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WME Leadership Announces New Organizational Structure For Contemporary Music

WME‘s music leadership team outlined a new organizational structure for the company’s contemporary music department today in a company-wide memo, detailing strategic changes for the Endeavor-owned agency built around A&R, bookings and crossover opportunities.

In a memo to WME’s contemporary music department, global head of contemporary music Lucy Dickins and global co-head of contemporary music Kirk Sommer further detailed their plans, introduced over the summer months, to build upon the 45,000 concerts their team booked in 2023.

For A&R, which covers new artists signings and artist development, “new artist discovery will be coordinated across all genres and regions,” the memo explains. “Given the globalization of our business and the speed at which new artists break today, we believe this is a critical piece to identifying new talent. Kevin Shivers will be leading these efforts on behalf of the team, working with regional and genre leads.”

For booking, Dickens and Sommer explained, WME will continue to build upon its “multiple regional servicing groups, including an Asia-Pacific presence, Latin-American team, and a robust European operation,” the memo reads. Ron Opaleski will lead global bookings and international touring strategy across North America, while Tony Goldring will lead similar efforts for the company’s international clients. Josh Kurfirst will lead efforts on behalf of festivals, Clint Mitchell will lead non-traditional touring and Ryan Jones will cover the company’s private and corporate events.

Dickens and Sommer wrote also detailed changes at the company’s crossover department, which the two leaders said “is our #1 differentiator.”

“Given its importance,” the memo explained, “WME partner Keith Sarkisian will be stepping in to oversee the coordination of non-touring services for the agency’s roster, working with divisions from across WME and Endeavor.” That includes working with Dvora Englefield, WME partner/head of new music strategy, “who will continue to identify new business opportunities and strategic partnerships on behalf our artists.”

Citing “the growth across each of our offices,” Dickens and Sommer also announced the appointment of the company’s first-ever regional office leads, managed by Brian Aherns who oversees operations for the music team. The leads for WME’s international officers are Kevin Shivers (Beverly Hills), Michael Coughlin (Nashville), Stephanie LaFera (New York), Josh Javor (London) and Brett Murrihy (Sydney).

“These new roles and areas of responsibility reflect the evolution of our business today — we are a truly global operation, we have unparalleled scale, and we have more opportunities to provide our artists than ever before,” the memo continued. “With this new structure highlighting key areas of responsibility and the leadership behind it, we will now be even better equipped to provide best-in-class services to our music clients and partners.”

The memo also announced the promotion of seven agents — Kyle Bandler, Mark Claassen, Andrew Colvin, Beth Hamilton, Sloane Logue, Austin Mullins and Travis Wolfe — to partner at WME, along with the promotion of 16 employees to agent: Sam Dolen, Janelle Flint, Jacob Fox, Josh Green, Lindsey Hastings, Carly Huffman, Dan Kuklinski, Sean McHugh, Meera Patel, Adam Sherif, John Showfety, Jeremy Upton, Carlile Willett, Laura Williams, Cecilia Yao and Ben Yekuel. 

What’s Your Favorite Taylor Swift Album? Vote!

Happy birthday, Taylor Swift! The pop superstar turned 34 years old on Wednesday (Dec. 13).

To celebrate, the 12-time Grammy winner’s The Eras Tour film made its way to streaming services, and took to Instagram to poke fun at her “millennial” habits. Swift shared a video of herself performing the Speak Now fan favorite “Long Live” on her iconic blue koi fish guitar during a stop on Eras trek this year. “I had the time of my life fighting dragons with youuuu,” the pop star captioned her post, referencing her own “Long Live” lyrics. “Celebrate 34 with me by watching The Eras Tour (Extended Version) including ‘Long Live’ ? ‘The Archer’ ? and ‘Wildest Dreams’ ? at home!” 

“PS troll me all you want about my excessive and literal millennial emoji use,” she added. “But A) no one’s prouder to be a millennial and B) it’s my bday and today I am exempt! ?” 

