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With Thanksgiving just around the corner, why not give some thanks to some of your favorite queer artists this week? Billboard Pride is proud to present the latest edition of Queer Jams of the Week, our roundup of some of the best new music releases from LGBTQ artists.

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From Cynthia Erivo & Ariana Grande’s long-awaited Wicked songs to Lil Nas X’s latest single, check out just a few of our favorite releases from this week below.

Cynthia Erivo, Ariana Grande “Defying Gravity”

Sure, we could put the entirety of the new Wicked soundtrack on this list, but there is something to Cynthia Erivo’s performance of the undisputed queer anthem “Defying Gravity” that just deserves some special recognition here. Her voice is incredible, her acting is off the charts, and she sells every second of this song alongside Grande’s gorgeous supporting vocals. Especially in the song’s famous final minute, Erivo gives her all for “Defying Gravity,” making this an absolute must-listen for theater fans and skeptics alike.

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Lil Nas X, “Need Dat Boy”

As he proved on Montero standout “Sun Goes Down,” Lil Nas X is phenomenally good at stripping things back to get to the personal core of a song. “Need Dat Boy” starts out in that exact contemplative mode, with Lil Nas showing off his consistently-growing vocals as he croons about looking for inspiration. And when the bridge kicks in, Lil Nas turns the heat up as he lets the object of his desire know exactly what he’d like to do to him. It’s a fitting amalgamation of the rapper/singer’s multitude of talents, packed into a 3-minute track you’ll want to hear.

Omar Apollo feat. Trent Reznor & Atticus Ross, “Te Maldigo”

Give Omar Apollo a guitar and a microphone and he will make sweet music for you. On “Te Maldigo” (which translates to “I Curse You”) from the upcoming Luca Guadagnino film Queer, Apollo sings a lonesome ballad of heartbreak and betrayal, asking why his former flame couldn’t show him the love he deserved. “My heart, without you, does not beat,” he sings in Spanish on the song’s second verse. “What a cruel world/ Where you don’t love me.”

Various Artists, Transa

In a time when trans people everywhere are scared for the future, Red Hot decided to give the community something hopeful. Transa, the organization’s expansive new compilation album, pairs trans icons and allies throughout its massive three and a half hour journey, reflecting on the nature of transness itself. With featured stars like Adrienne Lenker, Moses Sumney, Anohni, Sam Smith, Beverly Glenn Copeland and dozens more, Transa makes sure to never boil down the trans experience into a single, simplistic message — just like the community it serves, this album is as expansive as the universe itself.

Rahim Redcar (Christine and the Queens), “It’s Okay to Cry (Hôtel Pour SOPHIE)”

It would have been easy for Rahim Redcar (the newly-adopted stage name for Christine and the Queens) to offer a simple, largely-unchanged cover of legendary producer SOPHIE’s classic song “It’s Okay to Cry.” But that wouldn’t be like him, after all. Instead, Redcar takes the affirming track and strips it down to its molecular level, building it back up into something completely new that still manages to honor the legacy of the iconic artist who brought it into the world in the first place.

Check out all of our picks on Billboard’s Queer Jams of the Week playlist below:

This week in dance music: Charli XCX performed “Sympathy Is a Knife” and “360” on Saturday Night Live, Skrillex announced that his next project will be his last with Atlantic Records, Giorgio Moroder was named as the recipient of an upcoming lifetime achievement award from The Society of Composers & Lyricists, Ultra Music Festival added more than 50 artists to the lineup for its March festival in Miami, Coachella announced its 2025 lineup (a third of which is made up of electronic artists), Tomorrowland Winter dropped the bill for its March event in the French Alps, Troye Sivan was a big winner at the 2024 ARIA Awards, Pawsa announced a major show at London’s Gunnersbury Park this August and Charli XCX announced four dates for the North American Brat arena tour.

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And of course, there’s the fuel that makes it all run. These are the best new dance tracks of the week.

