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The Deals: Deezer & Merlin Strike Artist-Centric Royalties Partnership; WMG Expands India Presence

Merlin and Deezer announced a new partnership through which Deezer’s artist-centric royalty model will be integrated across Merlin’s membership of independent record labels, distributors and other rights holders. The model, which is currently being rolled out in France, is designed to reward artists and tracks that are viewed as playing a part in attracting and retaining subscribers to the platform while excluding white noise and other types of “functional” audio from the royalty pool.

“We have worked with Deezer to ensure their new model works for the benefit of our members, representing a path forward in ensuring that high-quality music, and the artists who create it, are recognized and rewarded in the manner they deserve,” said Merlin CEO Jeremy Sirota in a statement.

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Added Deezer CEO Jeronimo Foglueira: I’m very happy to see that Merlin and its members are embracing Deezer’s artist centric model and joins us in redefining artist remuneration in the streaming era, to make sure artists are paid more fairly for their music.”


Warner Music India made a strategic investment in Global Music Junction (GMJ), the music and entertainment subsidiary of digital entertainment and technology company JetSynthesys. The move gives Warner Music India a seat on the board of GMJ and expands its partnership with the company, with which it previously struck a distribution deal in 2021. GMJ — which provides services including content creation, events management, innovative distribution, marketing solutions, technical analytics, and legal expertise — is a leader in the music markets for the Bhojpuri, Kannada, Gujarati, Haryanvi and Oriya languages. “This is a significant milestone in the expansion of our presence across India,” Alfonso Perez Soto, president of emerging markets at Warner Music, said in a statement. “Working with the amazing team at GMJ last year not only strengthened our partnership, but enabled us to better support artists from the central regions of India, bringing them the best artistic support that any company can provide, and helping them connect with fans across the country and around the world.”

AEG Presents and LIV Golf announced an exclusive multi-year partnership that will see AEG and its subsidiary, Concerts West, booking musical acts and producing concerts for LIV Golf events globally. Since launching the LIV Golf Invitational Series in 2022, followed by the official kickoff of the LIV Golf League last year, artists including Zac Brown Band, Tiësto, Nelly, Sebastián Yatra and Alesso have performed at LIV Golf events. Starting this spring, AEG Presents and its Concerts West subsidiary will book musical acts and produce concerts for LIV Golf tournaments worldwide, handling talent booking, artist management, show/venue planning, creative development and technical production.

The City of McKinney, Tex., which is a major hub in the Dallas-Fort Worth area, chose Notes Live to build what will be the company’s largest venue yet: the 20,000-capacity, $220 million open-air Sunset Amphitheater. The effort to bring the venue to McKinney was a joint effort between the city, the McKinney Economic Development Corporation and the McKinney Community Development Corporation. Construction on the Sunset is slated to begin late this year, with the aim of opening it in time for the concert touring season in 2026. The project is expected to support more than 1,300 direct and indirect jobs and create $3 billion in regional and local economic activity in its first 10 years of operation.

Audio entertainment platform Pocket FM raised $103 million in Series D funding led by Lightspeed with participation from Stepstone Group. The latest round brings Pocket FM’s total funding to date to $196.5 million. The money will support the company’s push into the U.S. market while also supporting its expansion into Europe as well as Latin American markets in 2024. Pocket FM will also continue to strengthen its exclusive content library and build AI-powered personalized recommendations to enhance the user experience. The company claims to have surpassed $150 million in annual recurring revenue and says the platform racked up more than 75 billion minutes of streaming worldwide last year.

Warner Music South East Europe acquired a minority stake in Slovenian independent label NIKA. The label boasts a repertoire of more than 11,000 songs, including tracks from Big Foot Mama, Koala Voice, Luka Basi, Nipke and Siddharta. The label’s releases are currently distributed through Warner’s indie distribution and label services arm ADA. The deal will allow Warner Music to upstream NIKA’s roster to its international network. NIKA has been Warner Music’s licensee in Slovenia since 1995.

Melissa Etheridge partnered with Gritty In Pink, which powers the INPINK marketplace — a platform, described as being similar to Upwork, where female freelancers in music can find jobs. Through the partnership, female videographers can submit an INPINK listing to showcase their work to be considered for a job capturing and editing content at Etheridge’s upcoming shows in Santa Clarita, Calif., and Thousand Oaks, Calif. Those interested can submit their listings between Mar. 20 and Mar. 28. Etheridge will also serve as a “strategic advisor” for the INPINK marketplace. Prior to the partnership, the singer-songwriter hired an INPINK videographer to shoot her tour last year and ran a photography campaign with INPINK to find a female photographer to take press photos.

