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Michael Jackson and Lisa Marie Presley may have had one of the most talked-about celebrity relationships pop culture has ever seen, but only a rare few got to observe the couple up close — one of them being actress Riley Keough, the “Now What” singer’s daughter.
And in a conversation with Alex Cooper on a Call Her Daddy episode posted Wednesday (Jan. 15), the 35-year-old Daisy Jones & The Six star shed some rare insight on her mom’s romance with the King of Pop. “The one thing I know is that they were in love, and that their love for one another was genuine,” Keough told the podcast host. “Everything else I don’t know, because I wasn’t there for it.”
Lisa Marie — Elvis’ only child, who died at 54 years old in January 2023 — shared Riley and late son Benjamin Keough with first husband Danny Keough. The “To Whom It May Concern” songwriter was later married to Jackson from 1994 to 1996, after which she wed Nicolas Cage (2002-04) followed by music producer Michael Lockwood (2006-21), with whom she shared twin daughters.
While speaking to Cooper, Riley also reflected on how her childhood changed when the “Thriller” singer — who died in 2009 — entered the picture. “Our life wasn’t crazier,” she said candidly. “That already existed: the press, the crazy, the paparazzi and all that.”
“I think when she saw Michael’s life, there were things he had that she didn’t have,” continued the Under the Bridge actress. “Before that, she was with my dad, and their life was very simple. She didn’t have 10 million assistants. She didn’t need all that, and I think that changed.”
“There was a lot of closing down things for us,” Riley added of the time period. “It was kind of the only way our family could do things, like if we wanted to go to a toy store, something like that, or ride rides.”
On a more serious note, Riley also addressed the allegations of child molestation her onetime stepfather faced during his lifetime, about which she said she “was never told anything” when she was a kid. Jackson was acquitted on all charges of child molestation in his 2005 trial – with his estate also continuing to emphatically deny all abuse allegations made against him — but two men named Wade Robson and James Safechuck have continued to claim that the superstar sexually abused them as children in civil lawsuits and in the 2019 HBO docuseries Leaving Neverland.
“I think it just was what it was,” the actress said of the controversy, noting that she’s never sought out more information on the matter since becoming an adult. “We didn’t know anything. We didn’t know about the allegations. We had no awareness of that.”
Listen to Riley Keough talk about her mom’s relationship with MJ on Call Her Daddy below.
Wilkommen, bienvenue, howdy partner! Country star Orville Peck is set to make his Broadway debut as the Emcee in Cabaret at the Kit Kat Club. On Wednesday (Jan. 15), Cabaret announced that the “Dead of Night” singer would take over the iconic role from Adam Lambert starting on March 31, where he will be joined […]
Since opening in Las Vegas in September 2023, the 360-foot-plus tall venue the Sphere has become an instant iconic Vegas structure. Artists including U2, the Eagles and Dead & Company have played the 18,600-capacity venue, which has become known for its immersive live entertainment video and audio experience, including a wraparound interior LED screen, its LED exterior and 4D effects.
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Now, some music fans are speculating that eight-time entertainer of the year winner (four times each for CMAs and ACMs) and mainstay stadium headliner Kenny Chesney is the next artist slated to play the Sphere.
That’s because on Wednesday (Jan. 15), the Sphere posted a video on its social media pages showing the iconic venue lit up with a video that showed ocean waters receding to show a weathered blue chair nestled on an idyllic island beach, and later, an acoustic guitar and a cowboy hat. The social media post from the Sphere was accompanied by a side-eyes emoji.
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“I was waiting for Kenny Chesney to appear in his “old blue chair,” one person commented on the Sphere’s Instagram post. Added another, “Kenny!!! This is going to be a good show.”
A rep for Chesney declined to respond to Billboard‘s request for comment.
The image of an old blue chair has long been associated with East Tennessee native Chesney, who has made island imagery an essential part of his brand. More than two decades ago, Chesney recorded the song “Old Blue Chair” as the concluding song on his 2004 album When the Sun Goes Down. The following year, he released the album Be As You Are (Songs From an Old Blue Chair). The album’s cover featured Chesney seated on a beach, leaning back on an old, weathered blue chair. Chesney also launched his line of Blue Chair Bay rum in 2013. In 2014, he also recorded the song “Christmas in Blue Chair Bay.” Throughout the past several years, numerous promotional videos and photos have featured Chesney and his signature “old blue chair.”
Additionally, Chesney is set to make an unknown announcement on Thursday, Jan. 16, during a visit to TODAY during the 8 a.m. hour. That same day, he will appear on The Tonight Show Starring Jimmy Fallon.
