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Kendrick Lamar is continuing the rollout of his surprise sixth studio album, GNX, dropping the music video for the project’s early standout track, “Squabble Up,” on Monday (Nov. 25). Explore See latest videos, charts and news See latest videos, charts and news The clip features K. Dot dancing in a blue hoodie and fitted cap […]
Back in 2019, only 23% of the U.S. Latin population was familiar with the term “Latinx,” according to an extensive study published in 2021 by the Pew Research Center.
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Five years and one pandemic later, awareness for the term has doubled: Today, 47% of U.S. Latins say they are aware of the word “Latinx,” according to a new Pew report published in September. But most of them still don’t like it.
Only 4% of Latino adults say they have used Latinx to describe themselves, a fraction above the 3% who said the same in 2019.
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More telling, 75% of Latinos who have heard of the term say it should not be used to describe the Hispanic or Latino population, according to the new report. In fact, the report concludes, Latinx is “broadly unpopular among Latino adults who have heard of it.”
And the dislike has grown. Five years ago, when Pew published its first research on the recognition and use of Latinx, it found that 65% of adults familiar with the term rejected it. In other words, as awareness of the word Latinx went up, its embrace by the U.S. Latinos has gone down.
Why is that?
As Billboard reported back in 2021, when Pew published the surprising findings of its 2019 research, Latinx is a term born from good intentions. Spawned as part of the global movement to use gender neutral pronouns, it was seen as a term of inclusivity in Spanish, a language where many words are differentiated by gender (Spanish, for example, does not have an equivalent of the gender-neutral “the;” instead it uses “la” and “el” to refer to feminine and masculine respectively). The term gained popularity on college campuses and in marketing materials, and by 2018, Merriam Webster added it to its dictionary — where it defines the word as “of, relating to, or marked by Latin American heritage.”
As an inclusive word, Latinx made some inroads. According to the Pew study, 40% of the LGBQT community says the term should be used to identify the Latino or Hispanic population. But a majority in the LGBQT community, 60%, still says it should not.
All other segments of the population dislike the term to an even bigger degree. Those who say it shouldn’t be used include immigrants (77%), U.S. born (74%), English dominant (74%), bilingual (75%), young adults between 18-29 (69%) and even those with college degrees (74%).
The antipathy may be the result of “Latinx” feeling like an imposed term divorced, from the people it’s supposed to describe. There is no way to adequately pronounce the word in Spanish, a fact Merriam Webster itself acknowledges in some of the articles it published about the word, writing: “More than likely, there was little consideration for how it was supposed to be pronounced when it was created.”
This is a problem. For one, those who don’t speak English simply don’t know how to pronounce the word; in Spanish, the x ix pronounced eh-quis, not ehks. Moreover, it would appear the word was not conceived by, or for, Spanish speakers, marking a clear demarcation for those who identify as Latin to begin with.
The dislike has been duly noted in many sectors. LULAC, one of the country’s oldest Hispanic rights associations dropped the term from its communications in 2021, saying it was “very unliked” by most Latins. And some government officials have gone as far as to propose the word be banned from official government communication. In the wake of the presidential election this month, the validity or not of the word Latinx was again brought up, but all the handwringing and dramatic reaction feels like overkill.
Truth is, there is no consensus among U.S. Latins on how to describe themselves — which in itself, is a reflection of the vast plurality of the population. According to the Pew study, the majority of respondents, 52%, prefer “Hispanic,” followed by 29% who prefer “Latin” or “Latino” and just 2% preferring Latinx. “Latine,” another gender inclusive adjective that is much easier to pronounce, is nevertheless lesser known; only 18% of respondents had heard the term.
When it comes to “Latin” music, which is defined as music predominantly in Spanish, most artists identify as “Latin,” “Latinos” or “Latinas.” But Spaniards identify as Spaniards, even if they’re doing “Latin” music.
Which is all to say, how individuals or groups identify themselves should be up to those individuals or groups, and certainly not to outside commercial and political interests to ban, impose or even give an opinion about.
As far as Billboard goes, Latin music will continue to be referred to as “Latin.” And artists who make music in Spanish will continue to be referred in whatever terminology they prefer.
Overwhelmingly, their term of choice is “Latin.”
