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Charlie Puth on How Joining TikTok Early Changed His Career: ‘There’s No Age Discrimination Anymore’

On Sunday, Dec. 10, TikTok will host its first live global music event, TikTok in the Mix, with a slate of star headliners — including Cardi B, Niall Horan, Anitta and Charlie Puth. 

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In addition to the performances, the sold-out one-day event will bring to life TikTok’s famous For You page with a variety of in-person activities, inspired by the platform’s most-loved trends. 

“My first thought was, ‘I’m glad that I was one of their first calls,’” says Puth, “because it’s played such a huge part in my career. I think the app has been able to explain my musical process better than anything else.”

Plus, as he says, it’s provided a perfect place to show off his humor: “I’ve been a fan of internet meme culture for a very long time,” he says. “I was the kid on EbaumsWorld.com in like, 2003.”

Puth was in fact among the first artists to embrace the platform. And now, he says he continues to reap the benefits, from fans rediscovering his older hits to feeling like he can finally bring fans inside the creation of those songs – an experience he hopes to bring to the stage this weekend.

“What I really want to showcase when I’m on the stage is the creation of music, and how you don’t need a million-dollar recording studio — you can just have your phone and record sounds,” he says. “And maybe that’s doing my usual shtick that I do on TikTok, of building layers and consequently songs coming out of that … I know that there’s gonna be a lot of aspiring musicians and kids watching, and I just wanna show them that they have it within them to make music.” (Fans at home can tune in via livestream on TikTok.)

Below, Puth reveals why he was such an early adopter of the app, whether or not he’s an avid scroller (spoiler: he gives himself a time limit) and more.

What do you remember about joining TikTok and what excited you about it?  

I  thought it was an app just for memes, like, where kids would distort the s–t out of “See You Again” and make fun of it, and I wanted to see what it was like. I saw this – it was 2019 and I think it was a Tuesday – and there was this “Lottery (Renegade)” trend going on, it’s [a song] by K Camp, the rapper. I don’t know what people were doing at the time, but I thought it would be funny to make it musical, and I guess I was one of the first artists to hop on the app train early. I was on Musical.ly before — I’m just such a fan of the internet. And I woke up and my video had, like, 20 million views. So I was like, “Okay, they obviously like me.” That’s my first memory. It was my birthday, too.

You have quite a good memory. 

If I just tie something musical to anything, I can remember where I was, what I was doing.

So between then and now, how have you seen TikTok impact your career? 

The music industry seems to be changing every month. And it is so high-paced now, it’s not as traditional as just going to a TV outlet and performing your song and being done. It’s kind of nice catching a vibe from real-life listeners and enjoyers of music. And not changing your music based around that, but just having a constant audience. Like, I love making music with people in the studio, because I feel like I’m performing for them in a way — and it kind of feels like that virtually [on TikTok]. So I think it’s enhanced my creative process.  

How does that translate when you meet your fans in person?

It’s always evident, the divide in the age group. I think those who were born in 2008 know me from the app and the app only. But those who are a little older remember when I got signed and [released] “See You Again.” I’ll take it all. I love the fact that there are people who are just discovering the song “Attention,” and those who have known it for a very long time and are hearing a different version of it. It’s kind of a musical hodgepodge.  

What are the benefits of being able to extend a song’s lifespan? 

Well, it is crazy, and it is because of this app. I remember when I first got signed, there was kind of unwritten scripture: When you turn 30 and you get older as an artist, you’re not gonna be played on top 40 radio as much. I never thought that was true — and I always thought it was kind of stupid, quite frankly. And I love radio. But I’m really glad that they’ve adapted to the times of playing artists who weren’t born in 2005. They’re playing Jelly Roll, they’re playing the “Running Up That Hill” Kate Bush song. It shows that all music can be appreciated and there’s no age discrimination anymore. So it kind of makes me relax a little bit, knowing that a song of mine that I wrote seven years ago might have a chance at showing its hand again.

Do you also use TikTok as a fan yourself? 

