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Dolly Parton’s ‘Good Housekeeping Seal’ Renewed: ‘I Guess I’m Old Enough to Deserve Stuff Like That’

To honor the upcoming 115th anniversary of the Good Housekeeping Seal, the magazine has renewed Dolly Parton‘s personal seal, which the Country Music Hall of Fame member and Rock & Roll Hall of Fame member originally earned back in 2001.

Parton is the only person to earn the seal since it was introduced by Good Housekeeping magazine in 1909. The seal typically is awarded to products that have been tested and approved by the Good Housekeeping Research Institute.

In celebrating the upcoming November release of Parton’s debut rock album Rockstar, Good Housekeeping surprised Parton by renewing her personal GH seal, while also awarding the Good Housekeeping Seal to Parton’s Rockstar album.

“Well, I appreciated it before and I didn’t know it was going to happen again – this is amazing!” Parton said in a statement announcing the news. “That is impressive; I guess I’m old enough to deserve stuff like that. Well, I’ll tell you, the Good Housekeeping Seal on everything is always like the best thing ever. You know that’s something you can trust, so … I trust that you love me enough to trust me with this. Thank you so much – that’ll go in the museum. I get to say my rock album has the Good Housekeeping Seal! That’s amazing – rock on.”

The seal renewal took place during the first day of Good Housekeeping‘s inaugural Live Shopping Week with TalkShopLive. Parton recently sat down with Nancy O’Dell and Good Housekeeping‘s group digital director Lauren Matthews Ide to discuss Parton’s Rockstar, out Nov. 17. The segment covers Parton’s induction into the Rock & Roll Hall of Fame, how she decided on the more than 2 dozen songs that made her Rockstar album and more.

BTS’ Jung Kook Shares ‘Golden’ Concept Photos Ahead of Album Release

The rollout for Jung Kook‘s debut solo album, Golden, continues! The BTS vocalist’s label, BIGHIT Music, released a trio of concepts for the album on the group’s respective social media pages, much to ARMY’s delight.

The final set of concept photos, titled “SUBSTANCE,” arrived Saturday and features the BTS member posing against a graffiti backdrop with numbers and words that are special to him, such as 0613 (BTS’ anniversary date), ’97 (his birth year) and the logo for BTS ARMY. The other two photos feature the singer striking a sultry pose in between two more graffiti walls and peacefully shutting his eyes, with his rings and piercings on full display.

The previous two concept photos — “SHINE” and “SOLID” — arrived throughout last week and highlighted the K-pop star’s outward facing personality seen by others and the side of himself that fans do not get to see when he is alone. The “SHINE” images show Jung Kook outfitted in a black suit jacket and jeans with his multiple silver chains and piercings, while the “SOLID” photos show the singer stripped back in casual clothes, like plain white tanks, crewneck sweaters and sweatpants.

Golden is set to arrive Nov. 3. The set has been proceeded by previous singles “Seven feat. Latto” and “3D feat. Jack Harlow.” The tracks peaked at Nos. 1 and 5 on the all-genre Billboard Hot 100 chart, respectively. Leading up to the album release, Jung Kook is set to feature on The Kid LAROI’s forthcoming single “Too Much” alongside Central Cee on Oct. 20. Following the release of Golden, Jung Kook will perform a special album concert in Seoul to celebrate the LP’s release on Nov. 20.

See all of the Golden concept photos below.

Jason Derulo Faces Harassment Case, Cardi B Beats Bankrupt Gossip Blogger & More Top Legal News

This is The Legal Beat, a weekly newsletter about music law from Billboard Pro, offering you a one-stop cheat sheet of big new cases, important rulings and all the fun stuff in between.

This week: Two new misconduct lawsuits, one against publishing exec Kenny MacPherson and another against R&B star Jason Derulo; a ruling for Cardi B that a gossip blogger can’t use bankruptcy to escape a huge defamation judgment; a new Supreme Court case that’s “vitally important to the music industry”; and more.

