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Hall & Oates Trade Blows In New Lawsuit Filings: ‘Ultimate Partnership Betrayal’

The mysterious legal battle among Hall & Oates became clearer Wednesday (Nov. 29) when Daryl Hall filed court papers accusing musical partner John Oates of leaving him “blindsided” by secretly moving to sell his half of their joint venture to Primary Wave – an act he called the “ultimate partnership betrayal.”

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A week after news of the dispute between the yacht rock legends first surfaced, Hall filed an unsealed declaration (obtained by Billboard) that was filled with new revelations – not just about his partner’s “ambush,” but also about the duo’s ongoing “divorce,” about Hall’s problems with Primary Wave in particular, and about his personal feelings toward his former partner.

“Respectfully, he must be stopped from this latest wrongdoing and his malicious conduct reined in once and for all,” Hall wrote of Oates.

Hours later, Oates filed his own statement in response, saying he was “tremendously disappointed” that Hall had chosen to make “inflammatory, outlandish, and inaccurate statements about me.”

“I have no idea who or what is motivating Daryl to take these steps and make such salacious statements, but I am deeply hurt,” Oates wrote.

After teaming up as a pair of Philadelphia singers in 1972, Hall & Oates hit the top of the Billboard Hot 100 a whopping six times, first with “Rich Girl” in 1977 and then with “Kiss On My List,” “Private Eyes,” “I Can’t Go For That (No Can Do)” “Maneater” and “Out of Touch.” The duo have continued to successfully tour for years, including as recently as last year.

But in early November, Hall filed a private arbitration case against Oates, challenging his partner’s alleged plan to sell his half of their joint venture (Whole Oats Enterprises) to Primary Wave, a prominent music company that has acquired many iconic music catalogs in recent years. Fearing that the deal would close before the case was decided, Hall then filed the current lawsuit in Tennessee, seeking a court order to block the sale.

The lawsuit was filed under seal, shrouding it in mystery and leading to days of speculation about why the beloved duo were suing each other. The complaint was then unsealed last week, revealing the basic details about the proposed sale to Primary Wave and Hall’s objections. But Wednesday’s filings painted the clearest picture yet of the bitter dispute between the former partners.

In his declaration, Hall called Oates’ agreement to sell to Primary Wave a “completely clandestine and bad faith move in blatant violation” of their agreement, which he said clearly requires full consent from both partners.

“John Oates and the Co-Trustees engaged in the ultimate partnership betrayal,” Hall wrote. “They surreptitiously sought to sell half of the WOE assets without obtaining my written approval.”

Hall said he first learned of the proposed sale to Primary Wave in late October – news that he said left him “blindsided.” He said it came as the two sides were engaged in mediation on other issues and as he was about to embark on a tour, causing him “tremendous upheaval, harm, and difficulty in my life.”

“I believe that John Oates timed the unauthorized transaction to create the most harm to me,” Hall wrote.

Hall seemed particularly upset about the idea of selling to Primary Wave in particular. He said he had “no intention of becoming partners with Primary Wave” and that Oates could not “thrust a new partner upon me in this outrageous fashion.”

“The potential of being forced into a partnership with Primary Wave without my consent is incredibly upsetting,” Hall wrote. “There is no amount of money that could compensate me for being forced to partner with an entity that I did not agree to partner with, and whose business model does not comport with my views regarding the WOE assets. The harm is unimaginable.”

The biggest problem for Hall, the filing indicated, was the idea of granting Primary Wave control over his name and likeness rights – something he called “highly personal assets.”

“Primary Wave is a company that brands itself as having a strong focus on exploiting not only copyrights but the trademarks and name and likeness rights of the artists from whom they purchase catalogue rights,” Hall wrote. “If Primary Wave becomes my partner they … will likely have a goal to use the
WOE assets, and my name and likeness, for branding and exploitations.”

A representative for Primary Wave did not immediately return a request for comment on Wednesday evening.

Hall also revealed that the dispute came amid a broader “divorce” with Oates. His former partner had recently become “adversarial and aggressive” and intended to “burden and harass me.” Eventually, they began discussing a dissolution of their touring company and other joint ventures. But he says that Oates never once discussed selling his share in Whole Oats Enterprises, the joint venture at issue in the case.