On the latest Billboard 200 albums chart (dated Nov. 30), three K-pop (Korean pop) albums are in the top 10 concurrently for the first time. ATEEZ’s GOLDEN HOUR: Part.2 debuts at No. 1, Jin’s Happy debuts at No. 4 and ENHYPEN’s ROMANCE: UNTOLD re-enters the chart at No. 7 following an expanded reissue (after earlier […]
Drake has initiated legal action against Universal Music Group and Spotify over allegations that the two companies conspired to artificially inflate the popularity of Kendrick Lamar’s “Not Like Us.”
In a filing Monday (Nov. 25) in Manhattan court, Drake’s Frozen Moments LLC accused UMG of launching an illegal “scheme” involving bots, payola and other methods to pump up Lamar’s song — a track that savagely attacked Drake amid an ongoing feud between the two stars.
“UMG did not rely on chance, or even ordinary business practices,” attorneys for Drake’s company write. “It instead launched a campaign to manipulate and saturate the streaming services and airwaves.”
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Drake’s attorneys accuse UMG of violating the Racketeer Influenced and Corrupt Organizations Act, the federal “RICO” statute often used in criminal cases against organized crime. They also allege deceptive business practices and false advertising under New York state law.
The court filings are a remarkable twist in the high-profile beef between the two stars, which saw Drake and Kendrick exchange stinging diss tracks over a period of months earlier this year. That such a dispute would spill into business litigation seemed almost unthinkable in the world of hip-hop.
It also represents a stunning rift between Drake and UMG, where the star has spent his entire career, first through signing a deal with Lil Wayne’s Young Money imprint, which was distributed by Republic Records, and then signing directly to Republic.
Lamar, meanwhile, has also spent his entire career associated with UMG, first through the TDE imprint, which was distributed by Interscope, and more recently through his own company pgLang, which he licenses through Interscope.
In technical terms, Monday’s filing is not yet a full lawsuit, but a so-called “pre-action” petition — a procedure under New York law that aims to secure information before filing a lawsuit. Spotify declined to comment. UMG did not immediately return a request for comment.
This is a developing story, and will be updated as more information becomes available.
Jimmy Humilde shares his experience going to London and Paris for the first time, his love for gold and more! Jimmy Humilde:What’s up? My name is Jimmy Humilde, and we’re Behind the Photo right here with Billboard. Oh, no, all right. This picture really explains a lot. Um, we just got a new jet, so […]
Michael Bublé is set to host the 2025 Juno Awards, which will be held March 30 at Rogers Arena in Vancouver, British Columbia – just 6 miles from Bublé’s hometown of Burnaby, British Columbia.
Bublé also hosted the Junos in 2018, the last time they were held at Rogers Arena, as well as in 2013, when they were held at Brandt Center in Regina, Saskatchewan.
“I could not be happier bringing The Juno Awards home to Vancouver for 2025,” Bublé said in a statement. “The Junos are such an important part of the Canadian music industry, and being able to host for the second time in my hometown makes this night mean even more to me. I’m excited to be surrounded by all the amazing talent we have from coast-to-coast this March.”
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Bublé is the latest in a long line of Canadian superstars to host the show, which is Canada’s equivalent of the Grammy Awards. Others include Paul Anka, Burton Cummings, Celine Dion, Anne Murray, Shania Twain, Alanis Morissette, Nelly Furtado, Drake, Bryan Adams and Sarah McLachlan.
Bublé, who will also perform on the show, is 15-time winner at the Juno Awards, which are voted on by the Canadian Academy of Recording Arts and Sciences (CARAS). He has also won five Grammy Awards, all for best traditional pop vocal album. He has amassed four No. 1 albums on the Billboard 200.
The 54th annual Juno Awards, produced by Insight Productions (a Boat Rocker company), will broadcast and stream live across Canada from Rogers Arena in Vancouver on March 30 at 8 p.m. ET/5 p.m. PT on CBC TV, CBC Gem, CBC Radio One, CBC Music, CBC Listen, and globally at CBCMusic.ca/junos and CBC Music’s YouTube page. Tickets go on sale to the general public on Friday Nov. 29 at 10 a.m. PT and start at $70.85 (including tax plus fees) and will be available for purchase at www.ticketmaster.ca/junos.