ASM Global signed a strategic partnership with King Abdullah Financial District Development and Management Company (KAFD DMC) to lead the operation and management of the King Abdullah Financial District (KAFD) Conference Center in Riyadh, Saudi Arabia. The conference center includes a 1,215 square-meter banquet hall, a 600-seat auditorium and multiple outdoor plazas.

NightEvolution — which owns Ibiza dance music clubs Amnesia and Cova Santa and Amnesia’s in-house night Pyramid — joined forces with Dubai developer Sekoya Management, which owns Dubai venue Soho Garden and its electronic music sub-brands/venues Code, Playroom and Hive. Under the agreement, NightEvolution and Sekoya will present a new events series called Horizon in Ibiza, Dubai and elsewhere.

AI-powered beat and track generator SOUNDRAW drew $3 million in new funding led by Carbide Ventures, along with other investors including mint VC, Ceres, iSGS, SMBC Venture Capital, Deepcore, Kazuomi Kaneto and Paul Rosenberg, CEO of Goliath Artists and president of Shady Records.

Milwaukee’s 2024 Summerfest Lineup Features Headliners Kane Brown, Motley Crue, Illenium, Keith Urban & More

One of summer’s biggest blowouts, Milwaukee’s annual multi-weekend Summerfest festival, announced the full lineup for the 2024 edition on Thursday (March 21). As always, it is packed with some of the best, biggest and brightest pop, rock, country, hip-hop and EDM acts, including headliners Kane Brown (with Kameron Marlowe and Nightly) and Mötley Crüe (with Seether and Buckcherry) on the first weekend (June 20-22).

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That inaugural weekend will also feature performances from: Goo Goo Dolls, Toosi, Black Pumas, Chelsea Cutler, Taking Back Sunday, David Kushner, Brittany Howard, O.A.R., Umphreys McGee, En Vogue, Gin Blossoms,Dawes, The War & Treaty, Allen Stone and many more.

The second weekend (July 27-29) will be topped by Illenium, Tyler Childers (with S.G. Goodman and Adeem the Artist) and Keith Urban (with NEEDTOBREATHE and Alana Springsteen), with additional sets from Muna, Jessie Murph, Allison Wonderland, Key Glock, Hippo Campus, Fletcher, REO Speedwagon, Sleater-Kinney, the Hold Steady, Mario, Metric, Briston Maroney, The Church, Ethel Cain, Brent Cobb, the Dandy Warhols and more.

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The final weekend (July 4-6) will feature AJR (with Carly Rae Jepsen and mxmton) as headliner, along with Maroon 5 and Lil Uzi Vert (with Lil Yachty, JID, Rico Nasty and LIHTZ), as well as Ivan Cornejo, Bryson Tiller, Mt. Joy, Lil Tecca, Chase Rice, Local Natives, Cold War Kids, Mariah the Scientist, JXDN, Coin, Extreme, Del Water Gap, Nikki Lane and Cimafunk, among others.

“Our 2024 lineup embodies the essence of what makes Summerfest so special. With a curated selection of artists spanning genres and styles, the festival reflects the vibrancy of today’s music scene,” said Milwaukee World Festival Inc. president/CEO Sarah Pancheri in a statement. “With 600 artists at a 75-acre permanent festival park, Summerfest creates a one-of-a-kind environment that our fans look forward to every summer.”

Tickets for Summerfest are on sale now here, with single-day GA starting at $28; a UScellular Power Pass is available for $65 for a limited time (now through March 28 at 11:59 p.m. ET), which includes admission to all 9 days of the festival.

See the full 2024 Milwaukee Summerfest lineup poster below.

Chappell Roan Brings Her ‘Pink Pony Club’ to NPR’s ‘Tiny Desk’: Watch Her Performance

The Tiny Desk set was transformed temporarily into the Pink Pony Club for Chappell Roan‘s debut performance on the web concert series posted Thursday (March 21).

The 26-year-old rising pop star was joined behind NPR’s literal tiny desk by an all-female band, each musician outfitted in a pink collared shirt and matching blue eye shadow, red lipstick combos. In a pink dress, drag-inspired, Marie Antoinette-ish makeup and a tiara, Chappell was clearly the star of the show.

Between her performances of “Casual,” “Pink Pony Club,” “Picture You,” “California” and “Red Wine Supernova” — all five of which appear on the singer’s debut album The Rise and Fall of a Midwest Princess — the Missouri native even divulged one of her beauty secrets to the crowd.

