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BTS’ Jung Kook Stars in Playful Calvin Klein Fall 2023 Campaign: Exclusive Video

Jung Kook is showing off his sensual side with Calvin Klein.

The BTS star appears in the brand’s Fall 2023 campaign focused on confidence, playfulness and, of course, feeling sexy. In the 30-second clip shot by fashion-photographer duo Inez & Vinoodh and soundtracked by Gary Numan‘s 1980 Hot 100 top 10 hit “Cars,” the 25-year-old superstar struts around an empty parking-garage ramp, wearing a dark denim jacket and matching jeans, his bare chest accentuated by a sleek black tie. Clips of Jung Kook smiling into the camera with his signature lip ring flash throughout the video.

It’s hardly the first time Jung Kook has teamed up with the sleek designer brand. Back in March, he rocked a denim set in his steamy first campaign as global brand ambassador for CK.

It’s been an exciting year for Jung Kook, who is setting the tone for his upcoming solo album with his smoldering Latto collaboration “Seven.” The track features the BTS star turning up the heat as he sings in the chorus, “You wrap around me and you give me life/ And that’s why night after night/ I’ll be f—in’ you right.” The track debuted at No. 1 on the Billboard Hot 100 following its July 14 release. Before that, he teamed up with Charlie Puth for the catchy “Left and Right” before making his biggest global move as a soloist when he performed the song “Dreamers” at the 2022 World Cup opening ceremony as part of its official soundtrack.

The Fall 2023 campaign and collection are available Monday (Aug. 14) on Calvin Klein’s website here. Watch Jung Kook’s video clip exclusively via Billboard above.

Jung Kook for Calvin Klein

Inez & Vinoodh

Foo Fighters’ ‘Haven’t Met You Yet’ Long Con Joke Pays Off When Michael Bublé Joins Them at Outside Lands

Dave Grohl loves a long con. And on Saturday night at the Outside Lands Festival in San Francisco he squared the circle on a joke he’s been telling for much of he Foo Fighters‘ current tour. For months at Foos shows, Grohl has been asking if anyone in the audience knows the lyrics to Michael Bublé‘s bouncy pop ditty “Haven’t Met You Yet” from the crooner’s 2009 Crazy Love album.

Aside from loving an inescapable pop hook, the gag is also a nod to the eclectic resume of drummer Josh Freese, a well-traveled studio and live player who, as luck would have it, did a stint playing for Bublé. And if it even has to be said, yes, Freese played the drums on the studio version of “Haven’t Met You Yet.”

Praising Freese’s lengthy resumé, Grohl had keyboardist Rami Jaffee cue up the springy piano intro to the song. “The last couple shows — I always look out [into the crowd] — someone’s like ‘I know the Bublé song,’ ‘I’ll come up and sing,’ ‘I know the f— Bublé song,’” Grohl said to the audience at the festival in a video of the moment.

“And every time someone f— says they know the song, they don’t know the f— song. Do you know the f— song? Who knows the f— song?,” the excitable Foos leader asked the crowd. Then, spotting a superfan in the crowd with an “I love Bublé” sign, Grohl called him up to the stage. “This motherf–er better know the song! Do you know the song? Because people say they know it but they don’t!”

Spoiler alert: it was the Bubes himself, who smoothly dropped right into the first verse as he took the stage in all-black for the perfectly executed gag with his old pal Freese backing him up. After crooning through the chorus (with some help from the crowd) Grohl admitted, “Okay, this guy’s pretty good. This guy’s pretty good,” before jumping in and asking if he could sing the hook.

Second spoiler alert: Grohl did not sing the word “met” in the chorus, substituting a more graphic lyric.

“Oh my God, it’s Michael Bublé!” Grohl said in shock surprise, explaining that every time they did it on tour people would claim to know the lyrics, but never actually did. “This bad-ass motherf—er, and I’m not even kidding, flew in today from Argentina to f–ing sing that song to you guys,” Grohl said. “‘Cause there’s no such thing as taking a joke too far.”

In a backstage bit posted by Bublé, the ultra-smooth singer announces that he’s finally been asked to join the Foos, to which Dave Grohl says, “f–k you Bublé!”

Watch the videos below.

King Stingray, Budjerah Dominate 2023 NIMAs

King Stingray continued its golden run with a brace of wins at the 2023 National Indigenous Music Awards (NIMAs), held Saturday (Feb. 12) at Darwin Amphitheatre on Larrakia Country.

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Formed in Northeast Arnhem Land, the Stingers, as they’re lovingly known in these parts, snagged song of the year and film clip of the year both for “Let’s Go,” converting two-of-two nominations.

