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P!nk’s Surprise Duet With Alanis Morissette, Plus More Rock & Roll Moments at LA’s Summer Carnival Tour Stop

With four No. 1 hits on the Billboard Hot 100 and 15 top 10s over her 23-year career, P!nk is undeniably a pop superstar. But at Thursday night’s (Oct. 5) Summer Carnival tour stop at SoFi Stadium in Inglewood, Calif., she made a pretty strong case that she’s a rock star too.

P!nk has been playing stadiums across Europe and North America all summer, bringing along her deep catalog of hits (a 23-song setlist), her bottomless bag of cheeky neon props (lit-up grocery carts, floating bunches of bananas, dancing pairs of lips), and her inimitable stage presence (from her casual between-song banter to casually taking flight above the 70,000-person crowd).

For Thursday night’s show, she put a special emphasis on rock & roll, revealing to the crowd that she would be showcasing “the women of rock” throughout the night, as she announced her first special guest, Alanis Morissette. She would also welcome one of her opening acts, Pat Benatar & Neil Giraldo, to rejoin her onstage for a duet. And perhaps the third woman of rock was P!nk herself, who effortlessly tucked in covers of Led Zeppelin and Bob Dylan among her pop-radio-dominating setlist.

P!nk has three more dates remaining on the Summer Carnival trek: Las Vegas’ Allegiant Stadium on Saturday, Phoenix’s Chase Field on Monday, and Arlington, Texas’ Globe Life Field on Nov. 26. Warm-up acts Grouplove and DJ KidCutUp will continue for those three dates, with Brandi Carlile returning to the tour in place of Benatar & Giraldo.

Below, find Billboard‘s most rock & roll moments from P!nk’s Summer Carnival tour stop at SoFi Stadium:

Donna Kelce Said She Feels Like She’s in an ‘Alternate Universe’ Hanging With Taylor Swift at Son Travis’ Games

Even though her son, Kansas City Chiefs tight end Travis Kelce, recently said that he thinks the NFL is “overdoing it” with their relentless coverage of his alleged romance with Taylor Swift, Trav’s mom is here for it.

In a chat with the Got It From My Momma podcast this week, Donna said the past year has been a wild experience, including Travis winning a second Super Bowl while beating his older brother Jason’s Philadelphia Eagles as well as the past two weeks of hugging and mugging with Swift. “It’s just very surreal. In fact I was just thinking on Sunday, going to both games and everything that has happened within the past 12 months… I feel like I’m in an alternate universe. It’s not the one I grew up in, for sure. So it’s very, very fun, it’s exciting, but also taxing,” she told pod host Jennifer Vickery Smith, noting that there’s nothing a mom likes to do more than brag about her kids.

Donna said she didn’t think anyone knew who she was before the splash of press she got in February when the Kelce boys squared off in the Super Bowl. But the past couple of weeks blew up her profile by an unimaginable magnitude. “It’s something that I’ve never been involved with before,” Donna Kelce said of the red-hot spotlight that has fallen on her again thanks to Swift’s sudden NFL interest, adding that she was given a heads-up that the pop star would be hanging in the suite with her during the past two KC games.

“I think about right now they’re probably saying it’s getting out of control,” she laughed about the screen time she’s garnered over the past two weeks as the cameras have repeatedly swung to the sky box where she was shows laughing with and hugging Swift. Asked about the breathless coverage of the alleged romance, which has reportedly boosted sales of her son’s jerseys by 400% and pushed the Kelce brothers’ New Heights podcast to, well, new ratings heights while driving up tune-in to KC’s games by young female fans, Donna said it’s hilarious.

“All I can tell you is that the NFL is laughing all the way to the bank,” she said about the league’s tripling-down on coverage of the romance that neither Kelce nor Swift have officially confirmed. “You know what I’m saying? Good for them. They’re getting the ramifications of everything. I can tell you this, that they’ve told me personally that the Kelce family has done more good PR for football than they could have paid a $1 million to a PR firm.”

Donna Kelce also shared that she recently got a DM from a dad who told her that he was excited because, he said, “finally my daughter is watching football with me.” And, because even she can’t help herself, when asked how she’s feeling about an upcoming Monday Night Football showdown between the Kelce boys on Nov. 20, Donna cheekily said it will be a “tough game… they’ve obviously met in the Super Bowl and there’s a lot of bad blood.”

