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Carin León Signs Global Deal With Universal Music Publishing Group 

Regional Mexican star Carin León signed an exclusive global publishing agreement with Universal Music Publishing Group (UMPG), Billboard has learned. A leading force in the música mexicana genre, the Sonora-born singer-songwriter has established himself as one of Mexican music’s most versatile and eclectic artists today recording in norteño, banda, R&B and pop.  

“There is no doubt, Carin León is one of the most talented artists currently,” Yadira Moreno, UMPG managing director of Mexico and Central America & vp of new business development for Latin America, said in a statement. “He can blend R&B, Folk, Country and Mexican Music easily and gracefully. We are excited to collaborate with Carin and foster his composing career internationally.”

“I feel deeply honored to embark on this creative journey alongside Universal Music Publishing Group. This partnership marks a thrilling new chapter in my career, and I’m eagerly looking forward to expressing my passion and creativity through the art of music,” added the 34-year-old artist.

Since launching his solo career in 2018, León has helped usher a new era for regional Mexican music. With three career entries on the Billboard Hot 100 and 12 on the Hot Latin Songs tally, he scored his first top 10 on the Top Latin Albums chart with Colmillo de Leche, released in May. It was the first studio album released on the singer-songwriter’s own label, Socios Music, which he launched late last year.  

León joins UMPG’s roster, which includes other regional Mexican powerhouses such as Juan Gabriel, Espinosa Paz, Horacio Palencia, Grupo Firme, Yahritza Y Su Esencia and Ivan Cornejo, among others.

CAA’s Nashville Office to Relocate to Nashville Yards in 2025

Entertainment and sports agency Creative Artists Agency (CAA) will relocate its Nashville office in late 2025, occupying nearly 75,000 square feet across two floors in the mixed-used district Nashville Yards, being developed by Southwest Value Partners and AEG.

CAA’s new Nashville office, located at 955 Church Street in Nashville, will feature indoor-outdoor work spaces, listening lounges, private terraces on each floor, three levels of dining, retail and entertainment space, as well as meeting hubs and a large outdoor vegetated deck overlooking Nashville Yards. CAA employees will enjoy access to open plazas, courtyards, and green spaces; ample parking, valet, and executive car services; and proximity to the luxury Grand Hyatt Nashville and newly renovated Union Station Nashville Yards.

“Guided by our colleagues in Music, CAA opened our first office in Nashville in 1991, immediately making an impact on Music City that continues today,” said Howard Nuchow, co-head, CAA Sports, in a statement. “With more than 3,400 employees across 25 countries, CAA’s track record of success and growth in the representation of entertainment and sports talent and brands has solidified our leadership position around the world. The move to Nashville Yards demonstrates our commitment to Nashville and the Southeast, while providing our employees, clients, and guests an inspiring environment that captures the spirit of Nashville, one of the most significant sports and entertainment destinations in the world.”

CAA’s Nashville operations currently include more than 130 employees working in music touring, music brand partnerships, music marketing, digital media, sports, brand consulting, property sales, and CAA ICON. In the past year alone, CAA has booked top tours for Tim McGraw, Shania Twain, Keith Urban, Willie Nelson, Zac Brown Band, The Chicks and Carrie Underwood. The company has also worked to aid in raising up a new crop of headliners including Jelly Roll, Cody Johnson, Brett Young, Kelsea Ballerini, Carly Pearce, Whiskey Myers and Koe Wetzel, while expanding its roster with new signings including 49 Winchester, Warren Zeiders, Hailey Whitters, Luke Grimes, Wyatt Flores, Priscilla Block, Dylan Marlowe and Larry Fleet.

Complainin’ ‘Bout My Lateness: Ms. Lauryn Hill Addresses Crowd Over Starting Shows Late

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In Concert: Ms. Lauryn Hill & The Fugees: The Miseducation of Lauryn Hill 25th Anniversary Tour

Ms. Lauryn Hill and the tour celebrating the 25th anniversary of her debut solo album is one of the hottest tour tickets in the world. However, the rapper and vocalist is growing tired of complaints about her lateness when it comes to performing and addressed the crowd during a recent tour stop.

