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According to BBC, Chris Brown was let out on bail this week after being charged with seriously hurting someone in a London nightclub last year.
The person he’s accused of attacking is music producer Abe Diaw. Brown had been in custody for a short time, but now he’s been released while the case moves forward. This all happened right before his big summer tour, and fans were worried it might be canceled. With the R&B superstar out on bail, it looks like the shows are still happening. His first concert, called the Breezy Bowl, is scheduled for June 8 and will kick off the tour.
Not much has been shared about what went down in the club, but the charge he’s facing is pretty serious. Even though the case isn’t over, Brown’s team says he’s working with the authorities and is staying focused on his music and upcoming shows.
After being released on bail, his “Breezy Bowl XX” tour is kicking off as planned. The first show starts June 8, 2025, in Amsterdam, and he’ll be performing all across Europe until July 5, ending in Paris. Then he’s heading to North America, starting July 30 in Miami. Fans can look forward to big performances and special guests like Summer Walker and Bryson Tiller.
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A London judge has released Chris Brown on bail in the amount of $6.7 million on Wednesday (May 21), according to Reuters. The “Forever” singer also has to surrender his passport when not traveling for his upcoming Breezy Bowl XX Tour in North American and Europe, which is scheduled to kick off June 8. According […]
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Taylor Swift‘s iconic red lip is more attainable than ever thanks to Amazon.
The makeup choice has become a signature of the “Love Story” songstress’, becoming just as iconic to fans as snake emojis or Polaroids. Swift’s lipstick shade of choice has been pretty hard to pin down throughout the years, though eagle-eyed fans have hypothesized that her crimson hue could be from brands like Pat McGrath and Gucci in the past.
Lorrie Turk, Swift’s longtime makeup artist, spoke to the singer’s affinity for red lips and the mystery behind her chosen shade in a since-deleted Instagram Story posted back in 2024. “So many people asking about this lipstick that Taylor wears all the time,” Lorrie wrote. Turk revealed that Swift’s go-to red lippie hails from Nars in the shade “Morocco.” The plot thickens, however, because the specified shade is much darker than her iconic shade of red, which leans more blueish red, ala Marilyn Monroe.
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Conspiracies aside, we’ve compiled a list of Swift-approved red lipsticks that might come close to the original.
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L’Oréal Paris Colour Riche Lipstick in “British Red”
$6.99
$9.99
30% off
A red lipstick with a satin finish.
L’Oréal Paris’ Colour Riche line is an impressive display of pigment and staying power, a testament to the brand’s perfected formula. The line includes “British Red,” a bright red lipstick with a matte finish and a nourishing formula.
Matte lip products are notorious for drying out the lips, but not Colour Riche. This lipstick is infused with argan oil and vitamin E, ingredients that facilitate moisture rather than sucking it out of your lips. If you want the Swift-approved red lip look, you’ll want to reach for reds with a glossier finish. Something to note. No matter what shade you choose, Colour Riche packs a punch of pigment, so you’ll want to go for a light hand while applying this formula.
Wet N Wild Mega Last Matte Lip Color in “Stoplight Red”
A vegan matte red lip color.
There’s nothing more annoying than putting on a bold lip, only for the color to disappear into thin air seconds later. With Wet N Wild’s Mega Last lip color, re-applying your lipstick is a thing of the past. The product is formulated to last hours after application with nourishing ingredients like hyaluronic acid and vitamin A and E that protect the moisture barrier of your skin, allowing makeup to sit on the lips and stay there for longer.
Our color of choice for that perfect Swift pout? “Stoplight Red.” The hue is vampier than the singer’s usual, however, she doesn’t often stick to the same shade of red. As she’s explored different eras in her career, like Reputation and Evermore, Swift has adopted darker shades of her signature red to fit the mood and concepts she’s currently in.
E.l.f. O Face Satin Lipstick in “No Regrets”
$7.88
$9.00
12% off
A bright red lipstick with an embossed bullet.
E.l.f.’s O Face Satin Lipstick in “No Regrets” is a true blue red. When we think of classic Swift red, see 1989 and Red, this is it. This lipstick is a satin finish, somewhere between a matte and gloss, offering a subtle shine to the lips with maximum pigment.
Blue-red lippies are often extremely versatile, working well on a slew of different skin tones. We recommend using this product in tandem with a red lip liner of the same shade or slightly darker. You’ll want to feather in the lines of your lip for cleaner lipstick application.
