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Here Are 5 Things You Didn’t Know About Manuel Turizo | Billboard

Manuel Turizo reveals five things you didn’t know about him to Billboard.

Manuel Turizo:
Hi, everyone! My name is Manuel Turizo, and these are five things you didn’t know about me.

The first one is I am highly, seriously allergic to dust, to cold weather, to whatever!

The second thing you didn’t know about me is that I’ve got a receding hairline.

The third thing you don’t know about me is I don’t like dark places. I don’t feel comfortable.

The fourth thing you didn’t know about me is that I want to get a jellyfish. It’s a wild animal — that’s why you can’t have it.

And the fifth thing you didn’t know about me is my fourth album is almost ready, and in no time, I’ll let you know when it’ll be released.

Have a great day! I’m Manuel Turizo.

Watch the full video above!

Here Are All The Concerts Affected By Climate Change In 2023

7/6, Island of Tiree, Scotland — The Tiree Music Festival, a three-day folk music event scheduled for July 7-9, canceled entirely due to what organizers called “extreme weather conditions.” 

7/9, Pittsburgh, Penn. — At an Ed Sheeran concert at Acrisure Stadium, the Pittsburgh Bureau of EMS personnel working the concert received 37 calls for service, with 17 transports to the hospital. A press release from the City of Pittsburgh reported that the transports were for “heat-related issues,” along with a few falls, one seizure and two cardiac arrests.  

7/9, Amsterdam, Netherlands – The electronic music festival Awakenings canceled its third day, including sets by dozens of producers including TSHA, Amelie Lens and Tale of Us, due to severe weather.

7/15, Hartford, Conn.Jason Aldean ended a concert at Xfinity Theatre early after experiencing heat stroke while onstage. Temperatures reached nearly 90 degrees that day.  

7/19-25, Europe – Pearl Jam canceled shows in Vienna, Prague and Amsterdam after Eddie Vedder suffered throat damage during an outdoor show at Lollapalooza Paris due to heat, along with dust and smoke from wildfires throughout Europe.

7/22, Chicago, Ill. — Pitchfork Music Festival asked attendees to evacuate the festival site in the city’s Union Park, with the event resuming after a severe thunderstorm had passed.  

7/25, Phoenix, Ariz. — Disturbed canceled its show at Talking Stick Resort Amphitheatre because the band’s equipment would not turn on in the heat, which reached 117 degrees that day.  

John Legend Is Launching It’s Good, A Food & Travel App

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Celebrity Sightings In New York - October 18, 2023

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John Legend wants to share his love of the finer things with the world. The singer is launching a food and travel recommendation app.

Blavity is reporting the R&B crooner will take a stab at tech with a new platform aimed at enriching your palette and passport. It’s Good will offer services similar to Yelp stating that “a restaurant rec from one trusted friend is more valuable than recs from 10,000 strangers.” The app will allow you to review eateries and hot spots but will also offer users the visibility to see the top picks of their contacts on social media. Additionally, it will have contributions from noted figures for an extra touch of celebrity. According to an exclusive interview with The Wrap the rating system is also intentionally different. “It’s actually not even built for negative comments,” John Legend explained. “Either you recommend it or you don’t.”

The “Ordinary People” singer expressed his enthusiasm in a formal statement via the app’s website. “My friends always reach out to me for ‘my list’ of restaurants in the cities I’ve visited,” the “Green Light” he said. “With It’s Good, we sought to create a trusted community for food lovers to recommend their favorite spots and discover new ones through a user-friendly platform that’s easily shareable and beautiful.”

You can join the waitlist for It’s Good here. 

A2IM’s New Healthcare Plans for Artists Should Come With ‘Buyer Beware’ Warning, Experts Say

When the American Association of Independent Music (A2IM) unveiled its new healthcare plans for working artists in August, the trade association, which represents indie labels, presented it as “a welcome ray of light for the music industry.” The monthly premiums range from $80 to $1,240 and feature benefits such as $15 co-pays for doctor visits and regular screenings for breast cancer, diabetes and depression. Affordable dental, vision and even pet insurance plans are also available.

But buried in the descriptions of several plans, which are accessible for those with a $100 annual A2IM membership, are restrictions and costs that could drain indie musicians’ finances. Three of the five plans offered, which cost $80 to $210 per month for individuals and $160 to $510 for families, do not cover emergency room care, hospital room fees, childbirth/delivery costs in hospitals or any type of care from a physician or surgeon. The two more expensive plans — $560 to $690 for individuals and $1,060 to $1,240 for families­ — don’t cover ambulance charges, radiation, chemotherapy, dialysis or transplants.