“John Oates was very combative and protective with respect to WOE, and consistently conveyed his desire to keep his ownership and that partnership intact and operative—there was never a hint that he would try to ambush me with a sale,” Hall wrote.

The new filing also cleared up exactly what assets are controlled by Whole Oats Enterprises. They include the band’s trademarks, their personal name and likeness rights, their record royalty income, and “certain HO social media and related website assets.” Another entity, Hot Cha Music, LLP, controls the band’s valuable musical composition copyrights – meaning they are not at issue in the case.

In his own filing Wednesday, Oates offered far fewer details than Hall had; he repeatedly said that he was subject to confidentiality agreements that restricted what he could say. But he refuted his partner’s core accusation about a secret deal that violated their partnership contract.

“I can only say that Daryl’s accusations that I breached our agreement, went ‘behind’ his back, ‘acted in bad faith,’ and the like, are not true,” Oates wrote.

A court hearing in the case is scheduled for Thursday morning in Nashville.

Lana Del Rey Performs a Moody Cover of ‘Unchained Melody’ for ‘Christmas at Graceland’: Watch

The spirit of Christmas and the spirit of Elvis Presley collided Wednesday night (Nov. 29) for NBC’s all-star Christmas at Graceland special.

Post Malone, Kasey Musgraves, Alanis Morissette, John Legend and Lana Del Rey led the holiday special line-up, which helps to celebrate the legacy of the late King of Rock ‘n Roll.

When it came Del Rey’s time in front of the cameras, she didn’t mess about. The “Summertime Sadness” singer performed a trademark moody rendition of “Unchained Melody,” a hit for the Righteous Brothers’ in the mid-60s. Elvis, of course, turned the song into a piece of history with a stirring performance on June 21, 1977 at the Rushmore Plaza Civic Center in Rapid City, South Dakota. Elvis passed less than two months later, at the age of 42.

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More than a decade has passed since Del Rey introduced herself to the world with “Video Games,” lifted from her second studio album (and major label debut) Born to Die from 2012.

Her ninth and most recent LP, 2023’s Did You Know That There’s a Tunnel Under Ocean Blvd, bowed at No. 3 on the Billboard 200, and is one of her nine top 10 appearances on the chart, a list that includes two No. 1s (with 2014’s Ultraviolence and 2017’s Lust For Life).

Christmas at Graceland marks the first live musical televised holiday special of its kind at the late Presley’s 13.8-acre Memphis, Tennessee estate, and featured never-before-broadcast footage of the legendary singer. In 1982, Graceland was opened to the public as a museum, which draws hundreds of thousands of visitors annually to honor the life of Presley.

In addition to Del Rey, other artists taking part in the Christmas at Graceland special were country star Kane Brown, newly named CMA entertainer of the year Lainey Wilson, Lana Del Rey, 2024 Grammys best new artist nominee The War and Treaty.

Watch Lana Del Rey’s performance below.


https://youtube.com/watch?v=KrkrV&version=3&rel=1&showsearch=0&showinfo=1&iv_load_policy=1&fs=1&hl=en-US&autohide=2&wmode=transparent

The Hotties Are Coming For Shannon Sharpe Following His Inappropriate Comments About Megan Thee Stallion

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COLLEGE FOOTBALL: SEP 09 Nebraska at Colorado

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Shannon Sharpe let his lust for Megan Thee Stallion get the best of him.

The ESPN First Take co-host and Pro Football Hall of Famer is in hot water with Megan Thee Stallion’s fans. During the recent episode of his podcast Nightcap with fellow former NFL player Chad “Ochocinco” Johnson.

In the clip that has since gone viral, Sharpe didn’t bite his tongue at all when talking about his attraction to Megan Thee Stallion and sharing in explicit detail what he wants to do the Houston rapper sexually.

“I’d have her stretched out like quarter to three,” Sharpe said before adding: “I do it three ways, Ocho: deep, hard and continuously … I’d have her opening up like saloon doors.”