See what you made Donna do there?

For the record, Donna’s favorite Taylor song is “Shake It Off,” because “we’re getting a lot of that lately about haters.”

Watch Donna Kelce on Got It From My Momma below.



Taylor Swift ‘Eras Tour’ Movie Advance Ticket Sales Cross $100 Million Mark

The Taylor Swift | The Eras Tour concert movie is on track to open as the top-grossing music concert film ever. The movie chronicling the singer’s sold-out, career-spanning 2023 stadium tour doesn’t open until Oct. 13, but according to The Hollywood Reporter, it has already racked up advance ticket sales of $100 million a week before it opens in more than 8,500 theaters across the world.

AMC Theatres announced on Thursday that the 2 hour and 45 minute concert film directed by Sam Wrench (Billie Eilish Live at the O2) is expected to open with $100-$125 million in grosses in North American alone, where it will play in more than 4,000 theaters in the U.S., Canada and Mexico. The initial roll-out set one-day sales records for AMC with $26 million in the first 24 hours of on-sale.

If those figures hold up, before a single frame hits the screen the Eras film will easily blow past the previous record-holder for music films, 2011’s Justin Bieber: Never Say Never, whose grosses topped-out at $73 million.

AMC said that advance ticket sales are strong in the U.S. market, especially for premium formats including Imax, Dolby Cinema and PRIME at AMC. Every AMC theater in the U.S. will screen the film at 6 p.m. local time on Oct. 13, with Cinemark and Regal Cinemas also showing the movie in the U.S., while Cineplex will screen it in Canada and Cinepolis will handle it in Mexico.

The world-premiere screening will take place in Los Angeles on Oct. 11 at a time when studios have scrambled to switch-up their planned fall release schedules due to the Hollywood strikes; the writers union recently reached an agreement with the studios, while actors continue to negotiate. Swift is allowed to promote the Eras film thanks to an interim agreement struck by SAG-AFTRA that covers individual non-AMPTP (Alliance of Motion Picture and Television Producers) productions that meet the same standards the unions are seeking in their negotiations with the studios.

A source close to the Swift film previously confirmed to Billboard that the Eras doc obtained clearance under that agreement before shooting the movie. Aside from a few social posts, Swift has not made any high-profile appearances to promote the film, though she has flooded the zone over the past two weeks thanks to her viral sky box appearances at a pair of Kansas City Chiefs games, at which she has been cheering on her alleged paramour, KC tight end Travis Kelce.

Cher on Making Her First Holiday Record: ‘I Had No intention of Doing a Christmas Album’: Exclusive

In her six-decade-long career, Cher has done many things, including sell more than 100 million records worldwide, star in a multitude of hit movies, land a No. 1 single on one of Billboard’s charts in each decade from the 1960s through the 2010s and win an Oscar, an Emmy, a Grammy and three Golden Globe Awards.

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But on Oct. 20, she’ll accomplish a new first: she’ll release Christmas, her first holiday album. 

“I had no intention of doing a Christmas album,” Cher admits to Billboard with her typical candor. “But [Warner Records] said, ‘Why don’t you do a Christmas album, Cher?’ and I said if I can do my version I’ll do it, and they were very pleasant.”

Doing her version meant staying away from some of the more overdone holiday standards. “Everybody’s gotten ‘Santa Claus is Coming to Town’ and ‘Jingle Bells’ and all that,” she says. “I just said to them, ‘There will be Christmas songs and they’ll be appropriate, but I want to do what I feel.’”

“She’s made not just a Christmas album, but an incredible Christmas album that will rival and sit alongside the great Christmas albums of all time,” says Tom Corson, Warner Records co-chairman and COO. As Cher began playing him tracks over the summer, Corson says he felt “excitement and joy and the feeling of Christmas coming six months early. It’s quality from top to bottom.”

Christmas, Cher’s first new studio album in 10 years, features 13 songs, including four originals. Produced by her longtime producer Mark Taylor, the set includes the legend’s interpretations of “Santa Baby,” “Run Rudolph Run” and “Please Come Home For Christmas.”

