to cross the border looking for new opportunities. Many of them die on the way, or are victims of violence and rape, others are caught — and those of us who manage to get there are met with great opposition. There are laws that discriminate against us, isolate us and cut off opportunities, when all we want is to work, to be able to help our loved ones. We are not criminals, nor rapists; we are honest people in search of a better future.

I was born and raised in a beautiful country, Guatemala. But it is a country where violence, corruption and poverty are on the rise. From a very young age I was the man of the house. I had to take care of my brothers, study, work and do all the errands. My father was a musician and choreographer. We had a relationship, but he had no sense of responsibility, and my mother, single with three children, did the best she could. The environment in which we lived and what she experienced caused us to suffer great mental and emotional damage and it is only now that my brothers and I are healing.

When I was 15 years old, my father was killed; my mother only got worse. I saw myself at a point where I no longer had a future in Guatemala: Either I would have to take to the streets to seek opportunities, or I would look for a better future in the United States, as many of my relatives had already done. Getting a visa was impossible. We were poor, I didn’t have my parents. I went to the fields and worked with my grandfather on his farm, cutting sugar cane and bananas. There I raised a little money and at the age of 15, on January 2010, I made the decision to cross the desert to the United States, in pursuit of the “American dream.”

It took all of 30 days. Almost three weeks crossing all of Mexico and five in the Arizona desert, where we went through swamps and ran between highways. After many cramps, blisters, bloody feet, days without food, very cold nights and very hot days, I managed to get there.

I talked to different attorneys to see if there was a way to get documented, but the laws were and still are very rigid. It didn’t matter that I was fleeing my country, for now I had to live here illegally. Years went by. I attended high school in Texas.

There I discovered rock, country music and hip-hop. I learned English and graduated. Up to this point, I was an undocumented immigrant. I suffered racism and discrimination, not only because of my skin color, but also because of my legal status.

I started working illegally washing dishes in a restaurant. It was thanks to that, that at the age of 18 I managed to rent my first apartment and create my music studio. Since I didn’t have money to study, I looked for YouTube tutorials and that’s how I learned to record myself, compose and do my own mixing.

After five years of being illegally in the United States, my uncle heard an ad on the radio that spoke of the opportunity to obtain papers for those who were under 21 years of age and who did not have their parents or who had been abandoned/mistreated. That was my case. And that’s how I got a Green Card, or legal resident status.

That same month, I traveled to Medellín looking for opportunities with different producers. I met Sky Rompiendo, Mosty, Feid, Ovy Oo the Drums, Rolo, Jowan and many people from the industry who were essential to my artistic growth. Now that I had my papers, I was able to return to Guatemala to see my family, and I realized that they were in the same difficult situation that I had been in when I lived there. I knew I didn’t want to put them at the same risk of crossing the desert, but I couldn’t just watch them having such a hard time in Guatemala.

In February 2019, I moved to Los Angeles. I took down all my music from digital platforms, knowing that one day I would return. But my focus now was to help my brothers. I got myself three jobs, working from 7:00 a.m. to 2:00 a.m., and that same year I became the person in charge of all of them. I rented a house in Guatemala — and with the help of my aunt, my dream of helping them came true, and to date they are under my care.

Now I was at a point in which I didn’t know how I was going to start my musical career again. One day, as I walked into my job as a waiter in Los Angeles, I ran into Fabio Acosta [founder of Vibras Lab and former manager of J Balvin]. I approached him to ask for an opportunity to show him my music and incredibly, he gave me his email. After sending him a lot of music for two years, at the end of 2021 I signed my first management contract with him and Vibras Lab.

I am now 28 years old. Many things have happened that the 15-year-old Ben who crossed the desert could not even imagine. I have a song with Thalia, I sang in front of 40,000 people opening the Bad Bunny concert in Guatemala, and my music is being increasingly recognized.

I look back and I don’t believe all that’s happened to me. I wonder how a boy from Guatemala, with few resources, who lived 5 years illegally in the United States, has achieved all this. It’s not only due to all my effort and dedication, but life has led me to opportunities that are only seen in movies, such as getting my legal residency and meeting Fabio.

