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Four Takeaways From the RIAA 2023 Mid-Year Report: Prices Rise, Subscriptions Slow & More

Halfway through 2023, the U.S. recorded music industry has set a record for first-half retail revenue, generating $8.4 billion, according to the new RIAA mid-year 2023 report released Monday (Sept. 18). But within that headline number, there are several trends and statistics that are worthy of their own exploration, from increasing revenue to slowing growth figures and the factors behind them. Digging deeper into the numbers, here are four takeaways (and a bonus fifth) from the mid-year report.

Ad-Supported Revenue Flatlines

The RIAA reported that ad-supported on-demand streaming revenue came in at $870.1 million — just a 0.6% bump over the $865 million it generated in the first half of 2022. Looking at the 2022 mid-year report, the ad-supported revenue figure was $871.5 million, up 16.4% from $748.5 million midway through 2021. (The RIAA regularly adjusts and updates figures each year as more data becomes available, hence the discrepancies.) What it points to, at best, is a stagnant advertising market; and at worst, one that risks going backwards.

On one hand, it’s not surprising, given the adverse advertising market across the board in 2023 so far. On the other hand, it’s yet another blow to a part of the model for services like Spotify and YouTube that has been maligned for years and considerably detracts from the value of music. Still, revenue from the “other ad-supported streaming” category grew 56.8% year over year for an increase of $58 million after a few years of negligible growth at best.

The Big Pricing Shift

In the past two weeks, a lot of conversation in the industry has revolved around how royalties from streaming services should be divided moving forward. But the broader issue that many executives are, and have been, pointing to has been about pricing. Music streaming services have fallen behind the times in keeping the price of a monthly subscription largely static over the past decade-plus, while video streamers (with fractionalized offerings) have raised prices regularly.

That’s now starting to change — and it’s being reflected in the numbers. Apple Music and Amazon Music both raised prices for their streaming services at the turn of the year, and that has translated into paid subscription streaming revenue growing 12.4% in the first half of 2023 — even as the average number of subscriptions grew at a much slower rate, increasing just 6.4% from 90 million to 95.8 million. With YouTube Music and, most critically, Spotify increasing prices over the summer — numbers that were not reflected in the first half of this year — the additional value realized will be something to keep an eye on moving forward.

But It’s Not Just Streaming

Those streaming service price hikes get a lot of attention — and rightly so. But the industry is seeing increased revenue from consumers in more than just streaming. The physical product market has continued to grow in revenue, up 5% overall, with vinyl revenue rising 1.3% year over year (up $8.2 million) and CD revenue growing 14.3% (up $29.6 million). What’s more interesting — apart from, perhaps, the winding down of the “vinyl explosion” double-digit increase narrative of the past several years — is that both formats grew in revenue while being down in unit counts.

Vinyl, overall, seemed to be a little static year over year. The number of records sold dropped by about 400,000 or so, even as revenue ticked up. But the discrepancy in CDs was stark: despite the type of double-digit revenue growth that’s been associated with vinyl in years past, there were actually 3.2 million fewer CDs sold in the United States in the first half of 2023 compared to 2022. Whether that’s a reaction to the hyper-fandom of artists who tend to do well in the physical market raising prices significantly or a marker of an industry-wide price hike there, it’s another example of how pricing is shifting across the industry and changing the revenue picture as a result.

Subscriptions Slowing Down?

As noted above, the average number of paid music streaming subscriptions grew by 5.8 million in the first half of the year to 95.8 million. That represents the slowest level of growth — both in raw numbers and in percentage — since at least 2015, when the U.S. streaming industry was still in its nascent phases. The growth in the number of subscribers has been slowing down now for about five years straight, as those who haven’t already gotten on board with paid music streaming slowly sign on. But it’s unclear how much room for growth remains — and, either way, the focus will continue to shift from acquisition and retention to growing value.

As subscriptions continue to near critical mass in the United States, the industry will need to continue its growth rate by convincing digital service providers to get more from the subscribers they already have. Whether that comes from price hikes or finding new ways to monetize fans on platforms — or, more likely, some combination of both — is an area to watch.

