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Friday Music Guide: New Music From Dua Lipa, The Kid LAROI, PinkPantheress and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Dua Lipa practices some magic, The Kid LAROI arrives with a new full-length, and PinkPantheress evolves her aesthetic. Check out all of this week’s picks below:

Dua Lipa, “Houdini” 



While “Houdini,” which will kick off Dua Lipa’s third album era, arrives with plenty of anticipation, Lipa’s Barbie soundtrack single “Dance The Night” — which has blossomed into one of the bigger top 40 hits of 2023 — offered a subtle hint at the direction in which the 28-year-old is steering her discography. Future Nostalgia is both behind and in front of Lipa: she is tinkering with the edges of popular dance music, refining her pop stylings, doubling down on a successful sound while heightening its pressure points. “Houdini” is a one-listen blast, but it’s also a high-wire act, each second whirring with production tidbits that coalesce into a three-minute wallop.

Click here to read a full review of Dua Lipa’s new single.

The Kid LAROI, The First Time 



Leading up to new album The First Time, The Kid LAROI has struck a variety of sonic poses and demonstrated an impressive versatility — it’s how his tone can work alongside an artist like Jung Kook on the pop track “Too Much,” sound comfortable spitting next to Future on “What’s The Move?,” or recall the acoustic alt-rock of breakout hit “Without You” on recent single “Bleed.” The constant within that artistry, however, remains his melodic instincts: LAROI is one of the most effortless hook-deployers in modern music, and The First Time is rife with hummable moments.

PinkPantheress, Heaven knows 



In the middle of the track list of PinkPantheress’ new album is a song titled “Internet baby (interlude)” — which, at 2 minutes and 11 seconds, is actually longer than the mesmerizing Kelela collaboration “Bury me” that immediately precedes it. Such is the experimental approach to rhythmic pop that the British artist has adopted, and while Heaven knows plays with time and space, the 34-minute project boasts PinkPantheress’ most complete vision to date, the collaborations carefully curated and the solo tracks (particularly on the final stretch of the album) brimming with full-hearted observations.

Chris Stapleton, Higher 



Chris Stapleton has been nominated for entertainer of the year at the CMA Awards in seven of the past eight years, a stat that showcases his consistency within country music over the last decade — and while Higher adds some new tricks to his bag, Stapleton’s latest is also sensible enough to spotlight the powerhouse voice and grounded storytelling that have been his calling cards for years. The strongest moments oscillate between amped-up energy, like the rollicking lead single “White Horse,” and gently delivered wisdom, like the soft, gorgeous “Trust.”

Rick Ross & Meek Mill, Too Good To Be True 



The final song on Rick Ross and Meek Mill’s joint album Too Good To Be True is a remix of their single “Shaq & Kobe,” featuring Shaquille O’Neal and Damian Lillard rapping against each other; elsewhere, on “Go To Hell,” the pair operates over an audacious sample of Tears For Fears’ “Shout.” The two songs speak to the wily attitude of Ross and Meek on this deeply enjoyable Maybach Music Group production: after more than a decade of grinding out anthems separately and together, the two stars still possess a sense of urgency, but are taking more risks and generally having more fun with their crafts.

Editor’s Pick: Jonas Brothers feat. Bailey Zimmerman, “Strong Enough” 



“Been a hell of a week, but we made it,” Bailey Zimmerman sings to open “Strong Enough,” the rising country star’s new team-up with the Jonas Brothers. That raised-glass declaration then leads into one of the JoBros’ more convincing genre crossovers to date: with a hook that recalls “Waffle House,” the standout track from this year’s The Album, Nick, Joe and Kevin conjure compelling country-pop, with Zimmerman as something of a sonic guide. “Strong Enough” should be your next TGIF anthem, and might point to a fruitful detour for Jonas Brothers’ future output.

Here Are 5 Things You Didn’t Know About Tiwa Savage | Billboard

Tiwa Savage reveals five things you didn’t know about her to Billboard!

Tiwa Savage:
Hey, what’s up, everyone? This is Tiwa Savage, and these are five things you may or may not know about me.

I hate wearing heels. I love performing barefoot.

My favorite food is bread. I know, bad carbs. I know. I know. I know.

OK, sometimes, I’m actually not the one that runs my Instagram or my social media pages.

Well, I’m a very, very, very boring person. When I’m not on stage or doing interviews like this, I am literally in my room watching series.

And my favorite series right now is Downtown Abbey.

And those are five things you may not know about me, but you do now.

Watch the full video above!

