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Executive Turntable: Crypto.com Arena Is Feeling Secure; Sony Taps Southeast Asia Leader; New Legal Counsel at Sphere

It’s time for another quick whirl around the Executive Turntable, Billboard’s comprehensive(ish) compendium of promotions, hirings, exits and firings — and all things in between — across music. Get to know the most powerful people in the music biz in the latest Power 100 list.

Crypto.com Arena, home of Lakers, Kings, Clippers and Sparks, hired Ron Little as the Los Angeles landmark’s vice president of security. Little will lead all event and non-event security and risk management services for the arena, and assist with planning safety protocols. He arrives in LA from Seattle, where he served as director of security for Lumen Field, Lumen Field Event Center and the WAMU Theater. Prior to the Emerald City, he held various roles in Oakland, most notably as GM for SMG at Oracle Arena and the Oakland-Alameda Coliseum. Over the course of his 30-plus years in the biz, he also worked with Bill Graham Presents, Live Nation and the Bonnaroo Music Festival. “With a wealth of experience and a deep understanding of the industry, Ron brings a unique perspective that aligns seamlessly with our vision,” says Lee Zeidman, president of Crypto.com Arena. “His strong industry relationships will undoubtedly contribute to the success of the arena, and we eagerly anticipate his leadership in overseeing a diverse range of events here in Los Angeles.”

Sony Music Entertainment looks to pounce on double-digit growth in Asia with the appointment of Kenny Ong as the label group’s new managing director for Malaysia, Vietnam, Singapore and special projects Southeast Asia, effective immediately. Ong’s job will be to expand Sony’s share of the pie in the region — revenue in all of Asia rose 15.4% in 2022, according to IFPI — and champion Southeast Asian artists. Ong was previously CEO of Astro Radio, the top radio power in Malaysia, and between 2015 and 2021 was managing director of Malaysia, Singapore and Indochina for Universal Music Group. “Our region is poised for continued growth, and to seize the opportunity it will require more creativity and diligence,” said Shridhar Subramaniam, SME’s president of corporate strategy and market development, Asia and Middle East.

Madison Square Garden Entertainment and Sphere Entertainment hired Laura Franco as evp and general counsel for both companies, effective Feb. 20. Franco, who wields 30-plus years in legal experience, including most recently as chief legal and compliance officer at Bumble, will report directly to executive chairman and CEO James L. Dolan. As general counsel, Franco will direct all business legal affairs, including complex transactions, at both companies. Prior to Bumble, parent of the same-named dating app, she served as evp and general counsel of CBS. “We are pleased to welcome Laura to the MSG Family of Companies,” said Dolan. “Laura’s background handling high-profile corporate and business legal matters at premier media companies will be a valuable addition to our Legal teams, and we look forward to leveraging her expertise as both companies pursue their business strategies.”

Curb Records promoted several staffers, with Craig Powers rising to svp of media and continuing to spearhead mainstream/crossover radio success with label artists including for King + Country and Natalie Grant; Powers had served as vp of media since 2020. Lori Hartigan has been promoted to national director of media; Hartigan has been with Curb for 10 years and has served the past eight years as director of west coast promotion. Additionally, Todd Thomas will move into the director of west coast promotion role (having previously served as director, southwest promotion), while Bailey White has been hired as director of southwest promotion. White comes to Curb after three years with Black River Entertainment’s promotion team. –Jessica Nicholson

Warner Music UK appointed Natasha Billing to svp of commercial and data insights, and promoted Nick Allum to her vp of data and insight. The label said these moves coincide with a shift in WMUK’s approach to data analytics and revenue generation, and will ultimately assist in nurturing artists’ careers by amplifying audience engagement and fueling innovation. Billing’s previous work includes stints at ASOS and Made.com, as well as a three-year stretch in a strategy role at Warner Music International. Allum, who reports to Billing, is tasked with building an in-house data and insight team and will manage audience, revenue and marketing data collection for the company’s labels. “With our new setup, and under Natasha and Nick’s leadership, we are well positioned to offer the best support possible to our artists, labels and partners, while further promoting and accelerating WMUK’s incredible frontline and catalogue releases,” said Isabel Garvey, WMUK’s chief operating officer, to whom Billing reports.