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Over the course of her record-breaking career, beginning with her self-titled debut in 2006, Swift has released 10 studio albums, plus four re-recorded projects. Of those albums, 13 topped the Billboard 200 albums chart: Fearless, Speak Now, Red, 1989, Reputation, Lover, Evermore, Folklore, Midnights, Fearless (Taylor’s Version), Red (Taylor’s Version), Speak Now (Taylor’s Version) and 1989 (Taylor’s Version). The only studio album of hers that did not top the tally is Taylor Swift, which peaked at No. 5 in 2008, two years after its initial release.

In celebration of Swift’s birthday, of her 10 studio albums (re-recordings not included), we want to know your top pick. Let us know by voting below.

Billboard’s Greatest Pop Stars of 2023: No. 5 — Morgan Wallen

For this year’s update of our ongoing Greatest Pop Star by Year project, Billboard is counting down our staff picks for the top 10 pop stars of 2023 all this week. At No. 6, we remember the year in Morgan Wallen — who put up mind-boggling stats all year, but was still surprisingly invisible at times.

Few artists, if any, were as set up to put numbers on the board in 2023 as country superstar Morgan Wallen

It had been two years since the release of his massive-in-all-ways Dangerous: The Double Album and the backlash following his use of the N-word in a video captured on TMZ, making 2021 both the best and worst year of his career. He had spent the rest of that year mostly laying low as Dangerous continued to produce – it would ultimately break the Billboard 200 record for most weeks in the top 10 – and then took 2022 to reintroduce himself to fans. He set out on the Dangerous Tour that February, then began to release a slow trickle of music, leading to Billboard Hot 100 top 10 hits like the trap-influenced “You Proof” and mama-I’m-crazy ballad “Thought You Should Know,” which proved how hungry most of the public still was for new Wallen material.  

Billboard’s Greatest Pop Stars of 2023:
Introduction & Honorable Mentions | Rookie of the Year: Peso Pluma | Comeback of the Year: Miley Cyrus | No. 10: Drake | No. 9: Doja Cat | No. 8: Bad Bunny | No. 7: Olivia Rodrigo | No. 6: Karol G

By early 2023, that slow trickle would turn into a broken dam. In late January, Wallen announced the March release of One Thing at a Time, to be a whopping 36 tracks long – Dangerous ran a scant 30 – and to be promoted on his One Night at a Time World Tour, kicking off that April, which would take Wallen to stadiums for the first time. Even before its release, the album was all but a pre-certified blockbuster, with the tracklist including the already-minted hits “Proof,” “Thought” and the pop-rocking title track, the latter one of three new songs he’d released along with his tour announcement in late 2022.

Morgan Wallen

Matt Paskert

Morgan Wallen

Matt Paskert

But one song he released while divulging the One Thing details would end up dwarfing them all, as well as anything on Dangerous. “Last Night” was part of another three-pack (along with the Allmans-interpolating “Everything I Love” and the cleverly Bible-wary “I Wrote the Book”) released by Wallen, this time to hype the One Thing announcement. The liquor-soaked, maybe-breakup anthem took off immediately following its mid-week release, reaching the top spot five weeks after its debut – not only a career first for Wallen, but a first for any solo male country star since Eddie Rabbit back in 1981.

The final push that got “Last Night” to No. 1 came with the March release of the full One Thing album, which unsurprisingly bowed with the biggest first-week total of the year to that point: 501,000 units, nearly doubling the 265,000 posted by Dangerous in its opening frame. One Thing would also chart all 36 of its tracks on the Hot 100 in its debut week, as Wallen blew past the previously Drake-held record of 27 for the most songs notched by an artist on the chart in a single week. If Wallen’s superstardom had escaped anyone’s notice to that point, it was finally unignorable.



And it would stay that way for months. Both “Last Night” and One Thing would continue their rule on the Hot 100 and Billboard 200, respectively – occasionally getting knocked off by a big debut or surging hit, but seemingly always returning to their perch. All in all, both song and album would reign for 16 weeks total, giving Wallen the longest reign on each chart yet this decade – and the longest ever for any unaccompanied solo artist on the Hot 100.