To each one’s own, but I never scroll to get inspiration. I think the best inspiration you can get is by going for a walk and not having your phone on. And then going to TikTok and uploading and sharing your talent with the world. That’s usually what I do. Of course, there’s Sunday nights where I don’t feel like watching the Nancy Meyers movie that my fiancée wants to watch, and I just want to watch computer videos. But I try and limit it to an hour.

Nicki Minaj’s ‘Pink Friday 2’ Album: All 22 Songs Ranked

The Queen returns with her first LP since 2018 with features from Drake, Future, Lil Wayne, and more.

The Queen has returned to her rap throne. Nicki Minaj delivered her first album in five years with the highly anticipated Pink Friday 2 sequel on Friday (Dec. 8).

PF2 was slated to land on November 17, but was delayed to Dec. 8 which also serves as Minaj’s 41st birthday. Excitement for the LP continued to build this week, and perhaps boiled over when a member of the rapper’s loyal Barbz army brought up Minaj’s album during a San Antonio City Council meeting on Thursday (Dec. 7).

Pink Friday 2 arrives 13 years after the Queens legend unleashed her acclaimed 2010 debut, the first Pink Friday, which topped the Billboard 200 and cemented Minaj as one of the genre’s stars and premier MCs, ready to take over the 2010s.

The legendary rapper often clashes with the best the genre has to offer when it’s album time, and Minaj isn’t afraid to push her pen against any rhymer. This time around, she invites Young Money brethren Drake and Lil Wayne to make appearances, as well as frequent collaborators Lil Uzi Vert and Future and a first official team-up with J. Cole.

For her fifth studio album, Nicki made sure to reconnect with her roots. “When I look back at a lot of my music, I’m like, ‘Oh, my God, where was the me in it?’” she told Vogue last month. “So for this album, I went back to the old game plan … The idea that saying something like that could give hope to people — that optimistic outlook is something I think I got away from.”

Find all 22 songs from Minaj’s Pink Friday 2 ranked below.

Kendall A. Minter, Veteran Entertainment Attorney, Dead at 71

Veteran entertainment attorney Kendall A. Minter, whose diverse range of past and present clients included songwriter-producers Jermaine Dupri, Bryan-Michael Cox and D’Mile, MC Lyte, Kirk Franklin, Lena Horne and the Backstreet Boys, has died. He passed away suddenly from medical complications on Dec. 6 in Atlanta. He was 71.

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Minter, a longtime social advocate who also represented politicians, religious leaders, churches, authors and sports figures, was also the general counsel and an officer of the Living Legends Foundation. In 2015 Minter was presented with the 32-year-old organization’s Chairman’s Award.

“Kendall and I have been friends and colleagues for more than 30 years,” said Living Legends chairman David C. Linton in a statement released by the organization. “Kendall is one of the reasons why the Living Legends Foundation has maintained and survived as one of the leading and one of the few Black music organizations. We’re still standing because of his guidance. He helped us sustain the organization through some turbulent times, especially during the transition from the old model of the recording industry to today’s model, providing us with steady and sound legal counsel. We’re forever grateful for his service and leadership, not only to the Living Legends Foundation, but to the other Black organizations that he helped build during the past 40 years as well as his commitment to a long list of Black music and entertainment executives that he mentored and counseled.”

Before his death, Minter was Of Counsel with the entertainment & sports practice group at Greenspoon Marder LLP in Stone Mountain, Georgia. At Greenspoon Marder, he represented clientele in the areas of entertainment, corporate, intellectual property, sports and new media matters.

He also led and maintained his 43-year law practice, now known as Minter & Associates, based in Atlanta. Over the course of that period, his varied clientele past and present also included Archbishop Desmond Tutu, Miriam Makeba, Peter Tosh, Musiq Soulchild, Goodie Mob, Montell Jordan, Ashanti, Tasha Cobbs Leonard, Teddy Riley, Heavy D & The Boyz, radio pioneer Frankie Crocker, boxer Evander Holyfield, the Government of Jamaica and The Central Park Five, now known as The Exonerated Five, among others.