And, Finally…

A last word for our favorite sector of the RIAA report each year: ringtones and ringbacks. U.S. consumers spent $6.0 million on them in the first half of 2023 — down slightly from $6.2 million halfway through last year — while the unit count also slightly declined. We are a long way away from the Billboard Ringtones Chart of 2004, yet they continue to hang on as a line item year after half year. What a blessing.

Ariana Grande & Dalton Gomez File for Divorce

Months after their separation was announced, Ariana Grande has officially filed for divorce from Dalton Gomez, according to court documents obtained by Billboard.

According to TMZ, who first broke the news, Grande filed first in Los Angeles County court on Monday (Sept. 18), citing “irreconcilable differences.” Gomez followed suit with his own filing with the date of separation logged as February 20, 2023, according to the publication and People. Billboard has reached out to Grande’s lawyers for more information.

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In July, news broke that Dalton and Gomez were parting ways after two years of marriage. Prior to their split, they reportedly attempted to reconcile without success. TMZ, People and Entertainment Tonight also reported that Grande and Gomez remained friends throughout their separation, and spoke regularly over the phone.

The duo reportedly started dating in early 2020 but didn’t choose to make anything public until May, and would frequently appear smiling on Grande’s Instagram page before they happily shared the news of their engagement by December. Grande announced that she was engaged to Gomez on Dec. 20 with a series of snapshots, including a look at her ring. They tied the knot just five months later, in May 2021.

Since their split, Grande has been rumored to be dating her Wicked co-star Ethan Slater. Slater, who starred on Broadway as the titular character in the SpongeBob SquarePants musical, was previously married to singer Lilly Jay, and the two celebrated their four-year wedding anniversary in November 2022. They also share a one-year-old son together.

Doja Cat, Jung Kook Lead Global Charts, V, Olivia Rodrigo Add Top 10s

Doja Cat’s “Paint the Town Red” spends a second week at No. 1 on the Billboard Global 200 chart (dated Sept. 16), while BTS member Jung Kook’s “Seven,” featuring Latto, adds a ninth week atop the Billboard Global Excl. U.S. chart, encompassing its entire run on the ranking so far.

Elsewhere, BTS’ V launches at No. 3 on Global Excl. U.S. and No. 4 on the Global 200 with “Slow Dancing,” while Olivia Rodrigo logs four songs in the Global 200’s top 10 and two in the Global Excl. U.S. top 10, sparked by the arrival her new album, Guts.

The Billboard Global 200 and Billboard Global Excl. U.S. charts, which began in September 2020, rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.

Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.



Second Coat of ‘Paint’ Atop Global 200

Doja Cat’s “Paint the Town Red” adds a second week at No. 1 on the Billboard Global 200, with 88.7 million streams (up 6%) and 11,000 sold (down 5%) worldwide Sept. 8-14.

Jung Kook’s “Seven,” featuring Latto, holds at No. 2 on the Global 200, after spending its first seven weeks on the chart at No. 1.



Olivia Rodrigo claims four songs in the Global 200’s top 10: “Vampire” (10-3, after it debuted atop the chart and led for two weeks in July); “Bad Idea Right?” (32-5, surpassing its prior No. 7 best); “Get Him Back!” (No. 7 debut); and “All-American Bitch” (No. 9 debut). The songs drew 55.4 million, 46.2 million, 44.1 million and 38.1 million streams worldwide, respectively.

Rodrigo ups her total to eight career Global 200 top 10s, with her four latest from her new album Guts, which premieres at No. 1 on the U.S.-based Billboard 200.



V’s “Slow Dancing” waltzes onto the Global 200 at No. 4 with 57.1 million streams and 54,000 sold worldwide in its first week. It’s his first solo top 10, after he hit a previous No. 12 best with “Love Me Again” in August.

