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Laughter, Love & Tears: Laura Pausini Is Celebrated as Latin Recording Academy Person of the Year

Laura Pausini assures that she will never forget the night she lived in Seville on Wednesday, Nov. 15, 2023, when she became the first artist born outside of Latin America or Spain to be honored as the Latin Recording Academy Person of the Year, and only the third woman to receive the recognition (after Gloria Estefan and Shakira.)

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The Italian superstar, who over three decades has made sure to release each of her albums simultaneously in Spanish, conquered the Spanish-speaking world early on with anthems like “La Soledad,” “Se Fue,” “Inolvidable” and “Amores Extraños,” creating an unbreakable bond not only with her fans, but with her colleagues in the Latin industry — many of whom consider her a close friend today.

On Wednesday, on the eve of the Latin Grammy Awards, about 30 of them took the stage to celebrate her by performing songs from her well-known repertoire: From Alejandro Sanz, India Martínez and Ana Mena, who opened the evening with a medley of “Nadie Ha Dicho” and “Volveré Junto A Ti,” to Beret, Danny Ocean and Ovy on the Drums (playing keyboard,) who closed the show with “Se Fue” before handing over the mic to Pausini herself.

Accompanied by an orchestra, stars such as Andrea Bocelli, Luis Fonsi, David Bisbal, Carlos Vives, Anitta and many more surprised the honoree at the traditional annual dinner and concert, considered one of the most important events of Latin Grammy Week. Words like “reference”, “pride” and “modesty” resonated among the participants, who highlighted Pausini not only as an exceptional singer, but as a generous, warm and simple human being.

“Our person of the year is a genuine, authentic artist with a deep sensitivity, who has turned her lyrics into songs of all time,” said Manuel Abud, CEO of the Latin Recording Academy, during the gala. “Winner of a Grammy and four Latin Grammys, Laura has always remained faithful to her romantic style and to a tireless search for musical excellence. And what you won’t find in any biography, but we all know, is that she is a great girl.”

Among the most notable performances of the night, Fonsi and David Bisbal sang “Inolvidable” with a vocal feat that earned them a standing ovation at the FIBES Seville Conference and Exhibition Centre. Mon Laferte and Christian Nodal offered a beautiful cover of “Como Si No Nos Hubiésemos Amado;” Andrea Bocelli sang an Italian version of Charles Aznavour’s “She”, “Uguale a Lei;” and Anitta and Tiago Iorc, along with trumpeter Arturo Sandoval, surprised everyone with a cover of the romantic ballad “En La Ausencia De Ti” in Portuguese.

Fonseca, Silvestre Dangond and Carlos Vives created one of the funniest moments with their version of “Quiero Decirte Que Te Amo” that started as a violins-led ballad and soon transformed into a vallenato, before culminating in a kind of fight between the three of them for the honoree’s love.

Pausini reacted to all this with laughter and tears, making hearts with her hands and even standing up to hug the singers on the edge of the stage. Evidently moved, she was accompanied by her parents, her sister, her husband Paolo Carta and her daughter Paola.

Also singing were Malú and Niña Pastori (“La Soledad”), Carin León and Vanesa Martín (“Amores Extraños”), Pablo López and Antonio Orozco (“Verdades A Medias”), Pablo Alborán and Elena Rose (“Yo Sí (Io sì )”), Reik and Bebe (“Entre Tú Y Mil Mares”), and Ángela Aguilar and Pepe Aguilar (“El Valor De Seguir Adelante”).

Fonsi, who called Pausini a “sister” and highlighted her spontaneity and great sense of humor, was the one to present her as the 2023 Person of the Year.

“Your passion, your ethics, your daily effort, your respect for the audience, for your colleagues, your respect for the stage, and your level of perfectionism — mi gente, when I say level of perfectionism it is a freaky, freaky, freaky level,” the Puerto Rican star said. “But that’s why you are what you are, that’s why you’re so great and you’ve come so far.”

Pausini, appealing to the sense of humor that her friend had just highlighted, sang “And I… I am the Person of the Year” to the melody of Whitney Houston’s “I Will Always Love You,” making everyone laugh.

“I will never forget this in my life. I will never live a night like this again,” she said upon receiving her trophy, thanking everyone involved in her career and in her life for accompanying through it all. She noted that, during the last 30 years, she has had a privileged life not only because she has “the great pleasure of being able to sing in Spanish,” but because from very early on she felt “adopted” by the Latin industry and community, “like a daughter, like a sister, like family.”

“You’ve raised me from a teenager until today, giving me the possibility of being the most Latin Italian in the world!” she exclaimed to cheers. “It seems to me that today is the day in which we confirm to the entire world that our adoption is legal, that our hands will not let go, and above all that our hearts will remain together. I promise this.”

With her husband and musical director on guitar, Pausini closed her big night on stage with a medley of “Durar”, “La Soledad”, “Víveme,” “En Cambio No”, and a cappella renditions of “Amores Extraños” and “Entre Tú Y Mil Mares.