Minter also co-founded and served as the first executive director of the Black Entertainment and Sports Lawyers Association (BESLA) and was the former chairman of the Rhythm & Blues Foundation. He served as a board member as well for Sound Exchange, Georgia Music Partners and the DeKalb Entertainment Commission.

Born May 24, 1952 and raised in the Flushing section of Queens, NY, Minter earned his B.A. in political science from Cornell University in 1974 and his law degree from Cornell Law School in 1976. His first job out of law school was as association general counsel and corporate representative for broadcasting at Fairchild Industries. Over the course of his law career, Minter practiced with firms in Georgia, New York and the District of Columbia. He launched his first solo practice, the Law Firm of Kendall A. Minter, in 1980 and later opened affiliated offices in Los Angeles and London.

Minter’s other accomplishments include writing the book Understanding and Negotiating 3600 Ancillary Rights Deals: An Artist’s Guide to Negotiating 3600 Record Deals. He served as well as an adjunct professor at Georgia State University in the School of Music and the College of Law, where he taught copyright and music publishing.

Details about funeral services for Minter will be announced shortly.

Selena Gomez, Billie Eilish & SZA Get Hyped For Ariana Grande’s New Music: ‘FINALLY’

It’s not just the general population that’s been waiting years for Ariana Grande to release new music — even some of the world’s biggest pop stars are growing impatient.

Luckily, it seems the “7 Rings” singer is finally back in the studio based on a carousel of photos and video clips she posted Thursday (Dec. 7), showing her working with producers and editing tracks on a computer. Among the many ecstatic commenters on the post were stars Selena Gomez, Billie Eilish and SZA, each of whom seem as excited as the rest of Grande’s fans for a potential new release.

“FINALLY,” wrote Gomez in all caps.

“UN MUTE PLS,” commented Eilish, referring to the soundless video clips Grande posted of her mystery project.

As far as SZA’s concerned, however, she doesn’t need to hear what Grande’s working on to know that it’s going to be good. “Oh this bout to eat,” commented the “Kill Bill” artist.

It’s been more than three years since Grande has had an LP, with the Billboard 200-topping Positions arriving in October 2020. Aside from a couple stray collaborations with The Weeknd (including two No. 1 Hot 100 hits), Demi Lovato, Kelly Clarkson and Jimmy Fallon — plus a tenth anniversary edition of her debut album Yours Truly — since then, the 30-year-old vocalist has primarily been taking a break from her pop star activities to focus on her R.E.M. Beauty business and filming the Wicked live action films.

And while the “POV” singer hasn’t confirmed whether an album is in the works, fans are convinced that her post is teasing an LP. The next album Grande releases will be her seventh studio record, and observers were quick to notice that the musician’s post featured seven photos/videos in addition to being shared on the seventh day of the month.

Her Wicked costar Cynthia Erivo’s comment on the post only added fuel to the fire. “Love you sweetheart, no one is ready, I’m so freaking proud of you!! This project is so freaking special!!!” wrote the singer-actress, who will play Elphaba opposite Grande’s Glinda in the musical duology.

Grande’s friend and frequent collaborator Victoria Monet also chimed in — “She’s HOME!!!????” — as well as Ty Dolla $ign, who wrote, “She backkkk.”

See Grande’s post here.

Madonna’s The Celebration Tour Approaching $100 Million in Grosses

The numbers are in for the first leg of Madonna’s The Celebration Tour. According to figures reported to Billboard Boxscore, the European leg grossed $77.5 million and sold 429,000 tickets.

In January, Madonna announced The Celebration Tour, slated to honor the biggest hits of her legendary career. After a medical emergency forced a postponement of the first batch of North American dates, she launched the trek on Oct. 14 at London’s O2 Arena.

Over four shows that week, Madonna earned $14.7 million and sold 60,000 tickets, only to return to the O2 for the leg’s final two shows on Dec. 5-6, which added another $7.5 million and 31,000 tickets. Since returning from the pandemic, only Elton John and Queen + Adam Lambert have amassed bigger totals at the O2, and they did it with nine and 10 shows, respectively. When Madonna last played the O2, it was just two nights in 2015, compared to this year’s six.

