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Drone Shows Are What’s Up at Country Festivals — Will They Skyrocket In 2024?

When the Coastal Country Jam relaunched Sept. 16 at Marina Green Park in Long Beach, Calif., after a four-year absence, headliner Blake Shelton looked up before he took the stage and saw his name sparkling like a floating marquee in the sky.

Gwen Stefani and her kids cheered the moment, says Activated Events founder and event producer Steve Thacher, but they weren’t just seeing Shelton’s name in lights. They may have seen the future of country festivals. The Coastal Country Jam is one of at least four country gatherings that employed drone shows for the first time in 2023.

“We’re always looking for new, fun, wow factors to incorporate into our event,” Thacher says. “We thought this would be one of them.”

The drone show is a still-developing technology that had its biggest audience during the global broadcast of the Beijing Olympics opening ceremony in 2022, when 1,800 drones were used to create a complex series of images suspended over the stadium. The technology has been utilized in a number of different events since then, including a coronation concert for the United Kingdom’s King Charles III in May and a New Year’s Eve celebration that Keith Urban witnessed in Australia.

drone art

Courtesy Southern Entertainment

“It’s surreal what they can do and how many of them can be synchronized or coordinated to do insane things,” says Urban. “It’s really amazing, like a modern version of skywriting.”

Activated Events debuted the drone show at the Coastal Jam after the company worked with several municipalities that were replacing fireworks displays with the new technology. Drones appeared before the headliner both nights during Coastal, presenting a series of images (an American flag, a whale, a surfer and the Queen Mary tourist attraction) before employing a “Next Up” announcement, leading into Shelton’s name on the first night and Tim McGraw’s on the second. The company presented a different version of the show during its Boots in the Park festival in Tempe, Ariz., Sept. 22-23, with Shelton, Sam Hunt and Brooks & Dunn.

Similarly, Southern Entertainment held a drone show one night each at two different East Coast festivals: the Carolina Country Music Fest in Myrtle Beach, S.C., on June 9 and the Barefoot Country Music Festival in Wildwood, N.J., on June 18. They employed their own images — including a patriotic red, white and blue eagle — ahead of the direct-support act, with several visuals that hinted at income-generating possibilities.

At the Carolina event, organizers used the drones to announce one of the 2024 headliners, Morgan Wallen. They also created an in-air QR code for sponsor Selfie.Live, a Lee Brice-affiliated company that enables consumers to get celebrity autographs on their own digital photos. Six thousand of the 35,000 ticket holders downloaded the QR code, a number that impressed Southern Entertainment co-founder Bob Durkin. The QR code holds other possibilities, including guiding fans to the festival website to buy tickets for the next year’s show.

Additionally, the Carolina drone show included two giant beer bottles with Coors emblazoned on their virtual labels. The display was not monetized in 2023, though it’s easy to see how it could evolve into a source of advertising revenue.

“It was sort of an added value for our sponsor,” Durkin says. “They got to see their brand portrayed in a different way, and the greatest part was [Molson Coors chairman] Pete Coors was at the Carolina Country Music Fest. He said, ‘I’ve seen it all, but I haven’t seen that.’”

Drone shows, which Durkin says can range from $25,000 to $100,000, require significant advance work. Both Activated Events and Southern Entertainment booked outside drone production companies roughly nine months ahead of their festivals, allowing time to design the presentation and program each drone. Promoters also have to navigate local regulations, which can vary widely. Drones pose security risks, as well as potential safety problems — imagine a flying object losing its charge and falling out of the sky on top of an unsuspecting patron. That complication is one reason that some promoters are reticent to get involved in the drone business. But three of the four country festivals were held in beach communities, allowing the light display to take place over the water and away from pedestrians.

There’s also a fair amount of give-and-take between the promoter and the drone companies. The concert promoters suggested messages and images they would like to see during the show, and once the production company came back with an initial presentation, the two sides tweaked the lineup and sequence and were able to time out the event. At Activated Events, DJ Luwiss Luxx built a playlist to go with the light show once the display was scheduled out.