Cherie Hu, a respected music tech researcher and founder of data-driven learning platform Water & Music, landed a full-time teaching job at Syracuse University‘s prestigious Bandier Program for Recording and Entertainment Industries. Beginning in the fall semester, Hu will teach students about emerging technologies and new music industry models as part of Syracuse’s Newhouse School of Communications, where she currently adjuncts. Hu plans to continue her involvement with Water & Music in a more strategic role. As a journalist, Hu covered the intersection of music and tech for Billboard, Forbes, Pitchfork and NPR Music, among other outlets, and received the Reeperbahn Festival’s Award for International Music Business Journalist of the Year in 2017. “Cherie Hu is in an elite echelon of analysts creating the absolute best work and thinking about the future of the music industry,” said Bill Werde, director of the Bandier program and former editorial director of Billboard. “I’ve respected and learned from her work for years, and am thrilled to welcome her to the Bandier, Newhouse and Syracuse family, to continue her industry-leading work, and to teach our students about what’s next in music industry business models, marketing and platforms.”

Music-licensing company Epidemic Sound appointed former Amazon and Grubhub exec Sam Hall as chief product officer, starting Feb. 5. In his new role, Hall will lead Epidemic’s product department to boost its B2B/B2C offerings. He joins from CLEAR, where he was CPO at the US-based tech company. At Grubhub, Hall also oversaw the development of B2B/B2C offerings, and during his near-decade at Amazon was instrumental in building the company’s mobile business from the ground up. “We’ve made huge strides in the sophistication of our product offering to content creators of all kinds in the past three years, introducing tools that make it almost frictionless to soundtrack content,” said Oscar Höglund, co-founder and CEO. “We’re delighted to welcome Sam to accelerate this progress together; he brings a focus on customer experience across both B2B and B2C, and will be instrumental in developing a next-generation soundtracking experience for our creative community.”

Artist Partner Group announced a wide slate of promotions at the label. Eli Piccarreta has been elevated to svp of A&R, Corey Calder is moving up to svp of marketing and creative services, Jessica Kelm is now vp of marketing and digital operations, and Ashlee Merritt now has senior marketing director on her business card. APG, label home to a roster that includes Odetari, 6arelyhuman, Lay Bankz, The Sweepers and NLE Choppa, was founded in 2004 and is parent to Artist Publishing Group.

The Bryan Adams joined music-sharing tech startup Songbox as a co-founder. Using Songbox, creators can track when a file has been delivered, whether it’s been listened to and how long songs have been played. Additionally, the platform allows for creators to upload and share music video content. The Canadian rock icon said in a statement, “Songbox allows me to share new music that I’m working on in a way that I couldn’t before. I don’t need to send out MP3 files or physical products, so it keeps my ideas and early versions safe and secure until I’m ready to officially release the songs.” –J.N.

Jazz musician Branford Marsalis was named artistic director for the Ellis Marsalis Center for Music in his hometown of New Orleans. The center, which uses music to help foster community and deliver services to underserved kids and musicians, was established in 2012 and is named after Marsalis’ father. “My dad was a teacher, in music and in life,” Branford Marsalis said. “After Hurricane Katrina, he envisioned a haven for the underserved musicians and children in his hometown of New Orleans. He spent the last decade of his life committed to turning that dream into a reality at the Ellis Marsalis Center for Music. It is my honor to step into the role of Artistic Director at the Center and to continue to drive its mission. I hope to make my dad proud.”

BOARD SHORTS: Leo Premutico, co-founder of renowned ad agency Johannes Leonardo, was named chairperson of the 2024 AMP Awards for Music & Sound. As Show Chair, Premutico will be tasked with helping assemble the AMP Awards Curatorial Committee … The National Association of Broadcasters appointed iHeartMedia regional president Jeanna Berge to its radio board of directors, replacing Joel McCrae.

Nice Life Recording Company promoted Bradley Haering to the fresh position of evp of A&R, and hired Mikelle Schwartz as evp or marketing for the indie label. Both are based in Los Angeles and report to founder/CEO Ricky Reed and Larry Wade, who is COO. Haering has been at the company since its formation in 2014 and is credited with signing the label’s Grammy-nominated band The Marías. Schwartz arrives from 88rising, where she was svp of marketing, with previous stops at Warner Records and Kemosabe Records. “I am thrilled for this next chapter at Nice Life Recording Company with these expanded positions,” said Reed. “Mikelle brings over 15 years of marketing experience, making her an invaluable asset to our Nice Life team at the leadership level. Brad, who has been with us since the beginning will oversee A&R in this newly added position as we continue to expand the Nice Life roster.”

Sony Music Publishing UK hired ZaZa Kazadi as senior A&R manager and promoted Adrienne Bookbinder to senior A&R manager of UK and Europe, and Nasra Artan to senior European A&R manager. All three are based in the company’s London office, with Kazadi and Bookbinder reporting to David Ventura, president and co-managing director, and Artan reporting to Ventura and Johnny Tennander, svp of international. Kazadi previously worked in management at Never Dies Management and spent two years as A&R manager at BMG Music Publishing.