Ms. Lauryn Hill stopped in Los Angeles, Calif. this past weekend and arrived on the stage later than the scheduled time. While there, Hill, perhaps sensing the complaints that were possibly on some minds of the patrons in attendance, spoke to the issue directly. The speech can be seen in full as posted by VIBE R&B reporter Mya Abraham.

As it stands, Hill is aware of the complaints, something she once mentioned on the track “Nobody from” Nas’ King’s Disease II album in 2021.

Hill doesn’t dive too deeply into why she arrives on the stage at the staggered times that she does, but it appears that she isn’t exactly lacking understanding. What it does illustrate is that she hopes to gain some empathy from her fans instead of the constant complaints.

Joining Hill on the tour are her Fugees bandmates Wyclef Jean and Praz Michel, doing new renditions of their past hits from the two albums the trio recorded in the 1990s.

On X, formerly Twitter, fans are reacting to the footage that was released, along with their thoughts about the speech. Check out those replies below.

Photo: Christopher Polk / Getty

Boy George Set to Join the Broadway Cast of ‘Moulin Rouge’ in 2024

Looking for a magnificent, opulent, tremendous, stupendous, gargantuan, bedazzlement, a sensual ravishment? Look no further than Moulin Rouge! The Musical on Broadway, where ’80s superstar Boy George is set to light up the stage in 2024.

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During his latest appearance on the TODAY show on Monday (Nov. 6), George revealed that he would be joining the cast of the Tony Award-winning musical in the role of Harold Zidler, the enigmatic and fabulous owner of the titular club, starting on Feb. 6, and running until May 12.

Speaking with hosts Hoda Kotb and Jenna Bush Hager, George said that he was particularly excited to be joining an ensemble cast, something he prefers when it comes to live performing. “Just being part of an ensemble is really fun,” he said. “You can’t have an ego, because there’s too many people. It’s about fitting in, especially because everyone’s been doing this show for a while. So, hopefully, they’re going to teach me.”

Moulin Rouge! will not mark Boy George’s first time on the Great White Way. Back in 2003, the singer debuted his original musical Taboo, which told the story of his life in conjunction with the founding of his band Culture Club and the New Romantic club scene in London. The show was nominated for four Tony Awards in 2004, including best original score for George’s music.

In the meantime, George is currently promoting his new autobiography Karma, described as a story recounting “the drama, the music, his journey of addiction and recovery, surviving prison,” and much more. During his appearance on the TODAY show, George reminisced about the massive success of “Karma Chameleon,” the desire for himself and his band to find success in the U.S., and how he was sure from a young age that he would be famous. He said, “I guess I just knew I wasn’t going to play football and climb trees.”

Saucy Santana Goes Off On DJ Akademiks & Wack 100

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Saucy Santana

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If nothing else, Saucy Santana has proved that there are no hairs on his tongue when it comes to beefing with anyone online. And now the openly gay artist has some choice words for one Wack 100.

After getting into a very public spat with DJ Akademiks last week, Saucy is now taking aim at Wack 100 for siding with the controversial DJ in this drama and apparently trying to get a gay man named Donat to put hands on Santana as to not run afoul of the LGBTQ community, too. Taking to his Instagram page to address the situation, Santana went off on the newly formed trio. “Akademiks done went and did a link-up with Wack 100 and another Powder Puff Girl, sitting on a m*thaf*ckin’ couch, face full of mu*haf*ckin’ fear, and then you got Wack 100 calling another bisexual boy, like he gonna do something to me! B*tch, who? B*tch, where?”

Then pointing out the fact that Akademiks actually started crying about the beef due to fears of getting canceled by the LGBTQ community, Saucy stated “I was gonna leave you alone once you started muthaf**kin’ cryin’, but since you wanna keep chattin’, and you done did a whole bad b*tch link-up, I got something for you.”

Saucy already said what he was gonna do to Akademiks after beating him down, so we know what he got for AK. He’s fittin’ to American Me DJ Akademiks on some “Don’t scream, you might like it” ish, b.

Then double-S went after Wack 100 with no fear saying, “Wack 100, you a b*tch! That’s why he came and found you!” You a b*tch a** n*gga, too. You’re the manager that’s in love with Blueface, that was mad because Blueface go with Chrisean, right? That’s you. Mad at a n*gga about his b*tch.”

Man, we have a feeling that this ain’t gonna end well. We hope they make some kind of truce because ain’t none of this that serious.