In between, Madonna stopped in Belgium, France, Germany, Italy, Portugal and more, for a total of 27 shows across 11 European markets. Four nights at Paris’ Accor Arena provided the tour’s other eight-figure gross, bringing in $10.7 million from 62,000 tickets on Nov. 12-13 and 19-20.

Madonna’s European totals average out to $2.9 million and 15,900 tickets per night on a $180.53 ticket. Compared to the theater-residency run of her last tour, the Madame X Tour (2019-20), she’s up by 312% in nightly earnings and by 518% in average attendance.

On more level footing with the European leg from the Rebel Heart Tour from 2015-16, Madonna’s last arena tour, her 2023 shows are still up – by 9% in attendance, sold out on every show, and by 70% in average gross, thanks in large part to bulked up ticket pricing.

Immediate demand for The Celebration Tour expanded Madonna’s initial routing of 12 shows in Europe to 27. Likewise, the first batch of 26 shows in the U.S. and Canada has swelled to 47. She kicks off the North American leg on Wednesday (Dec. 13) at Brooklyn’s Barclays Center. After a handful of shows this month, she’s back for the rest in 2024, playing through April 15 in Austin, plus five shows from April 20-26 at Mexico City’s Foro Sol.

Looking at the relationship between Madonna’s European shows and stateside shows on the Rebel Heart Tour, Billboard expects the U.S. and Canadian leg to earn about $150 million from 650,000 tickets.

With the handful of Mexico shows to follow, the current routing for The Celebration Tour is headed toward a total haul of $240-245 million and 1.1-1.2 million tickets over 79 shows. That would situate it behind stadium runs on the Sticky & Sweet Tour (2008-09; $407.7 million) and The MDMA Tour (2012; $305.2 million), but ahead of arena treks the Confessions Tour (2006; $194.8 million) and the Rebel Heart Tour (2015-16; $169.8 million).

Billboard and Evite Want You to Team Up With Friends for Music Trivia This Holiday Season

Billboard and Evite partnered to launch Billboard Playback – a trivia game celebrating the connection between music, charts, artists, and fans. Playback is an interactive way for fans to showcase their knowledge on pop culture, Billboard charts, and everything in between. Every Wednesday, join Billboard Playback with a squad of the biggest music superfans you know and put your knowledge to the test for a chance to win exclusive prizes.

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The competition will run from December 13, 2023 – February 28, 2024 with a different topic each week. The top 20 teams each week will earn different Billboard Keys ranging from bronze to diamond based on total scores. Rewards are awarded per participating player (max 15 players per team). 

As you accumulate Billboard Keys throughout the season, head over to the Key Store on Billboard Playback where you can exchange them for exclusive prizes like special gift cards, access to VIP events, and tickets for various Billboard events. Check out the schedule below and start building your team via Evite. 

Schedule:

Billboard Trivia Night games will take place every Wednesday from 12/13/23 – 2/28/23 at 11am PST on www.billboardplayback.com. Games end on Thursday at 10:59am PST.

December 13, 2023: Greatest of All Time Holiday 100 Songs

December 20, 2023: Greatest of All Time Holiday Albums

December 27, 2023: Drake’s Biggest Hits

January 3, 2024: Pop Hits of 2010s

January 10, 2024: Movie Soundtracks on the Billboard 200

January 17, 2024: Artists’ First Hot 100 No. 1s

January 24, 2024: Male Latin Icons

January 31, 2024: Finish the Lyrics to Adele’s Hits

February 7, 2024: Taylor Swift’s Top Hits

February 14, 2024: Match the No. 1 Album to the Artist

February 21, 2024: Beyoncé’s Music Videos

February 28, 2024: Dance Pop Collaborations

To experience Playback, head over to billboardplayback.com

Watch Cher Spit Donuts, Oatmeal & More at Jimmy Fallon in Hilarious ‘Tonight Show’ Sketch

You probably didn’t have Cher wearing a fake mustache and spitting pieces of donut at Jimmy Fallon on your 2023 bingo card, but that certainly didn’t stop the Goddess of Pop from hocking a few loogies on Thursday night’s (Dec. 7) Tonight Show.