Ex-NBA All-Star Unmasked on ‘The Masked Singer’

The Masked Singer was balling on Wednesday night (Nov. 15), when one of the NBA’s most recognizable athleted of the 2000s was unmasked.

The celebrities got their helmets and sang their heart for Trolls night, a pop night. Cuddle Monster performed “You Got It (The Right Stuff)” by New Kids on the Block, Anteater hit “I Want It That Way” by Backstreet Boys and Donut sang “I Do (Cherish You) by 98 Degrees.

Donut had it licked as Cuddle Monster and Anteater accumulated the least number of votes, and entered the smackdown with a performance of Justin Timberlake’s “Can’t Stop the Feeling.”

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For Cuddle Monster, an early retirement.

Under the fluffy mask was Metta World Peace, the controversial former NBA star who is remembered as much for his role in the infamous “Malice at the Palace” brawl in 2004 (when he was known by his birthname, Ron Artest), as he is for a superb pro career, during which he won an NBA championship with the Los Angles Lakers (in 2010), and earned a string of league honors, including All-NBA, All Star and defensive player of the year.

“It was an amazing experience,” he told host Nick Cannon. “I love the character and the chakra, I was asking to make I more zenful. We’re from the hood. But you know, we like a zen too.”

Under the costume, “I was trying to make it fun,” he added. “I can’t wait for my grandbaby to see this.”

The former NBA star isn’t afraid of holding a mic. He’s released a string of hip-hop records, both as Metta World Peace and Ron Artest.

Metta World Peace departs the 10th season of Fox’s wacky singing competition, joining the likes of Luann De Lesseps as Hibiscus departs the competition, joining the likes of Posey as Hawk, Billie Jean King as Royal Hen, Michael Rapaport as Pickle, Tom Sandoval as Diver, Anthony Anderson as Rubber Ducky and Demi Lovato as Anonymouse as this season’s unmasked celebrities.

Robin Thicke, Nicole Scherzinger, Ken Jeong and Jenny McCarthy return as judges for the latest season, which airs Wednesdays on Fox at 8 p.m.



Billie Eilish’s ‘Barbie’ Song, Robbie Robertson’s Scorsese Score Honored at 2023 Hollywood Music in Media Awards

Billie Eilish and FINNEAS’ “What Was I Made For?” from Barbie won song – feature film at the 2023 Hollywood Music in Media Awards, which were presented Wednesday night (Nov. 15) at The Avalon in Los Angeles.

The hypnotic “What Was I Made For?” (written by Eilish and her brother FINNEAS) beat out another song from Barbie, the comic “I’m Just Ken” (written by Mark Ronson and Andrew Wyatt). Atlantic’s soundtrack album from the film also won the soundtrack award.

The late Robbie Robertson won score – feature film for his score for Martin Scorsese’s Killers of the Flower Moon. Robertson died in August at age 80. This was the 11th and final collaboration between Scorsese and Robertson; the film is dedicated to the Canadian rock music legend.

Women co-wrote five of the six songs that won in various film categories. And women composers took two of the seven film score awards. Laura Karpman won score – sci-fi / fantasy film for The Marvels; Hildur Guđnadóttir won score – horror/thriller film for A Haunting in Venice. In addition, Mica Levi, who identifies as non-binary, won score – independent film for The Zone of Interest.

Angela Leus won music supervision in a film for Trolls Band Together.

The show included performances by nominees OK Go, Diane Warren and Marc Shaiman. Shaiman, a Grammy, Emmy and Tony winner, received an outstanding career achievement award.

Presenters included Taura Stinson, Marie Kingsley, Heather Mcintosh, Julia Michaels, Allyson Newman, Mychael Danna, Mike Stoller and the celebrated team of Benj Pasek and Justin Paul.

The HMMAs are often seen as a bellwether for the Oscars. Past HMMA winners who have gone on to win Oscars include Eilish and Finneas for the title song from No Time to Die; Hans Zimmer for Dune; Trent Reznor, Atticus Ross and Jon Batiste for Soul; Hildur Guðnadóttir for Joker; Ludwig Göransson for Black Panther; and Alexandre Desplat for The Shape of Water; plus songs from Judas & the Black Messiah, La La Land, A Star Is Born and others.

Unlike the Oscars, which have just one category each for songs and scores, the HMMAs have six categories for film songs and seven for scores.

The most intriguing and inspired HMMA category is song – onscreen performance, which honors the performer who performed the song onscreen in the film. Eve Hewson, Joseph Gordon Levitt, Orén Kinlan and Jack Reynor won for performing “High Life” in Flora and Son.

In the HMMAs’ newest category, best song – sci-fi/fantasy, Olivia Rodrigo and Dan Nigro won for co-writing “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds and Snakes.

For those looking forward to that other award, Oscar shortlists of 15 top contenders for best original song and best original score will be announced on Dec. 21. Oscar nominations will be announced on Jan. 23, 2024. The awards will be presented on March 10, 2024.