Check out Saucy Santana go off below, and let us know your thoughts on this wild situation in the comments section.

Miranda Lambert, Jon Randall Team With Big Loud Records to Launch Big Loud Texas

Grammy winners Miranda Lambert and Jon Randall have partnered with Big Loud Records to launch their own imprint, Big Loud Texas. Lambert and Randall will be directly instrumental in signing and developing artists on the roster. Meanwhile, Randall will serve as president of A&R for the imprint, while also contributing as a producer.

“As a teenager chasing my dreams in the honky-tonks of Texas, Nashville seemed so far away,” Lambert said in a statement. “Every time I’m back home I get to hear the incredible talent our state produces, and I feel a responsibility to help get more of those Texas voices heard. I’m really excited to team up with my buddy Jon Randall and Big Loud to do just that. Get ready, y’all – we’re bringing even more Texas to town!” 

“When I was a kid playing in bands and kicking around Texas, I knew that making music was all I wanted to do for the rest of my life,” Randall added. “Since then, I’ve gotten to play with so many of my heroes produce legends and friends and travel all over the world… but all those roads lead right back home. I feel very blessed to share this full circle moment with one of my best pals, Miranda Lambert, and help some other dreamers chase their song around the world.”

Longtime friends and creative allies, Lambert and Randall collaborated on 2021’s Grammy-nominated The Marfa Tapes, alongside fellow Texas singer-songwriter Jack Ingram. Randall also served as a producer alongside Lambert and Luke Dick on her 2022 album, Palomino.
 
A Grammy, CMA and ACM Award-winner, Randall has spent three-plus decades in the music business seemingly doing it all as a solo artist, guitarist, songwriter and critically acclaimed producer. In addition to his longstanding relationship with Lambert, he has written with and for artists including Guy Clark, Kenny Chesney, Reba McEntire and many others, plus produced projects for Dierks Bentley, Parker McCollum, Dwight Yoakam, Jack Ingram, Pat Green and more.

“I’ve admired what Miranda and Jon have done – both as musicians and as champions of young talent – for many years, so it’s an honor to join forces in this way,” Big Loud CEO/partner Seth England said in a statement. “One of the most important things to us at Big Loud is to align with cultural camaraderie. Texas exudes that spirit and no one knows that better than Miranda and Jon.”

Big Loud Records is also home to Morgan Wallen, who has had a stellar year, dominating the Billboard Hot 100 with “Last Night” and the Billboard 200 with One Thing at a Time. The label’s roster also includes Lauren Alaina, HARDY, ERNEST, Hailey Whitters, MacKenzie Porter, Larry Fleet, Charles Wesley Godwin, Stephen Wilson Jr., Dallas Smith, Maggie Rose, Griffen Palmer, Shawn Austin, Lily Rose, Jake Worthington, Ashley Cooke, Lauren Watkins and Zandi Holup. 

Big Loud Records was honored as the No. 1 Billboard Hot Country Songs label in 2021 and 2022. Big Loud’s executive team has earned recognition as part of the Billboard 40 Under 40: svp / GM Patch Culbertson (’22), svp of radio promotion Stacy Blythe (’21) and CEO / partner Seth England (’14). Additionally, members of the Big Loud brass — partners England, Moi and Craig Wiseman, as well as Adams, Blythe and SVP of Marketing Candice Watkins — have been honored as Billboard Indie Power Players and Billboard Country Power Players. England was named the inaugural peer-voted Country Power Players’ Choice Award recipient, an industry-wide nod honoring the executive that voters believe made the most impact across the country music business over the past year.

Peso Pluma Set to Perform at the 2023 Billboard Music Awards

Mexican star Peso Pluma is set to perform at the 2023 Billboard Music Awards, taking place Sunday, Nov. 19. The música Mexicana singer-songwriter will perform “Rubicón,” a corrido — powered by prickly guitars — from his chart-topping album Génesis.

The performance will include a special guest appearance by boxing legend Mike Tyson, who is a self-declared Peso Pluma superfan. Over the summer, Tyson posted a video promoting Génesis, saying, “Ahhh, it’s my sh–!” when one of the songs starts playing.