Additionally, Stevie Wonder joins her for a remake of “What Christmas Means to Me,” which he originally released in 1967; she and Michael Buble´ recreate his 2005 hit, “Home”; Cher and Cyndi Lauper collaborate on “Put a Little Holiday in Your Heart,” Tyga raps (Cher does not) on original “Drop Top Sleigh Ride” and, sentimentally, Cher and Darlene Love reunite for “Christmas (Baby, Please Come Home)” 60 years after a 17-year old Cher made her debut singing backing vocals on the Phil Spector-produced classic. 

Cher christmas

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The other originals are upbeat dance twirlers “DJ Play A Christmas Song,” which dropped as the first single at midnight (Oct. 6) and reunites Cher with the famous autotune sound she deployed on “Believe,” and “Angels in the Snow, as well as the bluesy “I Like Christmas.”

“They’re not ‘Christmas Christmas’ songs, OK, they’re just great songs,” Cher says. “And I never say that because I almost never like what I do. But I mean people love it and I’m happy. I’m so particular, but I love the songs and everyone who hears them loves them.”

Her excitement is so great that she volunteers to play “DJ Play a Christmas Song” over the phone during the interview and raves about the song’s co-writer, Sarah Hudson, who also co-wrote “Angels in the Snow” and “Drop Top Sleigh Ride.” 



“I’ve known her father, [songwriter] Mark Hudson, for a million years,” she says. “I didn’t even know she’s a writer. I’ve known her since she was three of four years old, so that was great for me. I’m really thrilled about that.”

She was also thrilled to reunite with Love, with whom she’s stayed in touch all these decades. Love even toured with Cher as a background vocalist on the 1989-1990 Heart of Stone tour. 

In the liner notes, she thanks Love, writing: “Singing with you – ‘one of the greatest singers ever’ – is a special kind of miracle. Just think, I was l7 when I sang background on this song… I’m still so in awe of you!  Now we’ve come full circle.”

Cher called Love out of the blue to suggest the remake. “Very rarely do I get a chance to talk to her on the phone, I usually talk to her in person somewhere when we run into each other,” Love tells Billboard. “And she said, ‘Hey, doll!’ I hadn’t talked to her in so long I said, ‘This is who?’ and she said ‘Cher, b–ch!’” Love says, bursting into laughter. “I was so humbled that she wanted to sing, ‘Christmas (Baby Please Come Home)’ with me. Between the two of us, I don’t know who was more excited.”

Love recorded her part in New York, singing the song all the way through as lead vocalist and also tracking a version with her singing with backing vocals, and sent it to Taylor. The result is a high-octane duet with both Love and Cher belting out the yearning lyrics. “There are parts in the song when sing together and I’m hitting high notes and she goes right there with me. Cher’s voice has not changed in the smallest bit, it is still so powerful,” Love says. “I think everybody is going to be shocked and surprised because it really came out fantastic. Not that I didn’t think it would, but the song is 60 years old. I’m 82. Cher is [77].”

Warner Bros. is already working on licensing songs from the album for film and TV. “Synch opportunities are at the top of our list. We’re already getting great feedback from places like Hallmark and other networks and other people that really want to include it,” Corson says. “We expect it to be not just for this year, but an annual synch opportunity.”

Christmas won’t be the only release fans get from Cher this year. To commemorate the 25th anniversary of Believe, her 1998 album that spawned the huge electro-pop hit of the same name, Warner Records will release a deluxe edition that encompasses three LPs or two CDs on Nov. 3. 

The deluxe edition includes the original album plus 13 remastered remixes including Tee’s Radio One and Ray Roc’s Latin Soul instrumentals of “Dov’e l’Amore” together in one package for the first time. The original album, produced by Taylor, sold more than 11 million copies worldwide, according to the label. The title track, which was Billboard’s No. 1 song of 1999, went to No. 1 in 23 countries. 

Cher concluded her last major tour in 2005 and a Las Vegas residency in 2011, but she has been contemplating playing live again. She says she recently said to Taylor that she’d like to do a concert of her favorite songs. In turn, he suggested a concert for the Christmas album, which she nixed. But when asked if there’s a possibility of another tour, she says, “Well, I don’t know. Look, if I do a concert, there’s gonna be a tour behind it. I’m working really hard right now. I’m training, like, unbelievably. So I’m training and singing at the same time, which is always fun,” she says sarcastically. “So I’m working on it.”