For a complete list of winners in all categories, visit this page on the HMMA site.

Here are the nominees in the film categories.

SONG AWARDS

Song – feature film

“I’m Just Ken” from Barbie. Written by Mark Ronson and Andrew Wyatt. Performed by Ryan Gosling (featuring Slash and Wolfgang Van Halen)

WINNER: “What Was I Made For?” from Barbie. Written by Billie Eilish O’Connell and Finneas O’Connell. Performed by Billie Eilish.

“The Fire Inside” from Flamin’ Hot. Written by Diane Warren. Performed by Becky G.

“High Life” From Flora and Son. Written by Gary Clark, John Carney, Eve Hewson. Performed by Eve Hewson, Orén Kinlan, Jack Reynor, Joseph Gordon-Levitt.

“I Am” From Origin. Written by Stan Walker, Michael Fatkin, Vince Harder, Te Kanapu Anasta. Performed by Stan Walker.

“Road to Freedom” from Rustin. Written and performed by Lenny Kravitz.

“This” From The Beanie Bubble. Written by Damian Kulash, Jr. and Timothy Nordwind. Performed by OK Go.

“Keep It Movin’” from The Color Purple. Written by Halle Bailey, Denisia Andrews, Brittany Coney, and Morten Ristorp. Performed by Halle Bailey and Phylicia Pearl Mpasi.

Song – animated film

“Steal the Show” from Elemental. Written by Ari Leff, Michael Matosic, Thomas Newman. Performed by Lauv.

“Down Like That” from Paw Patrol: The Mighty Movie. Written by Bryson Tiller, Chantry Johnson, Michelle Zarlenga, and Charlie Heath. Performed by Bryson Tiller.

“Am I Dreaming” from Spider-Man: Across the Spider-Verse. Written by Mike Dean, Peter Lee Johnson, Rakim Mayers, Roisee, Landon Wayne and Leland Wayne. Performed by A$AP Rocky, Metro Boomin and Roisee.

WINNER: “Better Place” from Trolls Band Together. Written by Shellback, Justin Timberlake, Amy Allen. Performed by *NSYNC.

“Peaches” from The Super Mario Bros. Movie. Written by Jack Black, John Spiker, Eric Osmond, Michael Jelenic, Aaron Horvath. Performed by Jack Black.

“This Wish” from Wish. Written by Julia Michaels, Benjamin Rice, and JP Saxe. Performed by Ariana DeBose.

Song – sci-fi / fantasy

“A World of Your Own” from Wonka. Music written by Neil Hannon, Lyrics by Neil Hannon, Simon Farnaby, Paul King. Performed by Timothée Chalamet

WINNER: “Can’t Catch Me Now” from The Hunger Games: The Ballad of Songbirds and Snakes. Written by Dan Nigro and Olivia Rodrigo. Performed by Olivia Rodrigo.

“For The First Time” from The Little Mermaid. Music by Alan Menken, Lyrics by Lin-Manuel Miranda, Performed by Halle Bailey

“Wild Uncharted Waters” from The Little Mermaid. Music by Alan Menken, Lyrics by Lin-Manuel Miranda, Performed by Jonah Hauer-King

“You’ve Never Had Chocolate Like This” from Wonka. Written by Neil Hannon, Simon Farnaby, Paul King. Performed by Timothée Chalamet & Cast.

Song – independent film

“Stardust” from A Good Person. Written by Cary Brothers & Scott Effman. Performed By Cary Brothers.

WINNER: “I Got You” from Holiday Twist. Written by Michael Jay and Alan Demoss. Performed by Jake Miller

“Space and Time” from Master Gardener. Written by S.G. Goodman, Performed by Mereba

“Quiet Eyes” from Past Lives. Written by Sharon Van Etten and Zachary Dawes. Performed by Sharon Van Etten.

“El Saber” from Radical. Written and performed by Gaby Moreno.

“Don’t Forget Me When I’m Gone” from Sons 2 The Grave. Written by Sean Jones, Michael Shand, Miku Graham. Performed by Sean Jones.

Song – onscreen performance

WINNER: Eve Hewson, Joseph Gordon Levitt, Orén Kinlan, Jack Reynor – “High Life” from Flora and Son

Halle Bailey – “For the First Time” from The Little Mermaid

Halle Bailey and Phylicia Pearl Mapsi – “Keep It Movin’” from The Color Purple

Megan Thee Stallion – “Out Alpha The Alpha” from Dicks: The Musical

NSync – “Better Place” from Trolls Band Together

Oil Factory feat. Chlöe, Jekalyn Carr, Loren Lott – “Praise Nationals Finale” from Praise This

Ryan Gosling – “I’m Just Ken” from Barbie

Timothée Chalamet – “A World of Your Own” from Wonka


Song – documentary film

“Everything Is Gonna Be Alright” from Bobi Wine: The People’s President. Written and performed by Bobi Wine

“Forty Foot Man” from Bono & The Edge: A Sort of Homecoming With Dave Letterman. Written and performed by Bono and The Edge.