I know I have angels watching over me. I know I have a duty, and it is to tell my story and show my Latin people that it doesn’t matter where you come from, what matters is where you are going. Everything that happens to us in this life has a purpose. All trauma can be turned into self-love and love towards others. And with hard work, discipline and perseverance, EVERYTHING is possible.

This is something I write from my heart, for all those people who are crossing or have already crossed, to tell them that YES you can, that the road is not easy, but the reward is sweet. We are not “ILLEGAL ALIENS”, WE ARE DREAMERS. — Ruben Gonzalez Carrillo “Ben Carrillo”

DJ Khaled Really Injured Himself While Surfing

HipHopWired Featured Video

LL COOL J Hosts 'Salute The Sample' On SiriusXM's Rock The Bells Radio At The SiriusXM Miami Studios

Source: Emma McIntyre / Getty

Living in Miami, Florida, we know that DJ Khaled is living his best life. And while we know he loves himself some swimming pool action, we didn’t know the man was into surfing—even if he’s not the best at it.

Taking to Instagram to share a video of himself attempting to ride those unforgiving waves (there was no waves), the God Did producer shared a not-so-gnarly way to enjoy the sport as he basically face planted into the ocean while trying to get his Kelly Slater on. It. Was. Hilarious (sorry, Khaled).

Unfortunately, surfing while not knowing how to surf does have its consequences. Khaled shared a video of himself being treated for the bumps and bruises he suffered out in the water. You’d think a man who can twerk underwater like a mermaid (or merman) would be able to hang ten with the best of them, but the man basically hung himself and paid the consequences.

Luckily for him, he’s paid enough to treat his “injuries” and shared a post showing exactly how he recovers from the unforgiving sport. Showing himself getting a massage following his crash-and-burn out in the waters, Khaled said his golf game was off due to his surfing injury. In the caption he wrote, “I tried playing today but I had cut the game short I injured my self surfing ?‍♂️ yesterday. So I thought I could play through the pain . So I’m get a massage and call dr make sure I’m great . But nothing going stop me from playing golf ⛳️ I’ll be back on the course Tomorrow hopefully the pain will go away . If not I’m okay through the pain till I defeat the pain ! love is the only way ! LETS GO GOLFING.”

We can’t say we’ve seen too many surfers/golfers out there who dabble in both sports who can co-sign Khaled’s assessment of how playing in one sport might impact how you play in the other, but DJ Khaled could very well be the Bo Jackson of these arenas. So we’ll have to take his word for it.

After sharing a video of himself getting X-rays, Khaled shared another one (get it?) and explained that the doctors told him he had a big bruise and actually might’ve fractured a bone but will have to run more tests to confirm the diagnosis.

Well, at least he’s good enough to hit those golf courses.

Check out the videos below and let us know if Khaled should leave surfing to the pros or continue on trying to be Aquaman out this b*tch.

HipHopWired Radio

Our staff has picked their favorite stations, take a listen…


Big Lex 911 Call From Joseline Hernandez Scuffle Surfaces

HipHopWired Featured Video

Big Lex

Big Lex was recently in the news after a brawl erupted backstage during a Floyd Mayweather exhibition fight over the weekend, which also turned ugly after John Gotti III was disqualified for holding. A 911 call from Big Lex just surfaced in where the rapper and social media star shared that she was beaten by Hernandez.

TMZ obtained the audio of the 911 call from Big Lex, who didn’t sound too out of sorts on the call. The call was your standard issue 911 emergency call and Lex told the dispatcher that while she didn’t suffer any injuries, she did want police on the scene to file a report.

Cellphone footage from the night showed Hernandez viciously attacking Big Lex and anyone else in the vicinity and had to be pulled away with force as she continued fighting. Details on how the fight started still remain murky as some online suggested someone threw a drink at Hernandez.

Further, Lex and Hernandez were not unfamiliar with one another as the latter appeared on Hernandez’s reality series, Joseline’s Cabernet.

Hernandez was booked on battery and trespassing charges.

TMZ also reported that Gotti, the grandson of the famed mobster he’s named after, will be suspended from boxing for six months.

Photo: @bigbadlex_ / Instagram

HipHopWired Radio

Our staff has picked their favorite stations, take a listen…