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THE BIG STORY: Music #MeToo

The music industry was rocked last week by two new sexual misconduct lawsuits: one against a powerful publishing executive and another against a chart-topping R&B star.

In a complaint filed Wednesday, a woman named Sara Lewis leveled accusations of sexual assault and harassment against Kenny MacPherson, the CEO of Hipgnosis Songs Fund’s publishing unit. Lewis claimed she “endured an onslaught of unwanted sexual advances” from MacPherson while she worked as an A&R at Chrysalis Music during the mid-2000s when he served as the company’s president.

Through an attorney, MacPherson “vehemently” denied the allegations, stressing that the “unverified” claims stemmed from nearly two decades in the past. But Hipgnosis quickly placed him on leave of absence pending an internal investigation: “Hipgnosis Songs Fund has a policy of zero-tolerance to harassment or abuse,” a company spokesperson said.

A day later, a woman named Emaza Gibson accused singer Jason Derulo of repeatedly sexually harassing her, then dropping her from a deal with his Atlantic Records imprint Future History after she rebuffed his advances. He strongly denied the claims, calling them “completely false and hurtful.”

Nearly six years on from the start of the #MeToo movement, the music industry is experiencing a new wave of such accusations. Two women filed lawsuits late last year against Atlantic Records over sexual assault allegations against late co-founder Ahmet Ertegun; country star Jimmie Allen was hit with two sexual assault lawsuits in May; and Backstreet Boys member Nick Carter has been sued by three different women who claim he sexually assaulted them as minors in the 2000s.

Go read the entire story on the Derulo accusations here and the entire story on the MacPherson allegations here, featuring full breakdowns of the cases and access to the actual court documents.

Other top stories this week…

BETTER HAVE MY MONEY – Two years after Cardi B won a nearly $4 million defamation verdict against a YouTube host named Tasha K over her salacious lies about drug use, STDs and prostitution, a federal judge ruled that the gossip blogger could not use Chapter 11 bankruptcy to avoid paying most of the judgment.

TRANSATLANTIC CUSTODY SETTLEMENT – Lawyers for Joe Jonas and Sophie Turner, currently locked in a very public divorce, said the former couple was close to an “amicable resolution” to end Turner’s unusual federal lawsuit, which cited international treaties on child abduction to demand the return of the couple’s two young daughters to her native England.

ELECTRIC ZOO SUITS MOUNT – A month after this year’s chaotic iteration of the Electric Zoo festival in New York, a group of ticket buyers filed a class action over what they called an “absolute fiasco.” The lawsuit is at least the fourth such lawsuit filed against Brooklyn promoter Avant Gardner, the organizer of the popular dance music event.

FILE THE SUIT, PAY THE PRICE? – Sam Smith and Normani demanded to be reimbursed for money they spent defeating a failed copyright lawsuit that accused them of ripping off their 2019 hit, “Dancing With a Stranger,” from an earlier song. The final legal bill? A whopping $732,202.

MUSIC BIZ HEADS TO SCOTUS – The U.S. Supreme Court granted a petition for certiorari filed by Warner Music Group, agreeing to tackle a case over copyright damages that labels and publishers have called “vitally important to the music industry.” The case is complicated, so go read our deep-dive explainer here.

LADY GAGA DOGNAPPING CASE – A Los Angeles judge once again ruled that Lady Gaga was not obligated to pay a $500,000 reward for the return of her stolen French bulldogs to the very same woman who was criminally charged over the incident. Echoing an earlier ruling, the judge said the woman had “unclean hands” that prevented her from profiting from her actions.

‘MY HUMPS’ v. ‘MY POOPS’ – Abruptly ending what could have been a major battle over copyright fair use, BMG Rights Management reached a settlement to end a copyright lawsuit against toymaker MGA Entertainment over “My Poops” — a scatological parody song set to the tune of The Black Eyed Peas’ “My Humps.”