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“Though it looks like it’s all my hair, it’s a wig,” she said of her highly teased red ‘do, which she adorned with butterfly clips. “It’s so hot. Is there a trash bag in [the wig]? That’s how we got it so big.”

Toward the end of her set, Roan confessed that performing on Tiny Desk has long been a dream of hers. “I love NPR, guys, I’m serious — I donate!” she added, earning ecstatic applause from her audience of NPR staffers.

The musician is currently touring with Olivia Rodrigo as an opener for the “Drivers License” singer’s Guts World Tour. Later this year, Roan will hit the road on her own headlining trek dubbed The Midwest Princess Tour.

Roan was first linked to Rodrigo through their shared producer, Dan Nigro. Last year, the engineer launched his own label imprint, Amusement Records, with the “Hot to Go” artist as his signee.

“My world opened up, and so did my music,” Roan told Billboard in June of writing songs with Nigro after getting dropped from her first label, Atlantic Records, in 2020. “My music reflected the feelings of my first time in a gay club, my first time falling in love with a woman, my first time feeling homesick — I had to go through all those experiences, that pain and suffering, to rebirth myself into where I am now.”

Watch Chappell Roan’s Tiny Desk performance above.

Donnie Wahlberg Tells Touching Story of Fan Who Got Kidney Transplant After Holding Up Sign at New Kids on the Block Show

The members of boys-to-men boy band New Kids on the Block have seen a lot crazy things over the past four decades. But in a visit to SiriusXM’s TikTok Radio this week, member Donnie Wahlberg was asked by host Lamar Dawson to name the craziest thing a fan has ever told him.

“Not make it a more somber thing it’s actually a really hopeful thing, but we literally just were with some fans who one of them brought a sign to a concert in the front seat and said ‘I need a kidney transplant,’” said Wahlberg, 54. “And we just happened to see the sign, took selfies with it, posted it, and another fan donated her kidney. That’s crazy in the best way. She literally did that. Went to the concert and said ‘I’m going to make this happen and save my life.’ And she did. Another Blockhead risked her life to do it.”

Though Wahlberg did not provide any additional information about the sweet, life-saving gesture, last summer a story circulated about an Orange County, CA Blockhead teacher named Theresa Crockett who was suffering from Polycystic kidney disease. The condition causes cysts to form on a patient’s kidneys required a kidney transplant, with KABC reporting at the time that Crockett had been searching for a donor since 2021 in a state where the waiting list for such transplants can be 8-10 years long.

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At an NKOTB show in May 2022, Crockett — whose mother and sister also suffered from the same hereditary kidney disease — held up a sign about her predicament that read “Please share my story! I need a kidney donor!” and Wahlberg spotted it. She said the singer collected the sign, folded it up and told her, “I got you, I got you.”

According to the OC Register, Wahlberg kept the sign on the NKOTB bus throughout the rest of the tour and later posted it on the band’s social channels. Then, on the annual NKOTB cruise, a second sign posted by Crockett got the attention of Wisconsin doctor Christina Meyer, who donated a kidney to Crockett. According to KABC, Crockett underwent the kidney transplant procedure in September and on Wednesday (March 20) she reposted the Wahlberg interview with the caption, “Everyday I’m so Thankful for this journey and to be able to live a normal life! I love you guys so much.”

NKOTB will release their first new album in 11 years, Still Kids, on May 17.

Watch Wahlberg tell the story and see Crockett’s sign below.

Djo Is Back At No. 1, Beyoncé & Dasha Reach Top 10 on TikTok Billboard Top 50 | Billboard News

Djo returns to the top spot on the TikTok Billboard Top 50 chart as Beyoncé and Dasha break into the top 10.

Tetris Kelly:
Djo returns to the top, while one fresh face breaks into the top 10.

Djo aka Joe Kerry’s “End of Beginning” bounces back to No. 1 after spending some time at No. 3 on the TikTok Billboard Top 50 for the chart posting March 21.

The only newbie in the top 10 is “Austin” by Dasha. The track jumps from No. 15 to No. 6, but it’s not the only country song in the top 10. Beyonce’s “Texas Hold ‘Em” made a huge leap from No. 39 up to No. 4. Users must be excited for Cowboy Carter.

Jack Harlow also returns to the top 10 with “Lovin On Me” landing at No. 8.

Every Thursday, Billboard will bring you the verified list of the hottest songs on TikTok by monitoring music discovery and engagement on the platform in the United States. To find the TikTok Billboard Top 50 each week, users can simply go to any sound detail page and tap the top right button to access the charts page.

Watch the full video above!

