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Songwriters: Dave Jenkins, Cory Lerios

Notes: This song jumped from No. 12 to No. 10 that week, becoming the pop/rock group’s first top 10 hit. It peaked at No. 6 for two weeks beginning Aug. 20. The group returned to the top 10 the following year with “Love Will Find a Way.”

Songwriters: Gary Jackson, Raynard Miner, Carl Smith

Notes: A languid cover version of an exciting R&B rave-up made famous by Jackie Wilson? Doesn’t sound like a hit on paper, but it sure was. David Anderle produced this smash, which proved again that a great song can be interpreted any number of ways.

This song jumped from No. 11 to No. 9 that week, becoming Coolidge’s first top 10 hit after years in the business. She had recorded “Superstar” on Joe Cocker’s 1970 album Mad Dogs and Englishmen, but the Carpenters had a million-seller with the song.

Coolidge’s version of “Higher and Higher” peaked at No. 2 on Sept. 10 – higher than Wilson’s original, which had reached No. 6 in October 1967. Her follow-up single, a cover of Boz Scaggs’ “We’re All Alone,” also made the top 10.

Songwriter: Jimmy Buffett

Notes: It’s easy to see why this song has touched so many. It combines a jaunty arrangement with a melancholy lyric, capped by the confessional line, “Some people claim that there’s a woman to blame/But I know, it’s my own damn fault.” That’s pretty self-aware for a song that presents itself as carefree escapism.

This was Buffett’s first and only top 10 hit. He came close with a pair of collabs with country stars – “It’s Five O’ Clock Somewhere” (a teaming with Alan Jackson that reached No. 17 in 2003) and “Knee Deep” (a teaming with Zac Brown Band that reached No. 18 in 2011). Both of those songs topped the Hot Country Songs tally (where “Margaritaville” had topped out at No. 13).

Songwriter: Peter McCann

Notes: McCann was a hot property in 1977. He wrote Jennifer Warnes’ “Right Time of the Night,” which reached No. 6 in May 1977. McCann’s version of that song appeared on the B-side of this song, which jumped from No. 9 to No. 7 that week, on its way to a No. 5 peak. This was McCann’s first and only Hot 100 hit as an artist. He died in January at age 74.

Songwriters: Maurice White, Albert McKay

Notes: White and McKay, both of Earth, Wind & Fire, co-wrote this song, which leaped from No. 10 to No. 6 that week on its way to a five-week (nonconsecutive) run at No. 1. Only Debby Boone’s seemingly undefeatable “You Light Up My Life” logged more weeks at No. 1 in 1977. “Best of My Love” hit No. 1 two years after The Eagles’ song with the same title topped the chart. This was just the second case of two different compositions with the exact same title each topping the Hot 100. The first was “I’m Sorry,” a No. 1 in 1960 for Brenda Lee and in 1975 for John Denver.

“Best of My Love” won a Grammy for best R&B vocal performance by a duo, group or chorus. (The song was also nominated for best rhythm & blues song, but lost to the Leo Sayer dance/pop ditty “You Make Me Feel Like Dancing.” Go figure.) In 1979, The Emotions teamed with Earth, Wind & Fire to record “Boogie Wonderland,” which also made the top 10 (peaking at No. 6).

The Emotions had landed their first top 40 hit on the Hot 100, “So I Can Love You,” in 1969, but “Best Of My Love” was their real breakthrough.

Songwriters: Jeff Barry, Ellie Greenwich, Phil Spector

Notes: Cassidy’s update of The Crystals’ 1963 smash dropped from No. 3 to No. 5 that week after hitting No. 1 the previous week. This was Cassidy’s first Hot 100 hit. Its success made him one of the top teen idols of the era. (My hearing may have been permanently impaired by fans’ screams at a Greek Theater show of his I attended.)

This remake climbed higher than the original did. The Crystals’ version, subtitled “(When He Walked Me Home),” reached No. 3 in June 1963. Cassidy’s next two singles, “That’s Rock ‘n’ Roll” and “Hey Deanie,” also made the top 10. Eric Carmen wrote both of those songs.

Cassidy received a 1977 Grammy nod for best new artist. Cassidy, the son of Shirley Jones, lost that award to Debby Boone, the daughter of Pat Boone. (Deep Trivia: Pat Boone and Jones had co-starred in the 1957 film April Love.)

Songwriter: Alan Gordon

Notes: Streisand had been a multi-media superstar since the 1960s, but she didn’t become a top 40 mainstay until 1977. This was Streisand’s follow-up to “Evergreen (Love Theme From A Star Is Born),” which logged three weeks at No. 1 in March. This song moved up from No. 5 to its No. 4 peak that week, a rank it would hold the following week. This marked the first time in Streisand’s career that she had back-to-back top five – or even top 40 – hits.

Songwriters: Will Jennings, Richard Kerr

Notes: This lovely and graceful ballad became Manilow’s third No. 1 hit the previous week and was now starting its descent. 1977 was the third year in a row that Manilow landed a No. 1 single on the Hot 100. “Mandy” topped the chart in 1975. “I Write the Songs” scored in 1976. Just two other acts each landed No. 1 hits in all three of those years – Bee Gees and KC & the Sunshine Band. (Bee Gees went on to also score No. 1 hits in 1978 and 1979.)

Jennings and Kerr also co-wrote a pair of 1979 top 10 hits – “Somewhere in the Night,” a 1975 Helen Reddy hit that Manilow took to top 10, and “I’ll Never Love This Way Again,” Dionne Warwick’s comeback anthem (which Manilow produced).

Songwriter: Peter Frampton

Notes: This rock ballad, which jumped from No. 4 to No. 2 that week, was Frampton’s first top five hit. It spent a total of three weeks at No. 2. Frampton had notched a pair of top 10 hits from his 1976 blockbuster Frampton Comes Alive! – “Show Me the Way” and “Do You Feel Like We Do.”

Songwriter: Barry Gibb

Notes: This song, Gibb’s first Hot 100 hit, moved up from No. 2 to No. 1 that week, for the first of four nonconsecutive weeks on top. Gibb received two Grammy nods – best pop vocal performance, male (for this track) and best new artist. Gibb turned 19 the month before this song entered the Hot 100. He followed it up with five more top 10 hits over the next three years. He died in 1988 at age 30.