During her surprise appearance, Cher acted alongside Fallon in the show’s long-running “Point Pleasant Police Department” sketch, where she and the host dressed up like cops and swapped some saliva with one another, among many other solid and liquid substances.

“You guys probably don’t know this, but he and I were actually on a show together,” Cher told the audience, setting up the premise of the gross-out sketch. “This sounds like it’s a joke, but this was very serious. It was a serious show!”

The pair then dressed up in police uniforms, filled their mouths with powdered donuts and began to act out a “dramatic” scene, filled with plosive-“P” words that helped send bits of food flying at the each other’s faces. While Fallon stuck to the script — only letting his detritus fly with every punctuated consonant — Cher opted to simply spit the food directly at Fallon.

At one point early on in the sketch, as the pair attempted to sling oatmeal at one another, Fallon tried to correct the icon’s performance. “No, that’s when you spit,” a laughing Fallon told Cher after she finished her line. The superstar responded by immediately spewing oatmeal on Fallon’s face, proving once again that Cher does what Cher wants, when she wants, how she wants.

Once the pair had sufficiently soaked one another in eggnog, whipped cream and pumpkin pie, Cher declared the sketch a success. “I’m proud of the performance,” she said between laughs.

Check out the full Tonight Show sketch below:



ASCAP Calls Out AI Companies’ ‘Rampant Disregard’ for Creators’ Rights

The American Society of Composers, Authors and Publishers (ASCAP) argued that AI companies need to license material from copyright owners to train their models and that “a new federal right of publicity… is necessary to address the unprecedented scale on which AI tools facilitate the improper use of a creator’s image, likeness, and voice” in a document filed to the Copyright Office on Wednesday (Dec. 6). 

The Copyright Office announced that it was studying “the copyright issues raised by generative artificial intelligence” in August and solicited written comments from relevant players in the space. Initial written comments had to be submitted by October 30, while reply comments — which give organizations like ASCAP the chance to push back against assertions made by AI companies like Anthropic and Open AI — were due December 6.

Generative AI models require training: They ingest large amounts of data to identify patterns. “AI training is a computational process of deconstructing existing works for the purpose of modeling mathematically how [they] work,” Google wrote in its reply comments for the Copyright Office. “By taking existing works apart, the algorithm develops a capacity to infer how new ones should be put together” — hence the “generative” part of this. 

ASCAP represents songwriters, composers, and music publishers, and its chief concern is that AI companies will be allowed to train models on its members’ works without coming to some sort of licensing arrangement ahead of time. “Numerous comments from AI industry members raise doubts about the technical or economic feasibility of licensing as a model for the authorized use of protected content,” ASCAP writes. “But armchair speculations about the efficiency of licensing do not justify a rampant disregard for creators’ rights.”

ASCAP adds that “numerous large-scale AI tools have already been developed exclusively on the basis of fully licensed or otherwise legally obtained materials” — pointing to Boomy, Stable Audio, Generative AI by Getty Images, and Adobe Firefly — “demonstrating that the development of generative AI technologies need not come at the expense of creators’ rights.”

ASCAP also calls for the implementation of a new federal right-of-publicity law, worried that voice-cloning technology, for example, can threaten artists’ livelihood. “Generative AI technology introduces unprecedented possibilities for the unauthorized use of a creator’s image, likeness, and voice,” ASCAP argues. “The existing patchwork of state laws were not written with this technology in view, and do not adequately protect creators.”

“Without allowing the artists and creators to control their voice and likeness,” ASCAP continues, “this technology will create both consumer confusion and serious financial harm to the original music creators.”

Urban Outfitters Celebrates Nicki Minaj’s ‘Pink Friday 2’ With Exclusive T-Shirt: Shop Here

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Nicki Minaj isn’t just celebrating her birthday this Friday (Dec. 8), she also dropped her long-awaited sequel album Pink Friday 2. Urban Outfitters is commemorating the special day with an exclusive T-shirt that’ll have you saying “Let Me Calm Down” once you get a peek at it.