Latto Rides Through Atlanta To Announce Birthday Bash 2024

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Hot 107.9 Birthday Bash 2024 Artist Lineup Press Conference

Source: Prince Williams / Getty

Hot 107.9 has announced their upcoming annual Birthday Bash concert in a big way, with headliner artist Latto roaming Atlanta to spread the news.

One of Atlanta, Georgia’s hottest events, Hot 107.9’s Birthday Bash is coming up soon (June 22). And the rap ingenue Latto took to the streets to ensure that everyone knows about the 2024 edition Birthday Bash and its lineup in style. The “Put It On The Floor Again” rapper rolled out with a caravan of 20 Black Suburban SUVs to announce the news of the concert to fans around the city on a bullhorn. She will be the first woman artist to ever headline the event.

The entire drive to the radio station was captured on video – including a pit stop at Walgreens so Latto could get her makeup fixed due to the high winds. The two-time Grammy Award nominated artist arrived with her entourage and spoke about what it means to be the headliner for the concert, which will be held at State Farm Arena on Saturday, June 22. “I love my city, my city had my back,” Latto said before imploring listeners to get their tickets. Baby, I’m telling you now. Get your tickets now. Don’t be calling me,” she said as the crowd gathered in the studio laughed and cheered.

The Hot 107.9 Birthday Bash 2024 is high-powered when it comes to the lineup already announced. As mentioned before, Latto will be the headliner with special guests joining her onstage, fresh off of the buzz of her latest single “Sunday Service”, where she delivered some biting lyrics seemingly aimed at another rising rap star, Ice Spice: “These b—–es corny, soon as monkey see, then you know monkey do/ Do you rap or do you tweet?/ ‘Cause I can’t tell, get in the booth, b—h.” Also getting top billing will be Boosie, Hunxho, Killer Mike and Key Glock. The rest of the lineup is filled out by Tee Grizzley, Famous Sally & YB with more artists to be announced at a later date.

 

Selena Gomez Shares Memento From ‘First Virtual Date’ With Benny Blanco: ‘#Long Distance’

Selena Gomez and Benny Blanco are making it work. In a sweet post on Instagram Stories Wednesday (March 20), the singer-actress shared a sweet handwritten message the producer sent her ahead of one of their virtual hangouts, noting that she and her beau have entered a long-distance phase in their relationship.

The Rare Beauty founder snapped a photo of her holding up a pink handmade card from Blanco. On one side, the hitmaker sketched a cute flower for Gomez; on the other side, he wrote, “Happy first virtual date! – Benny”

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Gomez captioned the photo, “#longdistancerelationship vibes.”

The couple first went public with their romance in December, with the Only Murders in the Building star confirming via Instagram comments that she and Blanco had been dating for six months at that point. In January, they snuggled up courtside at an L.A. Lakers game, then attended the Emmys together a few weeks later.

In February, Gomez commemorated Valentine’s Day by posting a selfie with Blanco and writing, “I love you.” Earlier this month, she celebrated his birthday on Instagram, writing that the “Eastside” musician’s “emotional endurance, positive disposition, unbelievable talent (that blows me away), undeniable humor and loving, kind heart absolutely kill me.”

“Without getting into too much detail, I think it’s just really important to meet someone that respects you,” Gomez said of her beau in an interview with Apple Music 1’s Zane Lowe in February. “And I think it’s really nice to also lean on someone who understands the world that I live in.”

“I’d have to say overall, it’s the safest that I feel and it’s been really lovely,” she added of her relationship at the time. “I’ve only grown through it, so it’s awesome.”

Executive Director for Nonprofit Female Drumming Competition Resigns Following Sexual Harassment Claims

The future of an international drumming competition designed to highlight and encourage young female drummers is in question after the program’s co-founder/executive director resigned earlier this month following accusations he made inappropriate comments to one of the contestants.

David Levine was asked to step down from the Los Angeles-based nonprofit Hit Like a Girl on Mar. 10 after Irish singer-drummer Ria Rua posted a video to Instagram claiming he asked her for “inappropriate pictures” in 2019 and told the then-20-year-old he “enjoyed” blurring out the outline of her breast in one of her photographs so he could use it in promotional assets for the contest. Levine says his comments were meant to be supportive and sarcastic, not offensive.

“Women shouldn’t have to deal with this stuff,” Rua said in the Instagram video. She then shared a screenshot of Levine’s email, which included the line, “Please send me more of those photos, even the ones your Mum may not like.” For “context,” she then showed the profile picture from her contest entry page that prompted his request. In it, she was not wearing a top under her jacket. “He edited out my boob and he said he enjoyed it,” she said.