The fallout from 55-year-old former professional comments was swift. One person wrote on Instagram, “Love Shannon, but this is wildly inappropriate,” they wrote. “He is employed by ESPN. They don’t play that, he needs to tone it down on these types of comments. It’s not the 90s anymore.”

“In light of all the lawsuits, I just want men to chill for a min. Like take a step back from the overt/public sex talk and stories and find something safe to chat about,” another commenter said.

“Giving perv vibes. Please go find something else to do cause this ain’t it,” another person wrote. “Shannon is getting a bit too comfortable. He should relax, he’s giving old & creepy,” another added.

Shannon Sharpe Apologizes To Megan Thee Stallion

Sharpe has seen the criticism and used his Nightcap podcast to address it. While he was still on the joking tip with Ochocinco, he apologized to Megan Thee Stallion.

“I’ll tell you what. If Meg had any problem with anything that I’ve said, let me take the time to say I’m sorry, I apologize,” Sharpe said. Ocho added, “And we love you.”

Megan Thee Stallion has yet to respond, but we’re sure she won’t pay it any mind. Sharpe’s comments come after the “Cobra” rapper took to Instagram to address the scrutiny about her love life and her love for sex.

“It’s like, nobody be listening to my music. They be like, ‘Megan Thee Stallion, I cannot believe she likes to have sex! I cannot believe Megan Thee Stallion f***s!

Thee Stallion also claims she is being stingy with her goodies from now on and is turning over a new leaf.

“But no, I am turning over a new leaf. And I’m stingy with the coochie cat. I’m not a freak anymore. Oh my God. I’m done. I’m done with the streets. So toxic in the streets. I’m tired with the streets.”

We hear you Meg.

You can see more reactions in the gallery below.

Photo: Icon Sportswire / Getty

1. Our thoughts exactly

The GAP And Dapper Dan Partner Up For New “DAP GAP” Campaign

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One of the most well received collaborations is getting a second edition. The GAP and Dapper Dan have partnered up for a new DAP GAP campaign.

Hype Beast is reporting that the national retailer is tapping the iconic atelier once again to bring his distinct flavor to a new collection. The initiative was announced on Giving Tuesday and is framed as a love letter from Dapper Dan to his beloved hometown of Harlem. This time he shares the spotlight with other Harlemites including several local legends and up and coming change makers. Joining Dan are the likes of Melba Wilson (owner of icon Melba’s Restaurant), Felipe Luciano (an original member of The Lost Poets) and fashion model Alberth Johnson.

DAP GAP

Source: THE GAP / THE GAP

Dapper Dan shared his enthusiasm regarding the project in a formal statement. “A breakthrough is when people finally find their space in areas they have never been before, but a breakout is when you take the culture and the people who created it and bring it around the world. When Gap came to me, this partnership signified a breakout for the culture,” said Dapper Dan. “This DAP GAP campaign is my love letter to Harlem, and my way of continuing to propel our culture and community forward. Gap gave us the global presence that allowed us to have the breakout and I can’t wait for the next generation to be a part of this movement.”

Included in the capsule are hooded sweatshirts, matching logo sweatpants in houndstooth print, hats, socks, and a tote bag. The collection is available in sizes toddler 2T to adult XXXL and retails from $25 to $128.  Dapper Dan will launch the collection at The Gap store on 125th Street on December with a wider release to follow.

50 Cent Continues To Troll Diddy Over Lawsuit, Says He Wants To Buy Revolt TV Amid Diddy Stepping Down

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One thing about 50 Cent: It does not look like he plans to stop trolling Diddy over the quickly-settled lawsuit his former girlfriend, Cassie, filed against him alleging years of physical, sexual and psychological abuse.

As previously reported, 50 responded to the news of Diddy’s new legal troubles by mocking him with a social media post captioned, “Damn brother love, brother love, brother love, you out here looking CRAZY AS A MF. LMAO.”

Later, the “Many Men” rapper implied that he would be producing a documentary covering the scandal called “Surviving P.Diddy,” an obvious reference to the dream hampton-produced docuseries Surviving R Kelly.

Now, 50 Cent is saying he wants to buy Revolt TV after the news broke that Diddy would be temporarily stepping down as the platform’s chairman amid the controversy.