In the process, Wallen also laid claim to territory that had largely eluded him to that point: top 40 radio. While he had been laying siege to country radio for a half-decade already, he’d yet to score much success on the pop airwaves. But “Last Night” was simply too huge to be overlooked, and it reached No. 5 on Billboard’s Pop Airplay chart – an extremely rare level of top 40 success for a country song without a major non-country guest or obviously crossover-aimed production. And of course, his dominance at country radio practically went without saying: four songs from One Thing (“Proof,” “Thought,” “Night” and “Thinkin’ Bout Me”) topped the Country Airplay chart in 2023, and a fifth (“Everything”) is currently lurking around the top five. 



Meanwhile, all 2023, Wallen was leading the charge for a country takeover on the Billboard charts, with the genre particularly beginning to catch up to pop and hip-hop in its streaming presence. Though “Last Night” was the first country Hot 100 by a solo male in over four decades, it opened the floodgates for three more immediately after it – from Jason Aldean, Oliver Anthony Music and Zach Bryan (with Kacey Musgraves), all with songs that were massive streaming successes. In our December cover story on Wallen, Billboard’s Melinda Newman called him “the tip of the spear for the genre’s new generation,” and pointed out that while country grew by grew by 24% in on-demand audio and video streaming from 2022 to 2023, Wallen’s numbers alone accounted for 31% of that growth. 

So if he had the No. 1 album of the year, the No. 1 song of the year, and was the biggest driving force behind arguably the most consequential trend in the (English-language) music industry this year – by the way, he also finished No. 4 on Billboard Boxscore’s Year-End Top Tours ranking, highest of any artist who released an album in 2023 – how is Morgan Wallen only our No. 5 Greatest Pop Star this year? 

Well, there’s no arguing that there were four artists with more impressive portfolios of commercial achievements and statistics this year. But were there four greater pop stars? We think so, mostly because as huge as Morgan Wallen’s music was this year, the man himself was a much-less-conspicuous presence. He had no major award show or late night appearances, released no official music videos, had no particularly viral moments (besides a fan brawl outside his show that he wasn’t involved with), barely posted on TikTok – the app once integral to his early success – and until Billboard’s cover story, made no major media appearances. Millions of people caught Wallen on the One Night at a Time tour, but if you weren’t one of them, you could’ve very easily gone the entire year without seeing the man in action. 

It’s an unsurprising and arguably wise strategy for an artist whose biggest career moments in the spotlight have mostly been embarrassing ones – from his 2020 arrest for public intoxication and disorderly conduct to his violation of SNL’s COVID-19 policy and subsequent removal from the show later that year, to, of course, his filmed racial slur usage in 2021. And while a large portion of the public appears to have moved on from these incidents, Wallen’s continual underperformance at major award shows – shut out at this year’s CMAs, and with no nominations at the 2024 Grammys (“Last Night” is up for best country song, but he’s not nominated since he didn’t write on it) – suggests there may remain (understandable) hard feelings from some folks in the industry. It makes sense that Wallen would continue to tread lightly re-inserting himself into the mainstream’s center. 

Meanwhile, his chart fortunes have clearly not suffered for his lack of national visibility or award wins – regardless of Wallen’s presence in the headlines or lack thereof, his commercial momentum has only ever trended upwards since his 2018 breakthrough. This year, he even proved he could cross over to the pop world without really playing the pop game. So as long as he can top the charts and sell out his tours while letting his music do the talking for him, there’s not necessarily a lot compelling Wallen to do more. 

Fair enough. But true pop stardom – from Madonna and Michael Jackson to BTS and Bad Bunny – has always been about more than just the numbers. It’s about impact, about presence, about being the whole package. It’s about putting yourself out there, in just about every way possible, and sometimes risking it all in the process. Wallen can and most likely will continue to top nearly every official Billboard chart while laying low, relatively speaking, but it’ll take him being a little more willing to step into the spotlight at his brightest to get to the top of these rankings.

‘CMA Country Christmas’ 2023: How to Watch Online for Free

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“It’s the most wonderful time of the year” for country fans as CMA Country Christmas returns for its 14th annual show. Artists and bands from Lainey Wilson to The War & Treaty will perform popular holiday tunes to get you in the holiday spirit.