“I have always been one to let the music do the talking,” Chesney said in a recent press statement announcing his upcoming television appearances. “This year is going to be unlike any other. This is one time when I probably do need to get out and explain exactly what we’re up to. But for now, I can say this: I am incredibly ramped up about what we’re in the middle of making happen for 2025. It’s one of those things where you can’t just throw it out there – so I am really glad we’re getting to spend some time at TODAY, then The Tonight Show.”
See Sphere’s post below:
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TikTok, the wildly popular social media app that has made stars among some of its users and exploded as a commerce hub, is under the threat of being banned or forced to sell off its assets. With the threat of TikTok going away, thousands of users are flocking to the Chinese social media app RedNote and discovering a new community in the process.
The United States Supreme Court is currently weighing a decision on a law that would ban TikTok in the country over national security concerns and the fact it is owned by a Chinese company. The proposed deadline is January 19, and the nation’s highest court has previously heard arguments from the social media brand’s parent company ByteDance and the incoming Trump administration’s position thus far is to keep access open to the app in the States.
RedNote, which is also known as Xiaohongshu, first launched in 2013 as a shopping destination but now has expanded into a full-on social media hub where users share various forms of content including the short-form video format TikTok is known for. According to a report from Reuters, over 700,000 users joined RedNote in the course of two days with a reported 50,000 Americans among that number but pales in comparison to the roughly 150 million American users of TikTok.
RedNote is currently the second most popular free app on Apple’s App Store. The outlet also added that Lemon8, which is a social media app owned by ByteDance, has seen increased user numbers as well.
On X, the massive social media defection is being documented with some revealing the language barriers users are facing and how some Americans are helping Chinese users improve their English. With some of the stringent laws in China, users have been careful in what they share and discuss on the app but the influx of users is seemingly welcomed.
We’ve got some reactions from X regarding the TikTok defection to RedNote below.
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Britpop icons Pulp signed with Rough Trade Records. “Rough Trade have managed Pulp for over 30 years so it feels great to be finally on the label. We did it!” the band said in a statement. Pulp’s last release was the 2001 album We Love Life, released by Island Records, though the band has toured together in the intervening years. Pulp has released a total of seven studio albums, including 1995’s Different Class, which was certified four-times platinum by the BPI.
Maggie Rose, a 2025 Grammy nominee for best Americana album, signed with One Riot/Virgin. Her first release under the deal is a “stripped version” of “Under the Sun” with Charlotte Sands. Rose is managed by Austin Marshall and Narvel Blackstock at Starstruck and booked by Jonathan Levine and Matt Runner at Wasserman.
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Folk-country artist Evan Honer signed with Wasserman Music for booking representation ahead of his recently announced spring 2025 tour. Honer will play 36 dates across the U.S., starting on Feb. 23 in Little Rock, Ark.
Singer-songwriter Sam Ryder signed with mtheory for management. He will be represented by Lewis Allen and Derek Gridley. Ryder is gearing up to release his second album and will embark on a tour this year.
Grammy-nominated gospel artist William Murphy signed a distribution deal with Motown Gospel, which released his new single, “Double,” on Friday (Jan. 10).
Centricity Music signed singer-songwriter Rachel Purcell to an exclusive global recording and publishing deal. Under her maiden name, Wammack, Rachel previously pursued a country music career, with songs including “Damage”; her new deals with Centricity mark her foray into Contemporary Christian music. – Jessica Nicholson
Sony Music Nashville signed singer-songwriter and Georgia native Zach John King. King just released a new song, “Slow Down,” which he wrote with Thomas Archer, Kyle Fishman and Michael Tyler. Sony Music Nashville’s roster also features artists including Brooks & Dunn, Kane Brown, Luke Combs and Megan Moroney. – Jessica Nicholson
Guitarist/producer RJ Pasin launched his own record label, Isekai Records, and signed Baltimore-based artist Lindsay Chia to the imprint. The label, which was founded by Pasin alongside his managers Ewan McGregor and Jack Mangan, released Chia’s track “Ghost” on Jan. 1. On launch, Isekai released the track “Embrace It (Remix)” by Ndotz, Sexyy Red and Flo Milli, featuring Pasin on guitar.
Luke Dean, an emerging artist in the U.K. underground dance scene, signed with Enzo Siragusa‘s LOCUS imprint, which released his new EP Ready Set Go on Dec. 13.