“What A2IM is doing is fantastic. I am applauding them hugely for this,” says Tatum Allsep, founder and CEO of Music Health Alliance, a Nashville group that advises artists on healthcare. “But read the fine print.”

A2IM bills the plans as “compliant” with the Affordable Care Act (ACA, also known as Obamacare), but Allsep disagrees. “Nothing about this is aligned with the coverage on state exchanges. Not one bit,” she says. “Somebody’s going to think, for 80 bucks, they’re going to have health insurance because it says in black and white, ‘ACA-compliant.’ And that is absolutely false.”

Dr. Elisabeth Rosenthal, author of A Terrible Sickness: How Healthcare Became Big Business and How You Can Take It Back, adds, “It’s a terrible burden to place on patients to have to read the fine print in this way. I’ve spent my life thinking about these things, and I’m trained as a physician, and it gives me a headache to look at these policies.”

A2IM first offered health insurance to its 600 members, mostly indie labels, in September 2022, then expanded this past August to artists who are sole business proprietors.

A2IM president/CEO Richard James Burgess says the plans are “compliant” with the ACA and that “several dozen families” have enrolled in them so far.

“It was incredibly challenging to find affordable healthcare insurance for A2IM members outside of the state exchanges. For years, there appeared to be no viable options,” he says. “A2IM has never diminished the great work the state exchanges have done. We are not in competition with them. Rather, we wanted to offer more options to our members.”

According to a representative with the U.S. Centers for Medicare and Medicaid Services, ACA-compliant plans must have three key characteristics: They have to cover preventive services (like vaccines and screening tests), prohibit insurers from denying clients based on preexisting conditions and ban limits for total healthcare costs. “On the exchanges, those plans basically have consumer protection built into them,” says Liz McCuskey, a Boston University professor of health law policy. Consumers can buy “off-exchange” plans outside of the ACA, but she says they “are subject to much lighter rules.”

Michael Desnoyers, director of sales for Chicago insurance broker Independent Health Agents, says of A2IM’s plans, “If it’s the first time they’re being offered to musicians, they probably don’t have the option to get their proper group plan through Blue Cross/Blue Shield or United Healthcare.”

Desnoyers adds that the A2IM options might work for musicians who are younger, with no serious health risks or preexisting conditions, even if they “don’t come through with the benefits the major medical plans do.” Tim Hebert ­— a Fort Collins, Colo., health insurance broker who is also a managing partner for Sage Benefit Advisors and the state legislative chair for the National Association of Benefits and Insurance Professionals — adds: “In certain situations, it can absolutely make sense. If [musicians] have moderate income but they just don’t have any assets, the A2IM plan works. It gives them basic coverage. You just don’t have to pay the higher premiums.”

Until 2010, self-employed musicians had few ways to obtain low-cost insurance, especially if they had preexisting conditions such as asthma or cancer. The ACA changed all that, and today, individual states are obligated to provide plans that cover catastrophic medical events and not to discriminate based on preexisting conditions. Still, several music industry organizations, including the Recording Academy, the American Federation of Musicians — and now A2IM — offer additional plans to members as cheaper alternatives.

For example, the academy provides plans for its more than 15,000 members through Stride Health that cost as little as $25 per month, with options to add dental, vision and life insurance coverage. The American Federation of Musicians (AFM), which represents 80,000 members of bands and orchestras, as part of Broadway productions and touring shows, provides group health insurance for freelance musicians. “The Affordable Care Act provided considerable relief to workers by requiring that health insurance be made available to them on a non-cancellable basis,” an AFM rep said in a statement, “but the ACA provided no meaningful relief for premium costs.” The plans offered through the academy and the AFM are similar to those on Obamacare state exchanges, according to Allsep.

Some major labels offer certain health-related benefits, if not actual insurance, to artists on their rosters. Sony and Universal Music Group (UMG) provide access to the Music Health Alliance, which offers expertise and suggestions on finding services elsewhere. Although reps for UMG and Warner Music Group did not respond to inquiries about health benefits, Sony artists can sign up for Artist Forward, which provides what the label calls “wellness solutions” like free counseling services.

