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Jelly Roll, Tate McRae, Mariah Carey, Maroon 5 and Ed Sheeran are among the artists set to perform at the 2025 iHeartRadio Music Festival. Hosted by Ryan Seacrest, the event will be held on Sept. 19 and Sept. 20 at T-Mobile Arena in Las Vegas.
The lineup will also include performances by Bryan Adams, Feid, GloRilla, John Fogerty, Justice, Lil Wayne, LL COOL J, Sammy Hagar, The Offspring and Tim McGraw, with more to be announced.
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On each of those two nights, the 2025 iHeartRadio Music Festival presented by Capital One will broadcast live via iHeartMedia radio stations throughout the country across more than 150 markets. Hulu will be the official streaming destination of the festival, with performances livestreamed each night exclusively to all Hulu subscribers. Additional information about the livestream will be posted across Hulu’s platform and social media channels.
Tickets go on sale to the general public on AXS.com beginning Friday, June 13, at 2 p.m. ET/ 11 a.m. PT.
Eligible Capital One cardholders will have priority access to presale tickets for the iHeartRadio Music Festival beginning Wednesday, June 11, at 10 a.m. PT/1 p.m. ET through Friday, June 13, at 10 a.m. PT/1 p.m. ET or while presale tickets last. Cardholders will also be able to add a Capital One Access Pass to their purchase to enjoy an exclusive pre-show party with LL COOL J on Friday or Jelly Roll on Saturday, which includes food, drinks and a private performance. Pre-sale info and tickets will be available at iHeartRadio.com/CapitalOne.
In addition, throughout a summerlong on-air and online promotion, iHeartMedia station listeners across the country will have chances to win exclusive trips to Las Vegas.
The iHeartRadio Music Festival will be executive-produced by John Sykes, Tom Poleman and Bart Peters from iHeartMedia and Diversified Production Services (DPS). iHeartMedia will also executive-produce the livestream and VOD special on Hulu.
For more details about the iHeartRadio Music Festival, visit iHeartRadio.com/festival. iHeart notes that artists and/or the event are subject to change or cancellation without notice.
For a minute in the 1990s, Failure seemed destined for world domination. But the L.A. alt-rock band whose excesses superseded their successes and led to a crash out after less than a decade together will be re-born (again) in the upcoming documentary, Every Time You Lose Your Mind. The first trailer for the film that will premiere on Hulu/Disney+ on June 27 features testimonials from avowed superfan Paramore singer Hayley Williams, as well as Tool’s Maynard James Keenan and late producer/engineer Steve Albini.
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“Like a falling satellite blazing across the musical landscape, Failure flamed-out in the late ‘90s – their promising rise derailed by drug addiction and record company inertia,” reads a description of the doc, which was directed by singer/guitarist Ken Andrews. “But the pioneering trio left a profound imprint that transcended their affiliation with the LA alt-rock scene. Every Time You Lose Your Mind documents the origins, downfall and rebirth of a band that’s beloved by their peers and multiple generations of fans.”
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The shoegaze-y band formed in 1990 in L.A. by Andrews, bassist/keyboardist Greg Edwards and drummer Robert Gauss (who was replaced in 1993 by Kellii Scott) released their Albini-helmed debut album, Comfort, in 1992 and embarked on what would be the first of a series of tours opening up for Tool. Determined to find the sound they were looking for, Andrews and Edwards took over as producers for the trio’s second LP, 1994’s Magnified, which, like its predecessor, earned praise from peers, but failed to move the needle on radio or at MTV.
Tool’s Keenan recalls in the trailer that much of the music in Los Angeles during that early 1990s era was “formulaic, and Failure seemed to cut right up through the middle. They were just kind of their own unique presence.” Garbage drummer and Nirvana producer Butch Vig adds that Failure embraced “that darkness [and] dissonance,” while Paramore’s Williams notes that she’d “never really heard anything like that… it changed how I thought about music and it kind of just made me more than ever want to be in a band.”