Earlier in the month, the Yolngu surf-rockers dominated the 2023 AIR Awards with three trophies, adding to a collection that includes the Michael Gudinski breakthrough artist, best new artist at the 2022 Rolling Stone Australia Awards, first-prize in the Vanda & Young Global Songwriting Competition, and the 2022 Australian Music Prize.



Also at the 2023 NIMAs, Budjerah won the coveted artist of the year category, adding to his own impressive haul. The rising singer and songwriter from Fingal Head, New South Wales, was the inaugural winner of the Michael Gudinski prize at the 2021 ARIAs, he has also collected best new artist at the 2023 RS Awards and, in 2022, won his first APRA Award for most performed R&B/soul work of the year (“Higher” with Matt Corby).

Queensland singer and songwriter Thelma Plum scooped the album of the year NIMA for Meanjin, while the Indigenous language award was bestowed to traditional songman Ngulmiya for his self-titled debut album.

One of the night’s outstanding moments belonged to Yothu Yindi, as the “Treaty” singers were inducted into the NIMAs Hall of Fame for their “long and powerful contributions to Indigenous and Australian music across several decades,” reads a statement from organizers.

During the induction ceremony, the band’s original lineup, along with King Stingray vocalist Yirrŋa Yunupiŋu, nephew of the late Dr M Yunupiŋu, took to the stage for a rocking rendition of their signature song.

Performers on the evening included Kobie Dee, Dean Brady, Plum, Barkaa, Ngulmiya and Budjerah and the Red Flag Dancers.

“So proud of all the artists, performers, nominees and winners at this year’s NIMAs,” comments NIMA creative director Ben Graetz. “It was an exceptional night of Blak excellence.”

An initiative of trade body MusicNT, the NIMAs, now in its 19th year, are a celebration of the “finest celebration of First Nations music”.

Read more here.

2023 National Indigenous Music Awards Winners
Artist of the Year — Budjerah
New Talent of the Year — Bumpy
Film Clip of the Year — King Stingray, “Let’s Go”
Song of the Year — King Stingray, “Let’s Go”
Album of the Year — Thelma Plum, Meanjin
Community Clip of the Year — Wildfire Manwurrk, “Mararradj”
Indigenous Language Award — Ngulmiya, Self-Titled
Hall of Fame — Yothu Yindi
Archie Roach Foundation Award — Wildfire Manwurrk

Died Pretty Frontman Ron S. Peno Dies at 68

Ron S. Peno, frontman and co-founder of Died Pretty, which, thanks to combination of his stagecraft, a handful of evergreen singles, and a cult following, had a seat at the front of Australia’s alternative rock explosion in the 1990s, died Friday (Aug. 11) after a years-long battle with cancer. He was 68.

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News of his death was confirmed by the official Died Pretty social accounts.

“With great sadness we announce the passing of our singer Ron S Peno who left us peacefully on Friday evening in the presence of his loving wife Charity and his son Zebadiah, at his home in South Yarra, Melbourne,” the tribute reads.

For the last four and a half years as he battled cancer, “Ron displayed a resolute positivity and a profound depth of character that has proved inspirational to his fellow band members, manager and many friends,” the message continues. “In the face of adversity he was towering.”

Formed in Sydney in the 1980s, Peno and Died Pretty channeled the look and sound of their heroes from New York’s punk scene, including the Velvet Underground and Television, and injected it with psychedelic rock.

As the band built a buzz on the live circuit, their releases would follow the proper trajectory on the ARIA Charts. Early releases merely tickled the tally, though debut Free Dirt from 1986 continues to grow in stature, and cracked Rolling Stone Australia’s list of 200 Greatest Australian Albums of All Time, published December 2021 (placing at No. 153).

Died Pretty’s Lost from 1988 appeared at No. 99 on the ARIA Albums Chart, and 1990 followup Every Brilliant Eye peaked at No. 79, according to data supplied by the trade body to Billboard. Then, with 1991’s Doughboy Hollow, a first top 40 appearance. Peaking at No. 24 on the national albums survey, Doughboy Hollow was powered by two of the band’s evergreen songs, “D.C.” and “Sweetheart,” numbers that captured the spirit of the time. The Australian Broadcasting Corporation’s triple j station had embarked on its national rollout in 1989, and those two songs sounded sweet on its airwaves (a 2018 poll of the 50 Best Australian Albums of the 90s, published by triple j’s sister station, Double J, placed Doughboy Hollow at No. 22).