Prior to its current offering, A2IM adopted a health plan from Zion Health Share, a Utah company that describes its membership as an “innovative and affordable medical cost-sharing community.” Its plan description stated, “This program is not insurance,” required participants to acknowledge that Zion “affiliates itself, and considers itself, accountable to a higher power” and limited care for people with preexisting conditions other than high blood pressure, high cholesterol or diabetes.

Several healthcare experts criticized the plan, including Allsep, Rosenthal and Valarie Blake, a West Virginia University law professor who specializes in healthcare policy. “I would not enroll unless I was a gambling man,” Blake says. When Billboard asked A2IM to comment on the Zion plan, Burgess said it was no longer available through A2IM. Representatives for Zion Health did not respond to email inquiries. “I am glad they changed course,” Blake says. 

Academy CEO Harvey Mason jr. says he’s sympathetic to the A2IM’s healthcare efforts: “We’re all trying to figure this stuff out together,” he says. “It doesn’t matter who provides coverage. It’s the fact that people are signing up for coverage. That’s the win.”

But after reviewing A2IM’s current plans, Allsep cautions: “Buyer beware.”

Millie Millgate to Lead Music Australia as Inaugural Director

SYDNEY, Australia — Veteran Sounds Australia executive producer Millie Millgate will lead Music Australia as its founding director.

Following a months-long recruitment process, Millgate joins Music Australia, which is established to support and promote the Australian contemporary music industry, with a remit to increase discoverability and develop markets and audiences.

With Millgate at the helm, Music Australia will be expected to invest in and stimulate a vibrant and sustainable music industry ecosystem.

The Music Australia gig is a “once in a generation opportunity,” admits Millgate in a statement, “and I am truly honored, excited, and ready to embrace the challenges and lead the change required to shape and grow a flourishing and sustainable industry.”

Music Australia sits under Creative Australia – formerly the Australia Council for the Arts – and was established under the Creative Australia Act 2023, which was enshrined into law in June.

Through her tireless work leading Sounds Australia, and the countless airmiles clocked up in its mission to build bridges for Australian artists globally, Millgate “is a well-known and highly respected figure in the Australian contemporary music industry,” comments Adrian Collette, CEO of Creative Australia.

Together with the “exceptional skills and experience of the Music Australia Council,” he continues, “we will create a bright future for artists and the music industry in Australia.”

During her nearly-15 years with Sounds Australia, Millgate managed the presentation of over 2,200 Australian artists on global show stages since 2009, covering 86 different international events, in 75 cities, across 26 countries.

Prior to taking the reins at Sounds Australia, Millgate held executive posts with the Association of Artists Managers and as creative director for MusicNSW, and she has served on several boards and committees, and including a current position as director on the board of music industry charity Support Act.

Australia’s music industry warmly welcomed Millgate’s appointment.

Comments ARIA and PPCA CEO Annabelle Herd, “Her storied career and rich experience promoting Australian artists on the global stage through Sounds Australia are exactly what is needed to lead Music Australia toward a focused plan that helps deliver more Australian music to more people, wherever they may be.”

Australia is “already a top 10 music market globally, and we’re growing,” Herd explains. “Our industry can and should operate as an export economy in the same way markets like Sweden and South Korea have already proved possible. We will rally behind Millie in any way we can, and I urge everyone with a vested interest in Australian music to do the same. Her success will be the industry’s success.”

Adds Dean Ormston, CEO of APRA AMCOS: “I’m so excited for Millie, and for the industry, that she’ll be heading up Music Australia. Millie has big ideas, a big heart, the respect of the industry, and the drive and determination to make big things happen. Millie’s appointment as the inaugural head of the agency is a testament to her dedication and vision over many years.”

Music Australia is an Australian Government initiative of the National Cultural Policy: Revive, launched in January of this year by the prime minister Anthony Albanese.

The Music Australia Council, effectively the Music Australia board, which includes legendary concert promoter Michael Chugg and Future Classics founder and CEO Nathan McLay, gathered Sept. 20 for its first meeting.

The Sounds Australia team salutes its outgoing leader. “It’s been an honor and privilege to work with her, and she’s inspired us every day with her passion, leadership and unwavering belief that Australian artists are truly some of the best in the world,” the industry organization comments. “The future of our industry is bright and we are so excited to see what she will do with Music Australia.”

Troye Sivan Debuts at No. 1 In Australia With ‘Something To Give Each Other’

Troye Sivan long-overdue return to music with Something To Give Each Other (EMI), his third studio album, is an instant success in his homeland.