The overall mix of sights and sounds won over a captive audience as it marked time between acts, and led to a positive social-media response.

“In every email or text message that I got, it was ‘Oh, my god, that drone show was epic,’ ” Thacher says. “I had random people reach out on LinkedIn, literally saying, ‘Hey, I never do this, but I just have to tell you, not only was the experience great, but that drone show was absolutely amazing.’”

Both Thacher and Durkin plan to do it again next year, and they may get more bang for their programming buck since continued advancements will likely make it possible to incorporate more material in the same time frame.

“I know there’s a few country festivals in 2024 you will definitely see use it,” Durkin predicts. “It’s not a great big industry, so we all kind of know each other. And they’re all like, ‘Holy cow.’ You know, everybody’s trying to one-up one another.”

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Chance The Rapper Paid Loving Tribute to His Mom After They Saw Lauryn Hill: ‘She Taught Me So Much About Love’

Music can take you to so many places, from the highest highs to the lowest lows and every stop in between. For Chance the Rapper, Ms. Lauryn Hill’s landmark The Miseducation of Lauryn Hill solo album is a reminder of his fondest memories of growing up listening to her with his mother, a time he recalled in a touching Instagram tribute on Monday (Oct. 30) after they took in a Hill show together at Chicago’s United Center on Saturday night.

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“In the 90s my mom owned Touches, an incredibly successful hair salon and barbershop on the South Side of Chicago,” Chance wrote alongside a snap of him and his mom at the gig. “She employed a lot black folks and got a lot of people started in the industry. Her business fostered relationships, built marriages and friendships and was a cornerstone of the community. There she met my father and eventually they got pregnant with me.”

Chance (born Chancelor Johnathan Bennett), 30, then described the difficult decision his mom faced about beginning a “new path of motherhood and family for herself” or continuing to pursue her art and business. “My mama chose me. She was at the top of her field, a black woman in her 20s with ownership and investment in her community, but she chose the difficult yet beautiful path to family,” he wrote. “My mom sold the salon and spent all her time raising me and teaching me so many of the things i love about myself. She taught me so much about love and faith and kindness and most importantly music.”

During that time, Chance said, the soundtrack of those lessons was provided by Hill, specifically the Miseducation tribute to the Fugees singer/rapper’s first-born son, Zion David Marley, “To Zion.” Chance remembers his mom singing him the lyrics:

“Unsure of what the balance held
I touched my belly overwhelmed
By what I had been chosen to perform
But then an angel came one day
Told me to kneel down and pray
For unto me a man child would be born
Woe this crazy circumstance
I knew his life deserved a chance
But everybody told me to be smart
‘Look at your career,’ they said
‘Lauryn, baby, use your head’
But instead I chose to use my heart

Now the joy of my world is in Zion”

Chance concluded by thanking Hill and her Fugees bandmates, Wyclef Jean and Pras, and most importantly, his mother. The next date on the Hill/Fugees reunion tour, on Thursday (Nov. 2), IN Fort Worth, TX has been postponed due to Hill’s vocal issues.

Check out Chance’s tribute below.

Bruce Springsteen and the E Street Band Add 22 European Stadium Shows to 2024 Trek

As Bruce Springsteen continues his recovery from a bout of peptic ulcer disease, the rock icon and the E Street Band announced the dates for a 22-dates European stadium run in spring/summer 2024 on Tuesday morning (Oct. 31).

The new dates will kick off on May 5 in Cardiff, UK, and keep the band on the road through a July 25 date at Wembley Stadium in London, with stops along the way in Belfast, Dublin, Prague, Milan, Madrid, Barcelona, Helsinki and Stockholm. Tickets for the trek will go on sale starting with the Odense, Denmark show (July 9) on Nov. 2; click here for more information on tickets and dates.