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Rua tells Billboard that, in addition to the email, Levine made some of these comments over two phone calls. She said he asked if her mom liked the photo, and she replied, “I don’t know. I’m sure she doesn’t love it.” The second call was about a possible cymbal endorsement deal, in which she says she brought up the altered photo and he said “he had enjoyed photoshopping my boob.”

In a statement announcing his resignation, posted to Instagram, Levine said, “I wish to sincerely apologize for the inappropriate and offensive comments I made to [Ria Rua] as well as the harm my behavior has caused to others in the female drumming community. There is no excuse for my bad judgment, abusing my authority and undermining Hit Like A Girl’s good works. The Hit Like A Girl Board has requested my resignation as Executive Director and I am fully complying with that request, effective today, March 10, 2024 at 12:00 PM PT. Furthermore, I will be entering sexual harassment sensitivity counseling in the days ahead.”

He concluded: “Until new Directors can be installed the Hit Like A Girl and Drum Summit websites, social media and YouTube along with all current projects will be suspended,” adding, “I would ask that everyone in the drumming community continue to support the growth of female drummers through other channels.”

When reached for comment, Levine — who also owns TRX Cymbals and developed Drum Summit: Empowering Women Through Drumming — told Billboard in an email, “The board members asked for my resignation immediately after Ria Rua’s messages were posted and I complied. I sincerely hope the organization’s mission and work will continue however I am not involved in that process.” He also said his comments to Rua were “my attempt at sarcasm.”

Sexual harassment is by far the most widely-cited problem facing female creators in the music industry, according to a 2021 study by MIDiA Research, in conjunction with Tunecore and its parent company, Believe. The study found that “almost two-thirds of female creators identified sexual harassment or objectification as a key challenge.” The #MeToo movement empowered women to come forward with personal stories, ranging from drugging and rape to sexist behavior and misogyny. The industry, as a whole, still seems reluctant to speak out, instead feeling more comfortable addressing parity and advancement for women, including with initiatives like the Hit Like a Girl contest.

Rua started playing music in primary school, initially with the tin whistle and then guitar. At 12, she picked up drums and accompanied an accordion marching band, then joined The National Youth Orchestra of Ireland. In 2017, she entered a Hit Like a Girl competition, which she says seemed “massive,” sponsored by “all the big companies” and judged by “the best drummers and percussionists in the world.” In 2018 she won the organization’s Joe Hibbs Award.

Rua decided to share her story now, she tells Billboard, because she writes songs about women’s issues and had just released a new song about this specific experience and wanted to “practice what I preach.” In the Instagram video, she also noted she’d been inspired to speak out by recent allegations of sexual misconduct, “especially all the stuff about P. Diddy.”

“[Levine] is still the head of [Hit Like A Girl] and it’s still running to this day,” she said in her video. ”If it happened to me, I’m sure it happened to other women out there.”

Less than a year after Rua’s incidents with Levine, she says she told a then-Hit Like a Girl board member. She asked the board member to discuss it with the board, but not to tell Levine. The board member, who left the organization in 2021 because of what Rua told her about Levine — and does not wish to be named because of an unrelated personal issue — confirmed that account to Billboard. “I had no evidence of anything. I couldn’t really do anything formally.”

“At that time, I was still pretty afraid,” Rua says. “This guy is massive. He runs Hit Like a Girl. He owns the TRX Cymbal company. He owns another management company that manages a lot of the top brands.”

Rua posted a second video in which she sobbed and thanked everyone for supporting her, and then a third video explaining she came forward because she had written her song “Asking For It” “about my story with David” and now, when she sings it, “I’m going to remember the support that I had.”

Hit Like A Girl began in 2012 “as a drum contest/market development project,” as Levine puts it, which he co-founded with DRUM! magazine publisher Phil Hood and Mindy Abovitz, founder of female-focused Tom Tom magazine — both of whom left the organization years ago.

Levine told Billboard in an email that Rua entered the contest in 2017 and 2018 under her birth name — which Billboard has decided not to run at her request — and that during this time they “had multiple conversations by phone, email, text, etc.” He continued, “She was a talented musician and an interesting person.” He also attached the 2017 photo she submitted. Rua says they exchanged only one email and one Instagram message and had two phone calls. She provided the email and Instagram message to Billboard.

“At some point in 2018 [name redacted] introduced her new persona, Ria Rua, with a completely new look,” Levine tells Billboard in an email. “During a phone call I asked her if I could use one of the photos for a social media post to promote her and the contest. She told me that her mother didn’t approve of them. I responded in an email that she should send me the photos, ‘even the one’s her mum may not like.’ As with the rest of the email, I was trying to show support but, unfortunately, my attempt at sarcasm was not appreciated.