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Mark your calendar for Thursday (Dec. 14) at 8 p.m. ET if you want to catch the livestream of the program on ABC. Don’t have cable? There are a few streaming options for you to choose from including Disney+ and Hulu.

Amy Grant and Trisha Yearwood will not only perform, but take on the role of co-hosts to keep the night going. Whether you’re a country music fan or are looking to hear live performances of songs like “O Holy Night,” “You’re a Mean One, Mr. Grinch” and more, then you won’t want to miss tuning into the special.

Keep reading to learn how to watch the 2023 edition.

How to Watch CMA Country Christmas 2023

CMA Country Christmas will premiere on Thursday (Dec. 14) at 8 p.m ET on ABC and the next day on Disney+ and Hulu. If you have cable, you can watch CMA Country Christmas on TV through your local ABC affiliate. Make sure to check your local cable’s channel guide for the exact channel. Don’t have cable? You may be able to catch the livestream of the special through an HD antenna like this one here from Amazon.

For those without cable, ABC can be streamed online via ABC.com. Signing up for free trials of fuboTVSlingTV or DirecTV Streamwill give you access to ABC. You’ll be able to watch CMA Country Christmas live on TV or stream CMA Country Christmas from your laptop, tablet or smartphonephone.

Fans can also watch CMA Country Christmas online via a Hulu + Live TV. Don’t want to sign-up for Hulu? The streaming service is currently offering a 30-day free trial, which you can use to watch CMA Country Christmas online free.

More Ways to Stream CMA Country Christmas 2023

If you have Hulu or Disney+, both streaming platforms will have the holiday special available to watch online the next day. Just log into your account and you’ll be able to find it under new releases.

For anyone not subscriber to either streamer, Hulu offers the most affordable plan with a 30-day free trial, which means you can watch the program and more for free. After the free trial is over, you’ll be charged the regular membership fee based on the plan you choose. Click here or the button below to start your free trial.

While Disney+ doesn’t offer a free trial, it’s one of the more affordable streamers with plans starting at $7.99/month. For even more savings, you can also bundle Disney+ with Hulu and ESPN+, which will triple your program offerings and if you want live TV channels as well, then you can bundle it with Hulu + Live TV for even more content. Click here or the button below to get Disney+.

Who is Performing at 2023 CMA Country Christmas?

The performers set for 2023 CMA Country Christmas are:

Jordan Davis
Amy Grant
Lady A
Ashley McBryde
Jon Pardi
Lindsey Sterling
The War & Treaty
Zach Williams
Lainey Wilson
Trisha Yearwood

Check below for a sneak peek of CMA Country Christmas.



5 First-Timers on Billboard’s Charts This Week: The Bites, Whitney Wren, TML Vibez & More

Billboard has more than 200 different weekly charts, encompassing numerous genres and formats.

While established artists often compete for a spot on the Billboard Hot 100 songs chart and Billboard 200 albums ranking, which track the most popular songs and albums of the week, respectively, up-and-coming talents typically start off on genre-specific lists.

Here’s a look at five artists who appear on surveys for the first time on the Dec. 16-dated charts:

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The Bites



The Los Angeles-based rock group scores its first Billboard chart entry with its single “Knockin on the Door.” The track, released in April on Earache Records, debuts at No. 40 on Mainstream Rock Airplay (up 8% in plays, according to Luminate).

The song, which takes influence from 1970s and ‘80s rock ‘n’ roll groups (Van Halen, Guns N Roses, Def Leppard), appears on the act’s debut studio album Squeeze, released Dec. 1. The group comprises Jordan Tyler (vocals), Dustin Coon (guitar), Jono Richer (guitar), Zack Currier (bass) and Mark Hylander (drums/production).

Whitney Wren



The singer-songwriter arrives on Billboard’s charts with “Whiskey Over Wine.” The song, released Dec. 1 on Josh Bright Productions, debuts at No. 11 on Country Digital Song Sales with 2,000 downloads sold in its opening week. It also sparks her debut at No. 29 on the Emerging Artists chart.