Earlier this month, Springsteen and the E Street Band announced the new dates for their postponed 2023 tour, pushing the shows to early 2024 to give the 74-year-old Rock and Roll Hall of Famer to recover from the stomach issue that has kept him off the road. The U.S. dates of the tour will now pick up again on March 19 at the Footprint Center in Phoenix and keep them on the road through a Sept. 13 show at Oriole Park at Camden Yards in Baltimore.

Check out the dates for the E Street Band’s 2024 European tour below.

May 5 – Cardiff, Wales @ Principality Stadium (On-sale: Nov. 3 at 10am*)

May 9 – Belfast, Northern Ireland @ Boucher Road (On-sale: Nov. 6 at 8am*) 

May 12 – Kilkenny, Ireland @ Nowlan Park (On-sale: Nov. 6 at 8am*) 

May 16 – Cork, Ireland @ Páirc Uí Chaoimh (On-sale: Nov. 6 at 8am*) 

May 19 – Dublin, Ireland @ Croke Park (On-sale: Nov. 6 at 8am*) 

May 22 – Sunderland, England @ Stadium of Light (On-sale Nov. 3 at 10am*)

May 25 – Marseille, France @ Orange Vélodrome (On-sale Nov. 7 at 10am*) 

May 28 – Prague, Czech Republic @ Airport Letnany (On-sale Nov. 3 at 10am*)

June 1 – Milan, Italy @ San Siro Stadium (On-sale Nov. 6 at 12pm*) 

June 3 – Milan, Italy @ San Siro Stadium (On-sale Nov. 6 at 12pm*) 

June 12 – Madrid, Spain @ Cívitas Metropolitano (On-sale Nov. 7 at 10am*)

June 14 – Madrid, Spain @ Cívitas Metropolitano (On-sale Nov. 7 at 10am*)

June 20 – Barcelona, Spain @ Estadi Olímpic (On-sale Nov. 14 at 10am*)

June 27 – Nijmegen, Netherlands @ Goffertpark (On-sale Nov. 3 at 9am*)

July 2 – Werchter, Belgium @ Werchter Park (On-sale Nov. 3 at 10am*)

July 5 – Hannover, Germany @ Heinz von Heiden Arena (On-sale Nov. 8 at 10am*)

July 9 – Odense, Denmark @ Dyrskuepladsen (On-sale Nov. 2 at 10am*)

July 12 – Helsinki, Finland @ Olympic Stadium (On-sale Nov. 6 at 11am*)

July 15 – Stockholm, Sweden @ Friends Arena (On-sale Nov. 3 at 10am*)

July 18 – Stockholm, Sweden @ Friends Arena (On-sale Nov. 3 at 10am*)

July 21 – Bergen, Norway @ Dokken (On-sale Nov. 6 at 10am*)

July 25 – London, England @ Wembley Stadium connected by EE (On-sale Nov. 3 at 10am*)

*All on-sale times are local time

Daniel Johns Signs ‘Landmark’ Global Publishing Deal With BMG

SYDNEY, Australia — Daniel Johns signs a global publishing deal with BMG, a so-called ”landmark” agreement that includes the veteran Australian artist’s Silverchair catalog.

The worldwide deal includes all of Johns’ compositions on his second solo album FutureNever, which led the ARIA Chart in 2022, along with his Silverchair hits including “Straight Lines,” “The Greatest View,” “Ana’s Song,” “Freak,” “Tomorrow” and “many others reverting into the deal in 2025,” according to a joint statement (the rock trio’s catalog of recordings were united under one roof, at Sony Music Australia, in early 2021).

Confirmed Tuesday, Oct. 31, the new agreement expands on the recording deal Johns struck with BMG in 2017, ahead of the release of FutureNever, which became ARIA’s best-selling new Australian album of 2022.

Now, the independent music company represents the Newcastle-based artist for both publishing and records. Financial terms weren’t disclosed.

“There is nothing without a heartbeat that I value more than my songwriting catalog,” Johns says. “Bringing my life’s work as a composer to BMG signifies the level of faith I have in this company and their people.”