Jon Granat joined JDM Music + Sound, makers of custom sound design for movie advertising, as a partner. Granat arrives from Nettwerk Music Group, where as svp of global sync licensing, he led a team working on creative, licensing and biz development for a roster including Passenger, St Lucia and Vacations. Prior to NMG, Granat worked with companies ranging from BMG, Chrysalis and Warner Chappell Music, among others. “I’m beyond thrilled to welcome Jon to the company,” said Joel Dean, a founding partner of JDM Music + Sound. “His wealth of experience across the music industry will be invaluable to bringing opportunities to the JDM catalog and our roster of composers.”

BMI veteran MaryAnn Keen was promoted to director of creative in the PROs Nashville office. Keen joined BMI in 2016 and was most recently the creative associate director, instrumental in scouting and signing new songwriters and coordinating event, such as the Key West Songwriters Festival. She has gained experience working with emerging writers and established hitmakers including Heath Warren, Mackenzie Carpenter and Brett Tyler, among others. Keen will continue to report to BMI’s Leslie Roberts, AVP of Creative Nashville.

Believe elevated Kristof Jansen to vp of Groove Attack, the digital firm’s rap and hip-hop brand in Germany. Approaching ten years at the company, Jansen most recently served as director of repertoire development for A&R at both Believe and Groove Attack. He’ll work out of the Cologne office and continue to report to Thorsten Freese, GM of Believe Germany.

Musicians on Call, a non-profit that brings music to the bedsides of patients, promoted six key staffers: Nicole Rivera to vp of programs, Sara Kolodziejczak to vp of development, Tarah Duarte to senior manager of strategic partnerships, Alli Prestby to creative manager, and Audrey Jadwisiak and Orenda Senior to program manager. “These team members have excelled in their roles and significantly improved the foundation of Musicians On Call. Our programs and national brand, along with the overall health of our organization, have all benefited from their leadership, creativity and ingenuity,” said MOC CEO Pete Griffin.

ICYMI:


Merck and Louis.

Universal Music Group honcho Lucian Grainge put Monte Lipman and John Janick in charge of a restructured label model that rejiggers its web of frontline labels to align them under two main companies … Utopia Music co-founder Mattias Hjelmstedt exited the company … Hipgnosis founder Merck Mercuriadis (pictured) is stepping down as CEO of Hipgnosis Song Management … Kris Lamb is elevated to evp and GM of Big Machine Records … which is part of Big Machine Label Group, which promoted Mike Rittberg to COO and Clay Hunnicutt rising to evp of label operations.

Last Week’s Turntable: All Songs Host Considered, Accepted

Here Are the Performers & Presenters for the 2024 Grammys & Pre-Telecast Ceremony

The 2024 Grammys are almost upon us, which will provide the answer to this year’s biggest Grammy-related question — and we don’t mean whether Taylor Swift will make history as the first artist to win album of the year four times. We mean: Can you make it through the whole thing?

The telecast is scheduled to run three and a half hours, from 8 p.m. to 11:30 p.m. ET, but veteran Grammy watchers know that the day actually begins at 3:30 p.m. ET with what the Recording Academy rather grandly calls the Premiere Ceremony, but what you probably call the pre-telecast awards. More than 80 of the 94 Grammy categories are announced on that show, which will stream on the Recording Academy’s YouTube channel and on live.GRAMMY.com.

If you manage to make it through both shows, that’s eight hours – assuming the telecast doesn’t run over (which it often does). So, it’s not only Music’s Biggest Night, it’s Music’s Longest Day and Night.

As always, the telecast will have something for everybody. Performers range from 20-year-old superstar Olivia Rodrigo to music legend Joni Mitchell, who is still adding to her considerable legacy at 80.

The show will be held at Crypto.com Arena in Los Angeles, where it has been held for 21 of the past 25 years. U2 is set to take the stage from Sphere just outside Las Vegas, where the band’s acclaimed U2:UV Achtung Baby Live at Sphere show is playing. It will be the first live broadcast from the venue.

Billy Joel will perform his just-released single “Turn the Lights Back On.”

Luke Combs and Tracy Chapman will team to perform “Fast Car,” which Combs revived last year. His version, a pop and country smash, is nominated for best country solo vocal performance. Chapman’s original version won 35 years ago for best pop vocal performance, female. Chapman performed the song to close the 1989 telecast.

Other expected collaborations are Burna Boy (with 21 Savage and Brandy) and Mitchell (with Brandi Carlile).

Trevor Noah will host the Grammys for the fourth consecutive year. He received a nod for best comedy album for I Wish You Would, and is vying to become only the second Grammy host to win a Grammy that same night. The first was Kenny Rogers, who won best country vocal performance, male for “The Gambler” in 1980, when he hosted the show for the first of two times.