“Speechless” from Louder Than Rock. Written by Israel Houghton and Adam Ranney. Performed by Caleb Quaye and Judith Hill.

“Dream Your Little Dream” from The Jewel Thief. Written by Dan Braun and Josh Braun. Performed by The Braun Brothers.

WINNER: “Todo Fue Por Amor” from With This Light. Written by Carla Morrison, Carla Patricia Morrison Flores, Juan Alejandro Jimenez Perez, Mario Demian Jimenez Perez. Performed by Carla Morrison.

SCORE AWARDS

Score – feature film

American Fiction – Laura Karpman

Chevalier – Kris Bowers

WINNER: Killers of the Flower Moon – Robbie Robertson

Nyad – Alexandre Desplat

Oppenheimer – Ludwig Göransson

Rustin – Branford Marsalis

Saltburn – Anthony Willis, Music By

The Killer – Trent Reznor & Atticus Ross

Score – animated film

Chicken Run: Dawn of the Nugget – Harry Gregson-Williams

Elemental – Thomas Newman

Migration – John Powell

Ruby Gillman, Teenage Kraken – Stephanie Economou

WINNER: Spider-Man: Across the Spider-Verse – Daniel Pemberton

The Super Mario Bros. Movie – Brian Tyler

Score – sci-fi / fantasy film

Asteroid City – Alexandre Desplat

Barbie – Mark Ronson and Andrew Wyatt

The Creator – Hans Zimmer

The Hunger Games: The Ballad of Songbirds & Snakes – James Newton Howard

WINNER: The Marvels – Laura Karpman

Transformers: Rise of the Beasts – Jongnic Bontemps

Score – horror/thriller film

WINNER: A Haunting in Venice – Hildur Guđnadóttir

Deliver Us – Tóti Guðnason

Knock at the Cabin – Herdís Stefánsdóttir

M3gan – Anthony Willis

The Boogeyman – Patrick Jonsson

The Exorcist: Believer – David Wingo, Amman Abbasi

Score – documentary

Kangaroo Valley – H. Scott Salinas and Logan Stahley

Split at the Root – Lili Haydn

WINNER: Still: A Michael J. Fox Movie – John Powell

The Deepest Breath – Nainita Desai

The Pigeon Tunnel – Philip Glass and Paul Leonard-Morgan

Score – independent film

Dalíland – Edmund Butt

Dream Scenario – Owen Pallett

Jules – Volker Bertelmann

Miranda’s Victim – Holly Amber Church

She Came to Me – Bryce Dessner

WINNER: The Zone of Interest – Mica Levi

Score – independent film (foreign language)

WINNER: Society of the Snow – Michael Giacchino

Control – Taisuke Kimura

Last Wishes – Carla F. Benedicto

Los Reyes Magos: La Verdad – Arturo Cardelús

Paradice – Sandrine Rudaz

The Promised Land – Dan Romer

OTHER FILM AWARDS

Music themed film, biopic or musical

Carmen – Produced by Rosemary Blight, Dimitri Rassam and Mimi Valdes. Directed by Benjamin Millepied.

The Little Mermaid – Produced by John Deluca, Rob Marshall, Lin-Manuel Miranda and Marc Platt. Directed by Rob Marshall.

Theater Camp – Produced by Jessica Elbaum, Erik Feig, Will Ferrell and Noah Galvin. Directed by Molly Gordon and Nick Lieberman.

WINNER: Trolls Band Together – Produced by Gina Shay. Directed by Walt Dohrn and Tim Heitz.

Wonka – Produced by Alexandra Derbyshire, David Heyman and Luke Kelly. Directed by Paul King.

Music documentary – special program

Dear Mama: “Panther Power” – Directed by Allen Hughes. Produced by Joshua Garcia, Loren Gomez, Quincy Jones III, Stef Smith.

WINNER: Immediate Family – Directed by Denny Tedesco. Produced by Greg Richling, Jack Piatt, Jonathan Sheldon.

Ladies First: A Story of Women in Hip-Hop – Directed by Hannah Beachler, Dream Hampton, Raeshem Nijhon. Produced by Shawna Carroll, Syreeta Gates, Cherice Hunt, Janice James, Princess A. Hairston.

Little Richard: I Am Everything – Directed by Lisa Cortés. Produced by Robert Friedman, Lisa Cortés, Liz Yale Marsh, Caryn Capotosto.

San Francisco Sounds: A Place in Time – Directed by Alison Ellwood & Anoosh Tertzakian. Produced by Michael Wright, Jill Burkhart, Mark Pinkus, Charlie Cohen, Tom Mackay, Richard Story, Jeff Jampol, Aly Parker, Darryl Frank, Justin Falvey, Stacey Offman, Richard Perello, Jeff Pollack, Frank Marshall, Alison Ellwood.