TUPAC MURDER CASE UPDATE – Duane “Keffe D” Davis, the man who prosecutors say masterminded the 1996 shooting death of Tupac Shakur in Las Vegas, made his first court appearance. Davis, who had been a long-known suspect in the case and publicly admitted his role in the killing in a tell-all memoir, was indicted late last month on one count of murder with a deadly weapon.

HHW Gaming: Sony’s New “PS5 Slim” Design Features A Removable Hard Drive, X Users React

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PS5 Slim With Detachable Hard Drive Confirmed, Gamers React

Source: Sony / PlayStation 5 / PS5 Slim

The rumors of Sony dropping a new PS5 model were true, but it’s not the “Pro Model” everyone was anticipating.

On Tuesday, October 10, Sony hit everyone with a big surprise when it unveiled a new, slimmer PS5 model. The new model dubbed the “PS5 Slim,” is slightly smaller and shorter than the original PlayStation 5 disc and all-digital model.

What’s New?

The new PS5 Slim is not only changing esthetically but will also have some improvements. It will also come with a much-needed 1TB of internal storage, and for owners of the new slim all-digital model, a detachable Ultra HD Blu-Ray drive will be available.

The new PlayStation 5 console boasts a significant overall reduction in volume of more than 30 percent and an up to 24 percent reduction in weight, depending on what console you purchase.

There is now a significant bulge on the side where the disc drive is that Sony says you can replace with a side panel if you’re not feeling the look.

New PS5 Model

Source: Sony / PlayStation 5

“There are four separate cover panels, with the top portion in a glossy look, while the bottom remains in matte,” Sid Shuman, senior director of SIE content communications, notes while speaking on the new console’s design in a blog post. 

For those who purchase the PS5 Digital Edition, you can buy the Blu-ray disc drive later for $79.99. There are now visible slits on the console, giving it a much more sleeker look.

Gone is the single USB-C and USB-A ports. Instead, dual USB-C ports will be on the front of the console.

New PS5 Model

Source: Sony / PlayStation 5

Unlike the previous model, the new PlayStation 5 model will have a new horizontal stand. You have to dish out $29.99 separately if you want a vertical one.

New PS5 Model

Source: Sony / PlayStation 5

Price & Release Date

New PS5 Model

Source: Sony / PlayStation 5

The new PS5 model will arrive in North America in November at select retailers and Sony’s PlayStation Direct site for $449.99 without a drive or $499.99 with one.

Shuman says that the new PS5 model “will continue to roll out globally in the following months,” says Shuman. “Once inventory of the current PS5 model has sold out, the new PS5 will become the only model available.”

The announcement of the new PS5 model comes after an Insider Gaming report hinting at the tech giant working on a PS5 console with a detachable drive.

It also follows the massive Xbox leak revealing Microsoft’s plans to drop a “console refresh” of the Xbox Series X.

As you can imagine, the video game world is reacting to the news.

You can see those reactions in the gallery below.

Photos: Sony

1. Interesting

2. Talk Yo Shi*t

3. The price hike does suck.

World Mental Health Day Is October 10, X Users Share Their Journey #WorldMentalHealthDay

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Banner World Mental Health Day, 10 october. Dimension 16:9.

World Mental Health Day is celebrated annually on October 10 and was established to call attention to the need for awareness, education, and support for those contending with issues surrounding mental health. On X, formerly known as Twitter, several people are sharing their journey with mental health along with tips and tools for coping.

“To break the wall here a bit, I am someone who suffers from mental health issues and I am in constant search of tools and expert assistance to push me to a greater version of myself. I fail often, and sometimes to the point of despair. But with the help of great therapists, family, and friends, I’ve found ways to stay afloat even on my hardest days. I hope that all of you reading are doing your best because that’s all we can do. Just know that you’re not alone in climbing the mountain.” – D.L. Chandler, Senior Editor.