Peso Pluma is a Billboard Music Awards first-time finalist, and is up for five total awards, including top new artist, top Latin artist, top Latin male artist and top Latin album for Génesis, which peaked at No. 3 on the Billboard 200 and spent 15 weeks at No. 1 on the Top Latin Albums chart, the most for a regional Mexican album. He’s also a finalist in the top Latin song category with two entries there: “Ella Baila Sola” with Eslabon Armado and “La Bebe” with Yng Lvcas. Peso was a top winner at October’s Billboard Latin Music Awards, taking home eight awards, including artist of the year, new.

Taylor Swift is the top finalist at the 2023 BBMAs with nods in 20 categories. Morgan Wallen and SZA are runners-up, with 17 entries each. They are followed by The Weeknd (16); Drake and Zach Bryan (14); Luke Combs (10); 21 Savage, Metro Boomin and Miley Cyrus (nine each); Beyoncé and Rema (seven each); Bad Bunny and Peso Pluma (six each); and Ariana Grande, David Guetta, Eslabon Armado, Karol G, NewJeans and Selena Gomez (five each).

The 2023 Billboard Music Awards Presented by Marriott Bonvoy — which will be produced by dick clark productions — will have a first-of-its-kind collaboration with Spotify “Fans First,” which will bring fans up close and personal with their favorite artists. Performances and awards will roll out across the BBMAs and Billboard social channels, as well as via BBMAs.watch on Sunday, Nov. 19. Billboard Music Awards performers will be revealed daily on BBMAs social channels, starting today.

CMA Awards 2023 Predictions: Who Will Win the Top Honors?

The 57th annual CMA Awards will take place Wednesday (Nov. 8) at Nashville’s Bridgestone Arena with returning hosts country superstar Luke Bryan and legendary NFL hall of famer Peyton Manning. For the second consecutive year, Lainey Wilson leads all nominees with nine nominations, followed by Jelly Roll with five and Luke Combs and HARDY landing four.

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Chris Stapleton and Carrie Underwood are both seeking  their first entertainer of the year award after multiple nominations. Stapleton, Brothers Osborne and Old Dominion will see if their multi-year streaks for male vocalist, vocal duo and vocal group, respectively, continue. This year also includes some surprises, including Tracy Chapman receiving her first nomination for a 35-year-old song, and Wilson swiftly ascending to entertainer of the year category from winning best new artist only a year ago.

The eligibility period for the 2023 show, which will air live on ABC at 8 p.m. ET,  is July 1, 2022-June 30, 2023. According to CMA rules, “singles, albums, music videos and qualified music products for the annual show must have been released or reached peak national prominence during the eligibility period.” More than 7,300 members of the country music industry vote for the nominees and winners through three rounds of voting.

Here are Billboard’s predictions in select categories on who will emerge victorious, from Melinda Newman (executive editor, West Coast and Nashville), and Jessica Nicholson (staff writer, Nashville). So they wouldn’t influence each other, the two did not compare notes on their picks.

Entertainer of the year

Luke Combs

Chris Stapleton

Carrie Underwood

Morgan Wallen

Lainey Wilson

Newman: It’s only been a year since Wilson earned her first CMA Awards nominations (and wins), so her ascent into the entertainer category feels, perhaps, a tad speedy. The other four nominees have been here before, including last year, with Combs prevailing. This year marks Stapleton’s and Underwood’s seventh and sixth nominations in the category, respectively, yet neither has won the award, and, despite strong touring efforts in 2023, it feels like they will go home empty-handed again. This year is a race between Combs, who is seeking his third crown, and Wallen, who is after his first. Both have ascended to stadium-act status, and both have had unbelievably successful years at radio. If there was ever a year for a tie, this might be it, but Combs made the leap to multi-continent international touring sensation this year, so he has a slight advantage.

Will win: Luke Combs

Nicholson: While each of the nominees has had an incredible year, it seems that Combs and Wallen are the front-runners in this race. Both have battled it out in the upper echelons of the Billboard Hot 100 (with Wallen’s “Last Night” spending 16 weeks atop the chart, and Combs’s “Fast Car” reaching No. 2). Combs is already a two-time winner and the reigning champ in this category, while Wallen’s One Thing at a Time has dominated the Billboard 200 this year, with 16 weeks atop the chart. Both have had major stadium runs this year, with tours that have taken them to overseas markets as well as domestic shows. Wallen’s 2023 tour began with shows in Australia and New Zealand, and included stops in Canada, but Combs’s 2023 trek visited Australia, Canada and multiple countries in Europe, which might give him the edge here.