5 Highlights From Taylor Swift’s First of Three Sold-Out Shows in Buenos Aires

When Taylor Swift announced in June that she would be performing in Argentina for the first time ever as part of her Eras Tour, tickets to her three shows sold out within hours. Excitement has only grown since then, and finally, on Thursday, Nov. 9, the wait came to an end as 70,000 sang along during her first show, where she performed nearly 45 songs spanning her entire career.

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The show, the first of three at Buenos Aires’ Estadio Monumental (also known as Estadio River) and produced by DF Entertainment (the company owned by promoter Diego Finkelstein), featured Argentine artist Louta and Sabrina Carpenter as opening acts. It began precisely at 8:42 p.m., when Swift appeared on an elevated stage singing “Cruel Summer,” after “Miss Americana” played during the intro. Following the opening performance, she shouted, “Buenos Aires, bienvenidos a The Eras Tour!”

Here are some highlights of the night.

Six Months Camping

Thousands of fans waited impatiently for 3 p.m., the exact time when security was scheduled to open the gates to allow access to the field, the closest location to the main stage. Some Swifties camped outside the stadium for six months to be close to the front of the field, and the minute the gates opened, they sprinted the 100 meters to get the best standing room in the house.

Taylor Gets on Stage

Finally. Swift sets foot on the stage of Estadio Monumental singing “Cruel Summer.” The audience screams, and Taylor speaks to her happiness at being in Argentina for the first time. “Buenos Aires, bienvenidos to The Eras tour!” she shouted. “I am so very lucky because they very first time I decided to visit Argentina, you decided to sell out three shows […] They way you are dancing, the way you are singing, this is on another level.”

The Nerves of the Moment

Swift kicked off the fourth block of the show with “Champagne Problems,” a track she’s performed hundreds of times before. However, when time came to play it at the Monumental, the superstar lost her place at the piano. Far from making it a negative, she found humor in the situation. “This is what Argentines do,” she quipped.

Two-Minute Ovation

Weeks before, Swift’s fandom, via social media, had agreed to do different actions during her show, including lifting posters in certain songs, or reflecting the Argentine flag with their cellphones. Another planned moment was a two-minute ovation to thank Swift for performing in their country. At that point, Swift took out her in-ears and said, “I can’t believe it.”

Emotion Til the Very End

The show is a roller coaster of emotions. For example, Swift gave her hat to a little girl during “22,” and at one point, she stopped the show completely to listen to the crowd roar. But the end of the show will be memorable to all Argentine Swifties. Screams, applause, wristbands high and our country’s message to Taylor: “Argentina loves you. Come back soon.”

Honeyland Festival — Houston’s ‘Black Bottlerock’ — Opens This Weekend

The inaugural Honeyland Festival produced by Live Nation Urban and Endeavor-owned IMG, opens this weekend at Crown Festival Park in Sugar Land, Texas, just outside Houston.

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Headlined by Mary J. Blige, Miguel and Summer Walker (who was announced as a replacement for Jazmine Sullivan last month) the festival combines high-end eats, wine and beer for a two-day experience dedicated to celebrating and elevating Black culture.

“Black customers are underserved in the festival space and want an experience where they can enjoy food and wine and music,” says Kevin Shivers, agent and partner at Endeavor-owned WME who pitched the idea for Honeyland to WME President Mark Shapiro as a “Black Bottlerock,” inspired by Live Nation and Latitude 38’s famous food and wine-centric festival that happens every year in Napa, California.

Shivers, who has booked his artist clients at hundreds of festivals globally, says the idea for Honeyland is to create a similar experience highlighting Black-owned food and wine businesses.

“At many festivals, no matter who is organizing it, white or Black, food is an afterthought, the signage looks bad and guests are drinking out of a plastic cup,” Shivers said. “That’s not a great experience.”

Houston was chosen because of the lack of major festivals in the Texas city, despite being internationally known as the original home of artists including Beyonce, Travis Scott, Megan Thee Stallion.

“You look at Atlanta or D.C. or any of these other markets and there’s a lot of stuff going on. And we thought Houston was pretty open and we found a great site where attendees can come in and make their way around the festival and enjoy music or drinks on their schedule,” Shivers said.

Additional musical performances listed in the star-studded lineup includes Houston rappers Coco Jones, Paul Wall, Slim Thug, Scarface, and Tobe Nwigwe, who will serve as the festival’s “Houston Ambassador.”