World Mental Health Day was first established in 1992 by the World Federation for Mental Health. Around the world, mental health professionals and those suffering from mental health issues come together in support of improving the station of those in flux.

On X, several individuals are sharing parts of themselves with amazing vulnerability and encouraging others to take charge of their mental health using the various avenues available. As some note, the ups and downs of mental illness are not easy to contend with but there are more ways to get help than ever before.

To learn more about the World Federation for Mental Health and the day itself, please follow this link. Keep scrolling to see the reactions from X and do remember to be kind to yourselves during this time,

Photo: Eva Almqvist / Getty

Olivia Rodrigo Says She Sometimes Sleeps ’14 Hours’ While on Tour

Olivia Rodrigo is gearing up for her arena tour in support of her sophomore album Guts, and the star opened up about what her touring life is like with People.

“I sleep so much when I’m on tour, it’s kind of crazy,” she told the publication. “There were some nights where I was just so exhausted from playing a show that I would sleep for 14 hours. Eating healthy is important and also having people that you really love come on the road with you helps a lot — people who can replenish your energy and nurture you.”

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She continued, “Yeah, I brought my mom along last time and my best friend came along for a lot of the dates, so that was really helpful. It’s nice to have a little piece of home with you wherever you go, because the people are what’s really important.”

The 20-year-old “Vampire” singer also gushed over one of her tour openers Chappell Roan, who happened to do background vocals on Rodrigo’s track, “Lacy.” “Honestly, selfishly, I’m just like, ‘She has to come on tour with me because I just want to watch her every night.’ I get a free concert every night. I’m so stoked.”

Proceeds from each ticket for the Guts World Tour will also go to her new Fund 4 Good initiate, which will support community non-profits that work toward girls’ education, reproductive rights and prevent gender-based violence.

See the full list of tour dates here.

LE SSERAFIM Reflect on The Success of ‘UNFORGIVEN’ & First Tour: Interview

LE SSERAFIM is the latest artist in Billboard Japan’s monthly feature interview series which presents various artists and works that have caught its eye. Making its debut in May 2022,  they are  the first girl group produced by SOURCE MUSIC and HYBE, the label behind BTS and countless other global artists.

 In January of this year, LE SSERAFIM released their first Japanese single, “FEARLESS,” and held a showcase event to commemorate it. In May, the group released its 1st studio album, UNFORGIVEN. The album took the top position on Billboard Japan‘s “Hot Albums” overall album chart, the “Top Albums Sales” weekly album sales chart, and the “Download Albums” chart.

 A Japanese version of the album’s title track, “UNFORGIVEN,” was released in August as their second Japanese single. “UNFORGIVEN (feat. Nile Rodgers, Ado) -Japanese ver.-” features Ado, and a Japan-exclusive track, “Jewelry (Prod. imase)” was produced by imase, generating buzz in Japan. Billboard Japan spoke to LE SSERAFIM about what’s happened in the year since their debut, their well-received album and latest single, and their first solo tour. (Due to scheduling issues, HUH YUNJIN was not able to take part in the interview with the rest of the group and was interviewed on her own at a later date.)

It’s been roughly a year since your debut. Could you tell us where each of you thinks you’ve achieved the most personal growth over the course of this year?

KAZUHA: My greatest growth has been in how much my Korean has improved.

What about you, KIM CHAEWON?

KIM CHAEWON: Before our debut, and right after our debut, I wasn’t yet in the right frame of mind to enjoy myself while I was performing on stage. Now, though, I’ve become comfortable enough to have fun on stage. I think that’s an area where I’ve grown a lot.

Could you talk a bit about what makes LE SSERAFIM unique and what your strengths are?

SAKURA: A lot of our lyrics are based on our actual life experiences, so I think our songs can encourage and resonate with people who are going through similar experiences. I think our strength lies in the fact that we sing about our philosophy of how you can live your life.