Will win: Luke Combs

Single of the year

Award goes to artist(s), producer(s) and mix engineer(s)

“Fast Car” – Luke Combs (Producers: Luke Combs, Chip Matthews, Jonathan Singleton, Mix Engineer: Chip Matthews)

“Heart Like A Truck” – Lainey Wilson (Producer: Jay Joyce, Mix Engineers: Jason Hall, Jay Joyce)

“Need A Favor” – Jelly Roll (Producer: Austin Nivarel, Mix Engineer: Jeff Braun)

“Next Thing You Know” – Jordan Davis (Producer: Paul DiGiovanni, Mix Engineer: Jim Cooley)

“wait in the truck” – HARDY (feat. Lainey Wilson) (Producers: HARDY, Joey Moi, Jordan Schmidt, Derek Wells, Mix Engineer: Joey Moi)

Newman: It’s a little surprising that Morgan Wallen’s “Last Night,” which spent a staggering 16 weeks at No. 1 on the Hot 100, didn’t get a nod here, but voters leaned toward heavier fare for the most part, favoring murder ballad “wait in the truck,” Jelly Roll’s redemption-seeking “Need a Favor” and Combs’ poignant remake of Tracy Chapman’s “Fast Car.” Davis was a runner-up last year with “Buy Dirt” and this year’s entry, “Next Thing You Know,” mines the same family-oriented theme, while Wilson’s “Heart Like a Truck” is pleasing, traditional country. All were hits, reaching the top 2 of Billboard’s Country Airplay chart, but the meaty songs here resonated strongest this year, with “wait in the truck” hitting the hardest thanks to HARDY and Wilson’s gravitas-filled vocals.

Will win: “wait in the truck”

Nicholson: This year’s category is packed with hits, including a double-header of chart songs from Wilson (“Heart Like a Truck” and “wait in the truck” with HARDY). Jelly Roll’s rock-infused plea “Need a Favor” is here, as is Jordan Davis’ quieter chart hit, the sentimental “Next Thing You Know.” In terms of chart successes, Combs’s rendition of the Tracy Chapman classic “Fast Car” has been a sales juggernaut, reaching No. 2 on the Billboard Hot 100 and spending five weeks atop the Country Airplay chart. This crossover hit was inescapable this year, which leans the odds in Combs’ favor.

Will win: “Fast Car”

Song of the year

Award goes to the songwriters

“Fast Car” — Songwriter: Tracy Chapman

“Heart Like A Truck” — Songwriters: Trannie Anderson, Dallas Wilson, Lainey Wilson

“Next Thing You Know” — Songwriters: Jordan Davis, Greylan James, Chase McGill, Josh Osborne

“Tennessee Orange” — Songwriters: David Fanning, Paul Jenkins, Megan Moroney, Ben Williams

“wait in the truck” — Songwriters: Renee Blair, Michael Hardy, Hunter Phelps, Jordan Schmidt

Newman: The same songs nominated for single of the year are competing here except for “Need a Favor,” which has been replaced by “Tennessee Orange.” It would be something if Chapman won for “Fast Car,” a song that is as heartbreaking today as it was upon its initial release 35 years ago, but that seems unlikely. Other than “Fast Car,” the artists all had a hand in writing the songs they performed and that emotional  investment reverberates here. “Tennessee Orange” served as a beguiling introduction to Moroney, while “Heart Like a Truck”  showed the vulnerable side of Wilson. “Next Thing You Know” felt like Davis has found his lane that celebrates family and “wait in the truck” refused to pull its punches as it shined a harsh light on domestic violence. The winning song doesn’t need to necessarily make a statement, but “wait in the truck’s” fearlessness in embracing the darkness feels like an achievement worth heralding.

Winner: “wait in the truck”

Nicholson: Most of the same songs nominated in the single of the year category repeat here, including “Fast Car,” “wait in the truck,” “Next Thing You Know” and “Heart Like a Truck.” Wilson’s collaboration with HARDY and her solo “Heart” followed similar chart trajectories this year. “Heart Like a Truck” was named song of the year at the industry-voted NSAI Nashville Songwriter Awards, and it could very well follow that up with a win in this category.