“I’ll buy that from you play boy, for the low because you know Cadillac and AT&T gonna pull out,” 50 wrote in a comment on Instagram. “I’ll give you a few dollars for it now! Sell it to me, then we can be friends. I’m serious call my phone.”

As for Revolt TV, the network released a statement Tuesday (Nov. 28) announcing the departure of the former Bad Boy mogul, who co-founded the company in 2013.

“Sean Combs has stepped down from his position as Chairman of REVOLT,” the statement reads. “While Mr. Combs has previously had no operational or day-to-day role in the business, this decision helps to ensure that REVOLT remains steadfastly focused on our mission to create meaningful content for the culture and amplify the voices of all Black people throughout this country and the African diaspora.

Our focus has always been one that reflects our commitment to the collective journey of REVOLT—one that is not driven by any individual, but by the shared efforts and values of our entire team on behalf of advancing, elevating and championing our culture—and that continues.”

Obviously, neither sexual assault nor domestic violence are things to joke about, but, then, that never really stopped 50 from going out of his way to be a troll. Love him or hate him, that man is consistent.

Cher Dazzles With Darlene Love on ‘Christmas in Rockefeller Center’ Tree-Lighting Special

After a festive performance last week at the Macy’s Thanksgiving Day Parade, Cher-mas continued Wednesday night (Nov. 29) with a double-header at the Christmas in Rockefeller Center tree-lighting special.

Cher started with a repeat performance, hitting the Radio City Music Hall rooftop for “DJ Play a Christmas Song,” the lead single from her 2023 holiday album titled Christmas and the same song she performed along last week’s parade route.

But instead of dancers dressed as red toy soldiers like they were on Thanksgiving, this time Cher’s backup troupe wore sparkly silver minidresses with silver go-go boots, coordinating with the pop legend’s silver puffer coat, silver corset and bedazzled wide-leg jeans.

Throughout the performance, the camera cut to Christmas in Rockefeller Center host Kelly Clarkson singing along to every word. “Oh my gosh, you guys,” Clarkson said breathlessly afterward. “Cher just put out a Christmas jam, y’all! That song is so good! That is my favorite song in a very long time!”

“DJ Play a Christmas Song” debuted at No. 3 on Billboard‘s Dance/Electronic Digital Song Sales chart last month — Cher’s highest-peaking song ever on the chart — while its parent album, Christmas, debuted atop Billboard‘s Top Holiday Albums earlier this month.

Next up on the tree-lighting special, Cher joined forces with longtime friend Darlene Love to sing Love’s signature holiday hit “Christmas (Baby Please Come Home),” of which they recorded a duet version for the new Christmas album. Cher went for a full outfit and hair change for the fiale performance, switching into a sequined silver three-piece suit and icy-blond long locks from her signature black ‘do. Love wore a sparkly black suit to wail co-lead on the song with Cher — and Santa Claus even popped up to play a saxophone solo.

As Clarkson noted ahead of the performance, as a teenager, Cher sang background vocals on Love’s original 1963 recording of the song from A Christmas Gift for You From Phil Spector. In the Christmas liner notes, Cher thanks Love, writing: “Singing with you – ‘one of the greatest singers ever’ – is a special kind of miracle. Just think, I was 17 when I sang background on this song. … I’m still so in awe of you!  Now we’ve come full circle.”

Ready for a Vacation? You Can Watch Carrie Underwood in Las Vegas Without Leaving Your Hotel

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With the holiday season shifting into gear, Las Vegas is the go-to destination for music fans and entertainment lovers alike — and it’s almost your last chance to see Carrie Underwood, who will embark on the final round of her Reflection: The Las Vegas Residency at Resorts World just in time for the holidays. 

The “Out of That Truck” singer kicks off the final lap of her popular Las Vegas residency at Resorts World Theaters starting tonight (Nov. 29). The residency will run from November until August 2024.  

On Dec. 29, fellow country superstar Luke Bryan will begin his final string of concerts at Resorts World Theater Las Vegas. Bryan’s residency will run until Jan. 6.