It was BMG that, in 2021, spearheaded the hit Spotify podcast Who Is Daniel Johns? And in 2022, the music company developed Past, Present and FutureNever, the immersive, award-winning exhibition in Melbourne’s iconic Rialto building. Next year will see the release of the “grunge sci-fi” featurette film What if the Future Never Happened?, starring Rasmus King (6 Festivals, Bosch and Rockit) as a young Johns.

FutureNever hit No. 1 on Australia’s chart in April 2022, then, with its vinyl release, returned to the top, a full 22 weeks later – a record-setting gap between stays at the chart penthouse by a solo Australian artist. The LP won for best independent pop album or EP at the 2023 AIR Awards.

Johns is the most ARIA-awarded artist of all time, with 21 pointy trophies, and his collection includes six APRA Music Awards, three of which are for songwriter of the year — a record-equaling haul. Across his recording career, Johns has sold 10 million albums and enjoyed six ARIA No. 1 albums, including all five Silverchair studio releases.

Formed in 1992 by Newcastle schoolmates Johns (vocals, guitar), Ben Gillies (drums) and Chris Joannou (bass), Silverchair enjoyed global success, starting from the tip-off with their grunge-influenced 1995 debut album Frogstomp and the powerhouse single “Tomorrow.” Frogstomp went to No. 9 on the Billboard 200, and its followup, 1997’s Freak Show, peaked at No. 12.

In 2011, still at the peak of their powers, Silverchair’s members announced they would go their separate ways.

Johns’ is also behind FutureNeverFund, a charitable organization to help raise money to create better futures for people and animals in need. The not-for-profit has now raised and disbursed more than A$100,000 from personal and public donations.

“Daniel is a true multi-talent and musical icon,” says Jodie Feld, BMG senior creative director Australia & New Zealand. “It’s an honor for the whole BMG team to expand our relationship with Daniel and to have the opportunity to work across not just a record, but a podcast, film, exhibition and now his iconic publishing catalog.”

Joslynn Rose and Rudi Unleash the Power for Evanescence Battle on ‘The Voice’: Watch

If you’re game to tackle Evanescence, you’d better bring the power.

That’s exactly what Joslynn Rose and Rudi did, when they went toe-to-toe Monday night (Oct. 30) on NBC’s The Voice.

The Team Gwen singers came out swinging in the Battles round with a rendition of “My Immortal.” Now 20 years old, “My Immortal” appeared on Fallen, the breakthrough 2003 album from Amy Lee and Co. which dominated sales charts across Europe, the U.K. (hitting No. 1) and the U.S. (No. 3), and gave us the epic number “Bring Me to Life.”

“What a lovely job,” remarked John Legend following the performance. The soul man praised Joslynn for her opener, in which she appeared “in control,” poised and “felt ready to seize the moment.” He’s a fan of her tone, “you really have a beautiful voice and your tone is so lovely.” Rudi, he continued, had power, clarity, and was “really impressive.” If he had to choose, he’d lean towards Rudi.

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Joslynn impressed with her low register, and the control of it, was Reba McEntire’s take. Rudi’s vocals were “wonderful, great stage presence,” she continued, “you both have very powerful voices.” If she had to choose, the country star would go with Rudi.

Rudi, added Niall Horan, “that was phenomenal. Pretty much flawless. It felt like you were climbing a mountain the whole way through the song. And it kept going, and going. And going.” Her rival, the way she started the performance, “brilliant, to have that poise, to take front and center and sing the way you did was really beautiful, especially for your age.”

Gwen Stefani had the tough choice to make. After thanking her singers, reminding the audience of their potential and talents, and pointing out just how hard a target it was to hit, the No Doubt star went into decision-making-mode.

There could be only one winner of this battle. And that was Rudi, who progresses to the knockouts. “She’s ready for what’s to come in the competition,” Stefani enthused in the washup.

But letting go a fine contestant, yeah, “that sucks.”