The trio’s original run ended with 1996’s beloved album Fantastic Planet, which launched a modest Weezer-ish alt radio hit in “Stuck On You,” but again mostly fizzled on the charts. After a run on the final touring version of Lollapalooza — during which they did double duty when they got bumped from the second stage to main stage after Korn was forced to drop out, giving them both afternoon and evening slots — the band broke up in late 1997.
In the recent Lollapalooza: The Uncensored Story of Alternative Rock’s Wildest Festival oral history, Andrews talked about Tool getting the band on the tour and being nervous that so many other bands would come over to watch their sets. “Especially if you’re the low band on the totem pole and you haven’t really proven yourself with a lot of success or notoriety,” he said. Edwards admitted to being strung out at the time, saying, “I was flying through that period. I was heavily self-medicated, and Lollapalooza was the beginning of a steep slope to the bottom.”
“Our fans have connected with the themes of depression and addiction in our music,” Andrews said in a statement about the film. “The film crystallizes those connections and, ultimately, communicates hope. We’re a band that faced a specific set of challenges and somehow managed to survive and thrive. It’s a story about resilience, finding ways to cope, and not giving up.”
Andrews and Edwards went on to form a series of bands in the ensuing years and reunited in 2013 with Scott, once again hitting the road to open for Tool and release the 2014 album The Heart Is a Monster. They followed up in 2018 with the first in a series of EPs and the album In the Future Your Body Will Be the Furthest Thing From Your Mind and 2021’s Wild Type Droid.
In the trailer, Edwards describes being on a “steady routine of uppers and downers, spinning around this spine of the heroin addiction” in a nod to the drug issues that sped the demise of the group. The preview also features snippets of interviews with actress/comedian Margaret Cho, former drummer and A Perfect Circle member Troy Van Leeuwen and actor/musician Jason Schwartzman.
Failure will celebrate the movie’s release on June 26 at the Harmony Gold Theater in L.A. with an acoustic set before the screening. The band is also booked to play at the Louder Than Life festival in Louisville, KY on Sept. 20 and the Aftershock Festival in Sacramento on Oct. 3.
Watch the trailer for Every Time You Lose Your Mind below.
TikTok launched a new tool on Tuesday (June 3) to help artists understand the way their music percolates through the app’s ecosystem. TikTok for Artists will provide acts with daily information about how their songs are used and which tracks are driving the most engagement. On top of that, the dashboard furnishes artists with information […]
Kneecap has announced its biggest-ever English show with a huge headline date at London’s OVO Wembley Arena this coming September. The Belfast hip-hop trio will head to the 12,500-capacity show on Sep. 18 and follows their headline show at London’s Wide Awake festival in Brockwell Park in the capital in May. Tickets for the show […]
Drake has expanded his upcoming summer tour with his newly-announced $ome $pecial $hows 4 UK run through the United Kingdom and Europe with PARTYNEXTDOOR. Earlier this year it was announced that Drake would headline Wireless Festival in London on all three nights (July 11-13), and the Canadian superstar will now expand his run to include […]
Australian music trailblazer Marcie Jones has died at the age of 79, just days after publicly revealing a leukemia diagnosis.
The beloved vocalist first rose to fame in the late 1960s as the powerhouse lead singer of Marcie & The Cookies, an all-female vocal group that helped break ground in Australia’s male-dominated music scene. After her time with the Cookies, Jones launched a solo career that included a string of singles and her debut album, That Girl Jones, across the 1970s.
Rolling Stone Australia reported that Jones passed away on Friday (May 31), with her daughter-in-law Lisa Asta confirming the news in a Facebook tribute shared the following day.
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“It’s with great sadness to let you all know that my beautiful mother-in-law, Marcie Jones, passed away yesterday evening,” Asta wrote. “I feel numb inside. Marc, never again will there be our little outbursts of song and dance. You made me laugh so hard and always gave me great advice.”
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“You were a legend, an icon, and you will always be remembered. You always said that we were so alike in many ways, and that’s why I know you will always be my guiding light. I will miss you so much. I love you. Until we meet again to sing another song.”