Wynonna Judd: Between Hell and Hallelujah – Directed by Patty Ivins Specht. Produced by Reese Witherspoon, Sara Rea, Wynonna Judd, Cactus Moser, Jason Owen, Bruce Gillmer, Margaret Comeaux, Leslie Fram, Patty Ivins Specht; Producer: Cassie Lambert Scalettar.

Music supervision – film

Air – Andrea Von Foerster

Fast X – Rachel Levy

Immediate Family – Mason Cooper

Love to Love You, Donna Summer – Tracy McKnight

Trap Jazz – Tamar Davis

WINNER: Trolls Band Together – Angela Leus

Soundtrack album

WINNER: Barbie (Original Motion Picture Soundtrack) – Atlantic Records

Creed III (Original Motion Picture Soundtrack) – Dreamville / Interscope Records

Fast X (Original Motion Picture Soundtrack) – Artist Partner Group

Guardians of the Galaxy Vol. 3 (Original Motion Picture Soundtrack) – Hollywood Records

Spider-Man: Across the Spider-Verse (Original Motion Picture Soundtrack) – Boominati Worldwide and Republic Records

Trolls Band Together (Original Motion Picture Soundtrack) – RCA Records

YouTube Creators Can Now Use AI to Imitate Pop Stars

YouTube is launching an experimental feature Thursday (Nov. 16) that will create artificial intelligence-generated voices of well-known artists for use in clips on YouTube shorts. The initial selection of acts participating in the program includes Charlie Puth, John Legend, Sia, T-Pain, Demi Lovato, Troye Sivan, Charli XCX, Alec Benjamin and Papoose

YouTube’s feature, called Dream Track, creates pieces of music — voice along with musical accompaniment — based on text prompts that are up to 30 seconds in length. For now, around 100 U.S.-based creators will have Dream Track access.

“At this initial phase, the experiment is designed to help explore how the technology could be used to create deeper connections between artists and creators, and ultimately, their fans,” according to a blog post from Lyor Cohen, global head of music, and Toni Reid, vp of emerging experiences and community.

The music industry has been wary of AI this year, but several prominent executives voiced their support for Dream Track. “In this dynamic and rapidly evolving market, artists gain most when together we engage with our technology partners to work towards an environment in which responsible AI can take root and grow,” Universal Music Group chairman and CEO Lucian Grainge said in a statement. “Only with active, constructive and deep engagement can we build a mutually successful future together.”

“YouTube is taking a collaborative approach with this Beta,” Robert Kyncl, CEO of Warner Music Group, said in a statement of his own. “These artists are being offered the choice to lean in, and we’re pleased to experiment and find out what the creators come up with.” 

YouTube emphasized that Dream Track is an experiment. The artists involved are “excited to help us shape the future,” Cohen said in an interview. “Being part of this experiment allows them to do it.” That also means that, for now, some of the underlying details — how is the AI tech trained? how might this feature be monetized at scale? — remain fuzzy.

While the lawyers figure all that out, the artists involved in Dream Track sounded enthusiastic. Demi Lovato: “I am open minded and hopeful that this experiment with Google and YouTube will be a positive and enlightening experience.” John Legend: “I am happy to have a seat at the table, and I look forward to seeing what the creators dream up during this period.” Sia: “I can’t wait to hear what kinds of recipes all you creators out there come up with.” 

While YouTube’s AI-generated voices are likely to get the most attention, the platform also announced the release of new AI music tools. These build on lessons learned from the “AI Music Incubator” the platform announced in August, according to Demis Hassabis, CEO of Google Deepmind. Through that program, “some of the world’s most famous musicians have given feedback on what they would like to see, and we’ve been inspired by that to build out the technology and the tools in certain ways so that it would be useful for them,” Hassabis explained in an interview.

He ticked off a handful of examples: An artist can hum something and AI-powered technology will create an instrumental based on the tune; a songwriter can pen two musical phrases on their own and rely on the tools to help craft a transition between them; a singer can come in with a fully fledged vocal melody and ask the tech to come up with musical accompaniment.   

Finally, YouTube is rolling out another feature called SynthID, which will watermark any of the AI-generated audio it produces so it can be identified as such. Earlier this week, the platform announced that it would provide labels and others music rights holders the ability “to request the removal of AI-generated music content that mimics an artist’s unique singing or rapping voice.”

Troye Sivan, DMA’S, Taylor Swift Among Big Winners at 2023 ARIA Awards

With four trophies, including song of the year and best solo artist, Troye Sivan was the big winner at the 2023 ARIA Awards, held Wednesday, Nov. 15 in Sydney.

The Aussie pop star was on hand to collect each of those pointy trophies, the victory spoils from Something to Give Each Other, his third studio album which debuted at No. 1 last month on the ARIA Chart.