ROSÉ has signed a global publishing administration deal with Warner Chappell Music. News of the deal arrives as her single “APT.” (featuring Bruno Mars, who is also signed to Warner Chappell and Atlantic Records) continues to dominate on the Billboard Global 200 and Global Excl. U.S. charts.
About a month ago, the song debuted at No. 1 on both charts and continues to rank at the top through the week of Nov. 23. It also debuted in the top 10 of the Billboard Hot 100 chart, which tracks popular singles in the U.S.
Though ROSÉ has been a global icon since she joined BLACKPINK as its lead singer in 2016, “APT.” further solidified the singer as a star in her own right and acts as an introduction for her solo debut album rosie, which is set to drop on Dec. 6.
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“I am beyond excited to join the team at Warner Chappell,” ROSÉ said of her new deal in a statement. “There is so much more to come that I can’t wait to share — it’s going to be an amazing journey.”
“ROSÉ has earned this moment, and it’s a huge honor to officially welcome her to our Warner Chappell family,” added Ryan Press, president of North America at Warner Chappell, in a statement. “As she breaks record after record, she’s singlehandedly redefining the K-pop genre while also paving the way for a new era of cross-cultural expression. We’ve already hit the ground running with our partners at Atlantic to support ROSÉ’s bold vision and explore new creative opportunities for her songs. Above all, we can’t wait to see where her music takes us next.”
Born in Auckland and raised in Melbourne, ROSÉ has had her mind set on a career in music since she was 15. To help her achieve her dreams, the young singer moved to South Korea and soon after was selected as a member of BLACKPINK, the first K-Pop girl group to grace the cover of Billboard, win a VMA and headline Coachella.
Though BLACKPINK had a number of top global hits, including “Pink Venom,” “How You Like That,” “Ice Cream (with Selena Gomez),” “Shut Down” and more, the members of BLACKPINK, like many other performers in the K-pop genre, did not take part in the songwriting process of those songs, meaning ROSÉ and her bandmates did not receiving publishing royalties. Now, the singer, whose real name is Park Chaeyoung (or Roseanne Park in English), is in the writing room, lending her pen to her new solo works “APT.” and “Number One Girl,” the second single to be released ahead of rosie. She also received writing credit for the two songs on her debut EP R, released in 2021.
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The best time to shop the best Black Friday deals is not Nov. 29, but rather right now — especially if you’re shopping for the gamer in your life.
We rounded up the best early Black Friday deals on all things Sony PlayStation 5 from retailers like Walmart. You can save up to a whopping 71% on PS5 consoles, accessories, games and more.
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Since most of these deals are from Walmart, you’ll get it shipped to you for free if you’re a Walmart+ member. Otherwise, your cart has to be more than $35 to get free shipping. And right now, you can get Walmart+ for half off for the entire year. That’s just $49 for an annual subscription (reg. $98 per year). Learn more about Walmart+ here.
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If you’re not a member, then you’re in luck. You can sign up for a 30-day free trial to take advantage of everything the retailer’s rewards program has to offer with perks such as free delivery, fuel discounts, streaming access to Paramount+ to watch originals including Halo, Evil, 1883 and Star Trek: Strange New Worlds and much more.
In addition, early Black Friday PS5 deals are available at PS Direct, Target and Amazon. Scroll down and check out our picks for the best early Black Friday PS5 deals, below:
Sony
Early Black Friday PS5 Deals
PlayStation 5 Slim
$374
$449.99
17% off
$424
$499.99
15% off
Sony
Early Black Friday PS5 Deals
PlayStation VR2 Headset
$349
$549.99
37% off
Sony
Early Black Friday PS5 Deals
PlayStation Pulse Explore
Wireless earbuds
$169.99
$199.99
15% off
Sony
Early Black Friday PS5 Deals
PlayStation Pulse Elite
Wireless headset
$129
$149.99
14% off
Sony
Early Black Friday PS5 Deals
PlayStation 5 DualSense Wireless Controller
$54
$74.99
28% off
Sony
Early Black Friday PS5 Deals
PlayStation 5 Console Slim Covers
$49.99
$59.99
17% off
Sony
Early Black Friday PS5 Deals
‘The Last of Us, Part 1’
$29.99
$69.99
57% off
Sony
Early Black Friday PS5 Deals
‘Marvel’s Spider-Man 2’
$39.99
$69.99
43% off
Sony
Early Black Friday PS5 Deals
‘Astro Bot’
$49.99
$59.99
17% off
Walmart
Early Black Friday PS5 Deals
‘NBA 2K25’
$29.99
$69.99
57% off
Sony
Early Black Friday PS5 Deals
‘Avatar: Frontiers of Pandora’
$19.99
$69.99
71% off
Walmart
Early Black Friday PS5 Deals
‘Star Wars Outlaws’
$39.99
$69.99
43% off
Sony
Early Black Friday PS5 Deals
‘Teenage Mutant Ninja Turtles: Mutants Unleashed’
$24.88
$39.88
38% off
Last-minute holiday shopping can be frustrating for, but it helps to have a plan in place. When shopping online, you’ll want to factor in shipping deadlines so that your gift gets delivered in time. Christmas falls on Wednesday, Dec. 25, so it’s best to get your gifts shipped as soon as possible, or at least by Dec. 18-19, which is the delivery deadline for most online retailers.