The Herald Sun reported that just five days earlier, on May 27, Jones had revealed her leukemia diagnosis on social media.
“Sorry to start the day with rotten news,” she wrote. “I am in hospital with leukemia, starting treatment soon. We are all feeling very scared but I’ll fight as hard as I can.”
ARIA and PPCA both paid tribute to Jones following her passing.
“We are saddened to hear of the passing of Marcie Jones, a true pioneer of Australian music,” ARIA wrote in a statement.
“As the powerhouse voice behind Marcie and the Cookies, Marcie helped pave the way for women in a male-dominated industry, breaking new ground in the 1960s and touring internationally with her signature sound.
“From The Go!! Show to global stages alongside The Monkees, The Seekers, Cliff Richard and Tom Jones, Marcie’s impact on Australian music history is undeniable.”
PPCA added, “From her beginnings as a teenage performer to her rise as a charting solo artist and the lead of the pioneering girl group Marcie and the Cookies, Marcie championed originality, resilience and talent. She was a proud contributor to Australia’s musical identity, taking her voice across Asia, Europe and the UK, and sharing the stage with international legends.”
They added that her legacy “will continue to inspire generations of artists.”
Throughout her decades-long career, Jones performed across Asia, Europe and the U.K., and shared the stage with legends including The Monkees, Cliff Richard, Tom Jones and The Seekers.
Her 2008 memoir Runs In The Blood described her as “an unsung Australian music legend” who “may not have received the accolades of some of her more recognised peers, but has remained stoic in her determination to perform, write and be a mother to her two boys.”
Joe Jonas has taken a look back at South Park‘s famous spotlight of the Jonas Brothers, admitting that he views it as a personal “claim to fame.”
Joe’s comments appear in the new episode of Mythical Kitchen’s Last Meals (via Entertainment Weekly), where he explained to host Josh Scherer that his opinions were not shared by his brothers at the time.
“I think I was the only brother that loved it,” Joe explained. “Our skin was not as thick back then, and I thought it was hilarious, because I watched South Park, and I was like, ‘This is so funny, I know what they’re doing, they make fun of everyone!’
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“To be made fun of by a comic is usually a sign that they give a s–t, and they care, and it’s funny,” he added. “They really went for us.”
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Joe, along with brothers Kevin and Nick, were spotlighted as part of The Ring, the premiere episode of South Park’s 13th season in March 2009. The episode, which was inspired by the release of Jonas Brothers: The 3D Concert Experience just weeks earlier, sees the fictionalized trio convincing their fans to wear purity rings at the behest of Disney mascot Mickey Mouse.
However, Jonas agreed that he was able to see the humor in the South Park parody, noting that the band weren’t the specific focus, but rather it was “Boss Mickey” that was in the sights of the creators.
“I mean, what an honor to get my ass kicked by Mickey,” Jonas added. “I think it’s one of my favorite episodes. And later on, now, we just laugh. We love that. I think it’s so great. Definitely a claim to fame for me.”
The recent comments from Joe align with Nick’s own from 2016, in which he addressed the episode in a Reddit ‘Ask Me Anything’ session.
“When it first came out I didn’t think it was funny to be honest, but probably because I was actually living all of that in real time and so it just made it harder to come and live your life as a young person and have all that going on,” he explained. “But years later and once the purity rings were no longer around, it was very funny to me and I’ve actually watched the episode a few times.”
Joe himself reflected on the episode just months later in his own AMA session, stating he was “so pumped” when it first aired, but conceded that “Nick was really kind of not into watching it.”
“I thought it was the funniest thing at the time and it’s kind of a compliment because obviously if you go to a comedy show and they pick you out and make fun of you, you can’t heckle back, you gotta just take it and enjoy it,” he explained. “And for me I’ve always been a fan and I knew that was kind of a wow we made it moment, and also they were kind of attacking Disney more than me, so I didn’t really feel threatened.