Meanwhile, the late Ken West and Viv Lees were working on a game-changing festival, the Big Day Out, which would kick-off the following year in Sydney, and rapidly grew into a national production, selling 330,000 tickets at its peak. Died Pretty was on the inaugural BDO lineup.

After striking a deal with Sony Music’s Columbia division, Died Pretty enjoyed a career-best chart placing in 1993, hitting No. 11 with Trace, and 1996’s Sold would hit No. 29. While signed to Sony Music, Died Pretty were invited to Europe to showcase their talents for the music major’s international executives.

In 2008, induction into Hall of Fame at the The Age EG Awards, celebrating Victoria’s creative scene.

Peno joined his bandmates on the road for several major tours in the past decade, including the A Day on the Green outdoor concert series in 2016, with Hoodoo Gurus, Sunnyboys, Violent Femmes and Ratcat, and a joint national tour the following year with Radio Birdman.

The singer’s battle with cancer became a public one when, in February 2019, it was announced via the band’s social channels that Peno had been diagnosed with oesophageal cancer and that all upcoming shows were scrapped as he underwent treatment.

Support Act, the charity for Australia’s music community, rallied behind Peno with the “Help a Mate” appeal.

“For the 40 years Ron entertained us as Died Pretty’s frontman he was never less than always charismatic,” reads the tribute from his surviving bandmates. “He has provided warm and enduring memories for those who shared the stage with him and for his audience. For many he is the soundtrack of their lives. He leaves us a legacy of extraordinary recordings that will continue to be treasured into the future.

“Our hearts go out to Charity, Zebadiah and all his family and friends at this time. Ron will be sorely missed. The world will be a smaller place without him.”

Dave And Central Cee’s ‘Sprinter’ Clocks 10th Week at No. 1 In U.K.

Dave and Central Cee’s “Sprinter” (via Live Yours/Neighbourhood) outraces the field in the U.K. for the 10th week, setting a new record in the process.

“Sprinter” becomes the first U.K. rap track to enter double figures at the summit of the Official U.K. Singles Chart, further proof of the global phenomenon that is hip-hop, a genre that’s currently celebrating its 50th anniversary as a genre.

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Meanwhile, Becky Hill and Chase & Status lift into the top 10 for the first time with “Disconnect” (Polydor), up 15-9. With that gain, Hill boasts her sixth U.K. top 10 hit, while Chase & Status land a fifth — and first in ten years. Chase & Status appear again further down the Official U.K. Singles Chart, published Aug. 11, with Flowdan and Bou on “Baddadan” (EMI), up 31-21 for a new peak position.

It’s strength in numbers for Nathan Dawe, Joel Corry and Ella Henderson as “0800 Heaven” (Atlantic) improves 9-10, while Calvin Harris and Sam Smith’s latest collaboration, “Desire” (Columbia), gains 18-12, for a new chart best.

There’s a new peak position for Ryan Gosling’s Barbie number “I’m Just Ken” (Atlantic), up 14-13; D.O.D’s “So Much In Love” (Armada), up 23-16; and Anne-Marie and Shania Twain‘s duet, “Unhealthy” (Atlantic/Asylum/EMI) up 22-18, also a new high

Doja Cat has the highest new entry on the Official U.K. Chart with “Paint the Town Red” (Ministry of Sound). It’s new at No. 20 for the U.S. artist’s 15th top 40 single and first top 20 appearance in two years, since 2021’s “Woman” reached No. 13.

Finally, Travis Scott scores his 17th U.K. top 40 with “Telekinesis” (Epic) featuring SZA and Future. The track, lifted from the U.S. rapper’s No. 1 album Utopia, starts at No. 31 on the Official Chart.

Cian Ducrot’s ‘Victory’ Reigns on U.K. Album Chart

It’s victory for Cian Ducrot, the Irish singer and songwriter who races to No. 1 in the U.K. with his debut LP.

Ducrot overcomes a deficit at the midweek stage to snag the chart crown with Victory (via Polydor), ahead of Skindred’s eighth studio album, Smile (Earache).

Few chart races will come any tighter than this. Ducrot’s winning margin over Skindred, the Welsh heavy metal outfit, is just 150 chart units, the Official Charts Company reports.

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Despite missing out on a debut crown, there’s no frowning for Skindred as Smile gives the Newport band its highest chart peak in the U.K., and first top 10 appearance.

Previously, Skindred impacted the U.K. top 40 with 2014’s Kill the Power (No. 28 peak), 2015’s Volume (No. 29) and 2018’s Big Tings (No. 26).

Also, Smile is the week’s most downloaded LP and the best seller on wax.