Want more? Shop the best early Black Friday PS5 deals at Walmart, below.
For more product recommendations, check out our roundups of the best Xbox deals, studio headphones and Nintendo Switch accessories.
Nearly five years after the major labels won a $1 billion music piracy verdict against Cox Communications, the U.S. Supreme Court is signaling that it might jump into the long-running copyright case.
In an order issued Monday (Nov. 25), the justices asked the Justice Department to weigh in on whether the high court should tackle the huge penalty, which Universal Music Group (UMG), Sony Music Entertainment (SME) and Warner Music Group (WMG) won back in 2019 over allegations of widespread piracy by Cox’s users.
After an appeals court ordered the award recalculated earlier this year, both sides have asked the Supreme Court to take the case. The labels want the justices to reinstate the original verdict; Cox wants the high court to overturn it entirely.
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Such petitions are always a long shot, as the Supreme Court takes less than 2% of the more than 7,000 cases it receives each year. But Monday’s order — a “call for the view of the Solicitor General,” or CVSG, in SCOTUS parlance — is a relatively rare step that indicates that the justices think the issues in the case might be significant enough for the court to tackle.
UMG, SME and WMG all sued Cox in 2018, seeking to hold the internet giant itself liable for alleged wrongdoing committed by its users. The labels said Cox had ignored hundreds of thousands of infringement notices and had never permanently terminated a single subscriber accused of stealing music.
ISPs like Cox are often shielded from lawsuits over illegal downloading by the Digital Millennium Copyright Act, or DMCA. But a judge ruled that Cox had forfeited that protection by failing to terminate people who were repeatedly accused of violating copyright law. Stripped of that immunity, jurors held Cox liable in December 2019 for the infringement of 10,017 separate songs and awarded the labels more than $99,000 for each song, adding up to $1 billion.
Earlier this year, a federal appeals court overturned that award, ruling that aspects of the verdict weren’t supported by the law. But the appeals court also upheld other parts, and Cox is still facing the potential of a very large penalty when damages are recalculated.
In taking the case to the Supreme Court, Cox has urged the justices to undo the entire verdict. The company has issued dire warnings, arguing that the “draconian” approach applied in the case “threatens mass disruption” by potentially forcing ISPs to terminate internet service to thousands of Americans.
“The stakes are immense,” Cox’s attorneys wrote. “This court should grant certiorari to prevent these cases from creating confusion, disruption, and chaos on the internet. Innovation, privacy, and competition depend on it.”
Firing back, the labels have called those arguments “disingenuous” and instead urged the court to take up their own separate petition seeking to reinstate the entire verdict.
“This court should take Cox’s concerns about terminating internet access with a healthy serving of salt,” attorneys for UMG, SME and WMG wrote. “During the time period at issue here, Cox terminated over 600,000 subscribers for not paying their bills. When Cox’s money is on the line, Cox clearly has no problem ‘irreparably cutting’ its customers ‘off from society.’”
Kendrick Lamar surprised fans when he unveiled his sixth studio album, GNX, without any warning on Friday (Nov. 22) via PGLang and Interscope. The 12-track project is named after the Buick Regal model and features collaborations with stars including Lefty Gunplay, Dody 6, Wallie the Sensei, Roddy Ricch, Siete7x, AzChike, Hitta J3, YoungThreat, Peysoh and SZA […]