While “Whiskey Over Wine” is Wren’s first solo release, the Florida native has already forged a successful career outside of music. She’s an online content creator and co-hosts the C&Whit Podcast with Christen Whitman. She’s particularly active on TikTok, where she boasts over 2 million followers.

TML Vibez



The Nigerian artist reaches Billboard’s charts for the first time with “Goated,” featuring Seyi Vibez. The track debuts at No. 33 on the Billboard U.S. Afrobeats Songs chart. It’s from TML Vibez’s five-track EP Timileyin, released Dec. 1 via Vibez Inc/Dapper Music & Ent.

TML Vibez is a newcomer to not just Billboard’s charts but music as a whole. Outside of the new EP, he’s released one additional song, “Grateful Sinner,” in March.

Nasboi



The singer, from Nigeria, earns his first Billboard chart appearance with “Umbrella,” featuring Wande Coal. The song, released, Nov. 24 on ETRSL/Explo Music, debuts at No. 37 on Billboard U.S. Afrobeats Songs.

TikTok has been a central factor in the song’s growing profile, as the track has soundtracked over 300,000 clips on the platform to date. On Instagram Reels, the song has been used in over 80,000 clips.

Beyond “Umbrella,” Nasboi has released one other song: “Lover Boy,” in February.

Rosaly Rubio



The singer-songwriter, from the Dominican Republic, achieves her first Billboard chart hit, thanks to “Culpa Mia,” with Chimbala, The collaboration, released Nov. 8 via Vulcano Music Entertainment, debuts at No. 3 on Latin Digital Song Sales. Rosaly Rubio has released over two dozen songs, all since 2019.

As for Chimbala, the fellow Dominican artist lands his third entry on Latin Digital Song Sales, after 2021’s “Loco,” with Justin Quiles and Zion & Lennox, and 2022’s “!Wow BB!,” with Natti Natasha and El Alfa.

Post Malone, NewJeans & More Added to Lineup for ‘Dick Clark’s New Year’s Rockin’ Eve 2024’

With 2023 drawing to a close, artists are already looking ahead to what’s on the horizon in 2024. But for this year’s edition of Dick Clark’s New Year’s Rockin’ Eve With Ryan Seacrest, a couple headlining stars want to make sure we properly bid 2023 adieu.

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On Wednesday (Dec. 13), ABC and Dick Clark Productions announced a globe-spanning set of performers — Post Malone, NewJeans and Ivy Queen — who will join the live broadcast of the annual celebration.

Each of the three new performances will take place in remote locations around the globe. Post Malone will bring his signature country-rock sound with a performance of his song “Chemical” from the stage of the Fontainebleau in Las Vegas; NewJeans will make history as the program’s first-ever performance from South Korea with “Super Shy” and “ETA”; and Ivy Queen will heat up the telecast with a yet-undisclosed set from Puerto Rico.

The three latest performers join a star-studded lineup for the evening, including acts such as Green Day, Reneé Rapp, Doechii, Aqua and more. Ryan Seacrest, meanwhile, will serve as the evening’s host for the 19th time, joined by Rita Ora as the pair count down to midnight from New York’s Times Square. Meanwhile, television personality Jeannie Mai is set to ring in the New Year for the show’s Pacific time zone section, while Dayanara Torres will lead the festivities in Puerto Rico.

Dick Clark’s New Year’s Rockin’ Eve will air on Sunday, Dec. 31, starting at 8 p.m. ET on ABC.

DCP is owned by Penske Media Eldridge, a Penske Media Corporation (PMC) subsidiary and joint venture between PMC and Eldrige. PMC is the parent company of Billboard.)

Sure: Pardison Fontaine Says He Didn’t Necessarily Cheat On Megan Thee Stallion

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Megan Thee Stallion Plan B Hottie Party

Source: Johnny Nunez / Getty

A few weeks ago the claws came out for Megan Thee Stallion’s ex-boyfriend Pardison Fontaine after she alluded to him having cheated on her during their relationship on her latest cut “Cobra.”