And it’s not just music: Tina Fey and Amy Poehler brought their comedy tour to Resorts World earlier this month. The Resorts World Theater is a 5,000-capacity, multi-level venue and home to Sin City’s tallest performance stage. The theater offers an intimate experience as the closest seats are located just 150 feet from the stage. Resorts World delivers a one-of-a-kind, immersive audio experience courtesy of over 265 L-Acoustics speakers powered by L-ISA hyperreal technology.

Dine, Play & Stay: Everything You Need to Know About Resorts World 

What is Resorts World Las Vegas? It’s the first integrated resort to land on the Las Vegas Strip in over a decade. The hotel offers tons of amenities and accommodations and it’s walking distance to several other hotels, as well as shopping and dining. 

Hilton Resorts World Las Vegas room

Resorts World Las Vegas

But you don’t have to leave the hotel to have a good time. The massive complex stretches across 88 acres and unites the top three Hilton brands under roof: Conrad Las Vegas at Resorts World, Las Vegas Hilton at Resorts World and Crockfords Las Vegas, LXR Hotels & Resorts. Resorts World is packed with top-of-the-line amenities, such as a relaxing spa complete with wellness treatments and a mini-theater where you can relax and have food ordered to your seat. You’ll also find swimming pools, premium casino gaming, floor-to-ceiling views from your room and an array of dining options, including over 50 food and beverage options available at your fingertips.  

Crocksford Resorts World Las Vegas room

Resorts World Las Vegas

Enjoy A-list residencies, comedy shows and other entertainment at Resorts World. From its diverse selection of restaurants and bars to a curated collection of global retail brands — and seven, yes seven, sparkling pools — Resorts World has it all. 

Conrad Resorts World Las Vegas room

Resorts World Las Vegas

From Day to Night: Where to Party at Resorts World 

Feel like hitting the dance floor? Be sure to visit Ayu Dayclub; it’s a desert-style tropical oasis with a huge pool surrounded by gorgeous palm trees and cabanas to help you party in style. 

After the sun goes down, head over to Zouk Nightclub and keep the party going all night. The club features multiple bars, VIP booths, a state-of-the-art sound and lighting system, the ultimate dance floor for partygoers, must-see sets from world-class DJs and fan-favorite performers such as Kaskade, Zedd, Tiesto, Cash Cash, Nervo, Ludacris, Deadmau5, Travis Scott and more in December. 

Resorts World: How to Book Your Stay at a Discount 

Between Cyber Week and Travel Tuesday, now’s the time to score huge savings as Resorts World is offering a major discount for its biggest sale of the year. Right now, travelers can save up to 40% off Resorts World Las Vegas during the Black Friday/Cyber Monday sale. Your Hotel stay must be booked by Friday (Dec. 1) and is valid for travel through December 30th, 2023. Blackout dates may apply.

Need New Year’s Eve plans? Ring in the New Year at Resorts World and save up to 20% off when you book your stay between Nov. 22 and Dec. 31.

The clock is ticking! Book your stay at Resorts World below.

Sony Music Says Platforms Are Using Loopholes to ‘Drag Their Feet’ on Nearly 10,000 Deepfake Takedown Requests

Dennis Kooker, president of global digital business at Sony Music Entertainment, represented the music business at Sen. Chuck Schumer’s (D-NY) seventh artificial intelligence insight forum in Washington, D.C. on Wednesday (Nov. 29). In his statement, Kooker implored the government to act on new legislation to protect copyright holders to ensure the development of “responsible and ethical generative AI.”

The executive revealed that Sony has already sent “close to 10,000 takedowns to a variety of platforms hosting unauthorized deepfakes that SME artists asked us to take down.” He says these platforms, including streamers and social media sites, are “quick to point to the loopholes in the law as an excuse to drag their feet or to not take the deepfakes down when requested.”

Presently, there is no federal law that explicitly requires platforms to takedown songs that impersonate an artists’ voice. Platforms are only obligated to do this when a copyright (a sound recording or a musical work) is infringed, as stipulated by the Digital Millennium Copyright Act (DMCA). Interest in using AI to clone the voices of famous artists has grown rapidly since a song with AI impersonations of Drake and The Weekend went viral earlier this year. The track, called “Heart on My Sleeve” has become one of the most popular use-cases of music-related AI.

