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Drake Becomes The Latest Artist To Get Hit With An Object While On Stage

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Just days after Adele threatened to “kill” any fan who’d dare throw an object at her while performing on stage, the King of The North, Drake, became the latest victim of a growing trend of music artists who are being violated on stage by rowdy fans who feel the need to pelt them with foreign objects.

Deadline is reporting that the Crown of Canada aka Drake was hit with a phone on his wrist while he was performing on stage at in Chicago Wednesday night (July 5). Fortunately for the “0 to 100” rapper/singer, he didn’t sustain any real damage to his physical and kept the show going as if nothing ever happened. Drake has now become the latest (but certainly not last) performer to be turned into a victim of fan aggression as the number continues to rise.

Deadline reports:

Artists including Bebe Rexha, Pink, Kid Cudi, Steve Lacy Kelsea Ballerini and Ava Max have been victimized. And singer Adele recently warned from the stage that she would fight anyone who threw anything at her.

Rexha has been the most serious injury, with a thrown phone hitting her near her eye, causing her to collapse on stage. A 27-year-old man was arrested.

Ballerini stopped her show in Idaho to address her audience after an object was thrown.

“Can we just talk about what happened?” she asked. “All I care about is keeping everyone safe. If you ever don’t feel safe, please let someone around you know. If anyone’s pushing too much or you just have that gut feeling, just always flag it. … Don’t throw things, you know?”

Is there like a secret online message board that encourages this kind of behavior? Seriously. Is this new thing encouraged in the same online spaces that pushed for the Jan. 6 insurrection or something? Also, who the hell throws their phones? Do they wipe their personal information in preparation for the on-stage assault? Are they old phones that are expendable? Are they old school Sidekicks? We have so many questions.

Regardless of what’s behind this sudden rise in paying big money to see a music artist just to pelt them with disposable phones, it’s only a matter of time before they try the wrong one and end up being carried out of the venue by said artist’s entourage or security team a la Dave Chappelle. Then who’s the bad guy, right?

Stop the madness… or save it for Kid Rock. Just sayin’.

What do y’all think of fans pelting artists with phones and whatnot on stage? Is something going on behind the scenes, or are people just stupid? Let us know in the comments section below.

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BTS’ Jung Kook to Kick Off ‘Good Morning America’s Summer Concert Series 2023: See the Lineup

Jung Kook is about to bring the fire and set the summer alight! Good Morning America announced on Friday (July 7), that the BTS member is set to kick off the long-running show’s annual Summer Concert Series this year.

“Get ready to dance!” Jung Kook tells ARMY with a smile in a brief video message during the announcement. The performance, which will be his solo debut on GMA — will take place July 14 in New York’s Central Park. That happens to be the same day that Jung Kook is dropping his solo single “Seven,” which he announced on June 29, so there’s a strong chance fans will get the live debut of his song during the performance.

Also slated for the Summer Concert Series are Carly Rae Jepsen, Hozier, and Fitz and the Tantrums, who will be performing live in the Times Square studio. And to celebrate the 50th anniversary of hip-hop, there will be a special set featuring Busta Rhymes, Fat Joe, Remy Ma and BIA, which will also take place in Central Park. On the country front, Tim McGraw and Sam Hunt are scheduled to perform in Central Park.

Tickets for all the performances in the park will be available beginning at noon today via GMA‘s website. The sets in Times Square will not have live audiences.

See GMA‘s complete Summer Concert Series lineup below:

  • July 14: Jung Kook, Central Park
  • July 28: Fitz and the Tantrums, Times Square studio
  • Aug. 10: Carly Rae Jepsen, Times Square studio
  • Aug. 11: Fat Joe, Remy Ma, Busta Rhymes and BIA, Central Park
  • Aug. 18: Hozier, Times Square studio
  • Aug. 25: Tim McGraw, Central Park
  • Sept. 1: Sam Hunt, Central Park

Watch Good Morning America‘s announcement video below:


https://youtube.com/watch?v=6fKdReggLhY&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Executive Turntable: Vinyl Me, Please Gets Creative(s); UMG Diversity Chief Leaves Music