What about your live performances?

KIM CHAEWON: When we get up on stage, we try to create a live show together with all of our fans, as a group effort. For example, we put in call & response sections so that the audience can respond.

In May, you released your first studio album, UNFORGIVEN. I’ve heard that you recorded several of the songs in Japan. Did you have any insights or discoveries during the recording process?

SAKURA: On this album, there were a lot of songs in genres that I didn’t have much experience with, for example, “Fire in the belly” which has a lot of Latin-influenced sounds. So when we were recording, I discovered new voices I didn’t know I had. Sometimes it was hard, but I think with UNFORGIVEN, listeners will be able to enjoy all kinds of genres through the entire album.

What did you do to prepare for recording?

KAZUHA: We began recording “UNFORGIVEN (feat. Nile Rodgers)” in Japan, and my approach was to sing the opening words “Unforgiven, I’m a villain, I’m a” in a kind of dark, cool way. But I got some advice to try singing it with a bit of a lighter tone, and when I tried it out, the producer was also like, “right there, that’s it.” That part sticks with you, and the producer said he wanted to make it an addictive hook, so I’m glad I was able to pull off that part so well. I think the recording of this album allowed me to experience the best possible recording process, despite the time limitations we were under.

KIM CHAEWON: We didn’t have that much time for recording, so I took a lot of care to make sure my voice was in its best condition.

HONG EUNCHAE: I sang a somewhat long part in “UNFORGIVEN (feat. Nile Rodgers).” It was my first time doing that, and I wanted to do really well, so I practiced to show the best version of myself.     

I feel like your first studio album, UNFORGIVEN, was made with this desire to pave your own way, without being held back by how other people see you or what they think. The album has gained support from a lot of fans and reached the top of the hit charts. What do you think that means for you and how do you feel about the response to the album?

KIM CHAEWON: Our goal wasn’t breaking into the charts when we were preparing for the recording. We just wanted to do what we could and to express ourselves through music. That’s what we were focused on when we made the album. We figured that people would see what we accomplished and recognition would follow.

SAKURA: UNFORGIVEN dropped the day before we celebrated our first anniversary, and you can see the hard work we put in over the course of that year. A lot of people discovered us through “ANTIFRAGILE,” and I think the expectations people had for us had a good impact on us. The real test will be where we go from here. I want us to continue making the kind of music that only we can.

HUH YUNJIN: I can feel the love that so many people have for our songs and performances, and I’m so happy that the message we’re trying to share is reaching people. I want us to be a team that has a positive influence on people who see us perform, helping them courageously join hands and keep pushing forward.

Could you talk a bit about your second Japanese single, “UNFORGIVEN?” One of the songs on the single is a Japan-exclusive produced by imase titled “Jewelry (Prod. imase)” What are the highlights of this song?

KIM CHAEWON: The lyrics are beautiful. A lot of LE SSERAFIM songs have a cool, sophisticated atmosphere, but “Jewelry (Prod. imase)” is a bright, cheery song.

SAKURA: I think it’s a real ear-pleaser, perfect for listening to on late-night drives. A lot of LE SSERAFIM songs are rap-oriented songs, but when we recorded this song we tried to make our voices really shine.

KAZUHA: Usually, during recording, I break things down very precisely, like, “in this part, I’ll do this, and in this part, I’ll do this.” With “Jewelry (Prod. imase),” though, I just felt the energy and had a blast singing.

HONG EUNCHAE: The word “sparkling” appears a few times in the lyrics, and when I sang the song I envisioned beautiful, sparkling scenes and vibed as I sang.

HUH YUNJIN: I love the city pop genre, and both the music and lyrics are wonderful.

The title song, “UNFORGIVEN (feat. Nile Rodgers, Ado) -Japanese ver.-” features the Japanese singer Ado. How did you feel when the decision was made to collaborate with her?