There will be no concert to celebrate the Believe reissue because she says she wouldn’t be ready, but also because her immediate calendar is filled with a project that is sure to delight fans:  “I have another album to do right after this,” she says.

Christmas track listing:

1 DJ Play A Christmas Song
2 What Christmas Means To Me (with Stevie Wonder)
3 Run Rudolph Run   
4 Christmas (Baby, Please Come Home) (with Darlene Love)
5 Angels In The Snow
6 Home (with Michael Bublé)
7 Drop Top Sleigh Ride (with Tyga)
8 Please Come Home For Christmas  
9 I Like Christmas 
10 Christmas Ain’t Christmas Without You 
11 Santa Baby   
12 Put A Little Holiday In Your Heart (with Cyndi Lauper)
13 This Will Be Our Year  

Introducing Jaden Hossler, Pop Star

In May of 2020, Travis Barker’s label DTA announced its first signee: a relatively unknown artist named jxdn. Since then, the rising rocker scored two top 10 hits on the Hot Rock & Alternative Songs chart, opened for Machine Gun Kelly on tour and became a key player in pop-punk’s next wave. 

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But now, after a particularly trying few years – during which his best friend Cooper Noriega died of an accidental drug overdose, he struggled with his own mental health and ultimately entered rehab this summer – the artist is ready for his fresh start. 

In July, he returned to social media after a brief hiatus, captioning a fresh-faced smiling selfie: “I finally feel like Jaden Hossler so that’s who I’m going to be.” In September, he announced his new single “Chrome Hearted” to be released under his full name for the first time. The single is not only a reintroduction, but also a redirection for the artist, as the trap-pop song more prominently features his vocals than previous singles and steps away from the punk and rock roots through which he launched his career. 



“I’ve always wanted to be a pop star,” says Hossler while sipping chamomile tea (since prioritizing his sobriety, he’s cut out caffeine). “And I think I couldn’t be the pop star without being the rockstar that I was.”

And while his rockstar persona led Hossler to career highs, it also paved the way for personal lows. He recalls his breaking point this summer, when he “lost it” in London just before he was about to go onstage with MGK. Instead, he booked a ticket home and soon after checked himself into a treatment center for his mental and physical health as he battled anxiety, depression and addiction. 

“This past year has been by far the hardest time of my life…and it’s all finally catching up to me,” wrote Hossler in a June Instagram post. “I am trusting my gut that this will put me in the best possible position to be who I want to be, feel how I want to feel and go where I want to go.”

Jaden Hossler

Jaden Hossler

Hunter Moreno

When we meet in mid-July at the Sherman Oaks staple Sweet Butter Kitchen, it’s only been a couple of weeks since he finished his 21-day treatment – and it’s clear his manifesto held strong. Hossler wrote “Chrome Hearted” before entering rehab, saying “I think it was a big reason why I felt comfortable going, because I felt like I had a glimmer of hope. Like I wasn’t coming out to nothing.” 

“I wasn’t coming out having to change everything, I had already started this process for myself,” he continues. “And if I came out of rehab and just wanted to drop all of it, I could. But being in rehab and leaving rehab, I felt even more [confident] about it. This song was really the first moment where I was proud of myself again in a really, really long time. And it felt the same way as soon as I got out.”

“Jaden has always had pop tendencies in his music, so it felt like a natural evolution,” says Johnny Minardi, SVP of A&R at Elektra (through which DTA signed a joint venture). “It’s been super exciting for me to witness Jaden’s [growth] both as an individual and as an artist.”

Below, Hossler opens up about his year of change, revealing what encouraged his reintroduction and why he finally feels like the artist, and person, he was always meant to be.

How did the idea for “Chrome Hearted” come about – and why was this the right song to venture more into pop music with?

I’ve been playing with pop for about a year, but I could never find the right sound. It was either too bubble gummy or just didn’t feel like me – I really wanted to find a sound of my own. I’ve always leaned towards ballads, but then I was like, “I want to make [a song] that is uplifting and could go on radio.” I kind of got obsessed with [luxury brand] Chrome Hearts at the time so it came into my mind to use it as an adjective. I had this melody and as soon as I sang it, I was like, “This is gonna be one of my biggest songs.”