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While collecting song of the year, for “Rush,” Sivan remarked on the “unbelievable” songwriting talent bubbling away in Australia. “I’m so proud to be Australian, I’m so excited for the future of Australian music. I’m swear I’m not bragging,” he continued, “but Kylie and I are nominated in the same category in the Grammys. It makes me so so so proud.” No one would blame Sivan for a touch of bragging on this night.

The pop idol made a fifth trip to the podium, when he presented the award for best video won by G Flip’s “Good Enough,” directed by Kyle Caulfield.

Genesis Owusu has a habit of dominating at Australia’s major awards ceremonies, and he kept that reputation intact at the 2023 ARIAs, held for the second consecutive year at the iconic Hordern Pavillion on Gadigal land.

The Canberra-raised, Ghana-born funkster collected a hattrick of ARIAs, for album of the year, best hip-hop/rap release, and best independent release, all for his sophomore album Struggler, which peaked at No. 4 on the national chart in August of this year.

“This is an album I made about a roach,” Owusu said after winning album of the year, the night’s top award. “It’s very weird, it’s very strange. It’s about roaches and existentialism, a bunch of weird s—.” Struggler is a meditation on humanity “and our stubborn perseverance to wake up every day and make it through an oppressive existence.”

Speaking by live video link from the U.K., where he’s currently on tour, Owusu used the platform of his acceptance speech to call for a ceasefire in Gaza conflict. It wasn’t the only politically-charged message of the night. ”

G-Flip broke through for the best video honor, their first ARIA, then doubled up with a win for best Australian live act. The multi-talented indie rocker showcased their performance chops with a blistering performance of “Good Enough,” and “The Worst Person Alive,” switching from the drum kit, to the mic, and the electric guitar.

Singer and songwriter Forest Claudette also collected their first ARIAs, winning for best soul/R&B release (Mess Around) and best cover art (Everything Was Green — Jeremy Koren (Grey Ghost) and Michelle Grace Hunder).

Australia’s princess of pop Kylie Minogue broke a decades-long drought when she snared best pop release (for “Padam Padam”). “This is just unbelievable and I am super super happy,” she said in a pre-taped message, filmed in Las Vegas where’s working her way through a residency.

When Taylor Swift swings into Australia in February 2024 for seven stadium shows on her The Eras Tour, produced by Frontier Touring, she’ll do so as the reigning ARIA winner for most popular international artist, one of the five fan-voted categories unveiled on Wednesday evening.

In a pre-recorded bit, the pop superstar gave a shout out to her legion of Swifties. “Thank-you to the ARIAs for celebrating the relationship between the artists and the fans,” she added.

Other winners include DMA’S (best group), King Gizzard & The Lizard Wizard (best rock album), MK & Dom Dolla (best dance/electronic release), Teenage Dads (Michael Gudinski breakthrough artist), The Teskey Brothers (best blues & roots album) and Fanny Lumsden, who had a dream-come-true moment when she collected best country album, presented by Dolly Parton by way of video-link.

As previously reported, rockers Jet were inducted into the ARIA Hall of Fame, doing so with a medley of their standout rock numbers from the 2000s, including the smash “Are You Gonna Be My Girl”.

“There are some truly tragic and atrocious things that are taking place around the world,” frontman Nic Cester commented from the podium. “It’s impossible to see the news at the moment and not be confronted by the destruction being committed through war, racism and politics. A lot of people are being divided. It’s often in moments like this I’m reminded of the importance of art and music. Music has always been an antidote in our lives during troubled moments, a place for refuge”

Other performers on the night included Budjerah, Brad Cox, Fanny Lumsden, Jessica Mauboy, Meg Mac, Peach PRC, and a segment celebrating 50 years of hip-hop, with a medley performance featuring Bliss n Eso, BARKAA, 1200 Techniques, DJ Krissy, and Sound Unlimited Posse with KYE.

The 2023 ARIA Awards aired live across digital station Stan, followed by a special presentation on Channel 9 from 7.30pm, with performances and moments streaming on the ARIA.official YouTube channel.

The event is a partnership with YouTube, and supported by the New South Wales government through Destination NSW, the lead government agency for the NSW tourism and major events sector.

Baes & Baddies: Yani The Body Is Coming For The Curvy Crown

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Yani The Body Baes & Baddies

Yani The Body is a curvaceous beauty that is in possession of particular, um, assets that won’t be missed by most. The popular model and influencer is our latest Baes & Baddies entry.

There isn’t a lot of information out there about Yani The Body but our brief research revealed that she used to post under a different name that we’ll not mention out of respect. Back then as it is currently, Yani captivated her legion of fans with her alluring looks and explosive figure.

Another thing we’re noticing from her page is that Yani travels the world in outfits meant to turn heads and gently break hearts. We believe that others out there will agree with us after checking out images of Yani The Body below.