Vinyl Me, Please, the ebullient record of the month club (and pressing plant) based in Denver, hired creative veterans Rob Jones and Alan Hynes to add some rocket fuel to VMP’s product line. In their new roles (Jones as executive creative director and Hynes as senior creative director), the duo will help guide VMP’s artistic direction and work alongside existing creatives on custom record packaging designs for releases. They’ll also work with studios and composers to bring movie scores to vinyl as part of its new Soundtracks offering, beginning with a new pressing of Dave Grusin’s score for The Goonies later this summer. Jones joins VMP after a successful couple of decades as co-founder of Mondo, the maker of pop culture collectibles (including vinyl records and posters) that was acquired by Funko last year. Hynes also arrives from Mondo, where he played an integral role in its design department for years — creating original record packaging for films like Fight Club, Eyes Wide Shut and others.

“Bringing joy to people through tangible, transcendent experiences with music is what VMP is about and what we’re always striving to offer our customers,” said Cam Schaefer, CEO of VMP. “The addition of Rob and Alan to the team takes us to the moon creatively and fills out a 1992 Olympic Dream Team of art and design. Their experience, mind-bending creativity, and passion for exploration will allow them to make a deep impact within VMP and help us to elevate and expand our product line for customers. We’re lucky to have them.”

Liliahn Majeed exited her post as Universal Music Group‘s first global chief diversity, inclusion and belonging officer for a similar DEI role at L’Oréal. During her three years at UMG, Majeed led a team focused on boosting the label giant’s inclusion and equity efforts, and she notably co-chaired one of the committees of UMG’s high profile “Task Force for Meaningful Change.” Before Majeed traded the globe’s No. 1 music company for the No. 1 beauty firm, she held senior marketing and diversity roles at the NBA and earlier, at Frito-Lay. Majeed moves into the chief diversity, equity and inclusion officer, North America role at L’Oréal following the retirement of Angela Guy.

Warner Music Latina appointed Andrés Shaq as A&R director. He’ll be based in Miami and report to Hector Ruben Rivera, senior vice president and head of A&R Latin Music. Shaq was previously senior A&R manager at Warner Music Colombia, where he spent three years and played a key role in the careers of artists like Piso 21, Mike Bahía and Blessd. He also signed notable Colombian producers such as ICON, DJ MAFF, and SOG. “Colombia and the Andean region have an abundance of incredible talent waiting to be discovered. I’m fully committed to discovering and fostering future Latin superstars,” said Shaq. –Leila Cobo

Sony Pictures Television tapped Palash Ahmed to lead new efforts to develop more music-connected projects at the studio. As head of music development — a newly created role — Ahmed will work with studio president of international production Wayne Garvie on synergistic pairings with obvious partners (Sony Music’s recorded music and publishing divisions), as well as with non-Sony artists and labels. In announcing Ahmed’s new role, studio chairman Ravi Ahuja said film and TV content with a music tie-in “comes with a built-in, highly engaged fanbase, and we are excited to begin leaning in to opportunities to develop projects with musical artist connections.” Ahmed, who is based in Los Angeles, joined Sony Pictures Entertainment in 2017 and most recently held the title of senior vp of corporate development.

Tim McGraw‘s management and marketing company, EM.Co, appointed Doug Phillips as vp of marketing and digital. Phillips has previously worked at companies including Q Prime South, Universal Music Group and Sony Music Nashville. Concurrently, EM.Co vice president Brian Kaplan joins McGraw’s media venture Down Home as co-founder and chief strategy officer. Down Home launched earlier this year with partners Skydance and social content studio Shareability. –Jessica Nicholson

Faryal Khan-Thompson joined Downtown-owned music distributor CD Baby as senior vice president of marketing and community engagement, responsible for strategy around the disciplines in her job title, as well as branding initiatives, artist education efforts and growing the company internationally. The NYC-based Khan-Thompson was previously vp of international at TuneCore. “I am committed to building on the great work that has been done and positioning CD Baby as the leading provider of music distribution services for independent artists,” she said. CD Baby recently made headlines by sunsetting most of its physical distribution business — namely, that it will no longer warehouse or distribute the CDs that it makes for artists.