“Now I watch it back and laugh and Mickey kicked my ass so I won the episode by being beat up by Mickey Mouse.”
Joe’s comments also come just days after the release of his second studio album, Music for People Who Believe in Love, which will be followed in August by the Jonas Brothers’ seventh album, Greetings from Your Hometown.
Bauhaus frontman Peter Murphy has announced he will not be hitting the road this summer as planned, with ongoing health issues to blame for the nascent cancellation.
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Murphy announced his news via social media on Monday (June 2), informing fans that, “It is with regret that, due to recent health issues, I will be unable to perform for you this summer. ”
“I am very much saddened by this news,” he added. “This situation is hopefully temporary, and we will be able to announce shows in support of Silver Shade at some point in the near future. Thank you so much for your patience and understanding.”
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The forthcoming tour dates were set to see Murphy touring in support of Silver Shade, his first new solo album since 2014, with festival dates scheduled throughout the U.K. and Europe between June and August.
Murphy’s live appearances have been limited in recent years, with a heart attack necessitating the postponement of his 2019 residency at New York venue Le Poisson Rouge. A reformed Bauhaus would later cancel a run of North American dates in 2022 after stating that Murphy would be “entering a rehabilitation facility to attend to his health and well-being.”
In early 2023, the Celebrating David Bowie tour was rescheduled after Murphy underwent “an unexpected medical procedure,” before he dropped out entirely “due to ill health and doctor’s orders to rest and recover.” In December 2024, an upcoming U.K. and European leg of the same tour was cancelled after it was announced Murphy had “suddenly taken ill.”
Murphy rose to fame as a member of Bauhaus in the late ’70s, with their debut single “Bela Lugosi’s Dead” being considered one of the pioneering gothic rock tracks. Bauhaus split in 1983 after releasing four albums, and Murphy launched a solo career in 1986. His third album, 1989’s Deep, would peak at No. 44 on the Billboard 200, with the single “Cuts You Up” reaching No. 55 on the Hot 100 and topping the Modern Rock Tracks chart the following year.
Bauhaus’ reunions would result in a final album in 2008, with the group releasing their final single, “Drink the New Wine” in early 2022. In May 2025, Murphy released his latest studio album, Silver Shade, which featured contributions from Boy George alongside members of Tool and Nine Inch Nails.

A Honduras-based hotel owner says he’s reviving the Fyre Festival brand alongside Billy McFarland as a pop-up experience at his island resort, marking the latest twist in a bizarre saga.
Heath Miller, a former New York concert promoter and one-time manager of Webster Hall in Manhattan, says he reached an agreement with McFarland to stage a 300-to-400-person Fyre Resort Pop-Up at his hotel, Coral Villa Utila, located on the island of Utila, one of Honduras’ famed Bay Islands in the Caribbean. The event will run from Sept. 3-10.
Tickets are cheap: Just book a room at Miller’s 25-room resort, and a pass for Fyre is included. Rooms start at $198 per night for singles, $329 for couples, $399 for triples and $449 for the hotel’s four-bed room.
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Miller is quick to point out that the September event is not being billed as Fyre Festival II, adding that tickets from that event won’t get you access to the Fyre Resort Pop-Up, which he says will be more low key than what had been planned for Fyre’s comeback festival in Playa Del Carmen, Mexico. There will be live entertainment, although Miller notes that he hasn’t secured any talent yet and says the festival won’t have a large budget or a splashy lineup.
“This event isn’t for an artist looking for a $100,000 fee,” he says. “Honestly, for me, this is a promotional vehicle for my hotel and it plays into my grand plan — I’m working on writing a book on my music career, and the book was supposed to end last June [with a story about] Jack Antonoff in Asbury Park. But instead, I guess Fyre is going to be the final chapter of the book.”
In Miller’s estimation, the controversy around the disastrous 2018 festival — which garnered international headlines when ticketholders arrived on a Bahamian island to find that the promised luxury event had not been realized — may ultimately be the biggest draw.