“I felt that the image she sent me was a bit too provocative for the Hit Like A Girl audience so I retouched it and sent it back to her for approval, which she provided. My recollection of our conversation is that I said something to the effect that I was happy to be able to photoshop the image so that it would be appropriate for us to share.”

Rua says she distinctly remembers him using the word “enjoyed” when talking about editing the photo. After that, she never entered the contest again.

Hit Like A Girl was incorporated and received 501(c)(3) charitable status in 2021, and Levine became executive director, he told Billboard, “with a board of directors that included six women.” He added, “We also established chapters in nearly 60 countries around the world that were managed exclusively by women. I often relied on these women for advice and approval.”

Since Rua’s post, she says other women have shared similar correspondence they received from Levine or conversations they had with him after entering the contest.

One California-based drummer — who does not wish to be named — shared screenshots with Billboard of “some weird stuff he said to me on text.”

In the thread, Levine provides suggestions on drum technique and then writes, “Second, try to move your head and body more when you play to show you’re feeling the best and having fun. It will drive the boys crazy.” In another, he writes, “Let me know if you come back up to LA. Maybe I’ll break quarantine for you,” followed by a wink emoji. In regard to some photos she had submitted during the pandemic, he also remarked, “I’ll have to get you a sexier mask, though. You Look like a nurse at a retirement home.”

Asked about these comments, Levine told Billboard in an email, “I don’t recall the other exchange you reference but I did offer advice on how contestants might improve their entries from time to time, when asked. I see now that my comments were inappropriate.”

He concludes by writing that Hit Like A Girl accomplished “many amazing and unprecedented things for girls and women in the past 12 years, not least the fact that drums are no longer considered a ‘gendered’ instrument.”

Behind The Scenes Of ‘Freaknik: The Wildest Story Never Told’

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Freaknik: The Wildest Party Never Told

Source: Hulu / hulu

HipHopWired got the exclusive opportunity to talk with the filmmakers behind the highly anticipated Hulu documentary, Freaknik: The Wildest Story Never Told.

Freaknik: The Wildest Party Never Told

Source: Hulu / hulu

For those in the know, Freaknik was not just a party that gathered nearly every Black person down in Atlanta, Georgia, every spring, but it was a veritable cultural moment. When word broke late last year that there would be a documentary about Freaknik, many immediately wondered if it would focus only on the wildness that came to be associated with the event.

But in Freaknik: The Wildest Story Never Told, we get a clear-eyed and compelling account of Freaknik in all of its aspects thanks to testimony from numerous people including Jermaine Dupri and Luther “Uncle Luke Campbell” (who are executive producers), Lil Jon, 21 Savage and more.

HipHopWired got the chance to talk with producers Jay Allen, Nikki Byles and executive producer Terry “TR” Ross about their experiences in making this documentary and their perspective on Freaknik as it makes its premiere on Hulu March 21.

HipHopWired: How did this documentary project get onto your radar, and how were you all involved?

Jay Allen: So Nikki and I were a few years younger, and we didn’t get to attend Freaknik. But we’ve always heard the stories of Freaknik from family, cousins and friends. Because we live in Atlanta, we always talk about what it would have been like to be there. And then we realized that we wanted to really tell the story. So she and I put together a pitch deck. We put together a sizzle [reel], we got all that stuff together. And then we were trying to figure out what the next steps were. The first thing that Nikki did was, she got on the phone and got Uncle Luke involved.

Nikki Byles: I just happened to reach out to someone and said, “Hey, I need Luke and please let me talk to him.” And so based on that, we ended up telling him what we wanted, and he ended up flying to Atlanta to meet with us. And after we went over everything, he was like, “Yep, I’m on board. Let’s get it.” Then, we spoke with Terry, he added JD [Jermaine Dupri]. Because you definitely need both. And he looked for the ambassador of Freaknik. And you need JD for the music.

Terry “TR” Ross: Well, not only that, but you need JD because he’s one of the most pivotal people in Atlanta right now. So we needed him for that too, not just for the music. I mean, they call him the “mayor of Atlanta.”

Freaknik: The Wildest Party Never Told

Source: Hulu / hulu

Jay: Terry helped us fill in some of the gaps. So we went to LA, sat down in the studio with Terry, and just talked to him about what our vision was. And we told him we had Luke and this is what we’re trying to do. And from then, Terry jumped in and really helped us grow this thing, and also that we could start to take it to market.