A celebrity’s voice and likeness can be protected by “right of publicity” laws that safeguard it from unauthorized exploitation, but this right is limited. Its protections vary state-to-state and are even more limited post-mortem. In May, Billboard reported that the major labels — Sony, Universal Music Group and Warner Music Group — had been in talks with Spotify, Apple Music and Amazon Music to create a voluntary system for takedowns of right of publicity violations, much like the one laid out by the DMCA, according to sources at all three majors. It is unclear from Kooker’s remarks if the platforms that are dragging their feet on voice clone removals include the three streaming services that previously took part in these discussions.

In his statement, Kooker asked the Senate forum to create a federal right of publicity to create a stronger and more uniform protection for artists. “Creators and consumers need a clear unified right that sets a floor across all fifty states,” he said. This echoes what UMG general counsel/ executive vp of business and legal affairs Jeffery Harleston asked the Senate during a July AI hearing.

Kooker expressed his “sincere gratitude” to Sens. Chris Coons, Marsha Blackburn, Amy Klobuchar and Thom Tillis for releasing a draft bill called the No FAKES (“Nurture Originals, Foster Art, and Keep Entertainment Safe”) Act in October, which would create a federal property right for one’s voice or likeness and protect against unauthorized AI impersonations. At its announcement, the No FAKES Act drew resounding praise from music business organizations, including the RIAA and the American Association of Independent Music.

Kooker also stated that in this early stage many available generative AI products today are “not expanding the business model or enhancing human creativity.” He pointed to a “deluge of 100,000 new recordings delivered to [digital service providers] every day” and said that some of these songs are “generated using generative AI content creation tools.” He added, “These works flood the current music ecosystem and compete directly with human artists…. They reduce and diminish the earnings of human artists.”

“We have every reason to believe that various elements of AI will become routine in the creative process… [as well as] other aspects of our business” like marketing and royalty accounting,” Kooker continued. He said Sony Music has already started “active conversations” with “roughly 200” different AI companies about potential partnerships with Sony Music.

Still, he stressed five key issues remain that need to be addressed to “assure a thriving marketplace for AI and music.” Read his five points, as written in his prepared statement, below:

  1. Assure Consent, Compensation, and Credit. New products and businesses built with music must be developed with the consent of the owner and appropriate compensation and credit. It is essential to understand why the training of AI models is being done, what products will be developed as a result, and what the business model is that will monetize the use of the artist’s work. Congress and the agencies should assure that creators’ rights are recognized and respected.
  2. Confirm That Copying Music to Train AI Models is Not Fair Use. Even worse are those that argue that copyrighted content should automatically be considered fair use so that protected works are never compensated for usage and creators have no say in the products or business models that are developed around them and their work. Congress should assure and agencies should presume that reproducing music to train AI models, in itself, is not a fair use.
  1. Prevent the Cloning of Artists’ Voices and Likenesses Without Express Permission. We cannot allow an artist’s voice or likeness to be cloned for use without the express permission of the artist. This is a very personal decision for the artist. Congress should pass into law effective federal protections for name, image, and likeness.
  2. Incentivize Accurate Record-Keeping. Correct attribution will be a critical element to artists being paid fairly and correctly for new works that are created. In addition, rights can only be enforced around the training of AI when there are accurate records about what is being copied. Otherwise, the inability to enforce rights in the AI marketplace equates to a lack of rights at all, producing a dangerous imbalance that prevents a thriving ecosystem. This requires strong and accurate record keeping by the generative AI platforms, a requirement that urgently needs legislative support to ensure incentives are in place so that it happens consistently and correctly.
  3. Assure Transparency for Consumers and Artists. Transparency is necessary to clearly distinguish human-created works from AI-created works. The public should know, when they are listening to music, whether that music was created by a human being or a machine.

Boy Band Vet S’more Melts Off ‘The Masked Singer,’ Says Show Was ‘Unlike Any Experience I’ve Ever Had’

Spoiler alert: This story contains the identity of the contestant eliminated on Wednesday night’s (Nov. 29) episode of The Masked Singer.