Looking to clear his “good” name while taking shots at Thee Stallion, Pardison responded with his own song “Thee Person” and well, that didn’t go too well for him. Still, Fontaine is out here making the media rounds and answering questions about Megan’s allegations and during a recent interview with Angela Yee on her Lip Service podcast, The Stallion’s embattled ex admitted to cheating, but not really.

Asking Pardison to respond to Megan’s line in which she said she caught him getting oral sex in the same bed they sleep in, Fontaine simply said “That’s not what happened at all.” When asked “Did she catch you getting your d*ck sucked,” Fontaine again denied it saying “Absolutely not.” Continuing to address the situation, Pardison said he never had any physical intimacy with any other woman during their relationship, but did say “Is hiding text messages from your partner cheating?”

When Angela’s fellow co-hosts said that anything you have to hide from your partner is a form a cheating, Fontaine copped to that kind of cheating saying, “In that regard, I’d say so.” Admitting that it was “inappropriate” for him to have done Megan like that, Fontaine took issue with how she rapped about it saying “the way that it was painted had me so mad, I’m like this is the part of the relationship — after everything that took place; everything that was kind of, y’know, forgiven; everything that we’ve washed away; especially when nobody asked for this — this is what you wanna go with?”

Apparently, that was the straw that broke Thee Stallion’s back as she did indeed go with that situation.

Regardless of whether Pardison felt he was wrongfully painted as a cheater, Megan Thee Stallion’s stable of fans aren’t trying to hear any of it as they’ve made up their minds about him at this point. Especially since he didn’t exactly stand up for her when men from the rap industry began to shame her for her sexual history.

Check out Pardison Fontaine address the situation below and let us know your thoughts on the matter in the comments section below.

Sure: Pardison Fontaine Says He Didn’t Necessarily Cheat On Megan Thee Stallion

HipHopWired Featured Video

Megan Thee Stallion Plan B Hottie Party

Source: Johnny Nunez / Getty

A few weeks ago the claws came out for Megan Thee Stallion’s ex-boyfriend Pardison Fontaine after she alluded to him having cheated on her during their relationship on her latest cut “Cobra.”

Looking to clear his “good” name while taking shots at Thee Stallion, Pardison responded with his own song “Thee Person” and well, that didn’t go too well for him. Still, Fontaine is out here making the media rounds and answering questions about Megan’s allegations and during a recent interview with Angela Yee on her Lip Service podcast, The Stallion’s embattled ex admitted to cheating, but not really.

Asking Pardison to respond to Megan’s line in which she said she caught him getting oral sex in the same bed they sleep in, Fontaine simply said “That’s not what happened at all.” When asked “Did she catch you getting your d*ck sucked,” Fontaine again denied it saying “Absolutely not.” Continuing to address the situation, Pardison said he never had any physical intimacy with any other woman during their relationship, but did say “Is hiding text messages from your partner cheating?”

When Angela’s fellow co-hosts said that anything you have to hide from your partner is a form a cheating, Fontaine copped to that kind of cheating saying, “In that regard, I’d say so.” Admitting that it was “inappropriate” for him to have done Megan like that, Fontaine took issue with how she rapped about it saying “the way that it was painted had me so mad, I’m like this is the part of the relationship — after everything that took place; everything that was kind of, y’know, forgiven; everything that we’ve washed away; especially when nobody asked for this — this is what you wanna go with?”

Apparently, that was the straw that broke Thee Stallion’s back as she did indeed go with that situation.

Regardless of whether Pardison felt he was wrongfully painted as a cheater, Megan Thee Stallion’s stable of fans aren’t trying to hear any of it as they’ve made up their minds about him at this point. Especially since he didn’t exactly stand up for her when men from the rap industry began to shame her for her sexual history.

Check out Pardison Fontaine address the situation below and let us know your thoughts on the matter in the comments section below.

Wizards & Capitals Announce Move From D.C. To Virginia In 2028

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Philadelphia 76ers v Washington Wizards

The Washington Wizards and the Washington Capitals have called Capital One Arena home but it appears that a change of location is on the horizon. The owner of the team and Virginia’s governor announced a plan that would bring the teams eight miles south of the city to Alexandria, Va. in 2028.