V becomes the fifth member of BTS to hit the Global 200 top 10 solo. Here’s a recap, ranked by peak position, of BTS members’ eight top 10s (including one No. 1) on the chart outside the act, with BTS as a group having tallied 11 top 10s (including seven No. 1s):

  • “Seven,” Jung Kook feat. Latto, No. 1 (seven weeks), July 2023
  • “Like Crazy,” Jimin, No. 2, April 2023
  • “Slow Dancing,” V, No. 4, September 2023
  • “Left and Right,” Charlie Puth feat. Jung Kook, No. 5, July 2022
  • “That That,” PSY feat. SUGA, No. 5, May 2022
  • “Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
  • “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 9, December 2022
  • “The Astronaut,” Jin, No. 10, November 2022



Nine Weeks for ‘Seven’ at No. 1 on Global Excl. U.S.

Jung Kook’s “Seven,” featuring Latto, tops the Billboard Global Excl. U.S. chart for a ninth week, with, fittingly for its title, 77.7 million streams (down 7%), as well as 2,000 sold (down 41%) outside the U.S. Sept. 8-14.

Doja Cat’s “Paint the Town Red” notches a third week at its No. 2 Global Excl. U.S. high.

V’s “Slow Dancing” enters Global Excl. U.S. at No. 3 with 52.1 million streams and 35,000 sold outside the U.S.

As V achieves his second Global Excl. U.S. top 10 solo, here’s a rundown, ranked by peak position, of BTS members’ 12 top 10s (including one No. 1) on the survey outside the group – a total that one-ups BTS’ 11 top 10s (including seven No. 1s):

  • “Seven,” Jung Kook feat. Latto, No. 1 (nine weeks to date), July 2023
  • “Like Crazy,” Jimin, No. 2, April 2023
  • “Left and Right,” Charlie Puth feat. Jung Kook, No. 2, July 2022
  • “That That,” PSY feat. SUGA, No. 2, May 2022
  • “Slow Dancing,” V, No. 4, September 2023
  • “Dreamers (Music From the FIFA World Cup Qatar 2022),” Jung Kook, No. 4, December 2022
  • “Love Me Again,” V, No. 6 (to date), August 2023
  • “The Astronaut,” Jin, No. 6, November 2022
  • “Rainy Days,” V, No. 8 (to date), August 2023
  • “Set Me Free, Pt. 2,” Jimin, No. 8, April 2023
  • “Stay Alive,” Jung Kook, No. 8, February 2022
  • “Vibe,” TAEYANG feat. Jimin, No. 9, January 2023

Myke Towers’ “LaLa” dips 3-4 after it led Global Excl. U.S. for a week in July, while Olivia Rodrigo’s “Vampire” flies 12-5, following a week at No. 1 in July, and her “Bad Idea Right?” vaults 47-9, besting its prior No. 17 high and becoming her fifth top 10 on the chart. “Vampire” drew 33.4 million streams and “Bad Idea Right?” attracted 24.6 million outside the U.S.

The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Sept. 23, 2023) will update on Billboard.com tomorrow (Sept. 19). For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.

Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.

Eric Prydz Announces 3 HOLO Shows in New York City: Here Are the Dates

Eric Prydz is bringing his lauded HOLO show to New York City, with three performances happening Nov. 22, 24 and 25 at a yet-to-be-announced warehouse location in Brooklyn. Happening the days prior to and after Thanksgiving, each of these shows will offer a different musical performance.

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These sets will mark the first time Prydz has brought HOLO to New York City since 2019, when the show made its North American debut. They will also mark the first time HOLO shows happen in America in a non-festival setting. Tickets go on sale Friday, Sept. 22.

The trio of shows will be produced by NYC’s Teksupport, which is also behind shows in the city from CircoLoco, Time Warp, Mayan Warrior and more.

Since launching a year ago, HOLO has become a dance world phenomenon, with its use of holograms creating a stunning and cutting-edge visual experience. For the show, Prydz plays behind a screen so audiences can focus on the images of space, nature and more that jut out from the stage.

The Swedish producer headlined the Outdoor Stage at Coachella this past April with the show, and will bring it to San Francisco later this month for a headlining slot at the city’s Portola festival. He’s also brought it to headlining gigs Sonar, Tomorrowland and a residency at Hï Ibiza.

In July, the producer signed a global representation deal with WME, marking his departure from North American representation with CAA. The Grammy-nominated producer’s 2016 album Opus hit No. 1 on the Dance/Electronic Albums, with the LP also reaching No. 164 on the Billboard 200.