With his rakish graham cracker, marshmallow hat and chocolate-dripping goatee, the swashbuckling S’more had a killer run on The Masked Singer. The clearly veteran stage performer displayed his personality and people skills early on during a swoony run through The Plain White T’s’ “Hey There Delilah,” which made judge Nicole Scherzinger “melt.”

After the snack singer told viewers he’d spent time on the road with his “brothers” back in the day and revealed that he’s a dad, Scherzinger guessed New Kids on the Block singer Jordan Knight, or maybe Jury Duty actor James Marsden. Meanwhile, always-wrong panelist Ken Jeong guessed Matchbox 20 singer Rob Thomas, while Jenny McCarthy-Wahlberg — an avowed expert on boy bands — cued in on a “hairspray” clue and though it could be O-Town singer and Broadway vet Ashley Parker Angel

S’more, who also brought it on NFL Night with Maroon 5’s “Moves Like Jagger” — during which the tall drink of water scored a touchdown with his smooth moonwalk — got the judging panel lasciviously touching marshmallow props along with him after his crush-worthy take on former One Direction member Niall Horan’s solo hit “Slow Hands.” 

His last splash was on Wednesday night’s (Nov. 29) Disco Night Group A finals, where S’more went up against Cow and Gazelle as he took on one of his favorite dance-floor hits, “That’s The Way (I Like It)” by KC and the Sunshine Band.

Other clues along the way included his journey from obscurity to worldwide fame and “heartthrob status” in just weeks, as well as a Chicago deep-dish pizza and oranges, which led to some more close-but-not-quite boy band guesses, including *NSYNC’s JC Chasez, Backstreet Boys’ Kevin Richardson and Jeong’s other swing-and-misses: Shang-Chi star Simu Liu or BSB’s AJ McLean

All wrong, however — except for McCarthy-Wahlberg, who, as it turns out, had already correctly guessed that the singer was none other than Wicked‘s Fiyero Tigelaar, aka O-Town’s Ashley Parker Angel.

Billboard spoke to Angel before his elimination, asking what inspired his return to singing, whether this is a precursor to a boy band reunion, and how he felt watching one of his favorite groups, *NSYNC, come back together after a 20-year hiatus.

You’ve done time on a number of reality shows — Celebrity Cooking Showdown, Celebrity Surf Invitational, Making the Band — how did this experience compare?

This was unlike any other experience Ive ever had. It’s such a unique style show. I had watched the previous seasons and a lot of my family are obsessed [with it] and I’d had a lot of people guessing I was characters from previous seasons. But I never thought I’d be in a giant S’more costume performing these awesome songs I got to sing.

Why now? What inspired you to do this show at this point?

I had taken a break from performing for a little while after Wicked on Broadway and I moved home to focus on being a dad and then the pandemic hit and I started an online fitness company [High Level Performance Academy] and it ended up being so fulfilling working with people who had followed my career and it felt like I was making an impact helping people change their lives for the better. I told my agent this was what I was focused on and they were ready to let me me go because I was turning down so many things and stepping away from entertainment, which is what I’d done for 20 years as a singer, actor and performer. When I got the call for The Masked Singer, I already loved the show, so it was kind of perfect. Who doesn’t love to see their favorite celebrity get revealed? So I said, “hell yeah!”

Is this a precursor to you returning to the music biz?

I’ve been getting this question a lot and the truth is I love what I’m doing now as a health and wellness coach, but I had this opportunity now that my son is older and I wanted him to have a moment where he could see his dad on stage because I’d stepped away for a solid amount of time. It will always be a part of who I am, but no. I have no plans to launch an album or do music again. I get questions about an O-Town reunion [the group reunited in 2013 without Angel] and I’m not excited about that at this time in my life. I’m always excited about evolving to the next stage and taking on new challenges.

So many of the guesses were other boy band members — was that flattering?

It was, and the one I loved the most was Rob Thomas of Matchbox 20… I’m a huge fan and it was an honor and a privilege to have that guess. One of the things was that the mask looks so much like Kevin Richardson with that goatee, but that would have been almost too on-the-nose.

Jenny seemed to know it was you from the jump, though. What do you think gave it away for her?

She knows her MTV, as she said, and I feel like because of that clue the night that she guessed [a video of S’more curling dumbbells], that was unique to what I’ve been doing the last five years.