It is unknown whether Taylor Swift will perform, though CBS has promoted the fact that she will be “in the building” to accept any awards she may win. Any additional performers will be added to this report as they are announced.

Songwriter Justin Tranter will host the Premiere Ceremony live from Peacock Theater, which is adjacent to Crypto. Tranter is nominated for songwriter of the year, non-classical in recognition of their work with such artists as Miley Cyrus, Måneskin and Reneé Rapp. This is just the second year that that award has been presented and the first since the category was bumped up to the General Field, which also includes the Big Four categories – album, record and song of the year plus best new artist.

Producer of the year, non-classical was also bumped up to the General Field this year. Jack Antonoff is vying to become the first producer to take that award three years running since Babyface, who won it three in a row from 1996 to 1998.

Presenters on the main telecast include Samara Joy, last year’s surprise winner for best new artist, and Meryl Streep, who is nominated for best audio book, narration and storytelling recording for Big Tree. If she wins, it will be her first Grammy, after seven nominations. Streep has won three Oscars and three Primetime Emmys.

Performers on the Premiere Ceremony will include Harvey Mason (not the CEO of the Recording Academy – that’s Harvey Mason Jr.). The elder Mason, a highly regarded drummer, amassed 10 Grammy nominations between 1975 and 2009.

The 66th annual Grammy Awards will be held on Sunday, Feb. 4, live on both coasts beginning at 8 p.m. ET on CBS, and will stream live and on-demand on Paramount+. The show will be produced by Fulwell 73 Productions for the Recording Academy for the fourth consecutive year. Ben Winston, Raj Kapoor and Jesse Collins are executive producers.

The Premiere Ceremony will stream live that same day, beginning at 3:30 p.m. ET on the Recording Academy’s YouTube channel and on live.GRAMMY.com. This year’s Premiere Ceremony is produced by Branden Chapman, Ruby Marchand, Chantel Sausedo, and Rex Supa on behalf of the Recording Academy. Greg V. Fera is executive producer and Cheche Alara is music producer and music director.

Main Telecast

Host

Trevor Noah

Performers

Burna Boy (with 21 Savage and Brandy)

Luke Combs (with Tracy Chapman)

Billie Eilish

Billy Joel

Dua Lipa

Joni Mitchell (with Brandi Carlile)

Olivia Rodrigo

Travis Scott

SZA

U2

Presenters

Christina Aguilera

Samara Joy

Lenny Kravitz

Maluma

Lionel Richie

Mark Ronson

Meryl Streep

Taylor Tomlinson

Oprah Winfrey

Premiere Ceremony (pre-telecast awards)

Host

Justin Tranter

Performers

Adam Blackstone       

Brandy Clark  

Bob James

Gaby Moreno 

Harvey Mason

J. Ivy, Larkin Poe, Pentatonix, Sheila E., Jordin Sparks (opening number)  

Kirk Franklin              

Laufey

Robert Glasper                       

Terrace Martin

Presenters

Carly Pearce

Jimmy Jam

Molly Tuttle

Natalia Lafourcade

Patti Austin

Rufus Wainwright

‘Suerte’ ‘La Tortura’ & More: Which Shakira No. 1 Hit Is Your Favorite? Vote!

Happy birthday, ShakiraBillboard is celebrating the Colombian artist’s 47th birthday on Friday (Feb. 2) with her biggest hits on the Hot Latin Songs chart.

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Last year, Shak made a triumphant comeback to music with her first single of 2023, “BZRP Music Sessions, Vol. 53.” The Bizarrap-assisted track became the Argentine producer’s first No. 1 hit on the tally, while Shak raked in her 12th (at the time), and her first No. 1 hit since 2016’s “Chantaje,” one of her many Maluma collaborations, which spent 11 weeks at top of the chart.

She later hit No. 1 with the unapologetic and empowering “TQG,” her first collaborative effort with Karol G; it crowned the chart for five weeks.

Of “Vol. 53’s” massive success, she previously expressed on Instagram: “What for me was a catharsis and a relief, I never thought that I would reach No. 1 globally at 45 years old and in [singing in] Spanish. I want to hug the millions of women who rise up against those who make us feel insignificant. Women who defend what they feel and think, and raise their hands when they disagree, even if others raise their eyebrows. They are my inspiration.” In the electro-pop tune, she belts witty punchlines directed to her ex-boyfriend and soccer star Piqué and his new girlfriend, Clara Chia Martí.

Shak’s first-ever No. 1 hit on the Hot Latin Songs chart arrived in 1998 with “Ciega, Sordomuda,” and she’s charted regularly ever since. Up to now, the sultry “La Tortura” (2005) with Alejandro Sanz has remained her longest-leading No. 1 title at 25 weeks. 