Honeyland is being led by Staci Hallmon, IMG’s senior vp, who has previous leadership experience at Walmart, Coca Cola, Disney, Verizon and BET Networks, as well as Essence Magazine where she served as the architect of ESSENCE Festival.

Houston was ranked as the country’s No. 5 culinary destination in the country this year according to Travel + Leisure. Honeyland will highlight Black mixologists, blenders, wine experts and distillers. Single-day general admission ($95), GA+ ($140), and VIP passes ($295) are still available.

Here’s Why Travis Kelce Skipped Taylor Swift’s First Eras Tour Concert in Argentina

Taylor Swift launched the international leg of the Eras Tour Thursday (Nov. 9) in Buenos Aires, Argentina. And while her shows have often had star-studded audiences, one person was missing from the kickoff show: new beau Travis Kelce.

The Kansas City Chiefs’ tight end had a good reason for missing the pop superstar’s show, though. Kelce was instead at teammate Patrick Mahomes’ fourth annual 15 and Mahomies Foundation Gala in Kansas City. The NFL star was spotted in video from the event shared on the foundation’s Instagram Stories. In one clip, Kelce stood up at his table and clapped in thanks to the cheers from attendees after he received recognition for becoming the team’s all-time leading receiver during a recent game against the Miami Dolphins.

During the event, quarterback Mahomes’ foundation awarded $615,000 in grants to its charitable partners. The foundation works to improve kids’ lives, and supports initiatives that focus on health and other charitable causes.

At Swift’s first of three shows at the Estadio River Plate in Buenos Aires Thursday, the 12-time Grammy winner delivered two surprise songs, as she has been doing throughout her Eras Tour. To kick off her shows in Argentina, she performed “The Very First Night” and “Labyrinth.” In fan-captured video, Swift was spotted with a smile on her face as she sang the chorus of the latter song, which goes, “Uh-oh, I’m fallin’ in love/ Oh no, I’m fallin’ in love again/ Oh, I’m fallin’ in love/ I thought the plane was goin’ down/ How’d you turn it right around?”

Fans immediately went into a tizzy on Twitter, speculating that she was singing about Kelce. “MY GIRL IS SMITTEN WHAT HAVE YOU DONE TRAVIS KELCE,” tweeted one fan. Wrote another, “that cringe reporter to travis: are u in love? taylor: well let ME answer that question.”

While Kelce may not be at Swift’s first show in Argentina, there have been multiple reports that he’ll be traveling to South America to cheer her on, just as the singer-songwriter has done for him at his games at Arrowhead Stadium. A source close to the pair confirmed to NBC News on that the NFL star will be heading to Argentina to watch her perform.

Keke Palmer Files Restraining Order Against Darius Jackson, Requests Sole Custody Of Son

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Keke Palmer has filed for a restraining order and has requested sole custody of her son with Darius Jackson, according to court filings that have been reviewed in the press. According to the filing, the talented actress says that Jackson allegedly entered her home and performed other violent acts toward her.

Us Weekly reports that Keke Palmer, 30, filed the documents Thursday (Nov. 9), after initial reports went wide that she was filing a restraining order against Darius Jackson, 29. Us Weekly and TMZ both reviewed the filings and the findings within offer disturbing details of alleged domestic violence over the course of months.

From Us Weekly:

She went on to allege that there have been “many instances of physical violence” with Jackson that include “destroying my personal property, including diaries and prescription eyeglasses, throwing my belongings into the street, throwing my car keys to prevent me from driving away, hitting [me] in front of our son, spewing profanities about me to our son, threatening to kill himself with a gun if I left him, harassment, and other physical and emotional abuse.”

Palmer also offered in the filing that she has security camera footage of the alleged assault detailed in the court documents.

Trouble was first noticed after Jackson took offense to Palmer’s outfit during her attendance at an Usher concert, taking to X to voice his displeasure. He doubled down on his disdain of the outfit, but nothing else would be revealed until now.

Many speculated that the pair ended their relationship back then but according to the filing, the pair split this past October after alleged incidents of violence and aggression, according to Palmer’s side. On social media, many are resurfacing old tweets from Jackson that point to a less-than-savory mindset on topics involving women and celebrities.

On X, formerly Twitter, the reactions to the news have been ongoing since the morning. We’ve got reactions from all sides below.

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Gayle King’s Hour Long Interview With Jay-Z To Air Next Week

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Gayle King got some one on one time with Jay-Z but so far only short clips have been released. The hour long interview she conducted with the Hip-Hop mogul is set to air next week.