CNBC reports that Monumental Sports & Entertainment, which owns the Wizards and Capitals, CEO Ted Leonis and Gov. Glenn Youngkin announced a plan that will bring a new 20,000-seat area, and practice facilities along with a mixed-used development to the Northern Virginia city, which rests in the shadow of the Nation’s Capitol.

Below is a statement from Governor Youngkin:

“This is the most visionary sports and entertainment development in the world, bringing together entertainment, sports, and technology in the most advanced innovation corridor in the United States: a once-in-a-generation and historic development for the Commonwealth, sports fans, and all Virginians. The Commonwealth will now be home to two professional sports teams, a new corporate headquarters, and over 30,000 new jobs – this is monumental. This was only made possible through consistent collaboration between Virginia’s economic development team, the Monumental Sports & Entertainment team, the City of Alexandria, our administration and the Virginia General Assembly’s Major Employment and Investment Project Approval Commission, and JGB SMITH. Virginia is undoubtedly the best place to live, work, raise a family, and now watch basketball or hockey.”

Leonis added a statement as well:

“We are committed to providing world-class fan experiences while continuously evolving our teams, deepening community ties, and solidifying our role as leaders at the forefront of sports and technology. The opportunity to expand to this 70-acre site in Virginia, neighboring industry-leading innovators, and a great academic partner, would enable us to further our creativity and achieve next-generation, leading work – all while keeping our fans and the community at the forefront of everything we do.”

The move faces legislative approval from lawmakers during the next Virginia General Assembly, where Democrats control the upper chamber while Republicans, which is Youngkin’s party, control the lower chamber.

If Monumental does indeed move its business holdings and operations to Alexandria, it would leave downtown Washington, D.C., which some experts say is in decline, without the economic boosts of games and other events.

Photo: Getty

Wizards & Capitals Announce Move From D.C. To Virginia In 2028

HipHopWired Featured Video

Philadelphia 76ers v Washington Wizards

The Washington Wizards and the Washington Capitals have called Capital One Arena home but it appears that a change of location is on the horizon. The owner of the team and Virginia’s governor announced a plan that would bring the teams eight miles south of the city to Alexandria, Va. in 2028.

CNBC reports that Monumental Sports & Entertainment, which owns the Wizards and Capitals, CEO Ted Leonis and Gov. Glenn Youngkin announced a plan that will bring a new 20,000-seat area, and practice facilities along with a mixed-used development to the Northern Virginia city, which rests in the shadow of the Nation’s Capitol.

Below is a statement from Governor Youngkin:

“This is the most visionary sports and entertainment development in the world, bringing together entertainment, sports, and technology in the most advanced innovation corridor in the United States: a once-in-a-generation and historic development for the Commonwealth, sports fans, and all Virginians. The Commonwealth will now be home to two professional sports teams, a new corporate headquarters, and over 30,000 new jobs – this is monumental. This was only made possible through consistent collaboration between Virginia’s economic development team, the Monumental Sports & Entertainment team, the City of Alexandria, our administration and the Virginia General Assembly’s Major Employment and Investment Project Approval Commission, and JGB SMITH. Virginia is undoubtedly the best place to live, work, raise a family, and now watch basketball or hockey.”

Leonis added a statement as well:

“We are committed to providing world-class fan experiences while continuously evolving our teams, deepening community ties, and solidifying our role as leaders at the forefront of sports and technology. The opportunity to expand to this 70-acre site in Virginia, neighboring industry-leading innovators, and a great academic partner, would enable us to further our creativity and achieve next-generation, leading work – all while keeping our fans and the community at the forefront of everything we do.”

The move faces legislative approval from lawmakers during the next Virginia General Assembly, where Democrats control the upper chamber while Republicans, which is Youngkin’s party, control the lower chamber.

If Monumental does indeed move its business holdings and operations to Alexandria, it would leave downtown Washington, D.C., which some experts say is in decline, without the economic boosts of games and other events.

Photo: Getty