Completing the top 3 on the Official U.K. Albums Chart, published Aug. 11, is Travis Scott’s previous leader Utopia (RCA), which dips 1-3.

South Yorkshire, England indie rock act the Sherlocks enjoy a career-best chart performance with People Like Me & You (Teddyboy), new at No. 4. The Sherlocks previously landed top 10 berths with 2017’s Live for the Moment (No. 6) and 2022’s World I Understand (No. 9).

Close behind is Miles Kane‘s One Man Band (Modern Sky), new at No. 5, the British artist’s highest-charting solo album. Kane has two No. 1 albums as part of the Last Shadow Puppets, his collaborative project with Arctic Monkeys’ Alex Turner, and boasts seven top 40 albums, five as a solo artist.

Finally, N-Dubz lands a fourth top 10 in the U.K. and equal career best with Timeless (EMI), the homegrown hip-hop act’s comeback album. It’s new at No. 6, matching their previous chart peak with 2009’s Against All Odds. Timeless is N-Dubz’s first studio album release in 13 years.

Fans Choose V’s ‘Love Me Again’ as This Week’s Favorite New Music

V‘s solo song “Love Me Again” has topped this week’s new music poll.

Music fans voted in a poll published Friday (Aug. 11) on Billboard, choosing the BTS member’s soothing R&B track as their favorite new music release of the past week.

“Love Me Again” brought in 97% of the vote, beating out new music by Olivia Rodrigo (“Bad Idea Right?”), Karol G (Mañana Será Bonito (Bichota Season)), DJ Khaled featuring Lil Baby, Future and Lil Uzi Vert (“Supposed To Be Loved”), and others.

“Love Me Again” will appear on V’s upcoming solo album, Layover, which is scheduled to drop on Sept. 8. The collection will feature six tracks: “Rainy Days,” “Blue,” “Love Me Again,” “Slow Dancing,” For Us” and a bonus track piano version of “Slow Dancing.”

V is the latest member of the superstar K-pop group to announce a solo album. The announcement about his project comes just after BIGHIT confirmed that Suga has begun his military enlistment process, becoming the third BTS member to enlist in South Korea’s mandatory military service, following Jin and J-Hope.

BTS’ Jung Kook released “Seven” featuring Latto, which crowned the Billboard Hot 100 chart last month, while Suga’s D-Day arrived in April and Jimin’s FACE (including the Hot 100 No. 1 “Like Crazy”) in March.

Trailing behind “Love Me Again” on the poll is Rodrigo’s new single “Bad Idea Right?,” which brought in nearly 2% of the vote.

See the final results of this week’s new music release poll below.

Drake Asks L.A. Crowd to ‘Keep Your Bras On’ Out of Respect for His Son’s First Show

Drake had a simple request for fans at his Los Angeles-area concert on Saturday (Aug. 12): “Y’all keep your bras on.”

While visiting the Kia Forum in Inglewood, Calif., as part of his It’s All a Blur Tour, the 36-year-old Toronto MC asked concertgoers to keep things innocent out of respect for his 5-year-old son, Adonis Graham, who was in attendance.

“Look, to be honest with you, I can’t talk about t—ies tonight in L.A. because my son is at the show for the first time,” Drake told the audience. “So we’ve got to keep this real PG tonight. Y’all keep your bras on.”

Bra-throwing has become a regular occurrence on Drake’s recent tour, which launched in early July at Chicago’s United Center. During his July 21 concert at Barclays Center in Brooklyn, N.Y., the “Rich Flex” rapper was taken aback after discovering a large brassiere onstage.

“36G?” he excitedly said while inspecting the undergarment. “Locate this woman immediately.”

The person who threw the bra was, indeed, located and identified as TikToker Veronica Correia. (She later received an offer to appear in Playboy.)

Prior to Saturday’s Kia Forum show, his first of four at the venue, Drake carved out some time from his busy schedule to share an intimate moment with his son. Drizzy took to social media that afternoon to post a cute photo of himself working on Adonis’ braided hair.

“Just because you put a guy in a tuxedo doesn’t make him a good guy,” Drake captioned a photo gallery on Instagram, quoting former NBA star Allen Iverson.

Travis Scott’s ‘Utopia’ Spends Second Week Atop Billboard 200

Travis Scott’s Utopia rules the Billboard 200 albums chart (dated Aug. 19) for a second week, as the set earned 147,000 equivalent album units in the U.S. in the week ending Aug. 10 (down 70%), according to Luminate. The album charged in at No. 1 a week ago with 496,000 units earned in its first week — the biggest week for an R&B/hip-hop or rap album in 2023.