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Martin Garrix, “Told You So”

Dutch mainstay Martin Garrix links with New Jersey-born singer/songwriter Jex for the sugary dance pop single “Told You So.” As the duo tell it, the track — out on STMPD RCRDS/Eddie O Entertainment/Casablanca Records — has origins in TikTok, where Jex posted a video of her singing the song’s hook. Garrix then reached out to ask about doing the production, with the result being his eighth single of 2024. Of the track, Jex says that “from writing this hook alone in my apartment, to Martin finding it and bringing it to life, this entire thing has been a dream come true.” Garrix plays Omnia in Las Vegas tonight and Marquee in Las Vegas tomorrow.

Subtronics & Alison Wonderland, “No One Does It Like”

Bass leaders Subtronics and Alison Wonderland join forces together for their collaborative track “No One Does It Like,” with the result being as hard, sharp and heavy as you might hope. Out on Subtronics’ own Cyclops Recordings, the song is pure-riding-the-rail dubstep and follows the pair’s work on their remix of Creeds’ “Push Up.” Alison Wonderland performs this weekend in Las Vegas, while Subtronics will play the Apocalypse Festival in Long Beach, Calif. on Nov. 30.

Rusko, “Wassup”

The British bass pioneer returns with his first solo single in two and a half years, the frenetic “Wassup.” Out on Monstercat Uncaged, the track is deliciously unhinged jump up d’n’b and also the lead single from an EP set to drop next year. The producer says “Wassup” was started last year on tour in Australia “and ever since, has been a puzzle I couldn’t quite crack and get just right… but it’s always been stuck in my head. After adding ‘Wassup’ into my DJ sets, I had an earth-shattering break-through, and within the first couple of nights spinning the tune, it was finished!”

Above & Beyond, “Another Breakdown”

The gentlemen of Above & Beyond are having a big week, as the trio was listed on the Coachella 2025 posted that dropped Wednesday, the day before the group released “Another Breakdown.” The track’s celestial production has the same thoughtful quality that defines the entire Above & Beyond oeuvre, and is also infused with the soaring trance elements that are the trio’s signature. Another Breakdown comes from Above & Beyond’s forthcoming EP Tranquility Base Vol. 2, coming December 6 on their own Anjunabeats label.

Kaitlyn Aurelia Smith & Joe Goddard, Neptunes EP

Los Angeles-based producer Kaitlyn Aurelia Smith & U.K. producer, DJ (and Hot Chip member) Joe Goddard get together for their gorgeous three-track collaborative EP, Neptunes. A no-skips situation, the EP (which also includes two remixes) has a stunner of an opening track, with the pair saying that “Neptunes” stems from Goddard’s wish to make a song reminiscent of Pharrell and Chad Hugo’s game-changing production work as Neptunes. “I loved what the rhythm made me feel when I first heard it,” Smith says of the track. “I actually thought he was tapping into Neptune as a planet, and the qualities I felt it possesses. So my side of things brought out more space-themed sounds as a result.” The project is out on Domino’s Smugglers Way imprint.

Dave Mackay, The Looking Chamber

The English pianist, keyboardist and composer takes a turn into electronic production, with affecting results. His 11-track debut album, The Looking Chamber, is smart and stylish experimental synth music, that emphasizes Mackay’s ability to make music that sounds like the machines employed in the production process are actually speaking. The album is out on Colorfield Records.

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard EspaĂąol editors — features fresh new music from artists including Kevin Kaarl, Gilberto Santa Rosa and Maluma, to name a few. Spanish star Quevedo is back in the spotlight with Buenas Noches. The 18-track LP includes collaborators like Sech, […]

Kendrick Lamar surprised fans on Nov. 22 by dropping his new album, GNX. Keep watching to hear some of his new tracks and how the rapper dropped it! Tetris Kelly:He gave us no warning! Kendrick Lamar just surprise released new album GNX, and we have the details in this week’s Music You Should Know. The […]

Cody Johnson’s producer Trent Willmon said “kicking shaboozey” during his acceptance speech at the 2024 CMA Awards. Keep watching to see what he said, how Shaboozey responded and more. Tetris Kelly:Shaboozey is keeping it classy after some online believe he was shaded at the CMAs. It was by country star Cody Johnson’s producer Trent Willmon […]

11/22/2024

Family friendly tunes from Rudolph, the Grinch and more.