All 12 Songs From Olivia Rodrigo’s ‘Guts’ Chart in Hot 100’s Top 40, Led by No. 1 ‘Vampire’

Olivia Rodrigo has a massive week on Billboard’s charts.

After releasing her sophomore album Guts Sept. 8, the LP soars in at No. 1 on the Billboard 200 (dated Sept. 23), while all 12 songs from the set chart in the Billboard Hot 100’s top 40, led by lead single “Vampire” at No. 1.

As all 11 tracks from Rodrigo’s 2021 debut set Sour hit the Hot 100’s top 40 that year, she becomes the first artist to chart all songs from two career-opening albums in the Hot 100’s top 40.

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“Vampire” rebounds for a second week atop the Hot 100, after debuting at the summit 10 weeks earlier, with 55.8 million radio airplay audience impressions, 22.8 million U.S. streams (up 82%) and 4,000 downloads sold (up 89%) in the Sept. 8-14 tracking week, according to Luminate. In July, the song arrived as Rodrigo’s third No. 1 (all No. 1 debuts), following “Drivers License” and “Good 4 U” in 2021.



Rodrigo places one additional song in the Hot 100’s top 10, as second Guts single “Bad Idea Right?” vaults 26-7, reaching a new peak.

Here’s a recap of Rodrigo’s 12 titles on the latest Hot 100 (all of which are debuts except where noted):

Olivia Rodrigo on the Sept. 23-dated Hot 100:
No. 1, “Vampire” (up 9-1; second week at No. 1)
No. 7, “Bad Idea Right?” (up 26-7; new high)
No. 11, “Get Him Back!”
No. 13, “All-American Bitch”
No. 16, “The Grudge”
No. 19, “Making the Bed”
No. 20, “Logical”
No. 23, “Lacy”
No. 24, “Ballad of a Homeschooled Girl”
No. 25, “Love Is Embarrassing”
No. 30, “Pretty Isn’t Pretty”
No. 39, “Teenage Dream”

Rodrigo is just the third female artist to place 12 songs in the Hot 100’s top 40 simultaneously, after Taylor Swift and SZA. Swift tallied a personal-best 18 songs in the top 40 on Nov. 5, 2022, when her album Midnights debuted atop the Billboard 200. SZA logged 12 songs in the top 40 on Dec. 24, 2022, concurrent with the arrival of her LP SOS. Drake holds the overall record for the most concurrent top 40 entries, 21, on both the July 14, 2018, and Sept. 18, 2021 charts, concurrent with the arrivals of his albums Scorpion and Certified Lover Boy, respectively.

Rodrigo charted all 11 songs from Sour in the Hot 100’s top 40 the week that the album launched atop the Billboard 200 (June 5, 2021). Of her 24 career songs to chart on the Hot 100, all have reached the top 40 except for her first entry, “All I Want.” The song, from High School Musical: The Musical: The Series, peaked at No. 90 in 2020.

10 Cool Pop Songs to Get You Through the Week: Sia, Corrine Bailey Rae, Madison Beer & More

Looking for some motivation to help power you through the start of another work week? We feel you, and with some stellar new pop tunes, we’ve got you covered.

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These 10 tracks from artists including Sia, Madison Beer, Corrine Bailey Rae, Poppy and more will get you energized to take on the week. Pop any of these gems into your personal playlists — or scroll to the end of the post for a custom playlist with all 10.

Corinne Bailey Rae, “A Spell, A Prayer” 

After turning heads with her garage rave-up “New York Transit Queen,” Corinne Bailey Rae – best known for the neo-soul-pop classic “Put Your Records On” — has unreleased her full Black Rainbows album. As evidenced on the expansive, atmospheric opening track “A Spell, A Prayer,” the singer-songwriter is in the midst of a fruitful creative 180, refusing to limit herself to any one genre while still maintaining her meticulous approach to songcraft. The results are as eclectic as they are thrilling on this 10-song LP. – JOE LYNCH 

Madison Beer, “Sweet Relief”  