ICYMI: Big Machine Music elevated Mike Molinar to president of the publishing company.

Justin Chacona was named vice president of brand & marketing at Stockholm-based production music company Epidemic Sound, where he’ll lead a team of 40-plus staffers working on marketing and PR initiatives, social media strategy and consumer relations as the company eyes expansion into new markets. Launched in 2009, Epidemic offers a catalog of restriction-free music for use in videos, podcasts and other content. Chacona joins from Polar Electro where he’s been group chief marketing officer since 2020. Earlier in his career, Chacona worked at Rovio Entertainment, where he led marketing efforts surrounding the video game developer’s hit movie for Angry Birds. Chacona’s appointment follows the hiring of Rob Bullough as global brand director earlier this year.

Vickie Nauman was appointed to the advisory board of Interstellar Music Services, a specialist digital rights management company. Based in Los Angeles, Nauman is the founder and CEO of music and tech consultancy CrossBorderWorks and before that held executive roles at 7digital and Sonos. Interstellar, which launched in January, works to maximize the collection of royalties via a suite of services that includes digital distribution, brand partnerships, metadata cleaning, neighboring rights, publishing administration and detailed analysis/reporting. “The Company sits right at the intersection of music and innovation,” said Nauman, “so I hope that it will benefit from my experience as it enters its next phase of growth.”

Youth-focused social media platform Zigazoo hired Joe Kelley as director of music partnerships. In his new role, Kelley will lead outreach efforts with the music industry at large as the short video app looks to build on the recent launch of its product for kids 13 and up. Kelley had plenty of experience connecting with music acts during his four years as Billboard‘s head of artist relations — booking talent for a wide swath of events and other branded franchises. After leaving Billboard, Kelley worked as an artist manager and, more recently, as head of artist partnerships at music impact events platform WithOthers.

The Royal College of Music has enlisted James Williams to be only its 11th director since the prestigious school, located in South Kensington, London, was founded in 1882. Williams will join RCM on Sept. 1, 2024, succeeding current director Colin Lawson, who is retiring. Williams is managing director of the Royal Philharmonic Orchestra, a position he has held since June 2016.

Nashville Bites: Universal Music Group Nashville hired Charlene Bryant as senior vp of business development and strategy. For the last five years, she ran her own company, Riveter Management, a multigenre firm whose clients have included hip-hop artist Trippie Redd… Rachel Burleson was promoted to Big Machine Label Group director of streaming from Big Machine Records project manager…  SMACKSongs promoted Sam Sarno to creative director from creative manager… Mark Turcotte starts July 18 as Nashville-based Outback Presents senior vp of marketing. He arrives from Cox Media/Atlanta, where he was general sales manager. –Tom Roland

Ice Spice Considers Taylor Swift a Mentor: ‘She Gives Me So Much Advice’

Ice Spice has dominated the year with a slew of star-studded collaborations, but success on the Billboard Hot 100 is not the only thing she has gleaned from these tracks. In an interview with The Guardian published Friday (July 7), the “Munch” rapper opened up about how both Taylor Swift and Nicki Minaj have become mentors to her.

According to Ice, Swift — who tapped the rapper for a much-discussed “Karma” remix — had been listening to her Like..? EP during rehearsals for her Eras Tour. “I was like, ‘You f–k with my project? Like, what?’” Ice said. “She’s so sweet – I was so obsessed with how humble she was and willing to work. She gives me so much advice – we talk all the time and she’s so funny. … But I can’t say what she be telling me.”

The “Karma” remix peaked at No. 2 on the Hot 100, tying “Lavender Haze” as the second-highest charting single from Midnights.

The idea for the collaboration came from Ice Spice, according to the rapper — she “reached out through her team, just kind of saying, ‘Hey, Ice has been a big fan of Taylor’s since she was a little kid, would love to collaborate if that was ever something that came about.’” As with so much of her career already, Ice manifested the collaboration into existence and soon performed the remix to a sold-out stadium alongside Swift at the New Jersey Eras Tour stops.