We [Hossler and songwriter-producer Andrew Goldstein] made a demo of the hook in 15 minutes. I was showing everybody – I even went up to the president of Elektra, Greg [Nadel], because we were at the Blink-182 concert, and I was like, “I just wanted to let you know I just made a hit.” Once we finished the song, I woke up the next morning and [Greg] called me, my A&R called me, my manager and everyone called me, and they were like, “Holy shit, you were right.” I’ve really struggled with trusting my instincts over the past two-three years, especially when Cooper died, I felt like I lost my identity. And this was the first time where I trusted myself, so that was the start of this whole new process for me.

There’s a bit of attitude to “Chrome Hearted,” which is very different from your prior single “Elevated Heartbreak.” 

I kind of wanted to talk my shit a little bit, you know what I mean? I haven’t really shown off my voice as much as I could because of the style of music I was making. This song isn’t the focus track of my album or anything – I’m working on my album separately – but this song is to let everyone know, “Hey, I’m Jaden Hossler now.” It felt like a complete 180 shift, but still felt like me.

Some of the lyrics are a little pointed, like “you don’t hold me down, you just watch me drown” and “she’s so obsessed with herself.” As someone who launched their career online, how do you deal when fans want to know who or what your music is about?

I kind of love it because now I’m in a position where I don’t really care. I think it’s awesome to leave it up to the interpretation of the listener because even when I listen to music I’m like, “What is this about?” I do the same thing. People want a story associated with it. But that’s the best part, a little bit of a mystery. Before, I thought I had to put everything on the table for people to accept me. Now I feel very different. I feel very confident and secure in who I am and my story.

It’s also important to not only have but protect your private life. 

And I never understood that. And I haven’t really had one. Especially with social media and TikTok. It’s overtaken everything, and some people lean into it, but I know why they do, it’s because either side hurts. Either side is very invasive and anxiety-ridden and I just am not dealing with that anymore.

Is “Chrome Hearted” indicative of what your next album will sound like?

I haven’t completely put my project together but I made 25 songs, so my plan is to make around 40 and pick from there. I’m itching to make music. That’s all I can do right now. I’m genuinely obsessed with it, which is such a good feeling because for a while I just wasn’t in the studio. I wasn’t really present. 

I’m reaching far and wide on the landscape of pop music and trying to center it on my voice. And more than that, center the songs on my story. I feel like I’ve been through a lot of shit and I really want to talk about it. It’s cool for me to express myself in a lot of different ways. It’s a lot of trap-pop, there’s an 80s pop vibe, like The Weeknd, which is really cool. And then R&B, these past few weeks I’ve been making a lot of SZA and Bryson Tiller [inspired] songs. This album’s gonna be a conglomeration of a few different sounds, I never want to put myself in a box again.

The Weeknd recently told W Magazine he wants to kill off his artist character. Do you see your own shift being as dramatic? 

Oh it’s incredibly dramatic for me. When I decided to be jxdn, I just wanted to be anything but Jaden Hossler because I couldn’t live with myself from high school and my past. I felt like there was an opportunity to be someone different, and quite literally it was. And a lot of amazing things came from being jxdn, but then there’s a point where the pendulum comes back and I hit that wall of, “I can’t be this person anymore.” I’ve come to terms with all my trauma and all the things that I’ve hated about myself before and all my insecurities. That’s why I’m proud to be Jaden Hossler. I think it’s gonna be the key to open the door for everything that I’ve been dreaming of my entire life.

What is that dream?

I watched Justin Bieber: Never Say Never, when I was nine years old. I can see it clear as day, I was sitting in front of my parents bed and I just started bawling my eyes out throughout this documentary. I saw myself on the stage like he was. And so that was the beginning of manifesting that entire journey for myself. And that night I literally went and found a camera in my house, put on purple because that was his color, and started singing. That was the first time I realized I had a voice. I [always] knew what I wanted, but I didn’t know who I was. Having both is very important.

Who are some other pop stars you’re a fan of?