11/22/2024

Eleven days. More than 300 shows. The 20th annual New York Comedy Festival offered a Golden Corral-style buffet of laughs. It was impossible to see them all, but here are the top seven performances — in no particular order — that Billboard witnessed.

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1. Zarna Garg

Garg, who closed the festival with a sold-out show at Town Hall in Midtown Manhattan on Nov. 17, took an unlikely path to stand-up comedy. Raised in Bombay, she escaped an arranged marriage by leaving home, immigrating to the United States and attending law school before becoming a multi-hyphenate in the comedy business: stand-up, screenwriting, podcasting and a memoir. She first headlined at Caroline’s on Broadway in 2020 and, according to her manager, the Town Hall appearance was one of her biggest headlining shows to date.

A lot of Garg’s comedy is steeped in Indian culture and stereotypes — “You are Indian, your pronoun is doctor!” she said during her performance —but judging from the composition of the crowd on Nov. 17, she has clearly crossed over. Garg got big laughs saying her bindi was the same kind of sticker that Macy’s uses to mark down clothes, and implied that she occasionally uses hers to snag a bargain. “You know I’m doing it!” she said. And she elicited a huge roar from the crowd after telling a story about keeping her comedy work from her parents. When her mother found out, instead of disowning her daughter, she told her that if it would help with her career, “May you tell your audience that your father likes to do it doggy style.”

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2. Jeff Arcuri

The Michigan-raised, Chicago-based comic opened the festival on Nov. 7, when he brought his Full Beans Tour to the Beacon Theater on Manhattan’s Upper West Side, and proved how he has blown up over the past year: with crowd work, which has gone viral on social media. Arcuri is so lightning-quick and scalpel-sharp that attempting to take notes of his back-and-forth banter with audience members — done with a big, wicked smile — is a fool’s errand. So, check out this video and note that, unlike other comics who single out members of their audience, Arcuri practices largely cruelty-free comedy.

3. Jordan Jensen

The Ithaca, NY-born former contractor — she called her company Lady Parts Carpentry, because her name was often misconstrued as male — Jensen is a tattooed bomb cyclone of funny, who became the first woman to win the festival’s New York’s Funniest competition in 2021. Her act is seeded with the wins and losses of womanhood and dating, growing up with a lesbian mother and an estranged weed-loving father, and her battles with OCD and intrusive thoughts. As one of Jeff Arcuri’s openers at the Beacon Theater, Jensen had the crowd screaming with laughter over a wild bit on the realities of menstruation.

4. New York’s Funniest

The winner of the festival’s annual joke-off — which catapulted the careers of Jensen and Michael Che, among other comics — was New York-based stand-up Jamie Wolf, who delivered a polished set that closed with a killer, seemingly new bit on why he’s pretty sure God is a woman. “Picture dicks and balls,” he said. “They’re so first draft.” It got better from there but go see Wolf to hear it firsthand. As they say in the business, it’s all in the telling.  

Wolf was one of 10 comics who competed at the Hard Rock Hotel on Nov. 16, and two in particular brought to mind a comment Chris Distefano made in an interview with Billboard last week, in which he talked about his comedy originating as a “defense mechanism” that arose from his parents divorce.

The competition’s opener, Soo Ra, who is Korean, was born missing fingers on one hand and adopted as an infant after she was found in a box that had been left outside a police station. A devastating story, but Ra, whose delivery is could be described as cheerfully deadpan, got a lot of laughs out of it, telling the crowd she might have been abandoned when her real mother looked at her unformed hand and decided, “This baby cannot fix Samsung phones.” She also said that when people ask her which Korea she is from, she replies, “The one you can get out of.”

Next up was Nick Viagas, who used his stutter to land a lot of laughs. He told the crowd that if he didn’t make it in comedy, “I can always get a job as a turn signal.” And that when he was put in charge of the countdown at a New Year’s Eve show, “That was the longest year.”

5. Ricky Velez

One of Judd Apatow’s favorite comics — he even made Velez a producer on The King of Staten Island New York City in which he co-starred with best friend Pete Davidson — the Queens-bred smart-ass repaid the kindness with a charged set for Judd Apatow and Friends at the Beacon Theater on Nov. 9. In addition to compelling storytelling — check out his Dominican drug dealer in the bit online — Velez likes to rile up the politically correct, and in his addressing the influx of migrants into New York, he told the audience, “I like migrants a lot because they’re fucking up the white-woman agenda. That makes me very happy. [In] 2017 white women canceled cat-calling in New York City. Well, guess what. Venezuela never went through a #MeToo Movement. So, good luck telling Papi that ass ain’t fine, Mami.”