Watch below.


https://youtube.com/watch?v=sOpqsyXl9_U&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

Taylor Swift’s ‘1989 (Taylor’s Version)’ Amasses Huge Lead In U.K. Chart Race

Taylor Swift will be crowned when the U.K. albums chart is published later this week.

The U.S. pop singer opens-up a monster lead in the U.K. chart race with 1989 (Taylor’s Version) (via EMI), which is currently outperforming the rest of the top 40 combined, the Official Charts Company reports.

1989 (Taylor’s Version) reigns over the midweek chart, and is already the year’s best-selling album, amassing 148,000 chart units. That’s more combined units in just three days than Lewis Capaldi’s second LP Broken by Desire to Be Heavenly Sent (95,000 combined units), the previous leader for 2023, clocked in its first full-week. And it’s roughly double the sum collected by Rolling StonesHackney Diamonds (Polydor), the current leader on the weekly chart and, until now, one of the three best-sellers of 2023.

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When the Official U.K. Albums Chart is published late Friday, Oct. 3, Swift will nab her 11th U.K. No. 1 album, a tally that includes the original recording of 1989, which ruled for a single week in 2014. That result would extend her record as the female solo artist with the most chart-topping albums this century. Only Madonna, with 12 U.K. No. 1s, leads Swift on the all-time tally.

The re-recorded edition of 1989 is the fourth of Swift’s six “versions,” and features three bonus tracks and five songs from the “Vault.”

Swift is likely to nab a chart double. Based on midweek singles sales and streaming data published by the OCC, “Is It Over Now” slides into pole position, ahead of “Slut” and “Style,” respectively.

Meanwhile, OMD (Orchestral Manoeuvres in the Dark) is on track for an eighth top 10 album with Bauhaus Staircase (100 Percent Records), new at No. 2 on the midweek tally, ahead of the Stones’ Hackey Diamonds, down 1-3 on the chart blast.

Duran Duran’s “ultimate Halloween party” album Danse Macabre (BMG) is forecast to enter the chart at No. 4, for what would be the Rock and Roll Hall of Famers’ 12th U.K. top 10 LP. The new set, a collection of covers, reinterpretations of DD songs, and three new numbers, is the followup to Future Past, which opened and peaked at No. 3 in 2021.

Also eyeing top 10 berths are new releases from James Blunt (Who We Used to Be at No. 5 via Atlantic), CASisDEAD (Famous Last Words at No. 6 via XL Recordings), Alfie Boe (Open Arms – The Symphonic Songbook at No. 7 via BMG); Simple Minds’ live recording New Gold Dream – Live from Paisley Abbey (No. 8 via BMG), Billy Bragg’s career retrospective The Roaring Forty 1983-2023 (No. 9 via Cooking Vinyl) and Gaslight Anthem (History Books at No. 10 via Rich Mahogany Recordings).

Ariana Grande & Liz Gillies Make All Their ‘Showgirls’ Dreams Come True With Joint Halloween Costumes

Ariana Grande and Elizabeth Gillies have been besties since co-starring on Victorious together more than a decade ago — but their new joint Halloween costumes are a long way from Nickelodeon.

The pair shared a dozen photos of their detailed costumes to Instagram on Monday night (Oct. 30), with Grande dressed up as Nomi Malone, Elizabeth Berkley’s rookie stripper in the 1995 Paul Verhoeven-directed erotic thriller, and Gillies dressed up as Cristal Connors, Gina Gershon’s jaded showgirl desperate to cling to her position as the top dancer.

“You and me…we’re exactly alike,” Gillies captioned one photo of the pair side-by-side, wearing coordinated black ensembles that look like they’re borrowed directly from the movie set. In a joint post, Gillies quotes another of Gershon’s famous lines from the film: “You are a whore, Darlin’!” And in a final quotable caption: “There’s always someone younger and hungrier coming down the stairs after you.”