I didn’t listen to Taylor Swift really at all my entire life but recently I’ve been listening to her because she’s such an amazing writer. And listening to these different styles of music, I have a lot to learn. I’m excited about that. So I listen to anyone and everyone that I can right now, it’s almost like I have homework. There’s this guy named Brakence who I really love. Olivia Rodrigo is amazing; I love “Vampire.” Funny enough, I never listened to the radio before, but I listen to the radio a lot now because I want to see what they’re playing. I want to understand, because as much as people don’t want to believe, it is sort of an algorithm. And so I want to infiltrate it and then fuck everything up. 

And Travis [Barker] has always been so supportive of what I want. He’s always believed in me, even when he really had no reason to. And so that’s really the biggest blessing, is to be able to have someone like him that no matter what I do, he backs me because he knows that I’m doing this for the right reasons.

How did the rollout of “Chrome Hearted” compare to previous releases?

I directed my first music video, which is pretty cool. I’m more invested in this project than I’ve been in anything else. Also, I’m fully sober. I thought that I would be less creative before I got sober, but I’m more creative than I’ve ever been in my life. Like, I needed sobriety to fulfill my dreams, and I never knew that. 

In a weird way, it almost feels like restarting. Right now, I’m not thinking about 10 years down the line, because one of the things about being sober is trying to be present, but I do know that I’m building a career that’s lifelong. 

What did you learn in rehab that you’re still implementing in your daily life now?

It’s the structure that I miss the most. The waking up, making your bed, going to breakfast. I eat three meals a day now, minimum, and I ate one meal every two days before. And obviously it has to do with sobriety, but even more so I meditate, I do things that actually help me throughout the day, that no matter if anything else changes, I have that structure, and that’s what I got to take from the treatment center. 

I don’t drink caffeine because I know that if I start drinking caffeine enough it gives me anxiety, and then that anxiety makes me want to smoke, and that makes me want to drink. Little things that make a big difference. 

Leading up to this reintroduction, why was it so important to be open about how you ended up here?

People like to talk about the story of starting from nothing and getting to the top. But there’s another story that I think a lot of people can resonate with: I started from nothing and I got success and then I lost myself in that success. I got lost in even good things, too much of anything can kind of turn you the wrong way, but it’s never too late to be who you really want to be, it’s never too late to make a change for yourself. I chose not to give up on myself. I’m here to remind people that you control what happens now and what happens next. And I’m really grateful for that. I feel like this is the start of a brand new life for me.

Drake Finally Lets The ‘Dogs’ Out: Stream His New Album Now

When the clock struck 6am on Friday, Oct. 6, Drake’s eighth studio album, For All The Dogs, hit streaming services after weeks of delays. 

Marking his first solo album since 2022’s Honestly NevermindFor All The Dogs spawned his Hot 100 No. 1 single “Slime You Out” featuring SZA. The song marked Drake’s 12th No. 1 single on the Hot 100, tying him for fifth all-time. His latest feat moved him closer to surpassing Michael Jackson for the most among solo males, as the King of Pop sits at 13. 

Aside from “Slime You Out,” Drake revved up anticipation on Thursday (Oct. 5) when he released his sixth entry in his “AM 2 PM” series with “8 AM in Charlotte.” The six-minute clip dropped during the wee hours of the morning and starred his son Adonis. “Charlotte” caused waves on social media, sparking questions about who Drake was addressing in some of his lyrics. The internet has tossed numerous names in the ring, including Metro Boomin, YoungBoy NBA, Charlamagne Tha God, and Kanye West. 

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Fans leaned on the latter, especially after hearing Drake’s third verse. “You n-ggas obsessed with me and it’s not on no hetero vibe/ Handle beef so quiet you think that I’m letting it slide/ Next thing you know we tip-toeing past enemy lines/ Diss me so long ago we making your memories fly/ Conspiracy theories start floating around like the Kennedy guy/I’ll probably hold a grudge against you guys ’til I’m 75,” he raps. 

Drake has previously thrown darts at West on songs such as Travis Scott’s “Sicko Mode” and French Montana’s “No Stylist.”

Stream For All The Dogs below. 