Utopia is the first rap album to spend its first two weeks at No. 1 on the Billboard 200 in nearly two years, since Drake’s Certified Lover Boy logged its first three weeks at No. 1 (Sept. 18-Oct. 2, 2021 charts), of its five total (nonconsecutive) weeks atop the list. Utopia is the first rap album with more than a single week at No. 1 in over a year, since Tyler, the Creator’s Call Me If You Get Lost claimed a total of two weeks at No. 1, in two separate weeks (July 10, 2021, its debut frame, and April 30, 2022, charts).

Utopia leads a sleepy top 10 on the Billboard 200, which is absent of any debuts in the region for the second time in less than a month. Just three weeks ago, on the July 29-dated list, there were also no new debuts in the top 10.

The Billboard 200 chart ranks the most popular albums of the week in the U.S. based on multi-metric consumption as measured in equivalent album units, compiled by Luminate. Units comprise album sales, track equivalent albums (TEA) and streaming equivalent albums (SEA). Each unit equals one album sale, or 10 individual tracks sold from an album, or 3,750 ad-supported or 1,250 paid/subscription on-demand official audio and video streams generated by songs from an album. The new Aug. 19, 2023-dated chart will be posted in full on Billboard‘s website on Aug. 15. For all chart news, follow @billboard and @billboardcharts on both Twitter and Instagram.

Of Utopia’s 147,000 equivalent album units earned in the week ending Aug. 10, SEA units comprise 110,000 (down 55%, equaling 145.99 million on-demand official streams of the streaming set’s 19 total songs), album sales comprise 37,000 (down 85%) and TEA units comprise less than 1,000 (down 58%).

Morgan Wallen’s chart-topping One Thing at a Time rises 3-2 on the Billboard 200 with 92,000 equivalent album units earned (down 4%), while the Barbie movie soundtrack steps 4-3 with 74,000 (down 18%), Taylor Swift’s former No. 1 Speak Now (Taylor’s Version) bumps 5-4 with 60,000 (down 9%) and Swift’s chart-topping Midnights ascends 8-5 with 56,000 (up 15%).

Swift’s former No. 1 Lover climbs 10-6 (51,000 equivalent album units; up 17%); Post Malone’s Austin falls 2-7 in its second week (50,000; down 55%); Peso Pluma’s Génesis slips 7-8 (47,000; down 6%); Swift’s former leader Folklore jumps 12-9 (44,000; up 9%) — as she boasts four albums in the top 10 for a third time, having become the first living artist to achieve the feat in nearly 60 years last month — and Wallen’s chart-topping Dangerous: The Double Album falls 9-10 (43,000; down 4%).

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Ariana Grande Wants ‘Everyone to Experience’ Cloud Pink: Shop the New Fragrance

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Ariana Grande wants “everyone to experience” Cloud Pink, her new fragrance launching exclusively at Ulta Beauty on Sunday (Aug. 13). Grande shared a commercial for the perfume on her social media accounts on Sunday to coincide with the online release.

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Cloud Pink, a “sister scent” to the original Cloud fragrance, is currently available online at Ultabeauty.com. The fragrance drops in Ulta stores on Aug. 20.

In the promo video, shot by Zoey Grossman, Grande looks carefree in a light pink tutu and cropped crochet sweater, followed by a purple number and a pink tool dress.

The “7 Rings” singer worked with French perfumer Clement Gavarry to create Cloud Pink, which features a blend of rich berries, pink pineapple, dragon fruit, vanilla orchid, blush ambrette, musk and sweetened praline.

“I can’t begin to describe how excited I am to launch Cloud Pink,” Grande said in a news release announcing the fragrance on Aug. 10. “Cloud is a fragrance that will always be so close to my heart, and I thank my fans for showing it so much overwhelming love all of these years. Developing a new fragrance under this fan favorite franchise was daunting at first, but I really do think that we’ve created the perfect sister scent to the original Cloud. It’s snuck into my top favorite, as of late. I’ve been wearing it nonstop these past few months. Working with Clement and the team on this new pillar was a labor of love and has been such an exciting secret to keep!!! I couldn’t wait for the announcement, and I cannot wait for everyone to experience Cloud Pink.”

In addition to Cloud, Cloud 2.0 and Cloud Pink, Grande has released a string of other scents including Thank U, Next, God is a Woman, Mod Blush and Mod Vanilla.   

Purchase Cloud Pink below.

Ulta Beauty

Cloud Pink by Ariana Grande

$68