Maybelline Color Sensational Lipstick in “Divine Wine”
$5.64
$7.49
25% off
A deep red lipstick in a matte finish.
Maybelline is best known for its impeccable lipstick creations at an affordable price. The brand’s Color Sensational lipstick in “Divine Wine” is no exception. Retailing for just $5.64, the lippie boasts a matte formula with an impactful deep red color payoff. The genius behind the brand’s Color Sensational lipsticks is their formula, which is hyperpigmented for maximum color payoff in just one swipe.
Pretty impressive, right? If matte finishes aren’t your thing, however, the Color Sensational formula also comes in satin and glossy finishes. As mentioned before, Swift’s lipstick mo is usually satin, so keep that in mind before purchasing.
Revlon Super Lustrous Lipstick in “Love That Red”
$6.48
$10.49
38% off
Here’s another glossy pick, this time from Revlon. The brand’s Super Lustrous lipstick in the shade “Love That Red” is a dead ringer for Swift’s 1989-era red lip. The shade is almost blindingly bright and sleek, formulated with avocado oil and vitamin E to create a lipstick that delivers high-impact color while moisturizing. The key is microfine pigments that don’t weigh down the lips, leaving a comfortable finish. Madelyn Cline is also a lover of this lipstick, so you know it’s good.
Evpct Matte Liquid Lipstick in “Ruby Red”
A matte liquid lipstick formula in a vampy red hue.
Although liquid lips are polarizing, Evpct’s might just change your mind. Coming in the shade “Ruby Red,” the formula is truly matte, but with a lightweight texture that doesn’t feel sticky on the lips. Ingredients include vitamin E, beeswax and vegetable oil, all ingredients that work to hydrate the lips.
Evpct’s liquid lippie is more of a deep red but no less impactful than the other picks on this list. The doe foot is short and plump, offering the user added control for the perfect application every time. For a glossier look with this lipstick, we recommend layering on a clear gloss on top.
Forrest Frank’s Child of God II arrives at No. 1 on Billboard’s Top Christian Albums chart (dated May 24). Released May 9, the 20-song set earned 33,000 equivalent album units in the United States in the week ending May 15, according to Luminate.
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Frank adds his second Top Christian Albums No. 1, as Child of God II dethrones his Child of God after 35 weeks on top beginning last August (the third-most weeks at No. 1 among all titles this decade).
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Concurrently, “Your Way’s Better,” which is on the deluxe version Child of God and the new Child of God II, ascends a spot to No. 1 on Hot Christian Songs, where it’s Frank’s first leader. The track, which the Fulshear, Texas, native and Pera Krstajic co-wrote, drew 7.9 million official U.S. streams (up 3%) and likewise lifts 2-1 on Christian Streaming Songs, also marking Frank’s first No. 1. Plus, track sold 2,000 downloads. On Christian Airplay, it climbs 22-19 for a new best (1.1 million audience impressions, up 29%).
The single, which went viral on TikTok, previously became Frank’s first solo hit on the Billboard Hot 100.
Notably, Frank is the first artist to lead Top Christian Albums and Hot Christian Songs simultaneously since Brandon Lake on the Nov. 4, 2023, charts. That week, his Coat of Many Colors blasted in at No. 1 on Top Christian Albums as “Praise You Anywhere” rose to the summit on Hot Christian Songs.
Concurrently, Child of God II enters the all-genre Billboard 200 at No. 12, bestowing Frank with his highest rank. Child of God, his lone prior entry, arrived at its No. 28 peak last August.
Grammy-winning artist Ciara, stylist and creative director June Ambrose, and music executives Phylicia Fant and Sylvia Rhone will be honored on Tuesday (June 3) at the inaugural Black Women in Music Dinner. The event, which honors Black women “for their contributions to music and for shaping popular culture,” will be held at the Audrey Irmas Pavilion in Los Angeles. The event was originally set for Jan. 28 but was rescheduled due to the L.A. wildfires, which devastated the region in January.
The Black Women in Music Dinner will serve as The Connie Orlando Foundation’s first fundraiser focused on supporting breast cancer awareness and research. By raising funds and driving attention to this critical cause, the foundation aims to empower women with the knowledge, resources and support they need to fight breast cancer and improve health outcomes.
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“Black women in music continue to be a transcendent and driving force of creative expression, shaping the musical landscape and enriching diverse cultures worldwide,” said Orlando, founder of The Connie Orlando Foundation, in a statement. “Their contributions are not just transformative; they are the heartbeat of innovation and culture. It is an immense honor to celebrate the trailblazing careers of Ciara, June Ambrose, Phylicia Fant, Sylvia Rhone, DJ Kiss, and Flo Ngala at our inaugural event. These powerful women come from diverse paths, yet they share a unified commitment to pushing boundaries and sparking meaningful change across the music industry.