Ron Haffkine, Dr. Hook Producer and Manager, Dies at 84

Ron Haffkine, a Grammy-winning record producer and manager known for his work with Dr. Hook & the Medicine Show, has died. He was 84.

Haffkine died Sunday at his home in Mexico after a brief bout with leukemia and kidney failure, his friend of 50 years, music executive Joel Diamond, told The Hollywood Reporter.

“Ron always had an uncanny knack of hearing a hit song in its rawest stage and the rare talent to couple it with the best musicians and then top it off with a meticulous performance by the artist,” Diamond noted.

Haffkine was instrumental in getting Dr. Hook signed by Clive Davis at Columbia Records in the 1970s, and the band led by Dennis Locorriere, George Cummings, the eyepatch-wearing Ray Sawyer and Billy Francis would compile a string of hits that included “Sylvia’s Mother,” “Cover of the Rolling Stone,” “Sharing the Night Together,” “When You’re in Love With a Beautiful Woman,” “Sexy Eyes,” “Baby Makes Her Blue Jeans Talk” and “A Little Bit More.”

Haffkine produced 10 Dr. Hook studio albums and two live albums and worked with the likes of Waylon Jennings, Lou Rawls, Mac Davis and Helen Reddy, too.

Haffkine also often collaborated with singer, songwriter and poet Shel Silverstein. He won a Grammy Award in 1985 for producing Silverstein’s “Where the Sidewalk Ends” and received another Grammy nom two years later for his work on another Silverstein children’s album, “A Light in the Attic.”

Born in New York on Dec. 13, 1938, Haffkine contracted polio when he was 12, leaving him paralyzed for two years. Later, he and Silverstein became friends in Greenwich Village.

Silverstein asked him to produce music he had written for the films Ned Kelly (1970), starring Mick Jagger, and Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971), starring Dustin Hoffman and Barbara Harris.

Haffkine recommended that Dr. Hook be used in Harry Kellerman, but for that to happen, the New Jersey band had to have a record deal. After the musicians did an impromptu live showcase in Davis’ office and were signed, Dr. Hook performed the Silverstein-written songs “Bunky and Lucille” and “Last Morning” in the movie.

Haffkine also produced Silverstein’s 1972 music comedy album Freakin’ at the Freakers’ Ball, with Dr. Hook handling the title track, and recorded the quirky Silverstein song “Do You Want to Boogie or Do You Don’t” that year as well.

Haffkine and his wife of 37 years, Sydney, moved to Mexico several years ago. She survives him.

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This article originally appeared in THR.com.

Ed Sheeran’s ‘Autumn Variations’ Sweeps to No. 1 In Australia

It’s Ed Sheeran season on Australia’s albums chart as Autumn Variations (via Gingerbread Man) debuts at No. 1.

Produced by the National’s Aaron Dessner, Autumn Variations is Sheeran’s second leader on the ARIA Chart in 2023, and his seventh in total – all consecutive. Autumn Variations follows + ( plus from 2012), X (multiply from 2014), ÷ (divide from 2017), No. 6 Collaborations Project (2019), = (equals from 2019) and – (subtract from 2023) in hurtling all the way to the top.

Australians have adopted Sheeran like one of their own. Earlier this year, the British singer and songwriter completed another lap of stadiums in these parts – and broke several more records – for his Mathematics Tour.

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When the “Shape Of You” singer last toured Australia, in 2018, also with Frontier Touring, he shifted more than 1 million tickets, a feat that wiped Dire Straits’ record for a single trek (950,000) that had stood for since the 1980s.

On the latest ARIA Albums Chart, the podium is completed by Olivia Rodrigo’s Guts (at No. 2 via Geffen/Universal) and the Weeknd’s The Highlights (at No. 3 via Universal), both unmoved from the previous week.

Meanwhile, U.S. pop-rock outfit Lany makes its first appearance on the ARIA Top 50 with A Beautiful Blur (Virgin/Universal), new at No. 4. That result crushes Lany’s previous best result, No. 53 for their 2017 self-titled debut LP.

Country music has been hot on Australia’s charts this year, and homegrown singer James Johnston gets in on the action with Raised Like That (Ditto Music), his debut album. Raised Like That starts at No. 7 on the ARIA Albums Chart, published Oct. 6. Its title track dropped in 2021 and became the fastest-ever debut single by an Australian country singer to reach one million streams, ARIA reports.