You got to show off your indie rock, disco and pop chops on the show with songs by Maroon 5, Plain White T’s and the Sunshine Band. Was it fun to tap into those different aspects of your vocals?

Totally. And the KC song, that’s one of my all-time favorite disco songs. With Niall from One Direction, of all the boy band members he looks like my younger brother and doing another boy bander was a nod to my boy band past.

You said you were nervous at first and you said you did tons of cardio to get your breath. But judging by the many ripped, shirtless pics on your Instagram, it seems like you’re probably in the best shape of anyone who has ever been on the show.

You are far too kind. I am 42 years old, so it’s not quite the same as in my 20s. And now I’m in a giant, heavy costume. They did say with your boy band background and Broadway experience, they wanted to give me a lot of choreography, and I said yes and then later I almost regretted it singing these songs — which takes so much breath — and adding the choreography. My focus on fitness gave me a real advantage. If not, I couldn’t have made it through one song.

Was part of your strategy flirting with the female judges?

I really tried to be as creative as possible during this process and I kept asking for these moments I might have with the judges. My idea to sing and serenade Nicole was because going back to when she was in Eden’s Crush and we would play a lot of the same shows, I’ve always been a huge fan, so it was really fun to ham it up and switch around some of the “Hey Delilah” lyrics to sing it to her.

Your old pals in *NSYNC recently got back together after 20-plus years. What did you think of their return?

I am friends with those guys and I think it’s awesome and I celebrate it. One of my audition songs for O-Town was *NSYNC’s “Tearing’ Up My Heart.” When i was in high school, Backstreet Boys and *NSYNC were the biggest bands in the world and O-Town was from the same camp, but I declined an opportunity to rejoin O-Town because it’s not exciting to me where I am in my life now.

Ado’s ‘Show’ Logs Ninth Week Atop Japan Hot 100 as YOASOBI’s ‘Idol’ Returns to No. 2

Ado’s “Show” continues to rule the Billboard Japan Hot 100, now in its ninth week at No. 1 on the chart dated Nov. 29.

Although overall points are down by about 0.9 percent from the week before, the USJ Halloween event theme continues to dominate downloads (9,361 units), streaming (11,335,147 streams), and video views. The song is also enjoying popularity on social media, returning to No. 1 on the TikTok Weekly Top 20 ranking this week.



YOASOBI “Idol” rises to No. 2 for the first time in three weeks, with points increasing by about 4.5 percent. The record-holder for most weeks at No. 1 on the Japan Hot 100 (21 weeks) is currently at No. 2 for streaming (8,610,371 streams, up 2 percent), No. 10 for downloads (3,551 units, up 9 percent), and No. 2 for video (up 3 percent). Meanwhile, the pair’s latest release called “Biri-Biri,” a song inspired by the Pokémon Scarlet & Violet video games, jumps 85-14 on the Japan Hot 100 this week, while “The Brave” extends its stay in the top 10 to 9 weeks (No. 4).

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The finalists and winners of the 65th Japan Record Award 2023 were announced on Nov. 22 and Ayase, YOASOBI’s songwriter and producer, is set to receive the Best Composition Award for “Idol” and the duo will be honored with the Special International Music Award. 

NEWS’s “Gifted” debuts at No. 3, hitting No. 1 for sales with 130,866 copies sold. The boy band’s 30th single is being featured as the theme song for a drama series by the same name starring member Takahisa Masuda.



Kep1er’s “Grand Prix” bows at No. 6, coming in at No. 2 for sales with 86,273 copies sold.



AKB48 returns to the top 10 for the first time in eight weeks, as “Idol nanka janakattara” hits No. 10. The girl group’s 62nd single peaked at No. 4 on the chart dated Oct. 4, and after selling 58,173 copies during this chart week, the single has sold an estimated 677,371 copies total and is currently at No. 3 for sales.



The Billboard Japan Hot 100 combines physical and digital sales, audio streams, radio airplay, video views and karaoke data.

See the full Billboard Japan Hot 100 chart, tallying the week from Nov. 20 to 26, here. For more on Japanese music and charts, visit Billboard Japan’s English Twitter account.