Terry: So, basically they brought it to me. And I was extremely interested in it. I thought it was compelling. Because first and foremost, that was the reason why I moved to Atlanta, it was because of Freaknik. I had (Mayor) Kasim Reed – whom I went to Howard with in D.C., and I was from D.C. – Kasim Reed, he’s an Atlanta native. And he said, “You guys need to come to Atlanta for this thing called Freaknik.”

And we’d never heard of it, so we decided to go to Atlanta, and we put on this huge concert for Freaknik. And after that, it was just like, “Yo, I want to live here. I want to move here.” And so we decided to move there. This has come full circle because this is my first film project. Freaknik being the reason I moved to Atlanta, and Freaknik being the first film project I did was really amazing.

When Nikki and Jay brought it to me, I went, “This is something that needs to be told, because the story had never been told the right way.” I said that we need to get the people that have been in Atlanta that’s going to make the documentary where people are going to be authentic and really want to get into it. So me, Nikki and Jay, we met with JD, we met him at a Starbucks.

Jay: I want to highlight how we met him at the Starbucks. We met him outside of a Starbucks where Nikki sat on the ground and typed everything. Me and Terry pummeled him with questions, and it was in the middle of COVID and JD had like four masks on. (Laughs) All this happened in the middle of Atlanta in the middle of COVID.

Terry: Then we decided it would be best to, you know, get some of the tastemakers in Atlanta and start interviewing them. Who did we interview first, Chaka (Zulu)?

Jay: The first was Chaka after JD?

Nikki: Yeah, because we had to get them all in while TR was there.

Jay: Yeah, I think we had Kasim, Too Short, Kenny Burns –

Nikki: For some reason, I remember speaking to Mannie Fresh. (Laughs)

Jay: There were many people in there, yeah. (Laughs)

Terry: KP and Shanti Das, who was very instrumental in breaking OutKast because they broke in Atlanta during Freaknik. She was at LaFace [Records]. Rico Wade of Dungeon Family & Organized Noise.

Jay: You’re the only one getting this story. No one else has asked this, so just know this is an exclusive right here. (Laughs)

HipHopWired: So in terms of interviews and the experience of getting testimonials from folks that attended and those who were in opposition – what was that experience like talking to everyone and getting their recollections?

Jay: Before or after we started filming? Because that’s two different sets.

HipHopWired: After, because as you said with the teaser, there were those that were kind of wondering “Well, what’s going on? What is this going to be?”

Jay: I think when Terry talks about this – we weren’t passing out checks for people to be a part of this. Terry was really picking up the phone. Nikki was really picking up the phone. And these people were coming to sit and talk and tell us their Freaknik stories and help us piece it together. For the love. For the love of the people that have a relationship to it. And that’s how we were able to make the story come together.

Terry: Everybody’s story was different, especially Too Short’s, Lil Jon’s, and of course, JD. Because JD wasn’t even old enough to attend Freaknik, so he would just hang outside in the parking lot and just pass out his tapes. And that’s pretty much how Shanti said they broke OutKast, because they had these tapes that they were passing out, and then people were playing them in their cars. Because there was nowhere to go, you couldn’t move. (Laughs) So they would pop the tape in and they were just riding up and down the street and people were bumping OutKast.

Jay: And these are people that are legends now, like Shanti. Yeah, she’s one of the biggest women in music entertainment. Kasim Reed was just an early law student then, and Kasim is literally explaining to us how the government was working back then. One thing that didn’t make it to the documentary that was super interesting is how important Southwest Atlanta was to all of this coming together. And it was a really incredible story. Because Shanti, Kasim – there’s a group of mayors that all come from Southwest Atlanta. And they really just broke down the story. So you’re literally seeing the people that are the biggest leaders in their industries—from music to executives to politics—really be at the forefront of what Freaknik was and what it became.

HipHopWired: Building off of that, how happy are you guys with the reception that you’ve gotten so far with this documentary, showing such a cultural moment for Atlanta and the South overall?

Terry: I always say this: Atlanta wouldn’t be Atlanta without Freaknik. It would not be the same. Freaknik made Atlanta what it is today. Hands down, no doubt. Because people came from all over the country to Atlanta and then stayed. So you started getting a bunch of Black people from different parts of the country that came down and started having their own record labels. We built our record label out of Atlanta, we had a record label called Noontime.