Will win: “Heart Like a Truck”

Album of the year

Ashley McBryde Presents: Lindeville, Ashley McBryde

Bell Bottom Country, Lainey Wilson

Gettin’ Old, Luke Combs

One Thing At A Time, Morgan Wallen

Rolling Up the Welcome Mat, Kelsea Ballerini

Newman: From Kelsea Ballerini’s intensely personal statement of reclaiming her own life after her divorce to Ashley McBryde’s vivid imaginary community in Lindeville, all the nominees here created works that connected with fans and advanced their artistry. Luke Combs’ set is the companion to last year’s winner, Growin’ Up, that celebrates the singer/songwriter embracing middle age. Lainey Wilson graduated to budding superstar status with Bell Bottom Country, which felt like a mission statement as she grew more confident in her delivery and message. It already seemed like Wallen couldn’t rise higher, but One Thing at a Time topped the Billboard 200 for 16 weeks, the most since Adele’s 21 in 2011-12. All will stand the test of time as high-water marks for each artist, but McBryde brought us into a world in an innovative, original way that felt uniquely immersive.

Will Win: Ashley McBryde Presents: Lindeville

Nicholson: This category celebrates an array of styles, from Wilson’s hippie-country Bell Bottom Country project to Ballerini’s heart-on-her-sleeve Rolling Up the Welcome Mat album, Combs’s hit-filled Gettin’ Old album, and McBryde’s collaborative, creative Lindeville project, which featured John Osborne, Brandy Clark, Caylee Hammack, Aaron Raitiere, Benjy Davis and more.

The undeniably red-hot hit project of the bunch has been Wallen’s One Thing at a Time, which has spent 16 weeks atop the Billboard 200. Still, this is a category where voters have often awarded creative impact over commercial success, so McBryde and her Lindeville cohorts could pick up the win here.

Will win: Ashley McBryde Presents Lindeville

Female vocalist of the year

Kelsea Ballerini

Miranda Lambert

Ashley McBryde

Carly Pearce

Lainey Wilson

Newman: The same vocalists as last year are competing except for Carrie Underwood, whose slot is filled by a deserving Kelsea Ballerini. Given that she’s been nominated, or won, 16 out of the last 17 years, it’s odd not to see Underwood’s name here, but she’ll definitely be back. Lambert’s been on a bit of a break since parting ways with Sony Nashville, so this is more of a four-way race between the other women. All have had strong years, but Wilson feels unbeatable for the second year in a row.

Will win: Lainey Wilson

Nicholson: Lambert is the winningest nominee in the category, with seven prior wins. Though every nominee here had a stellar touring/performing year, on the recording front, Lambert and Pearce had relatively quieter years. Pearce teamed with Chris Stapleton for the ballad “We Don’t Fight Anymore,” and Lambert paired with Leon Bridges for “If You Were Mine.” Ballerini released one of her most personal, expressive albums to date with her divorce record, Rolling Up the Welcome Mat. Wilson is the reigning champ in this category, and seemed to be ubiquitous this year, thanks to heavy touring, a trio of songs surging up the charts, awards show appearances and a campaign with Wrangler. Wilson seems to be a lock in this category.

Will win: Lainey Wilson

Male vocalist of the year

Luke Combs

Jelly Roll

Cody Johnson

Chris Stapleton

Morgan Wallen

Newman: Jelly Roll replaces Eric Church in this year’s list of finalists and it’s hard to overstate the year he’s had, but the same could be said for all the contenders, including second-time nominee Wallen, who won the title at the ACM Awards in May. Either Stapleton or Combs has taken home the award the past eight years, with Stapleton winning a record-setting six times. Despite Stapleton’s once-in-a-generation voice, it’s undeniably Wallen’s turn.

Will win: Morgan Wallen

Nicholson: This is a stacked category, with Combs, Jelly Roll, Cody Johnson, Stapleton and Wallen all vying for the honor. Wallen, Jelly Roll and Johnson are all hoping to pick up their first wins, against veteran winners Stapleton (six times) and Combs (twice). Stapleton is a perennial favorite in the category, and Combs, Jelly Roll and Johnson have all had solid years, but given Wallen’s juggernaut touring in addition to the chart success of “Last Night” and One Thing at a Time, it looks like this could be the year he cinches a win.