He also welcomed more crime in the city, which he said was “the war on gentrification,” adding that he recently saw “three men eating croissants on the corner.” Declaring such a brazen act of refined tastes “crazy,” Velez had the crowd wheezing when he said, “This is New York City. That can’t happen. Those men need crime,” adding: “Croissants and tote bags. If you’ve got a tote bag as a man. Time to move, bro. We back.”

6. Chris Distefano

Distefano did back-to-back-to-back shows at three outposts of the New York Comedy Club, which is owned by his manager, Emilio Savone — in part to re-record classic bits he did on Netflix and other comedy platforms so that he could reclaim ownership. He dubbed them “Chrissy’s Version” in homage to Taylor Swift. But he also riffed on the results of the presidential election and some of his successful friends’ reactions to it. “I will say this. If you made a post crying about the president, you’re a p—y” Distefano said. “You gotta be an adult here.”

He further explained that a number of friends he met through comedy “do big things. They host TV shows. I took the bus here.” Some of those famous friends “are crying,” he said. “I’m like, relax. You’re a multimillionaire making believe. You live in America. Shut the f—up. Everybody’s just got to take a deep breath. It’s gonna be fine. Now, do I know for sure? No. I went to Nassau Community College.”  

7. Stand Up For Heroes

Year after year, this benefit for military veterans brings out top-shelf talent to raise tens of millions of dollars. This year, Bruce Springsteen, Norah Jones, Jon Stewart, Jim Gaffigan, Jerry Seinfeld and Mark Normand put on a really big show, which you can read more about here (and watch a video of The Boss performing “Long Walk Home”).

New Music Latin is a compilation of the best new Latin songs and albums recommended by Billboard Latin and Billboard Español editors. Check out this week’s picks below.

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Quevedo, Buenas Noches (DQU Productions/Rimas Entertainment)

After being MIA for quite some time — just as he had a breakthrough year in 2022 with the ”BZRP Music Sessions, Vol. 52″ — Spanish hitmaker Quevedo is making a triumphant return with BUENAS NOCHES, his second album bur first under a new distribution deal with Rimas Entertainment. Describing this comeback — which will also include a tour — as “the most beautiful phase of my career,” his sophomore set truly stands out. The 18-track LP is packed with club-ready hits, including one with Pitbull himself (“MR. MOONDIAL) that’s reminiscent of the early 2000s, a dreamy 80s-like synth-pop tune with Aitana (“GRAN VÍA”) and a neo-reggaetón bop with La Pantera (“HALO”).

And while sonically this may seem like a rager album packed with party anthems, its lyrics are quite introspective, after all, this album was inspired by Quevedo’s late-night reflections, he expressed in a press statement. And it just so happens to be thoughts that are ultra relatable, as he sings about sex, love, heartbreak and even loneliness with other collaborators like De La Rose, De La Ghetto, Yung Beef, Sech, Rels B and Sin Nombre. His signature deep vocals soar in this nearly hour-long album that ushers a new, exciting era for Quevedo. — GRISELDA FLORES

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Maluma, “Cosas Pendientes” (Paris LG LTD/Sony Music Latin)

With the sounds of an acoustic guitar, Maluma opens the first verse of his new single, “Cosas Pendientes,” which translates to “Things Pending.” This song marks a return to the essence of his beloved 2015 era, “Pretty Boy, Dirty Boy,” taking it to new heights but a bit more pretty and more dirty. Reconnecting with an old love to resolve pending issues, he sings in the chorus: “Apparently she didn’t forget me/she’s still waiting/she wants to ignore me/but the tension is seen, felt.” The song is tied to a short film of revenge and glamour, including a surprise appearance by Colombian actor Luis Alfredo Velasco, known to fans as Dúver Cruz or Manín of La Reina del Flow. The video also highlights Maluma’s signature sound while he shaves his head, signaling an official symbolic return to the early days of his career. — INGRID FAJARDO