HONG EUNCHAE:  I knew that Ado was a very well-known artist, so I couldn’t believe it when I found out she’d be collaborating on one of our songs.

KAZUHA: Ado has a truly unique singing voice, so I was excited to hear how she’d sound on her collaboration with us.

HUH YUNJIN: It was so unexpected, I couldn’t believe it. I remember being impressed with what a wonderful artist Ado was the first time I heard her. I never expected to be able to work with her.

You started your first solo tour, 2023 LE SSERAFIM TOUR ‘FLAME RISES,’ with a performance in Seoul on August 12. In Japan, you played in Nagoya, Tokyo, and Osaka. Where did the “FLAME RISES” in the tour name come from?

SAKURA: It refers to us burning the path we walked behind us so there would be no going back, our only choice would be to keep going forward. It’s also because we wanted to put on a blazing hot show.

What has the response been like?

KIM CHAEWON: Even before we debuted, we had our eyes set on putting on concerts. I was so glad to be able to put on our first LE SSERAFIM tour. I’ve had a hard time even believing it. We’re making sure to take good care of our health, and hopefully we can bring the tour to a successful conclusion.

SAKURA: A lot of concerts end with a quiet, soulful song, but we’re ending our concerts with a really exciting song that gets the audience amped up. Like the image evoked by our tour name, “FLAME RISES,” we want to be on fire up on stage. At our shows, we’ve seen the audience enjoying the show with every fiber of their being, so it’s been a thrill for us, too.

HUH YUNJIN: It’s been so fun. I’m so grateful that people have taken time out of their busy schedules to come see us. I want us to keep enjoying ourselves in our shows, staying healthy and putting on impressive performances.

Do you have any final message for our readers or your fans?

KIM CHAEWON:   I hope you put our second Japanese single, “UNFORGIVEN,” on heavy rotation, and if you come to one of our shows, I hope you have the time of your life.

SAKURA:  I’m so glad to be able to experience first-hand the love people feel for our music. We’re going to keep putting on great shows for the rest of this tour, and then achieve even further growth in preparation for our next tour, so we look forward to your ongoing support.

VTuber Tokoyami Towa Breaks Down ‘Aster’ Debut Album & How Inter-Agency Collabs Happened: Interview

Tokoyami Towa debuted in 2020 as one of hololive’s fourth-generation group of virtual YouTubers, and currently boasts more than 1.3 million subscribers on her channel. The VTuber whose main draw is gaming livestreams also releases videos of herself singing covers and original music, showing off her signature strong, husky voice and wide vocal range.

Tokoyami — her name is stylized in Japanese order, surname first — recently dropped her first album called Aster, a highly anticipated project that showcases her potential as a vocalist through tracks written by a team of distinctive creators. The Startend VTuber shared her thoughts on her 12-track debut set and its production process, including how the rare collaborations with other VTubers and streamers were made possible.

What motivated you to become a VTuber?

The reason I joined hololive was because I wanted to make friends. I enjoyed watching and playing first-person shooters from around that time and although hololive is a group of “idols,” I thought it’d be interesting to be an idol and a gamer at the same time. The nice thing about gaming livestreams is how you can watch the players improve. They exchange ideas and work hard with each other to compete. I want to convey through my activities that working hard isn’t something to be embarrassed about and that the accumulation of your efforts up to that point is more important than winning or losing.

In a sense, your debut album Aster embodies the accumulation of your career up to this point. Tell us about its concept.

I wanted it to express who Tokoyami Towa is. This album also has a hidden theme that I encourage everyone to speculate about. It took me a long time to decide on it. I looked back on things like what I was feeling at the time and the work I’ve done over the years.

The lead single “ANEMONE” was written by music producer Yuyoyuppe (Mamiya Takehiro). Why did you choose this song as the face of the album?

It was really hard to decide. I thought it’d be okay to not have a lead single at all since there are so many different genres of songs on the album. But I felt that “ANEMONE” was the one that showed Tokoyami Towa’s strengths that separate her from other VTubers, both from hololive and elsewhere, so that’s why I chose it.