Variety is reporting that the award-winning journalist’s sit down with the Rap legend has received an official date . The special will air on Tuesday, November 14 at 9:00PM – 10:00PM ET/PT. Titled “JAY-Z And Gayle King: Brooklyn’s Own” the interview finds the duo touring the “Book Of HOV” exhibit at the Brooklyn Library. Their discussion touched on a several topics regarding his storied career, family and more.

At one point the “99 Problems” rapper touched on what is motivating him these days . “I think what matters most is, today, is, being a beacon and helping out … my culture,” he explained. “People of color. I think I pull the most satisfaction from that. Like making music earlier was, like – my first love. I could sit there for hours. It consumed me. Just finding words and figuring out words and how to say this and different ways to say that and different pockets and melodies and how to write this song… That consumed me.” He added “that’s why my pace was so fast. I had so much material. And I think now, you know, the idea of, of taking that platform and, you know, reproducing it for others or doing something like Reform. I think I derive the most joy from that.”

The “JAY-Z And Gayle King: Brooklyn’s Own” special will air on CBS Television Network and also stream on Paramount+.



Executive Turntable: Atlantic A&R Veteran Heads Home; 88rising Hires First Chief Revenue Officer

It’s Friday, we’re in love with Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across the music industry.

There’s no place like home for Tim Braüner, the longtime Atlantic Records A&R exec who’s set to return to his native Denmark early next year for an elevated role within WMG. Starting Feb. 1 in Copenhagen, Braüner will be director of international A&R for Warner Music Nordics and Warner Music Denmark. He’ll report to the incoming head of Warner Music Denmark and will also work closely with Mark Fry, president of Warner Music Nordics, as well as the territory heads of Finland, Norway and Sweden. He launched his music career at WMD back in 2016 before being recruited by Atlantic two years later to join the team in NYC. Currently vp of A&R, Braüner has signed and worked with Atlantic roster artists including CKay, Major League DJz, Studio Killers and Surf Curse. “It’s great to have Tim back in the Nordics,” said Fry. “We were so proud when he was tapped by Atlantic for an A&R job in New York and now he’s back with five years’ experience and a wealth of connections that’ll help him super serve our artists.”

Warner Music Group appointed Alexandra Condon as vice president of public policy and government affairs, making her the point-person between the label and policymakers across the EU and the UK. She’ll also stay in close contact with key trade orgs and other stakeholders and be an all-around public advocate for the company. The London-based Condon joins WMG after more than a decade at PRS for Music, where she crested as head of policy and public affairs, and played an important role in the UK collecting society’s campaigns for copyright legislation. She reports to Mark Baker, svp of PPaGA. “This is a pivotal time for the music industry, with many exciting challenges and opportunities in front of us,” Condon said. “It’s never been more important to ensure policymakers understand our business and the need for a legal framework that enables us to keep investing in artists and songwriters.”

Mike Chuthakieo was named the first chief revenue officer at 88rising, reporting to CEO and founder Sean Miyashiro out of Los Angeles. Chuthakieo leads brand partnership strategy develops new commercial partnerships at the music and media company, which aims to elevate Asian talent. Chuthakieo comes to 88rising from Pinterest, where as an industry lead he launched the entertainment and restaurant industry sales teams. Prior to Pinterest, he held roles at Pandora, FOX, Myspace and Wasserman Media Group, among others. “88rising’s explosive growth over the past years has been phenomenal to watch,” said the new CRO. “I’m humbled and excited by the opportunity to join the team and apply my expertise to continue broadening the reach of this cultural powerhouse.”

Music distribution and payments platform Stem hired Nick Terzo to help extend its reach with labels and other rights owners. As the company’s new head of label and catalog partnerships, Terzo will scout opportunities for pairings with indie labels, music IP funds and catalogs, as well as work on ways to boost Stem’s artist development efforts. The East Coaster arrives from his own catalog consultancy company Radical Songs, and before that held roles at Royalty Exchange, Columbia/Sony and Maverick. Since joining Stem, Terzo has already stacked up at least a couple wins: he facilitated or guided pacts with both Immortal Records and Brooklyn Music Distribution. He reports directly to Kristin Graziani, president of Stem Distribution. “Nick is a fantastic addition to our growing team,” Graziani glowed. “He brings an infinite wealth of experience, knowledge, and relationships that will undoubtedly expand our presence and amplify our capabilities.”