Also new to the top tier is Kimosabè, the fourth studio album by Angus Stone’s Dope Lemon project. It’s new at No. 9, and follows Rose Pink Cadillac (No. 2 in 2022), Smooth Big Cat (No. 2 in 2019) and Honey Bones (No. 11 in 2016). As a member of sibling duo Angus & Julia Stone, he claimed No. 1s with Down The Way in 2010 and Angus & Julia Stone in 2014, and, as a solo artist, reached No. 2 with 2012’s Broken Brights.

On Thursday Oct. 5, BMG announced it had acquired the Dope Lemon recordings catalog from Stone, in a deal that included those three earlier album and the 2017 EP Hounds Tooth. BMG released Kimosabè through a new recording deal.

Last week’s leader, Kylie Minogue‘s 16th studio album Tension (Liberator Music/BMG), tumbles 1-10.

Over on the ARIA Singles Chart, Doja Cat’s “Paint The Town Red” (RCA/Sony) enters a seventh week at No. 1, ahead of Tate McRae’s “Greedy” (up 3-2 for a new peak via RCA/Sony), and Kenya Grace’s “Strangers” (down 3-2 via Warner).

“Paint The Town Red” moves up the list of longest-reigning No. 1 tracks this year. Doja’s hit draws level with Dave and Central Cee’s “Sprinter” for third on a tally that’s led by Miley Cyrus’ “Flowers” (12 weeks), and Morgan Wallen’s “Last Night” (eight weeks).

Finally, BTSJung Kook has the top debut on Australia’s singles chart this week with “3D” (Warner/Universal) featuring Jack Harlow. It’s new at No. 7. The K-pop star’s “Seven” featuring Latto peaked at No. 2 earlier this year, and impacts the top 40, holding at No. 38. Harlow now has a fourth top 10 in Australia, a list that includes “What’s Poppin” (No. 8 in 2020), “Industry Baby” with Lil Nas X (No. 4 in 2021) and “First Class,” which flew all the way to No. 1 for a two-week stint in 2022.

Keanu Reeves’ Dogstar Drops New Album ‘Somewhere Between the Power Lines and Palm Trees’: Stream It Now

Every dog has its day. Today is Dogstar day.

Keanu Reeves’ SoCal indie rock act returns for Somewhere Between the Power Lines and Palm Trees, Dogstar’s third studio album and first since 2000’s Happy Ending.

The Hollywood star is back on bass, alongside guitarist/vocalist Bret Domrose and drummer Robert Mailhouse for Between the Power Lines, released through the band’s own label Dillon Street Records and distributed through ADA.

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Featuring the previously released singles “Everything Turns Around,” “Breach” and “Glimmer,” Somewhere Between the Power Lines represents a day few of us figured would arrived. Indeed, when the trio reunited earlier in the year and performed at BottleRock Napa Valley music festival in May, it marked their first performance as a unit in more than 20 years.

During a brief but bright run in the noughts and early 2000s, Dogstar captured a lot of international interest, much of it due to Reeves’ participation.

Starting with release of their 1996 four-track EP Quattro Formaggi, the trio hit their straps, toured the world, nabbed a spot at Glastonbury Festival, opened for David Bowie, and warmed up for Bon Jovi on a lap of Australia. A date in Japan in 2002 would be their last, before the bandmembers went their separate ways.

Now they’re back, and they’re out on the road in support of the new LP. This week, Dogstar kicked off the second leg of their 35-plus city headline tour, which includes gigs in  St. Louis, Columbus, Niagra, Los Angeles, Chicago, Detroit, Toronto, Brooklyn, Boston, Atlanta, Nashville and elsewhere. The first began Aug. 10 and included stops in Phoenix, Las Vegas, Salt Lake City, and Denver before the band headed overseas for a three-date stretch in Japan.

Spread across 12 tracks, Somewhere Between the Power Lines and Palm Trees will be presented by way of a global livestream from the alternative rock act’s concert Tuesday, Oct. 10 at The Capitol Theatre in Port Chester, NY.

Stream Somewhere Between the Power Lines and Palm Trees below.