Jeff Roberts Agency partnered with contemporary Christian singer-songwriter Claire Leslie for booking. Leslie is managed by Hyphen Media Group and signed with Capitol CMG. She released her debut single “Original” this summer and followed with songs including “Ceiling Fan” and “Passenger Seat.” – Jessica Nicholson
Nashville-based label Quartz Hill Records, led by Brown Sellers Brown partner Benny Brown, signed country-pop duo 2 Lane Summer to its roster. The duo, composed of Illinois native Joe Hanson and Mississippi-born Chris Ray, recently joined country trio Chapel Hart on their Hartfelt Family Christmas Tour. They’ve also released a new version of their song “Eyes That Ain’t Yours.” – Jessica Nicholson
Pollinate Music, a newly-launched label under Bell Partners Worldwide, signed rapper, singer-songwriter and producer Rakeem Miles, who is also known for the clothing brand Action Figure Miles.
Singer-songwriter McCoy Moore signed an exclusive booking and artist development deal with The Neal Agency, home to fellow artists including HARDY, Nate Smith, Morgan Wallen, Anne Wilson and Bailey Zimmerman. Moore is also signed with SMACK and Worktape Music for publishing and with the newly-launched TRACK mgmt’s Tracker Johnson for management. – Jessica Nicholson
The wintry video for Wham!‘s beloved holiday hit “Last Christmas” has joined YouTube billion-views club. Fittingly, the feat for the song originally released in 1984 comes just after the track skated to the top of the U.K. charts for the second year in a row during the holiday season.
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Written and produced by late singer George Michael, the song first hit No. 1 on the U.K. singles chart in 2021, marking the fifth No. 1 for the duo that also included singer Andrew Ridgeley. Shot in Switzerland by director Andrew Morahan (“Wake Me Up Before You Go-Go”), the playful clip features the two singers enjoying a fun ski vacation with their girlfriends.
Though the pair and their significant others are all smiles as they pile into a cable car to enjoy some Christmas R&R in a picturesque chalet, trimming the tree, lobbing snowballs at each other and enjoying a festive meal, it becomes clear through furtive glances and a tell-tale glittery brooch that Ridgeley’s significant other has an unspecified romantic past with Michael.
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Pining for what appears to be a lost love, Michael sings, “Last Christmas, I gave you my heart/ But the very next day, you gave it away/ This year, to save me from tears/ I’ll give it to someone special.”
“Last Christmas” is the first Wham! video to join the YT billion club, joining Michael’s 1984 debut solo hit from that same year, “Careless Whisper.”
According to the U.K. Official Charts report, with its No. 1 slot in December, “Last Christmas” became the first song in the chart’s history to snag two consecutive Christmas No. 1 slots; in its release year, the song was blocked from the top spot by the all-star Band-Aid song “Do You Know It’s Christmas?,” which featured vocals from Michael. It finally hit the Christmas No. 1 in 2023, marking the longest trip to the top holiday spot at 39 years; it first hit No. 1 on the New Year’s Day charts for the week ending January 7, 2021.
Watch the “Last Christmas” video below.
Universal Music Group Nashville (UMGN) has relaunched Lost Highway Records in partnership with Oscar- and Grammy-winning songwriter/producer T Bone Burnett.
The first release from the new iteration isRingo Starr’s Burnett-produced country set Look Up, which was released last Friday (Jan. 10).
The revered label, which takes its name from the song made famous by Hank Williams, had been dormant since 2012 after being launched by then-UMGN head Luke Lewis in 2000.
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From the start, Lewis and his team curated a tasty roster focused on American-leaning music from artists including Willie Nelson, Lucinda Williams, Hayes Carll, Mary Gauthier and Lyle Lovett. It was also home to soundtracks, including the Burnett-produced, Grammy-winning O Brother Where Art Thou, Deadwood and Open Season.
Cindy Mabe had been interested in reactivating the imprint for quite some time, even before she ascended to the role of UMGN chairman/CEO in April 2023.
“It was always a mission that we were going to reopen Lost Highway,” Mabe says. “It just felt like something was missing from the marketplace. Lost Highway was 15 years before its time. Looking at what’s happening to music in general and people living for algorithms, you’re losing art, you’re losing stories.”
Other entities had approached her about using the name over the years, but she had kept it close, knowing the right time would come.
T Bone Burnett and Cindy Mabe
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“None of those people felt like the right people to go into this because you either hold it at the regard of which Luke built it or you don’t redo it,” Mabe says. Then, when Burnett played her the Starr album, “It just hit me. I was like, ‘Hold on, full circle moment.’ O Brother was kind of where Lost Highway started. And he’s presenting this beautiful record and he was pouring all this joy that he had gotten from The Beatles back into Ringo. This is the mentality and this is where Lost Highway needs to be.”
Burnett, who is also known for his work with Bob Dylan, Elton John, Robert Plant and Alison Krauss, immediately loved the idea of joining forces. “I think it’s something that’s really needed at the moment,” he says. “There’s a need for an American music-focused record label that takes care of the good stuff.”