Hailing from Madison Beer’s latest album Silence Between Songs, “Sweet Relief” nicely demonstrates the pop star’s subtle, effective vocal choices when it comes to three-minute-song storytelling. Opening with a propulsive verse that conjures the slight melancholy of infatuation, the song lets loose on the chorus, with Beer conveying the feeling of an irresistible romantic obsession. – J. Lynch 

Riovaz, “The Rake (Can’t Complain)” 



Riovaz continues his genre agnostic journey through the ups and downs (though mostly the latter) of relationships with “The Rake (Can’t Complain).” It’s a single that proves high BPMs and emo lyrics pair nicely together, especially when refracted through the Jersey artist’s obsession with ‘90s dance, from drum’n’bass to house. – J. Lynch 

K. Flay, “Punisher”



On the electric and menacing “Punisher,” included on K. Flay’s latest album Mono, the genre-blurring artist sings of a “great manipulator” and “vindictive dictator.” By the chorus, it’s clear who the villain in question is, as K. Flay admits to a relatable truth: “Nobody knows how to punish me like me.” The confession sets the stage for the catchy chorus built around a whining riff and whispering voices — leaning into the notion that everyone is their own toughest critic. – LYNDSEY HAVENS

Poppy, “Motorbike”


https://youtube.com/watch?v=KgiC_sdPVdg&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Poppy goes sleek and seductive for her latest Zig single, “Motorbike,” tackling fierce femininity over darkwave synth instrumentation. Kicking off the track is an ominous voice that ponders, “I wonder why, nothing catches my eye, quite like the sight of a girl with a powerful machine between her legs” — a potential nod to her Poppy.Computer days — before descending into a full blown groove that sees her lusting after a girl ready to overpower the large metal machine. Whether the lust is in attraction or jealousy is up for interpretation. — STARR BOWENBANK

Sia, “Gimme Love”



While Sia has found great success in the past with motivational anthems like “Alive,” “Unstoppable” and “The Greatest,” new single “Gimme Love” — which previews her first solo pop album in eight years, out next spring — adopts a more pleading attitude, as the singer-songwriter begs for affection over echoing drums and a cloudy sea of synthesizer. The tone of “Gimme Love” doesn’t diminish its scale, however: Sia is still making pop music for enormous spaces, and her latest can fill any sized room. – J. Lipshutz

Leah Kate, “Desperate”



“God, I’m a mess right now,” Leah Kate squeaks right before launching into the chorus of “Desperate,” the most impressive new track on her recently released debut album Super Over. In between eye-rolls at her own clinginess and super-charged melodies that sound ripe for top 40 radio, Kate sneaks some unkempt vulnerability into the pre-chorus, giving a post-breakup track like “Desperate” a stronger, more empathetic foundation. – J. Lipshutz

Bella Poarch feat. Lauv, “Crush”



Midway through his new collaboration with Bella Poarch, Lauv declares, “Love Island is my favorite show”: the point that he and his co-star on “Crush” are making is that sometimes, you can go on TV, give out roses, and go home alone, without any drama following you off camera. “Crush” is low-stakes post-summer giddiness, with two skilled voices harmonizing about embracing the butterflies without putting down stakes; Poarch in particular sounds self-assured on this type of rhythmic pop track, tossing in vocal flourishes for good measure. – J. Lipshutz

Yumi Zouma, “KPR”



New Zealand quartet Yumi Zouma have been releasing music together for nearly a decade, and new single “KPR” demonstrates the way in which they keep getting better: after perfecting their brand of fine-tuned indie-pop, “KPR” delves into atmospheric, slightly askew shoegaze, and the results are even more rewarding. The single captures the range of vocalist Christie Simpson, who simmers beneath the production, steps forward into the silence, and commands the final hook. – J. Lipshutz

Hannah Diamond, “Poster Girl”



It’s hard to make bubblegum pop that sounds as effortless as Hannah Diamond’s “Poster Girl” — which perfectly matches the aesthetic of its single artwork, featuring Diamond surrounded by pop-star posters in her bedroom as a hair dryer becomes her low-budget wind machine. The synth lines and vocal melodies of “Poster Girl” sound instinctive, as if Diamond woke up one day with turn-of-the-century teenybopper smashes fully internalized; it’s a new single, but it feels time-honored. – J. Lipshutz

Coach Prime & His Colorado Buffaloes Led Out By Lil Wayne

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Coach Prime & Colorado Buffaloes Led Out By Lil Wayne

Source: Dustin Bradford / Getty / Coach Prime

Coach Prime and his Colorado Buffaloes are the hottest ticket in College Football and bring out all the stars to see them play.