Aside from Swift, Grammy-nominated rap icon Nicki Minaj has been another key collaborator for Ice Spice this year. The two New York rappers have teamed up for a pair of Hot 100 top 10 hits: “Princess Diana” (No. 4) and the AQUA-assisted “Barbie World” (No. 7). In the interview, Ice expressed how much she has learned from spending time with the “Red Ruby Da Sleeze” rapper.

“She be telling me to learn from her mistakes – just watching her in general, if you pay close enough attention, you gonna see what you should do,” Ice said. “I love to talk to her about things that I can’t talk about publicly – it just means so much to be able to have somebody like her.”

In addition to “Karma,” “Princess Diana” and “Barbie World,” Ice Spice has also sent a fourth song to the top 10 of the Hot 100 this year: the Jersey-inflected PinkPantheress duet “Boy’s a Liar, Pt. 2” (No. 3).

Every ‘From The Vault’ Song Ranked on Taylor Swift’s ‘Speak Now (Taylor’s Version)’: Critic’s Picks

In 2023, any Taylor Swift song can become a hit. “Cruel Summer” was released four years ago, but the Lover standout has morphed into one of the biggest hits of this season, simply because her fans willed it to happen. “Karma” kept climbing the Hot 100 before it received an official video or remix, and has quickly become one of the biggest moments from Midnights. A 10-minute version of the 2012 song “All Too Well”? That one topped the Hot 100 in 2021. Swift has become so ubiquitous, her connection to her fans so omnipresent, that her smashes are defying time and space — and now, we have six more tracks that could potentially join that hit parade.

Of course, the “From The Vault” songs from Speak Now (Taylor’s Version), the newly released re-recording of Swift’s 2010 album, should foremost be considered within the framework of her third studio album, a country-pop masterpiece solely written by Swift as her teens gave way to her twenties. Speak Now showcased Swift’s aesthetic command and solidifying point of view during a period of personal growth, and the six “From The Vault” songs on Speak Now (Taylor’s Version) are of a piece with that growth.

Some of the songs from the Speak Now sessions that Swift has revived for its re-recording focus on the windswept romance and callous betrayal that we’ve played back for years, and fit neatly next to tracks like “Mine,” “Sparks Fly,” “Dear John” and “Enchanted.” Yet Swift — who worked with regular collaborators Jack Antonoff and Aaron Dessner on the “Vault” songs — also gave them a modern sensibility, both by bringing in new voices like Fall Out Boy’s Patrick Stump and Paramore’s Hayley Williams as well as delivering the musical dexterity of her most recent projects to a group of songs that were formed years ago.

All six of these “From The Vault” songs sound like they could become hits in 2023 — hell, the best track here should become a hit in 2023. Such is the scope of Swift’s commercial might, and the enduring artistic power of her Speak Now era.

Although all six “From The Vault” songs are worth enjoying, here is our preliminary ranking of the new goodies from Taylor Swift’s Speak Now (Taylor’s Version).

RZA Says Rihanna and A$AP Rocky Naming Their Baby After Him Is a ‘Great Honor’

Wu-Tang Clan mastermind RZA has collected a trophy room full of honors over the course of his nearly-four decade career. But it is a recent unexpected tribute that had the veteran MC/producer feeling super special.

“[It’s a] great honor to know that there’s another generation that’s not even of my own household that feels the strength and the inspiration of that name,” the Grammy-winning rapper born Robert Fitzgerald Diggs told CNN on Thursday (July 6) when describing his feelings about Rihanna and A$AP Rocky naming thier 13-month-old son after him.

“RZA is only a name, it’s a title,” RZA added. “So it’s an honor and I salute her and A$AP and their family. All the blessings in the world from me.” According to Hip Hop in America: A Regional Guide Vol. 1, RZA came up with his rap name as he began to delve into Islam and learned about the significance of the letter Z, which refers to the highest level of human consciousness. He’s said the name stands for “Ruler, Zi-Zag-Zig, Allah,” which translates into “Ruler, Knowledge-Wisdom-Understanding, Allah.”