Grupo Frontera & Oscar Maydon, “¿Qué Te Parece?” (Grupo Frontera)

Grupo Frontera is on a romantic streak. Following their lovey-dovey hit “Hecha Pa’ Mi,” the group reels in Oscar Maydon for “¿Qué Te Parece?” (what do you think?). On the joyful, feel-good cumbia-norteño track, the two Música Mexicana acts serenade a beautiful lady, offering them the perfect dream date: “What beach should I take you to drink wine and have a romantic dinner? / What shoes do you like? What purse do you want? So I can gift it to you,” Maydon’s sugary vocals declare. “If you tell me yes, we’ll travel to Paris, I already have your lock,” he continues in the chorus, referring to the Pont des Arts, also known as the Love Lock Bridge in France. A playful music video, directed by Sauna and produced by Oriental Films, captures Frontera and Maydon performing the song on a tennis court, where they are surrounded by a diverse group of bachelorettes. — JESSICA ROIZ

Gilberto Santa Rosa, Debut y Segunda Tanda, Vol. 2 (B2B Music)

“El Caballero de la Salsa” Gilberto Santa releases Debut y Segunda Tanda Vol. II, a continuation of a project that began in 2022 and that includes a mix of new songs and reinterpretations of past hits. From the first chords of “Piedra y Agua,” through “Como Si Fuera Nuestra” – both debuts – Santa Rosa makes us dance with bright brasses, powerful choruses and his unmistakable style and voice. The list of new songs includes, among others, “Tratando de Acercarme,” which stands out for its softer rhythm and instrumentation, and the cheerful “Fin de Semana” with Gerardo Rivas. As for covers, there are “Vamos a Ver” by David Torrens, “Tun Tun” by Kelvis Ochoa — with and infectious chorus and romantic lyrics — and “La Marea” by Rubén Blades for a gran finale.

“This album represents for me the opportunity to explore and present something different, but always maintaining my essence,” the salsa icon said in a press release. “Is an invitation to share my love for music, in all its forms, and to dance or grieve together once again.” It is a work worthy of any Latin New Year’s Eve party and adds to the extensive repertoire of one of the most beloved artists of the tropical genre. — SIGAL RATNER-ARIAS

Kevin Kaarl, “Esta Noche” (Kevin Kaarl)

There’s a warmth to Kevin Kaarl’s “Esta Noche,” an ultra nostalgic song that brings to mind the magic of ’90s pop and rock en español. Listening to the Mexican indie artist’s singular and soothing vocals is almost disarming, and it’s easy to get lost in the song’s folky vibe as Kaarl sings emotionally and vividly about love and heartbreak, injecting pathos in every verse. “Esta Noche” was produced by his twin brother, Bryan Kaarl, who first joined Kevin for “Te Quiero Tanto.” The new track’s music video is the first installment of a trilogy of visuals that will culminate in a short film. “Esta Noche” is the first single off his forthcoming studio album, ULTRA SODADE. — G.F.

Leo Rizzi & Lasso, “QUEBRANTO” (Atlantic Records Spain)

As a nostalgic nod to South American rock of the ’80s, emerges the new collaboration between Spanish-Uruguayan singer-songwriter Leo Rizzi and Venezuelan Lasso called “QUEBRANTO.” The pop single manages to capture the magic of legendary Argentine rock riffs and the essence of the music of that golden age. In the lyrics, the pair sing about finding a way out of pain and the desire for redemption in the face of life’s trials. The music video encapsulates that same nostalgia, with retro visuals and the artists’ ’80s aesthetics, transporting us back to that era. — LUISA CALLE

Listen to more editors’ Latin recommendations in the playlist below:

Ariana Grande is at the top of the mountain for Billboard Hot 100 No. 1 debuts, but she isn’t there alone.
In a new TikTok video shared by MTV UK Friday (Nov. 22), the 31-year-old pop star had a sweet reaction to finding out that she and Taylor Swift are tied for most songs to enter at the top of the U.S. chart among female artists, with seven each. “Really? I didn’t know that,” she said of the number with surprise while sitting next to Wicked costar Cynthia Erivo.

“That can’t be true,” Grande added.