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Consider this shirt the gift for music lovers (especially if they’re fans of Minaj) as it features a graphic of the rapper on the front inspired by the cover of her new album. The back is designed with the words “Pink Friday 2” in pink script that’ll have you channeling the vibes of her latest music.

To commemorate the highly anticipated LP, the clothing brand rolled out the pink carpet to launch their exclusive merch. In an Instagram video posted on Friday (Dec. 8) from Urban Outfitters, the storefront has been transformed with pink decor and smoke clouds marking the brand’s official drop of the graphic T-shirt and more.

“? Happy Pink Friday, Barbz! ?” the caption says.

Since this top is exclusive to Urban Outfitters that means you can shop it in stores or online. It’s not uncommon for fans of the “Moment 4 Life” singer to sell out her merchandise, so you won’t want to think too long over whether or not to snag one for you or the fellow Barbz in your life. Once it’s sold out there’s not guarantee that it’ll be restocked — and the last thing you want to see is “sold out” messaging under your desired size.

Keep reading to shop the top now.

Urban Outfitters

Nicki Minaj “Pink Friday 2” Tee

Channel your inner Minaj with a graphic T-shirt that shows off her latest album cover on a white background. It’s made from a cotton-jersey material with a ribbed crew neckline and regular fit that you can layer under your shackets, teddy coats, oversized leather jackets or just wear on its own tucked into your jeans or joggers.

For more product recommendations, check out our roundups of the best denim dresses, corset tops and platform boots.

Olivia Rodrigo Recalls ‘Embarrassing’ Moment She Accidentally Followed Her Ex on Instagram

Olivia Rodrigo‘s no-following rule on Instagram seriously backfired at one point.

Appearing on the Tonight Show Thursday night (Dec. 7), the 20-year-old pop star finally explained why she doesn’t follow anyone else on her account, which has 35 million followers. “I try to follow zero people because it helps me be off of my phone, you know, off of social media,” she told host Jimmy Fallon.

But even the best laid plans can have unintended consequences. “I had this very embarrassing encounter once where I was stalking my ex, as one does,” she confessed. “Sue me, sorry. And I accidentally followed him ’cause I was stalking him. And I was just following one person so it was super obvious that I was following him.”

After one of her friends breathlessly ran in from the other room to inform Olivia of the mistake, things took a turn for the worse. “I went to open the Instagram app, and the second I opened the app, my phone died!” Rodrigo continued, earning stunned laughs from the audience. “I couldn’t find the charger so I was just following my ex for a while.”

The “Vampire” singer’s stop by the Tonight Show comes three nights ahead of her upcoming return to Saturday Night Live, where she’ll serve as musical guest on this weekend’s Adam Driver-hosted episode. She previously sang “Drivers License” and “Good 4 U” on the show in 2021, in one of the first-ever live performances of her career.

And though she didn’t specify which ex was the recipient of her accidental follow, Rodrigo’s fans are convinced it’s her former High School Musical: The Musical: The Series costar Joshua Bassett. Some claim to remember the moment she was solely following the “Lie, Lie, Lie,” singer in July of 2022.

“People were like, ‘Oh my gosh, she’s hacked!’ And I’m like, ‘Yeah, you guys, be safe! Two-factor authentication, you guys,’” Rodrigo joked to Fallon. “I have a finsta now, so I’m safe.” The singer also talked about her sophomore GUTS album being nominated for six Grammy awards — she said she and her mom used to make their own hand-written ballots for each year’s show when she was a kid — and the time Fallon made her mom’s life when he hugged her at a party.

Fallon also busted out the album cover and a snippet of the adorable Christmas song Rodrigo wrote when she was five (“The Bels”) and a photo of her pop star-themed sixth birthday party, proof, she joked, that she “manifested” her career.

See Olivia Rodrigo on the Tonight Show above.