“Fyre Festival is a tainted brand that obviously has a horrible reputation, but at the end of the day, this brand can create press and awareness better than Coachella can,” he says.
Miller has been managing the hotel since 2019 for his late father, who bought the island resort in the 1990s. He says his idea for the Fyre pop-up is partially inspired by Sixthman, the concert and cruise ships company owned by Norwegian Cruise Lines that stages music-themed cruises for artists like Lindsay Stirling, Joe Bonamassa and comedian Nate Bargatze.
“Originally, I wanted to do fan club and events here,” on Utila, says Miller, who hoped to match music with scuba diving and water excursions. He adds, “Fans want to engage with the artist in unique and different ways and see them play in unique settings,” noting that the Fyre pop-up presented a rare opportunity to build proof of concept.
Under the terms of their agreement, McFarland maintains full ownership of Fyre, and Miller will serve as venue manager and site host.
Miller says he’s already secured permits and local approval for the Fyre Resort Pop-Up and said he hopes the famed festival brand creates some positive buzz for Utila. The island is popular year-round with scuba divers and snorkelers who visit the island to swim with sharks and explore the 600-mile-long Mesoamerican Barrier Reef, but it isn’t as well-known as other Caribbean destinations like Barbados, St. Lucia, and the Turks and Caicos Islands.
Miller adds he’s well aware of McFarland’s past failures with Fyre Festival, most famously with the disastrous first edition in 2018, which left hundreds of fans temporarily trapped on Grand Exuma island. McFarland masterminded the event, according to the FBI, convincing fans to shell out thousands for luxury accommodations that turned out to be emergency tents and gourmet meals that were little more than cheese sandwiches.
McFarland went to prison after admitting to stealing $26 million from investors for the event and has been working to repay them since being released from prison in 2022 after serving four years of his six-year sentence. While serving in solitary confinement, McFarland came up with the idea for a sequel to Fyre, which he had hoped would repair his image, and bounced around different sites in the Bahamas and Mexico before landing on Playa del Carmen near Cancun. McFarland ultimately hired Mexican firm Lost Nights to produce the event and staged a press conference on March 27 with local officials to highlight it.
However, things went south in April when city leaders from Playa del Carmen announced that no permits for Fyre Festival had been issued in the seaside town. McFarland responded by releasing images of permits that he said proved Fyre was happening, but he later pulled the plug on the event and refunded ticket holders. On April 24, McFarland announced he was selling Fyre’s assets and intellectual property and had reached an agreement with a streaming service to license the name.
Miller says McFarland retains the name for Fyre and has a core team of a half-dozen individuals working with him, including his long-time partner, Michael Falb.
“I’m well aware of Billy’s past and I think it’s important that we are transparent about what happened. I personally met with the mayor of Utila when securing the permits for this event and even showed him the documentaries about Fyre Festival,” Miller said of the films FYRE: The Greatest Party That Never Happened and Fyre Fraud, both of which were released in 2019 and chronicled the festival’s rise and fall.
“Billy has issues and one of his biggest flaws is that he tends to trust people more than he should,” Miller says, noting that McFarland reminds him of himself when he was a young promoter working New York’s nightlife circuit as an independent concert promoter, both for himself and for John Scher’s Metropolitan Concerts and later Webster Hall. Miller notes he worked with McFarland prior to Fyre Festival, when McFarland was running millennial VIP company Magnises.
“He never stiffed me on a bill — we always got paid what we were owed,” Miller says. “I look at Billy’s mistakes and I ask myself what I would have done if I was controlling millions of dollars for a huge party. I don’t know. What I can tell you about Billy is that he a big kid at heart that really just wants to throw the world’s greatest party.”
To buy tickets and learn more visit fyrehotels.com.
Ye (formerly Kanye West) regrets what he’s said about mentor and former collaborator Jay-Z. Over the weekend, the controversial artist took to X to say that he often “dreams” of making amends. “All my dreams have been about apologizing to Jay Z,” he wrote. In another deleted post back in April, he said he was “sorry” […]