Though they aren’t ready to announce names, Burnett and Mabe say they have four or five artists they’re ready to work with, and they don’t discount that some of them may have a history with the label. Mabe says there are no plans to move any acts currently signed to other UMGN imprints to Lost Highway, which will remain a boutique label. Lost Highway will share some services with UMGN labels but will hire its own A&R, marketing and publicity staff.
“T Bone and I keep talking about the reason that we’re going to win is we’re going to put quality art back into the marketplace,” Mabe says. “It’s just missing. I’m not saying that there’s not some quality art out there, but it’s not always the goal. You don’t get artist development just by spinning the wheel and seeing how many ‘likes’ are out there. You actually have to make people feel something.”
Touring will be a big part of promoting the artists, as well as pairing them with producers who bring the same sensibility to the table. Additionally, Mabe says the film and TV component will remain a big part of the label and a way to bring attention to the roster. “Can these artists have radio? They could,” Mabe says. “It’s not the intent. The intent is to put great back out there and find its way out. It’s not one specific way to market.”
Burnett, who will helm the label’s creative direction with Mabe, doesn’t have an official title yet, but adds, “I’m looking forward to the challenge. I feel like we’re in a really beautiful moment where traditional American music, American vernacular music, is ascendant in the culture.” He wants to curate a bespoke roster in the same legendary way that Mo Ostin and Lenny Waronker did at Warner Bros. in the ‘70s or Jerry Wexler and Ahmet Ertegun did at Atlantic Records in the ‘60s and ‘70s. “I want every artist to touch every other artist in some way so that it’s integrated as an esthetic,” Burnett says. “It’s not just commercial grabs from here and there, but it’s about people who play great and sing great and write great.”
By launching with Starr’s country album, Burnett says it sends the signal that Lost Highway is “not going to be constricted by somebody else’s definition of what American music is. When The Beatles came out, they were playing Chuck Berry, Buddy Holly, Carl Perkins. They were playing the canon of American music that everything since has grown out of,” he says. “We’re saying that this is going to be an inclusive label. It’s going to be what I call American music, which includes blues and rhythm & blues and country music and folk music and rock and roll music.
One of Mabe’s next steps is surveying the assets from Lost Highway’s first go-round. “We’re going to put out some of the catalog that’s existed before,” she says. “It’s taking shape. We’re looking at all the pieces that are going to put the lights back on.”
Robbie Williams has long had a cordial relationship with the British royal family. But when it came to an invitation to perform at King Charles III’s coronation ceremony in 2023, the singer said he had to politely decline. Appearing on Andy Cohen’s Watch What Happens Live earlier this week, Williams said he was, as rumored, asked to celebrate the royal passing of the torch, but had a professional conflict.
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Williams told Cohen that there was definitely “a reason” he could not accept the gig. “I was working. I got something I couldn’t turn down because of money,” Williams said, without elaborating on what gig kept him from the royal honor.
Williams has shown his support for the royals before, acting as the opening act at the 2012 diamond jubilee concert at Buckingham Palace, which was organized by his former Take That bandmate, Gary Barlow. And while he didn’t make it to the coronation concert held for King Charles III and Queen Camilla on May 7, 2023, that glitzy event did feature sets from Katy Perry, Lionel Richie, Andrea Bocelli and the other members of Take That: Barlow, Howard Donald and Mark Owen, joined by DJ Robin Schulz and Calum Scott.
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Other acts who took the stage included Tiwa Savage, Paloma Faith, Steve Winwood, Olly Murs, Pete Tong and Nicole Scherzinger.
Though fans couldn’t see him then, they can catch the British superstar in his unusual new biopic, Better Man, in which a CGI monkey version of Williams takes viewers through a series of over-the-top musical numbers illustrating the singer’s wild days and nights as a boy bander and solo star.
Paramount paid $25 million to acquire the $110 million movie directed by The Greatest Showman‘s Michael Gracey, only to see it tank at the U.S. box office in its opening weekend, where it took in a modest $1 million on more than 1,200 screens. To date, the movie has reportedly earned just under $5 million in Williams’ native U.K., marking it as the first major box office bomb of the year.
Watch Williams discuss the coronation rebuff below.
01/15/2025
With Rate-a-Queen back for the double premiere, Billboard will be rating the queens from season 17 every week.
01/15/2025
The Eagles have pledged $2.5 million to FireAid, the Jan. 30 benefit concert for Los Angeles fire victims to be held at Intuit Dome. There is no word whether the band, who is in the middle of a residency at Sphere in Las Vegas, will play the show. The event, billed as “an evening of music […]