“As we embark on this momentous journey to celebrate Black women in all their brilliance and as ‘guards’ of an ever-evolving industry, we are deeply grateful for the unwavering support of HarbourView Equity Partners as our founding partner, and Sherrese Clarke, whose leadership has been instrumental in bringing this mission to life.”
In addition to being the founder of the foundation that bears her name, Orlando is the executive vp of specials, music programming and music strategy at BET. She is serving as executive producer of the 2025 BET Awards, set for June 9.
Here’s a closer look at the 2025 Black Women in Music Dinner honorees:
Ciara, a singer/songwriter, entrepreneur, and philanthropist, will receive the Avant-Garde Award, recognizing her artistry and influence. Ciara topped the Billboard Hot 100 in 2004 with “Goodies” featuring Petey Pablo, topped the Billboard 200 in 2006 with Ciara: The Evolution and won a Grammy in 2006 for best short form music video for “Lose Control.”
June Ambrose, a creative director, costume designer and entrepreneur, will receive the Guardian of Vision Award. Ambrose is best known for styling prominent hip-hop and R&B artists, such as Missy Elliott and Jay-Z, in high-fashion pieces. Ambrose has designed for more than 200 music videos; published a book, Effortless Style, in 2006; and was hired at Puma in 2020.
Phylicia Fant will receive The New Guard Award, celebrating her role as a transformative leader. Fant is the head of music industry partnerships at Amazon Music and the former head of urban music at Columbia Records. She is also the founder/CEO of The Purple Agency, a public relations and marketing agency.
Sylvia Rhone, a trailblazing music industry veteran and the first Black woman to lead a major label, will receive the Vanguard Award. Rhone is the chair/CEO of Epic Records. Rhone previously served in senior positions at Universal Motown, Elektra Entertainment Group and Atlantic Records.
DJ Kiss, media personality and influencer, and Flo Ngala, editorial photographer and photojournalist, will be honored with The Guardian Angel Spotlights. This award recognizes individuals who serve as messengers, protectors and guides within the music industry, driving both artistic and commercial success.
H.E.R. was initially slated to be one of this year’s honorees, but that changed in the rescheduling, with Ciara now being honored instead.
Additional program details, including host, performers and presenters, will be announced at a later date.
If it seems as if Jennifer Lopez has been a part of the American Music Awards for decades, well, she has. Lopez was just 21 in 1991 when she made her AMAs debut as a dancer behind New Kids on the Block. She first performed on the show as a star attraction in 2001. She […]
LONDON — Field Day festival has issued a new statement in response to controversy around their parent company and a lineup boycott. The festival is due to take place in Brockwell Park, south London this coming Saturday (May 24).
Field Day festival is one of a number of music brands operated by Superstruct Entertainment, alongside Sónar Festival, Boiler Room and more. Superstruct Entertainment is owned by global investment firm KKR which, per Mixmag, holds stakes in weapons manufacturing companies, the Coastal GasLink pipeline, and multiple Israeli corporations that operate in occupied Palestinian territories.
In an open letter, a number of artists including Massive Attack and Brian Eno called on the festival to distance itself from KKR’s dealings, and 11 acts removed themselves from the lineup in protest. Last week (May 15), the festival issued a statement regarding the ownership situation which acknowledged the people “hurt and angry,” but explained that partnering with Superstruct Entertainment helped secure the future of the festival.
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Field Day was first held in 2007 in Victoria Park, and in 2021 partnered with AEG’s Goldenvoice as part of All Points East Festival. In 2023, the festival was acquired by Superstruct Entertainment and moved to Brockwell Park in Brixton. This year’s event is headlined by Peggy Gou and also features James Blake and Jungle on the lineup.
Since the statement, however, fallout has continued with a number of acts continuing to withdraw from the bill, including Midland and Mall Grab. As of publication, over half of the artists booked have withdrawn from the lineup, with just 23 acts remaining of an original 42.
On Tuesday (May 20), the festival shared a new statement to their Instagram page, acknowledging that their initial message did not do enough to distance themselves from Superstruct’s parent company. “We are passionately opposed to KKR’s unethical investments in Israel,” it read, while calling for a “Free Palestine.”