In honor of birthday, here are all of her 13 titles to crown the charts. Which one is your favorite? Vote below!

Friday Music Guide: New Music From Billy Joel, Don Toliver, TWICE and More

Billboard’s Friday Music Guide serves as a handy guide to this Friday’s most essential releases — the key music that everyone will be talking about today, and that will be dominating playlists this weekend and beyond. 

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This week, Billy Joel makes his grand return, Don Toliver gets into psych-rock and TWICE keep the energy high. Check out all of this week’s picks below:



The first new Billy Joel single in decades arrives with uneven mix of anticipation and expectation — after all, the fact that “Turn the Lights Back On” exists at all marks a breathlessly exciting new development for a legendary artist, regardless of its quality. What a lovely discovery, then, that “Turn the Lights Back On” is both gorgeously rendered and a deeply felt personal check-in from Joel, who sounds like the same soulful storyteller he’s always been: “I’m late, but I’m here right now,” he sings, “though I used to be romantic, I forgot somehow.” For both decades-long fans and a new generation of listeners, “Turn the Lights Back On” stands tall as a meaningful new moment.



Although Don Toliver’s 2023 album Love Sick included guests like Justin Bieber, Future, Lil Durk and his partner Kali Uchis, new single “Bandit” features Tame Impala in sample form, as the 2020 track “One More Hour” turns into the backbone of a widescreen chest-thumping to kick off the new year. Toliver has never sounded more confident as he does spitting rhymes and hitting his falsetto over the stadium-rock guitar squeals, and “Bandit” becomes the rare sample-heavy track to both stand on its own merits and accentuate the high points of its source material.



As we enter February, New Year’s fitness resolutions may have started to fall by the wayside — but here comes K-pop titans TWICE to motivate you anew with their propulsive, dizzyingly fun new single. “I Got You,” the latest track from upcoming mini-album WITH YOU-th, builds upon the success of the group’s previous English-language singles by highlighting the collective’s melodic strengths and doubling down on the snappiest parts of the synth-pop production, creating a flash point that could cross over to U.S. platforms in a big way.



Next week is showtime for Usher, with new album Coming Home due out next Friday (Feb. 9) and a little performance called the Super Bowl halftime show two days later, but before his latest full-length and the biggest performance of his career are unveiled, the suave, sumptuous new track “Ruin” serves as a final preview of what sounds like a return to form. Rising Nigerian artist Pheelz lends a nifty assist over the dimly lit, Afrobeat-adjacent rhythms, but “Ruin” demonstrates Ursh pushing himself as a veteran artist, all while his silky-smooth appeal hasn’t dulled one bit.



“Straight Line” was “born of wanting to break out of routine and feeling like somewhere along the line, life lost some color and excitement,” Keith Urban explains in a press release; indeed, the first track released from Urban’s next studio album takes the country veteran’s time-honored formula and injects some adrenaline, with a driving tempo and some choice wooooooo-hoo’s in the post-chorus. While “Straight Line” will no doubt soundtrack some boisterous sing-alongs during Urban’s next tour, the song also bodes well for the follow-up to 2020’s The Speed of Now Part 1.



New music from Burial — one of the most influential and enigmatic producers of the 21st century — is always a gift, considering how sporadic his releases have been over the past decade, but “Dreamfear/Boy Sent From Above” feels particularly special, as a 25-minute double single that’s at once mysterious and intoxicating. Longtime Untrue fans will gravitate towards the ghostly vocals and shuffling beats, but proponents of Burial’s more abstract recent work should embrace the sprawl here, too.

Calvin Harris & Kid Cudi to Headline FanDuel x Spotify Super Bowl Party

FanDuel is teaming up with Spotify this year for its annual Super Bowl party, with Calvin Harris and Kid Cudi announced as the headliners, Billboard can exclusively announce.

The 2024 FanDuel Super Bowl Party Powered by Spotify — which will be held at LIV inside the Strip’s newest resort, Fontainebleau Las Vegas, on Friday night, Feb. 9 — is the company’s third annual Super Bowl event and will feature a live recording of The Ringer Gambling Show podcast with hosts John “JJ” Jastremski, Raheem Palmer and “Cousin Sal” Iacono.

Last month, Calvin Harris broke the record for the most No. 1s in the 20-year history of Billboard’s Dance/Mix Show Airplay chart, as his Eliza Rose collaboration “Body Moving” rose to the top of the ranking dated Jan. 13. He earned his 14th Dance/Mix Show Airplay chart-topper, breaking out of a tie with David Guetta. On Jan. 12, Kid Cudi released his ninth studio album, Insano, which features collabs with Travis Scott, ASAP Rocky, Lil Yachty, Pharrell Williams, the late XXXTentacion, Lil Wayne and Young Thug. The project debuted at No. 4 on the Top Rap Albums chart dated Jan. 27.