When the interviewer mentioned that the “Cruel Summer” singer is the only other female artist with seven Hot 100 No. 1 debuts, the R.E.M. Beauty founder and Pinocchio actress started tapping their nails with reverent applause. “Good company!” Grande said of Swift, smiling as Erivo nodded in agreement.

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The 14-time Grammy winner tied the Victorious alum’s record this spring, when “Fortnight” featuring Post Malone entered at the apex of the Hot 100. Swift has previously debuted in the top spot with “Is It Over Now?,” “Anti-Hero,” “All Too Well (10 Minute Version),” “Willow,” “Cardigan” and “Shake It Off.”

Grande earned her seventh No. 1 debut in March, when Eternal Sunshine‘s “We Can’t Be Friends (Wait for Your Love)” claimed the reigning placement in its first week on the chart. Her past No. 1 debuts include “Yes, And?,” “Positions,” “Rain on Me” with Lady Gaga, “Stuck With U” with Justin Bieber, “7 Rings” and “Thank U, Next.”

The only other artist with more No. 1 debuts is Drake, with nine. In total, Grande has topped the Hot 100 nine times, while Swift has done so 12 times.

The MTV UK interview comes amid colossal career moments for both women. On Friday, Wicked starring Grande and Erivo premiered in theaters after three years in the making — and months of promotional build-up — while Swift is on the precipice of closing out her two-year Eras Tour in December.

Interactions between the two artists have been few and far between over the years, but they’ve maintained an outward respect for one another. In 2014, they co-headlined the Victoria’s Secret Fashion Show and snapped a photo together backstage — “Oh my God she couldn’t be cuter,” Swift wrote of Grande on Instagram at the time — and when the former included a drag performer channeling Ari in her “You Need to Calm Down” music video, the latter applauded the project on Instagram Stories in 2019.

“Ty for having me in your video I was amazing @taylorwift,” Grande joked at the time. “Taylor, Congrats on YNTCD. I f–king love it and the message soooooo much.”

Watch Grande react to her chart tie with Swift below.

In a setting designed to evoke a cozy, intimate living room, Maeta performed “Back” for a unique and behind-the-scenes Honda Stage and Billboard showcase. Directed by renowned creative, Child, the space is warm and inviting, scattered with vintage accents and dim lighting that creates an atmosphere of personal reflection, setting the perfect stage for a song rooted in raw emotion. Maeta opens the performance herself, seated at a piano in the corner of the room. She begins playing the tender, four-chord ballad, each note grounding her lyrics with soulful vulnerability. Her voice fills the space, warm and rich, as she brings listeners into her world.

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Reflecting on her journey, Maeta describes how her creative process has transformed over time, leading her to become an artist who now insists on emotional depth in every track she creates. Songs like “When I Hear Your Name” carry an emotional weight that lingers with her, reflecting her commitment to making music that resonates not only with her audience but also with her own experiences. In “Back,” she lays bare her struggles with self-sabotage and love, a theme that resonates deeply with her and one that she channels through every lyric and melody of the performance.

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As the song progresses, Maeta rises from the piano and transitions to center stage, allowing her pianist, Louis, to take over the keys. The two seamlessly trade roles, each adding new layers to the track. With Louis grounding the melody, Maeta is free to express the full force of her voice, which pours over the audience like a confession. Her introspective lyrics capture the complexities of self-doubt and love, her emotions palpable as she moves through the chorus, revealing her innermost struggles with striking vulnerability.

In the closing moments of the song, Maeta’s voice softens, winding down to a final, haunting note as the last chords fade. The set, with its intimate design, feels like an extension of her own heart, a private space where she shares her most personal thoughts with the audience. As she finishes, there’s a sense that Maeta has invited everyone into her living room, laying her vulnerabilities bare in a performance that captures her growth, resilience, and honesty as an artist.

About Honda Stage:

Honda Stage is a music platform that builds on the brand’s deep foundation of bringing unique experiences to fans while celebrating determined artists and their journeys of music discovery. Honda Stage offers exclusive, behind-the-scenes music content and inspirational stories from on-the-rise and fan-favorite artists, giving music fans access to the moments they love while celebrating the creativity and drive it takes to make it big.