Could you elaborate on what you mean by “Tokoyami Towa’s strengths”?

First, I have a good vocal range. I can keep my voice steady when I hit high notes, and that’s also one of my strengths. Blistering heavy metal numbers like “ANEMONE” aren’t common in the VTuber industry, so being able to sing such songs with a strong voice is Tokoyami Towa’s signature style.

What thoughts went into the lyrics?

Over the course of my career, people have said nice things to me, and also not-so-nice things as well. I get hung up on the negative stuff sometimes, but in the end I want to decide what I want to do and live my life as I am. When I told these feelings to Yuyoyuppe, he was like, “That’s really great, let’s incorporate it.” That’s how the phrase “I want to live as I am” came about as we worked on the lyrics.

So your usual livestreaming activities and musical ones like this project closely influence each other?

It’s like of like, “Let’s use music to express the stuff I usually can’t say.” For the song “Taidana Wonder” on the album, I wanted to convey feelings like “what a drag, I don’t wanna do anything, I feel lazy, I’m sleepy” in an endearing way. I didn’t think a solid rock band sound would fit the lyrics, so when I heard Botchiboromaru’s “Otose Thunder” on TikTok, I thought the light, fresh style would be a great fit, so I asked them to write it for me.

“Antares” features nine guest vocalists. The lineup isn’t limited to your colleagues from hololive, but also includes VTubers and streamers from other agencies.

I’m an outlier in hololive in that I have a lot of opportunities to collaborate with people from other organizations. My management has given me its blessing regarding this and I think it’s one of my selling points, so I wanted to do collaborations on this album as well, which is why I approached various people from other companies and also other hololive VTubers. “Antares” was written with the collaboration in mind. I wanted to do a singalong. I thought it’d be nice to sing it together with the audience at a live show.

Do you think these collaborations are connected to what you said about first becoming a VTuber, being motivated by wanting to make friends?

Yes. As a VTuber and streamer, I want to incorporate good influences as much as I can, and before anything, I want to do fun stuff. As I always tell my fans, I don’t want to do what I do out of obligation. I want to communicate how I’m having fun and get people to have fun watching me do that. So the way I see it, the companies my collaborators belong to don’t matter, as long as what we do together is enjoyable.

You collaborate with Nekota Tsuna, who belongs to VSPO! (Virtual eSports Project), on the last song on the album called “Nininsankyaku.” How did this one come about?

Singing and playing first-person shooters are Tokoyami Towa’s two mainstays. I often get to participate in FPS gaming competitions, and when I teamed up with Tsuna, we cried and laughed together and deepened our friendship. We share good memories together and she’s now one of my best friends. That’s why I wanted to sing a song with Tsuna and asked the management about making it happen. I think our fans probably know about our relationship, so I hope we can perform together on stage someday. I’ve been listening to the song at least once a day lately. It moves me every time I hear it while I’m doing something. [Laughs]

Did Tsuna have a say in the song’s creative process?

Before the song went into production, Tsuna and I wrote out these lengthy memos about what we thought about each other. Even cheesy stuff like, “I’m stronger now thanks to you.” [Laughs] We prepared these letters, I guess you could call them, and sent them to the songwriters, who then reflected them in the lyrics for us. I think the song really captures that spirit. There’s this part where we take turns singing, and we had a great time recording it while expressing our feelings to each other.

Your first solo concert called Break your xxx is set for Friday, Oct. 13. What will the show be like?

I’ll be performing with a live band, so it’ll be a wild, fun show. I’m working hard to prepare for it right now because I want to make sure my voice won’t be overshadowed by the band’s sound, and that my feelings will reach everyone, and that both the people who come and those who join the livestream will think, “That was awesome.” 

What’s the meaning behind the title of the show?