Dylan Berthier is Kobalt‘s new chief people & culture officer, based in London and reporting to CEO Laurent Hubert. Berthier has 20-plus years experience in leading HR teams, and recently navigated the impossible-sounding task of leading Activision Blizzard’s P&C team during Microsoft’s just-closed $69 million acquisition of the gaming giant. Hubert hailed Berthier as being adept at leading teams “of all shapes and sizes through times of change and expansion, facilitating innovation and ensuring organizations have a culture of excellence and ways of working to enable these transformations.”


ICYMI: Hipgnosis hired a new CFO and general counsel … Amazon Music shed jobs … Delia Orjuela and Ruben Abraham were picked to lead WMG’s Mexican music division … Island hired Jay Schumer away from Columbia … Sony Music Mexico aligned with Manuel Cuevas … Maria Inés Sánchez was appointed Sony Music Latin’s new vp of West Coast operations … and CAAers in Nashville will have new digs in 2025.

Spotify named Tim Foisset as head of label partnerships in Nashville. He will manage Nashville’s label partnerships team, including Gemma McInturff, Miller Guth and Meagan Bennington. Foisset previously spent 13 years at Warner Music Nashville, most recently serving as senior vp of commercial partnerships. Prior to WMN, Foisset was director of digital marketing at Razor & Tie out of New York City. –Jessica Nicholson

Independent live producer and promoter Danny Wimmer Presents increased its headcount by five as it looks to capitalize on recent growth. DWP’s newest team members: Lisa Brende, evp of intelligence, will lead a team using data and research to help DWP stay on task in making sure “the voice of the fan is at the heart of everything they do.” She previously held senior roles at TikTok and Sony Music. Steve Donovan, project manager, will oversee teams working on production, artist relations and hospitality. He arrives from Google, where he was a senior project manager. Dan Lerner, senior designer, responsible for crafting visually compelling projects for DWP. His past work as an illustrator and graphic designer includes many a poster and album cover. Ryan Brady, accounting manager, is tasked with streamlining the finance team at DWP. He has over seven years of experience, including at Live Nation. Tanvi Varma, staff accountant in DWP’s accounts receivable/payable desk. She arrives from Wasserman Media Group, where she worked in the sports division.

Secret City Records, the Montreal-based label home of Patrick Watson and The Barr Brothers, among others, elevated Magali Ould to the newly created role of general manager. Ould is tasked with managing the indie label’s day-to-day operations, reporting directly to company president and CEO Justin West. She has been a key member of the label for 12-plus years in communications and project management roles, including director of marketing. Ould has also been key in pushing Secret City’s expansion into Francophone music, working with Daniel Bélanger, Antoine Corriveau and others. “Secret City’s tremendous growth, as well as the accelerated pace of the changing market, both bring new challenges and opportunities, and drive the need for additional management infrastructure to ensure the relevant parts of the organization continue to function at the highest level,” said West.

Music financing company beatBread hired Spencer LeBoff to spearhead a new division that offers an expanded offering of highly customizable publishing advances for songwriters. His title at beatBread, which offers advances as little as $1,000 up to $3 million, is general manager of publishing. LeBoff arrives from BMG Music Publishing and previously spent time in A&R at Warner Music, where he worked with artists including Dua Lipa and Adam Lambert. “We’ve seen significant success building partnerships on the artist side since we launched in 2020, and it’s already clear that there is real demand from songwriters for our offering,” said founder and CEO Peter Sinclair. “Spencer is an outstanding leader, and we’re excited about where this business will go, and there is much more to come.”

Musicians On Call announced four new hires at the non profit, which brings live music to hospitals: Jenny Methling as senior director of strategic partnerships; Cindy Gonzalez and Simba Woodard as program coordinators; and Lia Okenkova as a grants coordinator. “This is an exciting time for Musicians On Call as we welcome new team members whose creativity and passion will help take our mission to new heights.” said Musicians On Call president & CEO Pete Griffin.

Talent agency Wasserman Music welcomed four new executives to its ranks. They are: Brad Goodman, LA-based senior vice president. He brings decades of experience and several clients — Melissa Etheridge, “Weird Al” and Ziggy Marley — from his time at WME. Sam Bartlett, vp of casinos and performing arts centers. The CAA and ICM veteran oversees the company’s roster when booking for casinos and other venues in the U.S and Canada. Taryn Haight, LA-based vp of strategy, electronic music. This new role looks for brand-building and non-touring opportunities for WM’s roster of dance artists. Guy Mason, London-based legal counsel. Joining from VCCP Group, Mason will support Wasserman’s European business affairs team. “Since the launch of Wasserman Music in 2021, we have always put a premium on our culture and on super-serving the artists we have the honor to represent around the world,” said Wasserman Music evp & managing executive Lee Anderson.