Since 2021, FanDuel has been the exclusive sports betting partner of Spotify sports and pop culture podcast network The Ringer. This Super Bowl party further cements the two companies’ partnership, which expanded in 2023 to encompass content produced for FanDuel TV, including the shows Beyond the Arc with Kevin O’Connor and Through The Ringer with Tate Frazier.

The event comes just two days before Super Bowl LVIII at Las Vegas’ Allegiant Stadium on Sunday (Feb. 11), where the Kansas City Chiefs will take on the San Francisco 49ers for the championship. It was announced in September that Usher would headline the 2024 Super Bowl halftime show. Usher also announced that his ninth albumComing Home, will arrive on Super Bowl Sunday. This set marks his first new album since 2016’s Hard II Love, which peaked at No. 5 on the Billboard 200.

If you’re in Sin City for the week, check out our full guide to this year’s Super Bowl parties ahead of the Big Game here.

The Best Lip Sync From Every Main Season of ‘RuPaul’s Drag Race’

As the groundbreaking series celebrates its 15th anniversary, Billboard highlights the greatest lip syncs from each season of the celebrated reality show.

While plenty of our pop cultural touchstones have changed since 2009, some things have stayed just as potent as they were back then; Taylor Swift was the No. 1 artist of the year both then and now, Kanye West kept being controversial and Sunday Night Football and NCIS remained two of the mostwatched television shows in the country.

One other show that’s resisted the creep of irrelevance is RuPaul’s Drag Race; 15 years ago today, on Feb. 2, 2009, the now-beloved reality competition series debuted its very first episode on LogoTV. In the intervening decade-and-a-half since the series premiere, Drag Race has transformed into a cultural behemoth, spawning nearly two-dozen international franchises, three major fan conventions and launching over 600 drag performers to new heights of popularity.

Even executive producer Tom Campbell expressed his shock at the show’s mainstream success during an interview with Billboard in 2023. “Drag Race itself is like a healthy tree that grew through a crack in the sidewalk — it doesn’t make sense, it doesn’t fit the algorithm, but it touches people’s hearts and and that’s what’s important.”

With all that’s changed about the franchise since its inception, one element of the show has endured; the Lip Sync for Your Life. To celebrate the show’s 15th anniversary, Billboard is taking a look back through 15 seasons of RuPaul’s Drag Race to determine once and for all which lip syncs from each season deserve tens across the board. In determining just how legendary each lip sync was, we looked for three determining factors: the choice of song, the dramatic storylines affected by placing these two queens in a showdown, and just how sickening each performance was. 

Check out our picks for the best lip syncs from every main season of RuPaul’s Drag Race below:

Utopia Music Co-Founder Mattias Hjelmstedt Exits Company

LONDON — Mattias Hjelmstedt, the co-founder and former head of Utopia Music, has exited the company following a shake-up of the Swiss-based firm’s executive ranks earlier this year.

Hjelmstedt departure from Utopia was announced in a memo to staff on Thursday (Feb. 1) sent by recently appointed CEO Michael Stebler and the board of directors.

The memo, which has been viewed by Billboard, states that Hjelmstedt handed in his resignation after “long discussions” with board members because he wanted to dedicate more time towards pursuing “new projects and challenges.”

“The board and I are, as I’m sure you are too, extremely grateful to Mattias for creating and running this amazing company for significant periods of time,” Stebler, who represents the majority shareholder group behind Utopia Music, told staff. 

Referring to the company’s well-documented past struggles, which included multiple rounds of job cuts, company divestments and ongoing legal actions, Stebler said he was grateful for the “tough but necessary decisions” that Hjelmstedt began implementing in late 2022.

“I can say with absolute certainty that this was necessary for the company’s survival,” said Stebler, who has been at the helm of Utopia Music since mid-January.

In the memo, Hjelmstedt said the decision to step down from his roles with Utopia “was not taken lightly, but it comes with a deep belief that it’s the right thing to do.”

He went on to say that he firmly believed the company “will continue to grow and succeed” said the new management team means that the firm, which is headquartered in the Swiss-town of Zug, is “in capable hands.”

“As I move forward, I am excited to see how Utopia will evolve and I am cheering you all on, as I will always be one of Utopia’s biggest fans,” the co-founder told staff.

Swedish entrepreneur Hjelmstedt co-founded Utopia Music in 2016 with Thomas Gullberg and led the company through a period of intense hyper-growth between 2020 and 2022 when it rapidly bought up 15 companies.