There were times I felt anxious and depressed over the course of my career, but thanks to my fans and the management, I’m able to do live shows like this now. The meaning behind “Break your xxx” is that I wanted to overcome my gloomy feelings and gain confidence, overcome myself. I’m sure everyone goes through times of pain and hardship, but I want to invite people to break those things together at my concert. What goes into the “xxx” is up to you. Everyone is building this concert together.

Tell us about your vision for the future beyond your debut album and first live performance.

I’d love to do a second concert, of course, and I’d love to stand on stages outside of Japan. My fans in other countries were also very supportive of me when I was faltering, so I want to go express my gratitude to them.

What Is Your Favorite Song From Drake’s ‘For All the Dogs’ Album? Vote!

Drake‘s latest album, For All the Dogs, is finally here. The set, released on Friday (Oct. 6), saw the return of the rapper with a few special guests, including SZA, 21 Savage, J. Cole, Chief Keef, Sexyy Red, Snoop Dogg and more.

Prior to the release of For All the Dogs, Drake released the SZA assisted single, “Slime You Out.” The track quickly gained traction for being the first collaboration the pair has worked on, and amid their romantic past. The song additionally made waves on the Billboard charts, peaking at No. 1 on the Billboard Hot 100 following its release.

Listeners also had more than enough to talk about on social media with “Fear of Heights,” due to some perceiving it as a diss to former love interest Rihanna and her current boyfriend, A$AP Rocky. In the intro of the track, the rapper repeated the word “Anti” more than a few times, which is also the title of Rihanna’s 2016 album. Drake then states that people “make it sound like [he’s] still hung up on” Ri and appears to diss Rocky, saying, “That man, he still with you, he can’t leave you/ Y’all go on vacation, I bet it’s Antilles.” The “Work” singer’s home country and frequent vacation spot, Barbados, is located in the Lesser Antilles region of the Caribbean. Fans additionally speculated he made digs at Rihanna and A$AP on “Virginia Beach” and “Another Late Night.”

The other tracks on the album include a highly anticipated Bad Bunny collaboration (“Gently”), a dual team up with Sexyy and SZA (“Rich Baby Daddy”), a Chief Keef sample (“7969 Santa”) and more.

While fans will have to wait and see where the set and its respective 23 songs land on the Billboard 200 and Hot 100 charts next week, which song from For All the Dogs is your favorite? Vote in our poll below.

2023 Latin Music Week Photobooth: Maria Becerra, Sebastián Yatra, Carin León & More

Sebastián Yatra, Chencho Corleone, Vico C, RBD, Carin León, Maria Becerra, Young Miko and Eladio Carrión were among the more than 50 Latin music stars that took center stage in Miami for the 2023 edition of Billboard Latin Music Week (Oct. 2-6).

Some of the biggest names in Latin music made their way to Miami Beach for exclusive conversations, performances, panels and to pose for the photobooth — with photographer Mary Beth Koeth behind the lens — as part of the week-long event.

From deep artist conversations to business discussions on catalogs, finances, streaming and publishing, Latin Music Week also included in-depth panels with industry leaders, tour promoters and two editions of The Rock Star Show, reggaetón star Nicky Jam’s talk show, featuring interviews with Ivy Queen and Fuerza Regida’s frontman, Jesús Ortiz Paz.

“Latin Music Week has grown steadily over the past decade, reflecting Billboard’s commitment to Latin music, and Latin music’s unwavering support of Billboard as the main arbiter of Latin music trends and success,” said Leila Cobo, Billboard’s chief content officer for Latin and Español.

The multi-day event, considered the essential destination for the Latin music industry and top and emerging artists, drew over 1,200 fans and industry insiders to three days of panels, presentations and once in a lifetime intimate conversation at the Faena Forum in Miami Beach, representing established and emerging genres that encompassed the vast plurality that is global Latin music today.

See some of the best photobooth gems captured backstage throughout Latin Music Week.