Something To Give Each Other starts at No. 1 on the ARIA Chart, published Friday, Oct. 20, for his first leader. That result eclipses the No. 6 peak for Sivan’s debut LP from 2015, Blue Neighbourhood, and the No. 3 best for 2018’s sophomore effort Bloom.

At the same time, several singles from Something To Give Each Other are heading north on the ARIA Singles Chart, with the gold-accredited “Rush” up 43-26, “Got Me Started” lifting 45-27, and “One Of Your Girls” bowing at No. 28.

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Sivan won two ARIA Awards earlier in his career, and has six more chances to add to his collection at the 2023 ARIAs, set to be held Nov. 15 in Sydney.

“Troye Sivan is truly a once-in-a-generation artist, representing Australia on a truly global scale, with 22 billion streams worldwide and a career that’s pushed boundaries across music, screen and fashion,” comments ARIA CEO Annabelle Herd. “On behalf of ARIA, I am absolutely thrilled to congratulate him on his first No. 1 album at home, and can’t wait to celebrate at the ARIA Awards in a few weeks.”

The albums podium is completed by Drake’s For All The Dogs (down 2-1 via Republic/Universal) and Olivia Rodrigo’s Guts (down 2-3 via Geffen/Universal), while The Living End’s eponymously-titled debut full length album returns to the chart at No. 4, thanks to a 25th anniversary edition released through BMG/ADA. The Living End originally logged two weeks at No. 1 following its release in 1998.

Further down the latest list, South Korean boyband Tomorrow x Together’s The Name Chapter: Freefall (ING) arrives at No. 31. It’s the K-pop outfit’s first top 100 album in Australia, ARIA reports.

There’s no change at the top of that national singles tally as Doja Cat’s “Paint The Town Red” (RCA/Sony) enters week nine at No. 1. That breaks the tie with Morgan Wallen’s “Last Night” for the second longest-reigning leader of 2023. At the top of that particular list is Miley Cyrus’ “Flowers,” at 12 weeks.

There’s a double result for U.S. country artist Zach Bryan as “I Remember Everything” (Universal/Warner) with Kacey Musgraves lifts 7-6 and his solo number “Something In The Orange” (Warner) cracks the top 10 for the first time in 66 weeks on the tally, up 11-8.

Finally, South African artist Tyla impacts the ARIA top 10 for the first time with “Water” (Sony) flowing 20-9. The Afrobeats artist’s breakout number recently broke into the U.K. top 10.

Blink-182 Give It ‘One More Time…’: Stream It Now

Impossible is simply a challenge. Just look at Blink-182, which has reunited with its classic lineup for One More Time… (via Columbia), a project millions of fans hoped and dreamed for, but, until a year ago, no-one would have bet a buck on.

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In October 2022, the pop-punk legends announced a reunion with former singer/guitarist Tom DeLonge for a 2023 global tour and the single “EDGING”.

After twice leaving the band — in 2005 and then again in 2014 — DeLonge is back in the lineup alongside singer/bassist Mark Hoppus and drummer Travis Barker for One More Time…, which dropped at the stroke of midnight.

One More Time… is the trio’s ninth studio, and includes “Edging” and previously released title track – both of which led Billboard’s Alternative Airplay chart.

Produced by Barker, it features 17 new songs that “capture the band at the top of their game, layering in themes of tragedy, triumph and most importantly, brotherhood.”

Hoppus, who received a cancer diagnosis in 2021 and, following treatment, got the all-clear in 2022, has said that the new LP is, without a doubt, “one of the best albums we’ve ever made.”

According to a release announcing the project, One More Time was recorded during a stretch of the Live Nation-promoted 2023 reunion tour, which kicked off with a surprise last-minute addition to the lineup for April’s Coachella Festival.

One More Time… is the followup to 2019’s Nine, the group’s second and final album to feature Alkaline Trio’s Matt Skiba in the guitarist/vocalist spot left vacant by DeLonge.

Blink-182 has eight top 10 hits on the Billboard 200 chart, including No. 1s with Take Off Your Pants And Jacket (from 2001) and California (2016).

The band completes its U.S. round of dates this weekend at When We Were Young festival in Las Vegas, with a run of arena dates to follow in Australia and New Zealand next February and March, then shows in Peru and Mexico.

Stream One More Time… below.

Summer Walker Celebrates Five Years of ‘Last Day of Summer’ With ‘Girls Need Love (Girls Mix)’ EP: Stream It Now

Summer Walker is celebrating the fifth anniversary of her critically acclaimed debut mixtape Last Day of Summer by releasing the Girls Need Love (Girls Mix) EP on Friday (Oct. 20) via LVRN and Interscope Records.