This past weekend in Boulder, Colorado, all eyes were on a College Football rivalry matchup that generally wouldn’t even register on any sports fan’s radars.

If you needed more proof that Coach Prime and his newly revamped Colorado Buffaloes are that team, you had to look no further than what went down at Folsom Field.

Before the game kicked off, ESPN’s College Gameday was on site for the matchup between Colorado and Colorado St. that already had enough fireworks leading into the night thanks to some comments from Colorado State’s head coach.

Along with the College Gameday crew, former WWE Superstar turned Hollywood actor The Rock was on hand to support his “brother” and get the crowd even more excited for the rivalry matchup.

Once the sun set, it was time to hit the field, and Coach Prime and his team were led out on the field by Lil Wayne, who also performed his song “Ride For My N****z.”

Before the game, Coach Prime blessed Weezy with his own Buffaloes jersey during the tailgate celebration.

Other Notable Guests In The Building

Weezy and The Rock were not the only big names in the building. Fresh off his marathon stream with Kai Cenat, Offset was on hand. Rapper-turned-sports commentator Cam’ron also returned to Colorado to enjoy the game.

Even Kawhi Leonard, who many were saying jokingly doesn’t attend Los Angeles Clippers games, had to see what the big deal about the Colorado Buffaloes football under Coach Prime’s leadership is all about.

The Colorado Buffaloes are currently 3-0 after defeating Colorado St. in overtime, led by Coach Prime’s son, Shedeur Stephens. A stark difference from their 1-8 record last year. The team is currently ranked 19th in the nation.

We expect to see more big names at Colorado Buffaloes home games for the rest of the season because they have become must-see television.

Photo: Dustin Bradford / Getty

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New Gaming Drops: Mortal Kombat 1 Has Finally Arrived — Here’s Where to Score a Copy

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Ready to “test your might”? Mortal Kombat 1: Premium Edition just dropped on Thursday (Sept. 14) and marks the latest in the fighting game franchise. Unlike previous installments though, Mortal Kombat 1 will mark a new beginning for the game’s universe. So, if you’ve snagged an Xbox deal or the Play Station 5 restock, make sure you pickup a copy of the game to try out the fresh storyline and characters.

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Right now, you can get your hands on the premium edition of the game from Amazon, Best Buy and Target for $109.99 or $148 on Walmart for the exclusive steelbook version. If you’d prefer the standard edition, then you can preorder it now for $69.99 or wait until Tuesday (Sept. 19) when it’s officially released from the same retailers.

What Consoles Are Mortal Kombat 1 on?

Both editions of the highly-anticipated game are available on the Nintendo Switch, Xbox X Series and PS5. The standard edition of the game is available on additional consoles and formats including Xbox Series X/S, PS5, Nintendo Switch and Windows PC.

Keep reading to shop the game below.

game case with blue edging

Amazon

Mortal Kombat 1 Premium Edition

$109.99

The premium edition of the game will include everything in the standard edition as well as a few bonuses such as early access to DLC characters like Suicide Squad’s Peacemaker, The Boys’ Homelander and more. You can also enjoy the benefits of a Kombat Pack (including six new playable characters), a skin of Jean-Claude Van Damme for Johnny Cage as well as 1,250 Dragon Krystals to use in the game.

standard edition case

Amazon

Mortal Kombat 1

$69

NetherRealm Studios used this game as a revamp to the franchise “with a reborn Mortal Kombat Universe created by Fire God Liu Kang, featuring iconic heroes and villains reimagined as they’ve never been seen before,” according to a press release. Now, players can indulge in “story mode,” which provides a more cinematic experience with “new relationships, unexpected twists on classic rivalries and original backstories for a wide-ranging cast of characters,” the press release described.