Acquisitions in that time included music tech company Musimap; Lyric Financial, a Nashville-based provider of royalty-backed cash advances; and Proper Music Group, the United Kingdom’s leading independent physical music distributor, which provides distribution services for over 5,800 indie labels and service companies.

A just-as-quick downsizing swiftly followed, beginning with the axing of around 230 jobs in late 2022 and the subsequent offloading of three of Utopia’s businesses — Absolute Label Services, U.S.-based music database platform ROSTR and U.K.-based publisher Sentric.

During this rocky period, Hjelmstedt served as interim chief executive — taking over from Markku Mäkeläinen — and stayed at the helm of the company up until the appointment of Alain Couttolenc as chief exec last October. (Couttolenc switched roles to deputy CEO earlier this year when Stebler was appointed to the top job).

More recently, Hjelmstedt held the post of Utopia executive’s chairman and, since December, served as a member of the board.

The company he co-founded and which counts the United Kingdom and United States among its biggest revenue markets provides music companies with a range of financial and tech product services, including royalty tracking and processing, as well as its core U.K. physical distribution business operated through Proper Music Group and Utopia Distribution Services (formerly Cinram Novum). The latter’s clients include Universal Music Group, Sony Music Entertainment and [PIAS].

Speaking to Billboard in January in a rare interview, Hjelmstedt said the ethos behind Utopia Music, whose motto is “Fair pay for every play,” has always been to use technology to help artists, creators and rights holders receive higher returns. 

“We have never been about disrupting or taking over the industry,” said Hjelmstedt. “It’s always been about helping the industry be better and grow.

Nikki Haley Is Confused By the Right-Wing Freak-Out Over Taylor Swift: ‘I Don’t Know What the Obsession Is’

As MAGA Nation continues to have a four-alarm meltdown about a conspiracy theory claiming the upcoming Super Bowl is rigged in favor of the Kansas City Chiefs as part of an elaborate psyop involving Taylor Swift, Nikki Haley says everyone needs to calm down.

The former South Carolina governor and U.S. ambassador to the U.N. is the only candidate still challenging one-term former president Donald Trump for the GOP’s presidential nomination and during a chat with CNN’s Jake Tapper on Thursday (Feb. 1) Haley said she was confounded by the right wing’s latest phantom menace.

“I’m not going to lie. I don’t know what the obsession is,” Haley said of the barrage of outlandish stories on conservative media outlets such as Fox News, OAN and Newsmax wildly speculating that Swift is somehow colluding with the NFL and the White House to turn the Feb. 11 Super Bowl into a glorified Pres. Biden endorsement-fest.

“Taylor Swift is allowed to have a boyfriend. Taylor Swift is a good artist. I have taken my daughter to Taylor Swift concerts before,” Haley said. “To have a conspiracy theory of all of this is bizarre. Nobody knows who she’s going to endorse, but I can’t believe that that’s overtaken our national politics.”

Swift, for the record, has not endorsed anyone in the upcoming election, though she did throw her support behind Biden in the 2020 election in which he beat Trump. To boot, the singer may or may not even make it to Super Bowl LVIII to see boyfriend KC tight end Travis Kelce take on the San Francisco 49ers because she has an Eras Tour gig in Japan the night before.

That has not stopped wildly unfounded speculation from at least one former GOP presidential candidate and avid Trump supporter Vivek Ramaswamy. The Ohio businessman recently tweeted out a suggestion that “there’s a major presidential endorsement coming from an artificially culturally propped-up couple this fall,” in seeming reference to the elaborate QAnon-like theory that Swift will steal the spotlight at the most-watched TV event of the year by announcing her support for Biden during the big game.

As is her wont, Haley tried to pivot from MAGA madness to the issues she’s trying to promote in what most political pundits believe is a lost cause effort to wrest the nomination from twice-impeached Trump. “I mean, right now, you have got 60 percent of American families living paycheck to paycheck. We’ve got a border that’s out of control. We have got wars happening around the world,” Haley said. “The last thing I really think we need to be worried about is who Taylor Swift is dating and what conspiracy theory is going to have her endorsing a person for president.”

Haley isn’t the only one throwing cold water on the right’s bizarre obsession. NBA great Charles Barkley slammed those complaining that Swift has “ruined” football. “You’re just a loser,” Sir Charles told CNN this week, while The View host Whoopi Goldberg asked “why is she triggering everybody? They are freaking out.”

Watch video of Haley talking Swift (at the 5:00 minute mark) here.

Sara Bareilles Returns to Broadway With ‘The Interestings’

As more and more artists from the pop world add writing a Broadway musical to their career-goal lists, Sara Bareilles stands out as one of the brightest success stories from that group.