We had Jazze Pha, Brian Michael Cox, Ciara and Latoya Luckett. All of these people came from us. And then you had the LaFace standard, and you had So So Def, and then you had Dallas Austin. And then you had the Dungeon Family. Freaknik started flourishing because of all of the different people that were coming into Atlanta and getting that culture because that was a whole different culture down there than any other city.



HipHopWired: If there is one – you can narrow it down to one – what was your all-time favorite moment making this film?

Nikki: My favorite moment, all-time favorite was Clay Evans. Getting his interview and talking to him about his time at Freaknik. I wish we could have just shown his whole interview. How he acted; y’all he acted so crazy that day of filming. He wouldn’t let anybody talk to him. I was the only one allowed to talk to him. Nobody else can look him in the face. Everybody refers to him in the third person. (Laughs) Yeah, he sent me a two-page rider and let me know that he wanted oysters, but he’s the only one that does the shucking. I provided nothing. I gave him juice. And you have a good day.

Terry: We can’t leave out a very important partner. And that’s Alex Avant who was Clarence Avant’s son. I’m good friends with him. Alex was instrumental in bringing Hulu to the table. So, Alex saw the vision as well.

Jay: And to piggyback on what TR said, my favorite moment of the film is not even a film. What people don’t know is with me, Nikki and TR, other people are in the mix. For me, Nikki and TR are on the frontlines of this. And people know what we went through just putting together materials to pitch, to talk to people to get them convinced, to tap into his entire network, TR tapping into his entire network. And to see the big billboards in LA and New York and everywhere else off the idea that we were literally sitting with, like looking at each other like, “Are we crazy? Is this is a good idea?”

We’re at South by Southwest and we all look at the crowd like, “Oh, we did it.” That’s the moment for me that I was just like…you can’t let people tell you that you’re crazy. We did get rejection letters from people, people who told us that this wasn’t relevant and nobody cared about it. So to have a billboard in Times Square in the middle of a promotion that broke the internet? It just makes me appreciate these people on this call. I know we believe in ourselves and we kept pushing from day one. Never, never hesitated. And we should give some love to Tamara Knetchel. Tam connected us, she’s an unsung hero.

Freaknik: The Wildest Party Never Told

Source: Hulu / hulu

MC Lyte to Be Honored at Inaugural SEED Summit + Awards

MC Lyte is among the honorees who will be saluted at the SEED Summit + Awards. Founded by industry veteran Valeisha Butterfield, the inaugural event will take place March 22-24 at the 1 Hotel in Los Angeles.

Also being honored alongside rap legend Lyte will be Massah David and Miatta Johnson, founders of the creative agency MVD Inc., and financial expert-coach Dr. Lynn Richardson. The award ceremony will take place on the evening of March 23.

Among the creators, executives and artists participating in the SEED Summit earlier that day will be songwriter-producer Bryan-Michael Cox, singers Melanie Fiona and Estelle, 11th & Co chairman/CEO Ebonie Ward, Kickstarter CEO Everette Taylor, Franklin Entertainment’s DeVon Franklin and Reign Ventures’ Monique Ludlett. The summit will conclude on March 24 with the SEED Retreat, a full day devoted to wellness of the mind, body and soul.

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Butterfield conceived of SEED, an organization and multimedia platform, during the COVID-19 pandemic in 2020. What began as a series of masterclasses to inspire creators, executives and performers, SEED has since expanded beyond the summit and awards to include the SEED Book Club, which produces best-selling books for television and film adaptation through SEED Entertainment, and SEED Wellbeing. 

“The power of storytelling transforms lives and as we celebrate this tremendous milestone with our inaugural SEED Summit + Awards, the culture stands together for the launch of SEED,” said Butterfield in a statement. “Illuminating the most iconic stories and people of our generation is our mission as we plant seeds into the next generation of creators, storytellers, leaders and professionals following in our footsteps.”

Butterfield separately serves as vp of partnerships and engagement at Google. She also chairs the Recording Academy’s Black Music Collective and is the former co-president of the Grammys’ parent organization.

In a joint statement, honorees MC Lyte and Dr. Lynn Richardson commented, “Valeisha’s entire life and career have been dedicated to elevating the culture, so to be recognized with this inaugural award, we’re humbled and grateful. We commit to continuing to plant seeds into the next generation of creators and artists.”

Added Luckett, “I’m delighted to be a part of this year’s SEED summit. Valeisha always does a wonderful job of curating a safe space for us to share our experiences and empower one another.”

Partners in the SEED Summit + Awards include Pronghorn, iBest Wines and The Chris Paul Family Foundation. The event will be hosted by media personalities Alesha Reneé and Gia Peppers.

For more information about the SEED Summit + Awards, visit the SEED website.