Back in May, Rocky posted a series of photos and a video of the couple’s son on Instagram, including a caption that included the name RZA and a Wu-Tang shout-out. “‘WU TANG IZ 4 DA CHUREN’ HAPPY 1st BIRTHDAY TO MY 1st BORN . RZA,” he wrote at the time. Just days before the Daily Mail claimed that it had obtained the baby boy’s birth certificate, which reportedly noted that his full name is RZA Athelston Mayers; Rocky’s birth name is Rakim Athelston Mayers.

The happy couple celebrated summer earlier this week when Rihanna showed off her view from the beach via a cute photo of Rocky holding RZA up the sky. With a palm tree and setting sun background, she captioned the sweet scene, “my Bajan boyz…??❤️,” suggesting that the family — which will soon by joined by baby No. 2 — is taking some R&R time in RihRih’s home country of Barbados.

Call Earl: Meek Mill Clowned For Posting He Threw Up From July 4 Drinks

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Meek Mill has gone viral yet again—and this time it was not flattering. The Philly rapper shared a photo of him post-throwing up after too many drinks during the holiday weekend.

As spotted on HipHopDX the Philadelphia, Pennsylvania talent apparently turned up heavy earlier this week. So much so he got a bit sick and had to let the poison out. For whatever reason he took to social media and admitted the alcohol won with a photo of him by the toilet. “Too much liquor smh …” he wrote. While he probably thought he was sharing an innocent moment with the world the visual quickly picked up speed on Twitter and he immediately caught flack.

“meek mill’s brain needs to be studied” one user wrote on a repost. While another stated that the Dreams & Nightmares rapper makes him feel a ways “bro meek mill really be pissing me off”. Eventually the ceramic slander landed on his radar prompting him to respond to the fail. “We have so much influence they trying to use Small internet campaigns to sway the peoples perception of artist,” he rationalized. “We are basically our own media bases now and we can say what we want at will in front of millions and they don’t feel that!”

He continued: “Anything I post they try to amplify it and me me look stupid … I wasn’t created on the internet and I know they got some of y’all in a trans threw social perception… that’s why content creators win because lead the narrative.” This is not the first, and probably not the last, time Meek Mill has caught heat online for his social shares. Last month he asked the world if he had fallen off and the responses were not pretty. Also let’s not forget when he tried to shame Drake for allegedly having ghostwriters but was eventually labeled as having “Twitter Fingers”.

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Danity Kane’s Aubrey O’Day Claims She Had Sex With Donald Trump Jr. “In A Gay Club Bathroom”

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Apparently, it’s been a long-running rumor that miseducated MAGA spawn Donald Trump Jr. had an affair with Danity Kane member Aubrey O’Day. What people may not have heard is that, according to O’Day, her first sexual encounter with the apple that didn’t fall far from the orange tree happened in the bathroom of a gay club, which might be considered embarrassing if you’re a person who uses social media to make juvenile jokes at the expense of the LGBTQ community. (I mean, not any more embarrassing that admitting to having intimate relations with a member of the Trump family, but still.)

“I was hosting a gay club and our first time going out together—he wanted to see me so bad—and I told him, ‘Well, I’m gonna be at a gay club tonight,’” she claimed during a recent episode of Michael Cohen’s “Mea Culpa” podcast, according to Page Six.

“So Don shows up to the gay club—and I’m talking about this is one of the biggest gay parties in New York, it’s a huge f—king club,” she continued. “Everybody was in a g-string or less.”

O’Day went on to call Trump Jr. out for fronting on the Gram with all of his homophobic jokes while, in reality, he’s not as disgusted by LGBTQ folks as he would have his followers believe.

“I looked at his Instagram for the first time in years and saw all kinds of jokes of belittling the gay community …and I thought to myself, ‘Man, you were super comfortable in that gay club,’” she said. “In fact, so comfortable that we ended up going to the bathroom and, for the first time, had sex in a gay club bathroom.”