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Waitress — the musical adaptation of Adrienne Shelly’s beloved independent film, featuring music and lyrics by Bareilles — was an unequivocal Broadway hit, running for nearly four years after an opening in April 2016.

That year, Bareilles’ score earned her two Tony nominations (out of a total four for the show), and she went on to perform the lead role of Jenna for three different stints. The production played London’s West End as well as internationally, garnered a Grammy nomination for its original Broadway cast recording, and yielded both a standalone Bareilles album (What’s Inside: Songs From Waitress, released on Epic Records between the show’s off-Broadway and Broadway runs) and a film of the stage show (which debuted at the Tribeca Film Festival in 2023).

Sara Bareilles performs during the curtain call for Broadway's

Sara Bareilles performs during the curtain call for Broadway’s “Waitress” at The Brooks Atkinson Theatre on March 31, 2017 in New York City. 

Noam Galai/Getty Images

Now, Bareilles — who’s been warmly embraced by the wider theater community, and racked up another Tony nomination last year for her portrayal of The Baker’s Wife in Into the Woods — is making her return to Broadway.

She’s writing the music and lyrics for The Interestings, an adaptation of the New York Times bestselling novel by Meg Wolitzer with a book by Pulitzer- and Tony-nominated playwright Sarah Ruhl.

The plot of Wolitzer’s novel revolves around character Jules Jacobson and her friends from an exclusive childhood arts camp (the titular Interestings, as they call themselves) who grow up to find varying degrees of success and satisfaction or disillusionment with where a creative life has led them.

When it came out in 2013, the Times called it “warm, all-American, and acutely perceptive about the motivations of its characters,” likening it to modern Great American Novels and praising Wolitzer’s “inclusive vision and generous sweep.” With its complex, layered female protagonist and diverse cast of characters, as well as the knotty themes it explores — ranging from what qualifies as success to whether being extraordinary is the only path to it — the book seems rich material for musical adaptation, and it’s easy to see why it appealed to Bareilles, whose Waitress balanced the buoyant with the bittersweet.

The Interestings is being produced by Matt Ross, and is currently in development; additional creative team and production details will be announced in the coming months.

Takeoff Wax Figure By Mr. Officials Leaves Fans Mesmerized

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Takeoff Wax Figure

Source: @mr.officials.llc / Instagram

Fans of the late rapper Takeoff were stunned after seeing the MC come to life in an impressive wax figure.

During an interview with Cleveland’s Z107.9, Mr. Officials revealed the project took seven months to complete and the cost of the immaculate project, was upwards of $100,000. The sculptor said despite his urge to re-invest his money into his personal needs, he leaned into God’s voice.

Mr.Officials.LLC shared the heartfelt story behind the work of art and why it also signified “new beginnings.”

“I haven’t posted in a while and here’s why,” the narration of the Takeoff video begins. “I’m grieving and I’m mourning and I didn’t even know it. Some of you may or may not notice that I’m closing my business after three years. I’m losing my car, it’s on its last wheel. I’m driving a 14-year-old car and I soon won’t have that. I’ll be homeless if all goes well. Now before you begin to feel sorry for me, I’m okay. My gift will make room for me because it always has, and even with all my losses I still believe that this is my year.”

“I’ve heard God say over and over, ‘Finish what you started,’” the narration continued. “So I thought well maybe I could finish some sculptures. I could finish working on some projects that I started on, but it’s way too expensive and like I said, I need a new car. He kept saying to me, ‘This is not about you. Your gift is to inspire. Finish what you started.’ So, as I continued to finish working on projects, I began to grieve and mourn the individuals that I was working on. Crying while creating, this young man I’ve been working on is deceased, and yet I still feel a sense to pray for him.

The behind-the-scenes video concluded with the lesson Mr. Officials felt was behind it all, the push to keep going.

“Praying for his soul, praying for his family, friends, and band members. That’s when it hit me. This will be the year that I take off. God was using me in the life and legacy of the late rapper Takeoff to let me know that he has not forgotten about me. And what’s funny is this isn’t even my prayer. My prayer is not to have a new house, or a new car or a new business. My prayer is for this to be your year of Takeoff. Your job will go to another level. Your marriage will go to another level. Even your finances and health will increase. I believe that this will be the year to Takeoff,” the narration concluded.

This isn’t the first time Mr. Officials has gone viral, in 2022 he set the internet ablaze for creating a life-size wax figure for the late Nipsey Hussle that took him nine months to finish.

The wax figure comes over a year after the artist was tragically gunned down in downtown Houston. Takeoff, born Kirsnick Khari Ball, was tragically shot and killed during an altercation in Houston in 2022. He was 28 years old. Patrick Clark was arrested and charged with the shooting last year but was released from jail on a $1 million bond.

Check out the full interview below.