Will win: Morgan Wallen

New artist of the year

Zach Bryan

Jelly Roll

Parker McCollum

Megan Moroney

Hailey Whitters

Newman: Bryan and Jelly Roll are already bonafide headlining arena acts, so it seems strange to even see them in this category, since their stars have ascended so quickly. Additionally, Bailey Zimmerman has dominated the charts in recent months with three Country Airplay No. 1s, so his omission is glaring. McCollum, Moroney and Whitters look like they’re all headed toward long, bountiful careers with Whitters snagging the top new female trophy at the ACM Awards. If voters are going by the numbers, it’s hard to deny Bryan or Jelly Roll, but, if like me, voters feel like they are both past the point of winning this award, Moroney could be the surprise winner.

Will win: Megan Moroney

Nicholson: Bryan is far and away the biggest success story of this crop of newcomers. He’s selling out stadiums nationwide and regularly notching songs and albums to the upper echelons of the all-genre Billboard charts. But Bryan’s comments following last year’s CMA Awards, could have deterred some CMA voters. “Handle on You” hitmaker McCollum, “Everything She Ain’t” singer Whitters and “Tennessee Orange” crooner Moroney have all made strides over the past year, but recent Billboard cover star Jelly Roll has been one of the biggest breakout artists, earning two No. 1 Country Airplay hits this year (including the four-week Country Airplay chart-topper “Need a Favor”) and currently enjoying a top 10 hit on the chart with his Wilson collab “Save Me.” Add in a top headlining tour, and this one is Jelly’s to lose.

Will win: Jelly Roll

Vocal duo of the year

Brooks & Dunn

Brothers Osborne

Dan + Shay

Maddie & Tae

The War And Treaty

Newman: Maddie & Tae are competing for the ninth time without a win, and they will likely go home empty-handed again, given Brothers Osborne have snagged the trophy five of the last seven years and Dan + Shay grabbed it the other two. Brooks & Dunn, who last won in 2006, are legends, of course, but it seems odd that they are even plunked into this category, since they exist primarily as an occasional touring act. The War And Treaty are a strong addition, but they likely can’t stop the momentum that the excellent Brothers Osborne continue to have.

Will win: Brothers Osborne

Nicholson: This year, 14-time category winners Brooks & Dunn face off against five-time category winners and reigning champs Brothers Osborne, as well as two-time winners Dan + Shay, Maddie & Tae and newcomers to the category, husband-and-wife duo The War And Treaty. Dan + Shay, Brothers Osborne and The War And Treaty all released new studio projects this year. Brothers Osborne scored a top 25 Country Airplay hit with “Nobody’s Nobody,” released their self-titled album and played a string of headlining shows, while Dan+Shay made media waves leading up to the release of their 2023 album Bigger Houses by revealing they nearly broke up, and earned a top 20 Country Airplay hit with “Save Me The Trouble.” Brothers Osborne’s labelmates The War And Treaty also scored a major chart hit this year with their Zach Bryan collaboration “Hey Driver” (which reached the top 20 on the all-genre Billboard Hot 100). They’ve been opening tour dates on Chris Stapleton’s All-American Road Show (in addition to a string of overseas headlining tour dates) and have been ubiquitous on awards show appearances this year. All of these high-profile appearances could give W&T the edge.

Will win: The War And Treaty

Vocal group of the year

Lady A

Little Big Town

Midland

Old Dominion

Zac Brown Band

Newman: The nominations in this category have remained static for the past five years with the same acts vying for the title, with the exception of 2020, when a dissolving Rascal Flatts took Zac Brown Band’s spot. They are all worthy contenders, but, as with vocal duo, the category could benefit from some new blood or have voters pay a little attention to who else is making noise, like Parmalee, whose “Take My Name” was Billboard’s 2022 Country Airplay Song of the Year. Old Dominion continues to grow both creatively and commercially, so expect them to take home their sixth consecutive trophy in this category, tying Little Big Town’s six wins.