Now, obviously, Trump’s online bigotry is what it is whether he’s actually low-key cool with gay people or not. And there are likely many gay people who would rather be kept out of this mess whether or not O’Day is telling a true story. Still, it would be, at the very least, amusing, if it turned out that another member of the so-called “traditional values” party, who was married to his first wife at the time of the alleged affair, began said affair in the bathroom of a club where the community he loves to hate gathers.

Either way, this is messy—and probably unsanitary. 

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Court Unseals Shocking Details of Diddy’s Diageo Lawsuit

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A judge has ordered previously confidential details of Diddy’s lawsuit against Diageo to be unsealed, revealing startling allegations.

On Wednesday (July 5th), Judge Joel Cohen ordered the confidential elements of the mogul’s lawsuit filed in May to be unsealed for public viewing, declaring that Diageo can only keep specific parts off-limits. This followed a ruling last Friday (June 30th). The lawsuit by Diddy demands that the global brand, which oversees over 200 beer and liquor companies including Guinness, treat his DeLeon tequila brand “at least as favorably” as others under its umbrella per their 2013 agreement.

The details that have been revealed show some startling allegations. These details included Diageo apparently presenting Diddy with a watermelon-flavored version of his tequila despite his objections and attempts to educate the company on the ills of such a move. Another complaint made by Diddy, aka Sean Combs, says that Diageo informed him that all of their agave plant production would be directed towards the company’s other tequila brands in 2021, forcing DeLeon to hurriedly hunt for suppliers in a tight market. 

Combs has also stated that since Diageo’s purchase of competing tequila brands Don Julio and Casamigos in 2014 and 2017, the company insisted on positioning the DeLeon brand as an “urban” brand and paid little attention to its marketing. The suit points to a statistic that as of last year, DeLeon was marketed in 3% of potential areas as opposed to Don Julio being marketed in 36% of potential areas. In addition, the brand has been listed as “out of stock” in major markets at least ten times over the last year.

In response, Diageo released a statement. “His attempt to recast follow-up discussions regarding innovations for DeLeon is, as is his entire suit, disingenuous and self-serving,” it said. They also claimed that Diddy was highly supportive of their actions in the past, pointing to his backing of the production of Ciroc Summer Watermelon. Diageo is now in the process of terminating its partnership with Ciroc Vodka and Combs, which first began in 2007.

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Watch Olivia Rodrigo Perform a Stripped-Down Piano-Only Version of ‘Vampire’

Olivia Rodrigo‘s “Vampire” single opens with the melancholy sound of the singer initially whisper-singing the song’s biting lyrics over a gently played piano. By the end of the first chorus, though, as her voice rises, she’s suddenly bolstered by a thrumming beat, strings and a bull-rush arrangement that builds to a rush-of-blood-to-the-head sprint.

But in a stripped-down live performance on YouTube Thursday (July 6), the 20-year-old star washed all of that away and played the first single from her upcoming sophomore album, GUTS, on solo grand piano.

Opening with a shot from above, the moving re-imagining begins with Rodrigo plucking the keys while singing the song’s overstuffed first verse. “I I hate to give the satisfaction, asking how you’re doing now/ How’s the castle built off people you pretend to care about?/ Just what you wanted/ Look at you, cool guy, you got it,” she sings.

As she winds her way to the first chorus, the camera swings to the side to capture Rodrigo in profile, her passion rising as she hits the by-now-familiar vicious kiss-off refrain. “I used to think I was smart/ But you made me look so naïve/ The way you sold me for parts/ As you sunk your teeth into me, oh/ Bloodsucker, famef–ker/ Bleedin’ me dry like a goddamn vampire,” she croons in a heartsick yowl.

While the piano take features the song’s NSFW refrain, earlier this week Rodrigo also shared a TikTok with some hilariously sanitized alternate radio edit lyrics to the song, swapping the f-word for some more carpool-friendly rhymes, including “tree hugger,” “fame hunter,” “whale blubber,” “Mark Zucker,” “fame lover” and “garlic butter.” GUTS is due out on Sept. 8.

Watch Rodrigo’s solo piano performance of “Vampire” below.