In Grande’s final post, she gives one of Berkley’s famous lines some shine: When asked where she’s from on the East Coast, Nomi angrily responds, “different places !!!!!” (You can almost see Elizabeth Berkley throwing her basket of french fries in frustration when you hear those two simple words.)

Last year, Grande and Gillies put together equally elaborate Halloween costumes, re-creating a series of scenes from the Christopher Guest mockumentary Best in Show. Gillies portrays Jane Lynch’s character Christy Cummings while Grande takes on her partner, Jennifer Coolidge’s Sherri Ann Cabot. Later on in the scenes, Grande transforms into Eugene Levy’s Gerry Fleck — eyebrows and all — while Gillies plays Catherine O’Hara’s curly-haired Cookie Fleck.

See all the Showgirls magic below:

Aaron Spears Dies at 47: Drummer Remembered by Ariana Grande, Justin Bieber & More

Aaron Spears, who worked as a drummer for Usher, Lady Gaga, Ariana Grande, Britney Spears, Miley Cyrus and countless other music stars, has died at age 47, his family announced Monday (Oct. 30).

The drummer was nominated for a Grammy for his work on Usher’s 2004 album Confessions and had just turned 47 last week.

“It is with a heavy heart and overwhelming sadness that I share the news of the passing of my beloved husband, Aaron Spears,” Spears’ wife, Jessica, said in an Instagram post. “Aaron was not only an incredibly accomplished drummer, admired by many for his unparalleled talent and passion for music, but he was also a devoted father to our precious son, August. His love, guidance, and warmth were the pillars of our family, and his absence leaves a void that words cannot describe. We were blessed to have him in our lives, and his legacy will live on through the beautiful rhythms he created and the love he shared with us. We appreciate all the thoughts and prayers during this difficult time. Please remember Aaron for the incredible person he was and the amazing music he brought into our world. At this time we ask for privacy as we work our way through this.”

The many artists who worked with Spears shared an outpouring of condolences to social media.

Along with a photo of Spears, Grande shared this message to her IG Story: “I can’t wrap my head around this. We were all so incredibly lucky to know Aaron. The absolute brightest light of a human being. Always the kindest, always smiling. I am so honored and thankful that our paths crossed and to have spent so much very special time together. Thank you for your utter brilliance, for our laughs, and for your kindness always. I will miss your hugs. You are so, so loved and will be so very missed.”

“It’s been a painful season for all of us,” Justin Bieber wrote in an Instagram post, adding in his Story: “We lost a beautiful man and inspiration to all of us drummers. @aspears prayers for your family and loved ones you will be remembered and celebrated.”

Blink-182 drummer Travis Barker commented on Jessica’s post, “I have no words. I love you so much my brother and will miss you. This doesn’t seem real. Praying for you Jessica and August.”

The Roots’ Questlove shared a video of Spears drumming along with a heartfelt message about his fellow drummer on Instagram. “The world lost a legend today. Husband, father, producers music director, leader drumgod & just a Cotdamn BEAST in Aaron Spears. You’ve seen Aaron drum prolly 5-10 times in your life if you attend concerts & sometimes without knowing. That’s how much in demand his services were. … Condolences to his wife, family, community and all who loved him and were given joy through his musical contributions. This is devastating … rest in melody brother.”

See Jessica’s announcement below:

AI Image Generator Can’t Escape Artists’ Copyright Class Action Lawsuit Over AI Training

A federal judge in San Francisco ruled Monday (Oct. 30) that artificial intelligence (AI) firm Stability AI could not dismiss a lawsuit claiming it had “trained” its platform on copyrighted images, though he also sided with AI companies on key questions.

In an early-stage order in a closely watched case, Judge William Orrick found many defects in the lawsuit’s allegations, and he dismissed some of the case’s claims. But he allowed the case to move forward on its core allegation: That Stability AI built its tools by exploiting vast numbers of copyrighted works.

“Plaintiffs have adequately alleged direct infringement based on the allegations that Stability downloaded or otherwise acquired copies of billions of copyrighted images without permission to create Stable Diffusion, and used those images to train Stable Diffusion,” the judge wrote.