Expect fan favorite characters like Liu Kang, Scorpion, Sub-Zero, Raiden and Kitana to return as well as the Megan Fox-voiced heroine (who is also a vampire), Nitara.

For more product recommendations, check out our roundups of the best over-ear headphones, wifi extenders and laptop deals.

BMG Will Handle Its Own Digital Distribution After Exiting Warner Agreement Later This Year

BMG is exiting its current distribution agreement with Warner Music Group’s ADA and taking direct control of its 80 billion-stream digital business in a move the company called “the biggest change to its recorded music strategy” yet, according to a statement released Monday.

The fourth largest global music company will begin phasing in the new strategy later this year, starting with its relationships with Spotify and Apple Music, according to BMG. BMG’s recorded music catalog, which includes works from Jason Aldean, Jelly Roll, Mötley Crüe and Kylie Minogue, among others, will continue to outsource physical distribution and is expected to announce a new distribution partner soon.

It’s the first major strategic initiative to come from BMG’s new chief executive Thomas Coesfeld, and it signals that its roughly 15-year-old recorded music business is reaching a new evolutionary stage, he said.

“This is a new chapter for BMG and marks a significant milestone for the music industry more generally as BMG becomes the first new global… music company to emerge in the past two decades which controls its key routes to market,” Coesfeld said on Monday.

“Taking direct control of our relationships with streaming services is a major leap forward in our mission … (and) will enable us to better market, service and advise our great artists and will further improve BMG’s relationship with key digital and physical partners.”

Third-party distribution held its advantages early on for BMG, chief operating officer Sebastian Hentzschel said, but going direct now will give the German-owned music company greater insight into its streaming data.

BMG and Warner described the winding down of their agreement as amicable.

“We’ve always known that going direct on streaming was BMG’s ultimate objective and we’re proud to have helped them grow to the scale where they could achieve it,” Robert Kyncl, CEO of Warner Music Group, said in a statement. “Taking this step will mean we create more space for ADA to focus on developing new partnerships, and for WMG to continue to grow our investment behind artists, songwriters and labels.”

Zach Bryan Teases Music With Bon Iver & Noah Kahan

Zach Bryan‘s new self-titled album recently notched two weeks atop the Billboard 200 all-genre albums chart, but he’s already offering up new music — namely, collaborations with two-time Grammy winner Bon Iver and “Hurt Somebody”/”Dial Drunk” hitmaker Noah Kahan.

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Bryan posted a trio of new songs on Instagram Sunday (Sept. 18), along with a note stating, “Locked myself in a studio all week, wrote myself through a notebook, walked around with people I love in the city then went campin, felt restful and hopeful, thankful for breathing no matter the day, just grateful,” Bryan said, offering thanks to Noah Kahan and Bon Iver. “Them boys of faith,” Bryan added.

Over on X, Bryan tagged Bon Iver in a snippet of a song featuring the lyric “Them Boys of Faith,” saying, “come back soon [Bon Iver]. you have a friend for life.” Bryan tagged Kahan in another song, with a similar statement.

This isn’t the first time Bryan and Kahan have collaborated; Kahan showed up at Bryan’s set at Iowa’s Hinterland Festival last month to join Bryan in performing the final song of the set, “Revival.”

Bryan has been on a collaborations hot streak lately, recently topping the Billboard Hot 100 with another collaboration, “I Remember Everything,” featuring Kacey Musgraves; the song marked the first Billboard Hot 100 hit for both artists. His self-titled album also includes collaborations with The War and Treaty (“Hey Driver”), The Lumineers (“Spotless”) and Sierra Ferrell (“Holy Roller”). Bryan also previously released the Maggie Rogers duet, “Dawns,” which reached No. 11 on the Hot Country Songs chart.

Next year, Bryan’s headlining Quittin’ Time Tour, which launches in March in Chicago, will feature artists including Jason Isbell & the 400 Unit, Turnpike Troubadours and Sheryl Crow.

Listen to the snippet of Bryan’s new tracks below.