The message continued: “We cannot control who owns our parent company but we promise to make our – and your – voices, and the ethical values we regard as non-negotiable, heard and understood at all levels.”
The run-up to the events in Brockwell Park have been disrupted by a protest by a group of local residents and uncertainty if the festival slate would move forward. Wide Awake, Field Day, City Splash, Mighty Hoopla, Across The Tracks, all operated by Brockwell Live, are set to take place over a three-week period beginning on Friday (May 23).
Last week a High Court ruled that Brockwell Live did not have the correct planning permission from Lambeth Council to host the events, and that the promoters had exceeded the amount of usage days of the public park. On Monday, however, the festivals confirmed they would be going ahead after applying to Lambeth Council “for a new certificate of lawfulness” which enables the events to move forward.
Field Day statement in full:
The statement released on Thursday did not explain in full the position of the Field Day team or directly address legitimate concerns about investments in Israel by KKR, the owner of Field Day’s parent company, Superstruct. We apologise and wish to put that right here by making our position very clear.
Last year, the International Court of Justice, the world’s highest court, ruled that Israel illegally occupies Palestinian territory, is in violation of the international prohibition on apartheid, and is plausibly committing genocide in Gaza.
We would like to say, clearly and directly, that we stand with the people of Gaza and support the peaceful aims of the Palestinian civil organisations and everyone working tirelessly to give them a voice.
This includes the artists and audience members who expect us to amplify their voices when it really matters, and who we failed by not addressing this earlier. We join them in calling for an immediate end to military action and occupation and the provision of vital aid in Gaza without delay.
We said previously that partnering with Superstruct secured the future of the festival and our creative and operational independence; that the Field Day team had no knowledge or influence in KKR’s investment in Superstruct last year; and that we retain the same deeply held values Field Day was founded on. All of this is true.
However, we are sorry we did not say earlier what we unequivocally say now:
We are passionately opposed to KKR’s unethical investments in Israel. We cannot control who owns our parent company but we promise to make our – and your – voices, and the ethical values we regard as non-negotiable, heard and understood at all levels.
Many of you rightly challenged our previous post. We’re grateful for your comments and we respect the artists who have taken a stance. To the other artists on our lineup, we welcome and support you using your platform to stand against all forms of oppression, discrimination and genocide.
We say with pride and determination that everyone is welcome at Field Day, regardless of nationality, race, religion, gender or sexuality.
We believe music is uniquely capable of bringing people together and providing a space to express ourselves freely without discrimination, and we hope you will join us in that spirit this weekend.
This is what we stand for, and we regret not making that clearer before. Free Palestine.
Michael B. Tretow, the pioneering Swedish sound engineer who helped craft the signature sonic identity of ABBA, has died at age 80.
His wife and son confirmed the news to Swedish newspaper Aftonbladet, with the band’s longtime manager Görel Hanser also confirming his passing. A cause of death has not been made public.
Best known for his studio wizardry, Tretow was often referred to by fans as the unofficial “fifth member” of ABBA for his indispensable role in shaping the band’s groundbreaking sound.
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He worked on every one of ABBA’s albums throughout their imperial phase, from 1973’s Ring Ring through to 1981’s The Visitors, and co-owned the group’s label, Polar Music. Notably, he was not involved in the group’s 2021 reunion album, Voyage.
”You meant more to us four in ABBA than anyone else,” Andersson told Aftonbladet. “I hope and believe that you felt it throughout all the years that have passed since we worked (and continuously laughed) in the studio. Our music lives on, it seems, and you are the one who made it timeless.”
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“You were a fantastic inspirer and joy-maker, and the finest sound engineer the world has ever seen,” he said, adding: “I miss you. And I’ve saved all your coconuts!”
Björn Ulvaeus added that Tretow’s significance “cannot be overestimated,” remembering him as “a warm, generous person and a good friend.”
Anni-Frid Lyngstad said, “No one fit the bill as well as you. For us, you are forever part of the ABBA sound and you will never be forgotten.”
Agnetha Fältskog reflected on their final moments together: “So glad I got to spend some time with you a few weeks ago… You were so sick, but your laughter and humor were still there. So many memories are preserved, your encouraging words during the recordings meant so much. We are sad now, a talented and unique person has left us. Sleep well Micke, you are in our hearts forever.”
Tretow is survived by his wife and son.
Robbie Williams is looking to hark back to “a golden age for British music” with his newly-announced LP Britpop, slated to land this autumn.