Photo: @yani.the.body / Instagram

‘Dream Academy’ Finalists Talk Favorite Memories, Meeting LE SSERAFIM & More | Billboard News

The top 10 contestants from HYBE and Geffen’s ‘The Debut: Dream Academy’ sat down to talk to Billboard News’ Tetris Kelly about their favorite memories that they’ve shared together, getting to meet LE SSERAFIM, their biggest inspirations and more. The top 10 contestants hail from all over the world: Daniela (USA), Lara (USA), Megan (USA), Sophia (Philippines), Manon (Switzerland), Emily (USA), Ezrela (Australia), Samara (Brazil), Marquise (Thailand) and Yoonchae (South Korea). The finale airs on November 17th.

Tetris Kelly
It’s Tetris with Billboard News hanging out with my friends from the Dream Academy. Hi, ladies! I mean, what a journey it’s been. And now we’re here at the top 10. So now that we’re here, what would you say has been the hardest part of the journey?

Samara
I think the hardest part so far has been saying goodbye to the other girls. It’s obviously very sad. Yeah, I’m still so happy to be here with all of these beautiful nine girls.

Tetris Kelly
And speaking of being here, with all the other girls, you guys have created a sisterhood. I mean, you guys live together. So tell me what it was like to share that bond.

Emily
I feel like our bond is truly unbreakable. I think it’s a bond like no other. I think having girls from all over the world is such a special and unique experience. And I think to be able to share these moments of, moments that we’ll cherish for the rest of our lives together has, you know, created this bond with one another that’s truly unbreakable. And it’s such a blessing to be able to experience it with such amazing girls.

Tetris Kelly
Well, now I want to know about some of these moments, because I know there’s things that are happening that are behind the scenes. So tell me: What’s a funny memory that you guys think you will hold on to?

Watch the full interview above!

‘The Debut: Dream Academy’ Top 10 Share How They Created an ‘Unbreakable Bond’ During HYBE x Geffen Girl Group Contest

HYBE x Geffen’s The Debut: Dream Academy is just days away from its finale and the girl group’s reveal, and the top 10 contestants sat down with Billboard‘s Tetris Kelly to reflect on their time in the competition so far.

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“I feel like it’s a bond like no other,” Emily shares of her relationship with her fellow contestants. “Having girls from all over the world is such a special and unique experience, and to be able to share these moments that we’ll cherish for the rest of our lives together has created a bond that’s truly unbreakable. It’s such a blessing to be able to experience it with such amazing girls.”

The top 10 contestants hail from all over the world, including Emily, Daniela, Lara and Megan from the United States; Sophia from the Philippines; Manon from Switzerland; Ezrela from Australia; Samara from Brazil; Marquise from Thailand; and Yoonchae from South Korea.

Lara says their diversity is also their strength. “The biggest part of this project and the reason why we’re doing this is to represent all our different cultures. It’s so amazing and insane and it’s never been done before,” she shares. “It’s just a big responsibility and it’s so larger than life to be able to represent our people.”

The remaining 10 girls will perform at the show’s live finale, which is set to take place on Friday (Nov. 17). The name of the group and its final members will be revealed after the finale.

“We’ve been doing covers, and now we get a chance to show people what we can create,” Lara says of performing originals for the finale. “It’s the first presentation of what this group will be and what the music is going to be to the world. It’s exciting and nerve-racking too.”

Watch the full interview with HYBE x Geffen’s The Debut: Dream Academy top 10 above.

Alejandro Fernández’s ‘Difícil Tu Caso’ Hits No. 1 on Regional Mexican Airplay Chart

Alejandro Fernández achieves his seventh No. 1 on Billboard’s Regional Mexican Airplay chart as “Difícil Tu Caso” advances from No. 3 to lead the Nov. 18-dated ranking.

The ranchera ballad checks into the penthouse as the Greatest Gainer for the week with a 28% boost in audience impressions, to 7.85 million, earned in the U.S. in the week ending Nov. 9, according to Luminate.

“Dificil Tu Caso” unseats Maná and Eden Muñoz’s “Amor Clandestino,” after the song’s one week in command. It drops 1-5 with 4.8 million impressions, down 28%.

“Difícil,” composed by Edgar Barrera, Luis Mejía and Iván Gámez, grants Fernández his seventh champ, the second-most for a male soloist in the 2020s decade. The song was released Sept. 1 and hits No. 1 on Regional Mexican Airplay in its 10th week.

Here’s the list of all artists with the most champs on Regional Mexican Airplay this decade where Calibre 50 paces the race:

10, Calibre 50
9, Grupo Firme
8, Banda MS de Sergio Lizárraga
8, Christian Nodal
7, Alejandro Fernández
5, Grupo Frontera

“Difícil” follows one other No. 1 in 2023, “No Es Que Me Quiera,” which likely topped Regional Mexican Airplay for one week in August. Let’s review all of Fernández’s No. 1s since his first in 2020:

Peak, Title, Artist, Weeks at No. 1
Jan. 11, 2020, “Caballero,” 1
April 25, 2020, “Te Olvidá,” 2
Oct. 24, 2020, “Decepciones,” with Calibre 50, 1
April 24, 2021, “Duele,” with Christian Nodal, 1
Sept. 17, 2022, “Nunca Dudes En Llamarme,” with La Arrolladora Banda El Limón De Rene Camacho, 1
Aug. 5, 2023, “No Es Que Me Quiera Ir,” 1
Nov. 18, 2023, “Difícil Tu Caso,” 1

“Difícil” also continues its successful rise on the all-Latin genre Latin Airplay tally, with a 9-5 jump, its second week in the top 10.