The Chamber Group promoted Shannon Atran to director of public relations at the boutique firm. In her new role, Atran will oversee PR campaigns and overall messaging — including in crisis situations — for a wide swath of TCG’s music clients, including Lil Wayne, Mass Appeal and Big Sean, among others. Atran joined TCG in 2019 following a four year stint at MWWPR. She is New York based and reports directly to Chris Chambers, TCG’s principal and founder. “Her work and attention to detail has earned her spot as a senior member of the team at the company and I look forward to seeing the direction her career takes from here,” says Chambers.

Outback Presents promoted Taylor Freeman to senior booking manager at the independent live events promoter. The Nashville-based Freeman joined Outback Presents four years ago and has zeroed in on comedy tours, primarily, including Taylor Tomlinson, Leanne Morgan and Dusty Slay. He began his career with a four-year tenure at WME, where h honed his craft in the music department. You can hit up Freeman at taylor.freeman@outbackpresents.com.

Nashville Notes: Republic Live hired Anne Stirk as director of marketing and brand strategy, where her duties include the Boots and Hearts Music Festival. She arrives from Spotify, where she was an artist and label marketing specialist … Bob Squance joined music publisher Lady Luck Songs as creative director. He arrives from Round Hill Music, where he served as senior director of A&R … PLA Media added senior social media and marketing consultant Pip Wynans, who was most recently a Crowd Surf digital marketing manager … The Country Music Hall of Fame and Museum hired Caroline Mullins as director of marketing. Prior to joining the museum, Mullins held positions at Lipscomb University and the Tennessee Performing Arts Center.

Last Week’s Turntable: Guitar Center CEO Axed?

Kel Mitchell Shares Update After Health Scare Via Instagram

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Kel Mitchell suffered a health scare earlier this week, but it appears he’s on the mend after sharing a note with his fans. Taking to Instagram, the Good Burger actor assured his supporters that he’s better now and thanked them for the support.

TMZ first reported on Kel Mitchell suffering an unreported health scare on Tuesday earlier this week and was admitted to a hospital in the Los Angeles area for treatment. Mitchell, 45, was reportedly held until Wednesday for treatment.

On Thursday (November 10), Mitchell took to Instagram to share an update with his 1.2 million followers.

“Grateful for the flood of prayers and positive vibes that surrounded me during a genuinely frightening time. That scare was real, but so was the support. With the grace of God and the skill of the medical team, I’m now on the road to recovery at home, embraced by the love of my family,” began Mitchell’s statement.

He concluded with, “Your kindness has been a lifeline, and I can’t thank you enough. Much love to each of you.”

Mitchell is slated to appear next in the upcoming Good Burger 2 film alongside Keenan Thompson. The film is still reportedly under production so a timeline for release has yet to be determined.

Get well, Kel Mitchell.

Photo: Getty

T-Pain & Snoop Dogg Link Up For New Anthem ‘That’s How We Ballin’

Snoop Dogg is a man of his word. After promising to return a verse to T-Pain within the next 48 hours upon receiving it, The Doggfather delivered, and as a result, the “Buy U a Drank” crooner released his new single “That’s How We Ballin.”

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Pain and Snoop play a clever game of double-dutch on the booming production. “Her dude be trippin’ and I’m gonna leave him six feet/ I wrap him up in a pack, I serve him as minced meat,” Pain dishes out on his opening verse. Snoop matches Pain’s intensity with wittiness of his own, rapping: I’m just silly over Snoopy, yeah, b–ch, oh, she’s a groupie/ Yeah, b–ch, Doggy still a Mac, just like the movie.”

“That’s How We Ballin’” marks the first time Pain and Snoop have worked together on a record since the rapper’s 2011 song “Boom.” They also collaborated on DJ Khaled’s platinum-selling hit “All I Do Is Win.” Both performers are also video game fanatics. Snoop and his son Cordell recently started Death Row Games, anchored around minority creators developing and publishing using Fortnite’s Unreal Editor.

“Let’s really put resources into building Death Row Games and making a home for diverse creators in the gaming ecosystem and be a part of the narrative, the storytelling of what the next game should be looking like.” Broadus told Afrotech. “And I keep saying ‘show representation of the culture in these sectors,’ versus us just being the talent. We wanted to make sure that we’re part of the decision that’s being made and more importantly tell these stories from diverse creators and focus on creatives in underserved communities.”

Listen to “That’s How We Ballin’” below.