Will win: Old Dominion

Nicholson: Old Dominion has arguably been the most visible of this year’s nominees, thanks to to their album Memory Lane and their Country Airplay top 10 hit of the same name. Zach Brown Band earned a top 20 Country Airplay hit with “Out in the Middle,” but Old Dominion seems to be on track to extend their five-year winning streak.

 Will win: Old Dominion

Travis Kelce Is Now the Leading Receiver in Chiefs History: Here’s How Taylor Swift Reacted

Travis Kelce became the Kansas City Chiefs’ all-time leading receiver after helping his team triumph over the Miami Dolphins — and Taylor Swift is all for it.

Amid the pair’s buzzworthy romance, the 33-year-old pop star “liked” a post from People on Instagram about Kelce’s new feat. The post cited stats from The Athletic, which totaled Kelce’s updated career receiving yards at 10,941 — one yard more than Hall of Famer Tony Gonzalez’s previous record of 10,940 yards, making the 34-year-old tight end the new all-time leading receiver in franchise history.

Fans in the comments section were quick to notice that the post celebrating Kelce had earned a double-tap from the pop superstar, who’s become a frequent guest at his games. In fact, it’s been reported that the Ohio native actually plays better when Swift is watching from her usual spot next to Brittany Mahomes or Donna Kelce in a private box suite, something he recently said was “hard for me to wrap my head around.”

The “Anti-Hero” singer’s attendance, however, had nothing to do with Kelce’s most recent overseas victory against the Dolphins in Frankfurt, Germany. Swift was very much in New York City over the weekend — she was spotted out with an A-list group of friends including Selena Gomez, Gigi Hadid and Sophie Turner Saturday night (Nov. 4).

@taylorswift you liked this post hmmm? ?” commented one fan on People‘s post, while another wrote: “The queen @taylorswift is here supporting a king ??”

In other “Tayvis” news, Kelce was recently asked at a press conference whether he was “in love” with the 12-time Grammy winner. “I’m going to keep my personal relationship personal,” he responded, although he did divulge, “The latest status is I got to see her last week. That’s the latest status right there.”

As for Swift, she’s the lead finalist for the 2023 Billboard Music Awards with 20 nominations. The event will stream Nov. 19 on the BBMAs and Billboard‘s social channels, as well as on BBMAs.watch.

Lauryn Hill Starts Late in Los Angeles, Tells Fans, ‘Y’all Lucky I Make It on This… Stage Every Night’

Ms. Lauryn Hill has developed a reputation for hitting the stage after her appointed time. She was tardy again on Saturday night for her show in Los Angeles at the Kia Forum celebrating the 25th anniversary of her landmark The Miseducation of Lauryn Hill solo album and according to video by fans, she had something to say about her lateness.

“You’re saying’ ‘She’s late. She’s late a lot.’ Yo, y’all lucky I make it on this blood ras stage every night,” Hill said. “I don’t do it because they let me do it. I do it because I stand here in the name of God and I do it. God is the one who allows me to do it, who surrounded me with family and community when there was no support.”

Hill then went on to articulate what sounded like a lingering distaste over what she described as her limited musical options in the wake of Miseducation‘s smash success, which included more than 20 million in sales and five Grammy awards. “When the album sold so many records, and no one showed up and said, ‘Hey, would you like to make another one?’ So I went around the world, and I played the same album over and over and over and over again,” Hill said during the first of two shows at the venue, where she was once again joined by her Fugees bandmates Wyclef Jean and Pras for a portion of the show. “Because we’re the survivors, and we’re not just survivors, we’re the thrivers.” 

Hills has never released another solo studio album in the wake of 1998’s Miseducation, which was followed-up in 2002 with the uneven MTV Unplugged No. 2.0 and a handful of non-charting one-off singles.

Hill had to hit pause on the tour last week, postponing a show in Fort Worth, TX after she said doctors ordered vocal rest after earlier postponing the third date on the run — in Philadelphia — due to similar issues. “As you may know, I’ve been doing my best to overcome a serious case of vocal strain/injury over the past week or so,” Hill wrote in a tweet just hours before curtain for the Fort Worth show. “I fought through the last couple shows, pushing my voice, and masking the injury with medication. This isn’t safe or sustainable. I woke up this morning hoping to have enough voice to get through tonight, but I can barely talk let alone sing or rap.”

Watch Hill’s statement about lateness below.