The album, which the singer says was inspired by the iconic musical era of the same name and the bands who defined it (Oasis, Blur, Pulp et al), will arrive via Columbia Records. It will mark Williams’ 13th solo full-length effort to date, and his first of non-festive original songs since 2016’s The Heavy Entertainment Show. A release date is due to be confirmed soon.“I set out to create the album that I wanted to write and release after I left Take That in 1995,” he said in a statement. “It was the peak of Britpop and a golden age for British Music. I’ve worked with some of my heroes on this album; it’s raw, there are more guitars and it’s an album that’s even more upbeat and anthemic than usual.“There’s some ‘Brit’ in there and there’s certainly some ‘pop’ too – I’m immensely proud of this as a body of work and I’m excited for fans to hear this album.”
The news coincides with the release of the album’s blistering lead single, “Rocket,” which features Black Sabbath legend Tony Iommi on guitar. Its accompanying music video is set to drop this Friday (May 23), though a press release states that it will feature scenes of Williams and Iommi together in the latter’s hometown of Birmingham.
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Williams will support Britpop with an extensive U.K. and European headline tour this summer, which features two nights at London’s 60,000-capacity Emirates Stadium (June 6-7). Support will come from Warrington rock band The Lottery Winners, as well as Rag ‘N’ Bone Man on select dates.
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The artwork for Britpop, meanwhile, nods to one of Williams’ most iconic looks: the red tracksuit worn to Glastonbury Festival in 1995 when he partied with Oasis at the height of the Britpop era. He had departed boyband Take That shortly before this time, in order to pursue a solo career. It also features an illustration of two demonstrators in ‘Just Stop Pop’ t-shirts defacing the image, in the style of protest group Just Stop Oil.
In January, Williams secured a huge milestone on the U.K. Album Charts. Better Man, the soundtrack to his recent biopic of the same name, gave the pop icon his 15th No. 1 album, seeing him move ahead of The Rolling Stones (14) in the all-time rankings. He is now tied with The Beatles at 15 for the most ever.
The Voice wrapped its 27th season on Tuesday night (May 20) with a high-energy, emotional finale that crowned Adam David as this season’s champion.
Representing Team Michael Bublé, the Florida-based singer emerged victorious after a week of standout performances, beating out finalists from teams helmed by Kelsea Ballerini, John Legend and Adam Levine.
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David’s win marks Bublé’s second straight coaching victory, following his Season 26 triumph with Sofronio Vasquez. This season, the 34-year-old singer captivated both the coaches and audiences with powerhouse vocals, ultimately sealing his place as the Season 27 winner thanks to America’s vote.
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Before the results were revealed, Bublé took a moment to share his admiration for his finalist on air. “I love you, man,” he told David. “You’re my kind of artist. I love my sister and she wrote me this morning and she said, ‘You tell me when Adam David puts his tickets on sale ’cause I need to go see that show.’” The Canadian crooner added: “Congratulations, I knew you could do it.”
Jaelen Johnston from Team Kelsea followed David in second place, RENZO from Team Legend in third, Lucia Flores-Wiseman from Team Adam in fourth, and Jadyn Cree (also from Team Bublé) in fifth.
During the finale, each coach joined their finalist for a special duet. Team Legend’s Renzo kicked things off with a performance of Harry Styles’ “As It Was,” while Kelsea Ballerini and Jaelen Johnston delivered a heartfelt rendition of “Whiskey Lullaby,” originally by Alison Krauss and Brad Paisley.
Michael Bublé teamed up with Adam David for a stirring cover of The Band’s classic “The Weight,” and Adam Levine joined Lucia Flores-Wiseman on a moving take of The Beatles’ “While My Guitar Gently Weeps.” Bublé then returned to the stage with his second finalist, Jadyn Cree, for a charming duet of Sonny & Cher’s “I Got You Babe.”
The finale also welcomed Kelly Clarkson (debuting new single “Where Have You Been”), Blake Shelton (“Texas”), Alicia Keys with Amanda Reid, Chance the Rapper, Joe Jonas, Sheryl Crow, James Bay, Foreigner and Season 22 winner Bryce Leatherwood.
NBC has confirmed that The Voice will return for Season 28 in September, airing Monday nights at 8 p.m. with Bublé, Reba McEntire, Niall Horan and Snoop Dogg all returning to the red chairs.
Adam David now joins the ranks of past winners like Cassadee Pope, Jordan Smith, and Bryce Leatherwood and with his victory, continues The Voice’s legacy of elevating fresh talent into the spotlight.