The EP has five different versions of Walker’s breakout hit single “Girls Need Love,” which is five-times certified platinum by the Recording Industry Association of America (RIAA). The Drake remix catapulted the track into the top 40 sector of the Billboard Hot 100 and reached No. 16 on Billboard‘s Hot R&B/Hip-Hop Songs. Walker tapped Victoria Monét, Tyla and Tink to contribute guest verses to three of the tracks. She tagged them on the project’s cover artwork, which is a March 4, 2019, tweet of her asking to “text ur man ‘I just need some d–k with no complications’ and tweet me his reply lol.” The EP also includes an acoustic version of the song, which came out earlier this week, as well as the original version of “Girls Need Love.”

Walker is also releasing an exclusive cobalt blue vinyl of Last Day of Summer, as well as special limited-edition merch, on her website. Last Day of Summer — which became certified platinum by the RIAA earlier this week — was originally released on Oct. 19, 2018. It reached No. 25 on Billboard‘s Top R&B/Hip-Hop Albums chart and No. 44 on the Billboard 200.

The Girls Need Love (Girls Mix) arrives five months after her Clear 2: Soft Life EP, a nine-track project featuring an “audio hug” from J. Cole and a “New Type” collaboration with Childish Gambino. Clear 2: Soft Life reached No. 7 on Billboard‘s Top R&B/Hip-Hop Albums and No. 26 on the Billboard 200.



City Girls Release New ‘RAW’ Album: Stream It Now

City Girls get real RAW in their new third studio album, which was released Friday (Oct. 20).

The 18-track project includes previously released singles “I Need a Thug,” “Piñata,” “No Bars,” “Face Down” and “Good Love,” featuring Usher. The other featured guests include Lil Durk (“Static”), Muni Long (“Emotions”), Juicy J (“Fancy Ass Bitch”) and Kim Petras (“Flashy”). They teamed up with Petras to tease the sugary sweet pop hook of “Flashy” (“Stylin’, shinin’ / I’m so flawless like my diamonds / I’m flashy / Big bags, price tags / You know all I wear is name brands / I’m flashy,” Petras coos) the day before the album dropped.

RAW is the follow-up to their 2020 sophomore album City on Lock, which reached No. 29 on the Billboard 200 and spawned Billboard Hot 100 singles “P—y Talk,” with Doja Cat, and “Jobs.” Since then, the dynamic rap duo has released a slew of singles, including “Twerkulator” and “Act Bad” (with Diddy and Fabolous). Yung Miami and JT have also released their own singles, with Yung Miami making her solo debut in 2021 with “Rap Freaks” and JT releasing her debut solo single “No Bars” this year.

City Girls performed “No Bars” and “Face Down” at the 2023 BET Hip Hop Awards, where they were nominated for best duo or group. Yung Miami’s “Caresha Please” won best hip hop platform.

She previously caught up with Billboard at the 2023 MTV Video Music Awards, where Yung Miami teased she had a “reality show” on the way.

Listen to RAW below.

Rolling Stones Unveil ‘Hackney Diamonds,’ First Album of Original Music in 18 Years: Stream It Now

The Rolling Stones are back! The iconic rock n’ roll band unveiled their 26th studio album, Hackney Diamonds, on Friday (Oct. 20).

Hackney Diamonds marks the first new Rolling Stones album of original music since the release of 2005’s A Bigger Bang, which peaked at No. 3 on the Billboard 200 chart. The album also is the first since the death of band’s drummer Charlie Watts, who passed away at age 80 in 2021.

Hackney Diamonds features the previously released collaboration with Lady Gaga and Stevie Wonder, “Sweet Sounds of Heaven,” plus tracks like “Bite My Head Off,” with bass from Paul McCartney and “Get Close” and “Live By the Sword,” both of which have piano from Elton John.

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Other guest spots on the album include two tracks recorded with the late Watts (“Mess It Up,” “Live By the Sword”); the latter also features an assist from former bassist Bill Wyman. The album — which ends with a Jagger/Richards cover of the Muddy Waters song that inspired the band’s name (“Rolling Stone Blues”) — was recorded all around the world, from Henson Recording Studios in Los Angeles to Metropolis Studios in London, Sanctuary Studios in Nassau, Bahamas and Electric Lady Studios and The Hit Factory/Germano Studios in New York.

Stream Hackney Diamonds in full below.