The ruling came in one of many cases filed against AI companies over how they use copyrighted content to train their models. Authors, comedians and visual artists have all filed lawsuits against companies including Microsoft, Meta and OpenAI, alleging that such unauthorized use by the fast-growing industry amounts to a massive violation of copyright law.

Last week, Universal Music Group and others filed the first such case involving music, arguing that Anthropic PBC was infringing copyrights en masse by using “vast amounts” of music to teach its software how to spit out new lyrics.

Rulings in the earlier AI copyright cases could provide important guidance on how such legal questions will be handled by courts, potentially impacting how UMG’s lawsuit and others like it play out in the future.

Monday’s decision came in a class action filed by artists Sarah Andersen, Kelly McKernan and Karla Ortiz against Stability AI Ltd. over its Stable Diffusion — an AI-powered image generator. The lawsuit also targeted Midjourney Inc. and DeviantArt Inc., two companies that use Stable Diffusion as the basis for their own image generators.

In his ruling, Judge Orrick dismissed many of the lawsuit’s claims. He booted McKernan and Ortiz from the case entirely and ordered the plaintiffs to re-file an amended version of their case with much more detail about the specific allegations against Midjourney and DeviantArt.

The judge also cast doubt on the allegation that every “output” image produced by Stable Diffusion would itself be a copyright-infringing “derivative” of the images that were used to train the model — a ruling that could dramatically limit the scope of the lawsuit. The judge suggested that such images might only be infringing if they themselves looked “substantially similar” to a particular training image.

But Judge Orrick included no such critiques for the central accusation that Stability AI infringed Andersen’s copyrights by using them for training without permission — the basic allegation at the center of all of the AI copyright lawsuits, including the one filed by UMG. Andersen will still need to prove that such an accusation is true in future litigation, but the judge said she should be given the chance to do so.

“Even Stability recognizes that determination of the truth of these allegations — whether copying in violation of the Copyright Act occurred in the context of training Stable Diffusion or occurs when Stable Diffusion is run — cannot be resolved at this juncture,” Orrick wrote in his decision.

Attorneys for Stability AI, Midjourney and DeviantArt did not return requests for comment. Attorneys for the artists praised the judge for allowing their “core claim” to move forward and onto “a path to trial.”

“As is common in a complex case, Judge Orrick granted the plaintiffs permission to amend most of their other claims,” said plaintiffs’ attorneys Joseph Saveri and Matthew Butterick after the ruling. “We’re confident that we can address the court’s concerns.”

Jack Harlow to Perform at Detroit Lions Thanksgiving Day Classic Halftime Show

What’s poppin’ for Thanksgiving this year? Jack Harlow’s halftime show performance.

The rapper will be taking the stage at the halftime show during Detroit Lions’ 84th annual Thanksgiving Day Classic on November 23 against the Green Bay Packers. Country music duo The War And Treaty will also be there to perform the national anthem.

For those looking to tune in, the game will be nationally televised on Fox starting at 12:30 p.m. ET. For those without cable, Fox is available with an HD antenna or join a streamer like DirecTV Stream, YouTube TV or FuboTV to stream for free (Fox is available on Vidgo and Sling TV in select areas).

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It’s been a big year for Harlow, who released his first No. 1 on Billboard’s Top Rap Albums chart with his third studio album, Jackman., which was released back in April. He first appeared on the list with his Sweet Action EP, which peaked at No. 13 in July 2020. His full-length debut, That’s What They All Say, debuted and peaked at No. 2 in December 2020, as did his sophomore LP, Come Home the Kids Miss You, in May 2022.

Last month, the 25-year-old rapper was named songwriter of the year at the 2023 SESAC Music Awards, marking the third year in a row that Harlow has been awarded the honor. “First Class,” which was his first unaccompanied No. 1 hit on the Billboard Hot 100, took song of the year.