Saudi Arabian Artists & Execs Discuss Building the Country’s Music Industry From Scratch

Amid the offerings at the LA3C festival that took place in downtown L.A. this past weekend (Nov. 11-12), a presentation from the Saudi Arabia Music Commission put forth a broad view of the music industry currently being developed in the country.

Hosted by VIBE editor-in-chief Datwon Thomas, panelists included Paul Pacifico, CEO of the Saudi Music Commission; Ahmad Alammary, chief creative officer for the Saudi electronic music festival Soundstorm; Gigi Arabia, the founder/CEO of Saudi heavy metal organization Heavy Arabia; Mexican-American songwriter, producer and academic Fernando Garibay, who has worked in the Kingdom; and Saudi singer-songwriter Tamtam.

Saudi Arabia has seen significant social changes in the last decade, as the government has eased restrictions around formerly prohibited activities like playing music in public and co-ed gatherings. These new freedoms have helped lay the groundwork for the formation of a music industry, with the bulk of the panel discussion focused on how this industry is currently being built from scratch.

“We have huge pent-up supply of creativity and music,” said Pacifico, a Brit who joined the Music Commission as CEO in January 2023. “We have huge pent-up demand among audiences that have grown up wanting to go to festivals, concerts, events, to listen to music and enjoy themselves.”

“But we lack enablers,” Pacifico continued. “So over the next one year, three years, five years, it’s going to be all about building the structures that connect those dots that allow people to express themselves creatively and to build platforms that will enable Saudi artists to tell their stories in a way that will be heard around the world.”

“A lot of people working in the [global music] industry ask how we can fix our industry, or how we can rethink our industry,” added Garibay, “but I don’t think we’ve ever had in the history over the past 100 years a chance to think about, ‘How would you start over? How would you start from a new perspective?’”

The discussion emphasized that while Saudi Arabia does not yet have venues, a collecting society and other essential infrastructure, this clean canvas is allowing key players to, Alammary said, “shape it the way we want to learn from the lessons around the world and actually serve artists.”

Pacifico cited the major opportunities for artists in Saudi Arabia with respect to the country’s demographics, saying that “70% of the people are under 35 years old, and the country has 98% Internet penetration. So you have a young, connected, dynamic and unbelievably energized population.”

The panelists agreed that this audience and the emerging industry combined are creating huge opportunities for Saudi artists, as formerly underground scenes are coalesced and, as Alammary said, “unveiled.” These formerly underground scenes include those around genres like electronic music, the focus of the Saudi mega-festival Soundstorm that launched in 2019, along with hip-hop, heavy metal and more.

“All of the events took place in super unconventional places,” Arabia said of the Saudi metal scene before music-related restrictions were lifted. “We have something in Saudi called rest houses, little houses in the middle of nowhere for people to rest in if they’re going on a road trip, where events took place.”

“We’re still growing it event by event,” Arabia added in regard to the country’s current aboveground metal scene. “With the help of the Music Commission and its leadership, now we have been able to go and represent it in the genre globally.” She foresees Saudi Arabia becoming a “hotspot for metal heads” in a fashion similar to the Nordic region.

The Music Commission exists under the Saudi Ministry of Culture, a government entity focused on expanding the country’s entertainment sector through endeavors into music, sports, film and more. These entities exist as part of Vision 2030, the Saudi government’s plan, it says, to diversify the country’s economy, society and culture. (The LA3C panel did not touch on the challenges of building an industry amid the still-existing restrictions of the Saudi government, which does not protect freedom of speech and which, despite some recent advancements, still imposes myriad restrictions on women.)

“There’s an incomplete picture. It’s like a jigsaw puzzle with pieces missing,” Pacifico said of the country’s current industry, “But we see record labels coming up, we see management companies growing. The most amazing thing is the whole music industry is going through an accelerated time of massive change, and Saudi Arabia as a country is going through a massively accelerated time of change. So nothing’s taken for granted… and we can just think again about how to do things better, quicker, more efficiently.”

The presentation also included performances from Tamtam, Saudi pop artist Mishaal Tamer — who released his debut EP in 2020 via RCA Records and opened for OneRepublic on tour this past summer — and Riyadh-based producer and songwriter NTITLED.

LA3C was built to highlight communities creating culture around the world. LA3C created a paid partnership with the Saudi Music Commission to highlight the cultural shift in the commercial entertainment sector and with regional artists that have a presence in the United States and Saudi Arabia. LA3C is owned by Penske Media Corporation which is also the parent company of Billboard