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In the summer of 2006, Madonna touched down in New York for a run of shows at Madison Square Garden in support of her album Confessions on a Dance Floor. One young attendee was Val Blavatnik. “It was my first live-music experience and I was just so blown away,” he recalls. “I knew from then, even before our family acquired Warner, this was an industry I wanted to be involved in.”
Blavatnik’s father, Len, founder of Access Industries, subsequently bought Warner Music Group in 2011. A dozen years later, Val made good on his childhood dream, starting as senior director of business development at Warner Chappell Music. In April 2023, he was elected to WMG’s board of directors.
Val currently attends Harvard Business School, but he has been in close conversation with the company’s executive leaders, including his friend Elliot Grainge, the new chief executive of Atlantic Music Group. “Elliot and I got very close” during the negotiations that preceded WMG’s purchase of 51% of Grainge’s 10K Projects label in 2023, Val explains. “I advocated for the original 10K acquisition and for Elliot in his new role at Atlantic.” He clarifies, however, “As a board member, I am proud of my role, but it was [WMG CEO] Robert [Kyncl’s] decision.”
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You spent a few years at Warner Chappell and investment bank LionTree before joining the WMG board. Why was it the right time to make that move?
Well, I was very honored to be invited, and I take the responsibility extremely seriously. There are a wide range of perspectives on our board. It’s a very collaborative room to be in. Being the youngest person on the board, I’ve tried to make my role about bringing a different perspective to the conversation. I’m also one of the people on the board who has worked directly with artists, managing them, being in the studio, helping to sign them. That on-the-ground, in-the-room experience is vital.
How closely do you work with leadership?
Robert is always open-minded, and we have some fascinating and productive discussions. Learning about publishing from Guy [Moot] and Carianne [Marshall] was invaluable, and I’ve been very fortunate to work with Tom [Corson] and Aaron [Bay-Schuck] on signing two young acts we’re very passionate about. [Blavatnik declined to name the acts.]
I’m probably most involved with Atlantic. The team and I have a fantastic, ongoing open dialogue. I’m fortunate to be able to help in any capacity which benefits the business — from strategizing about the future, to helping close an artist signing, all the way through giving my two cents on a song.
Why is Grainge the right pick to lead AMG?
Elliot is an incredibly talented leader. It’s been an absolute pleasure to work and collaborate with him. Most importantly, artists love him, his team is unbelievably passionate and committed. He has brilliant creative instincts, he’s fantastic at creating huge cultural moments, and he has a deep grasp of business. That makes him a triple threat.
Do you think the music business needs a generational changing of the guard?
The music business should constantly evolve and innovate, like any other successful business. It’s not so much about a generational shift, but more about having executives with bold, fresh ideas and the ambition to deliver outstanding results.
This story appears in the Jan. 25, 2025, issue of Billboard.
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The music industry’s biggest night is shaping to be something special. Doechii has been confirmed to perform at the 2025 Grammy Awards.
As spotted on Rap-Up, the Recording Academy made their first round of announcements of musicians who will perform at the upcoming ceremony. Set to hit the stage are Benson Boone, Billie Eilish, Chappell Roan, Charli xcx, Doechii, RAYE, Sabrina Carpenter, Shakira, and Teddy Swims. All the aforementioned musicians are currently nominated for awards.
Doechii’s Alligator Bites Never Heal is up for the Best Rap Album and her song “NISSAN ALTIMA” is competing for Best Rap Performance. She also has the chance to take home the honor of Best New Artist. 2024 marked her breakthrough year with the success of her mixtape. Doechii’s 19-track effort was her first-ever project on Top Dawg Entertainment and featured several breakout singles including “Boom Bap,” and “Denial Is a River.”
The 67th Annual Grammy Awards will not only honor the very best in music but will also raise funds to help those who were impacted by the Los Angeles wildfires. “The upcoming Grammy Awards won’t just be about celebrating and honoring the best in music this year, it will also show how the power of music can help rebuild, uplift and support those in need,” said Recording Academy CEO Harvey Mason Jr. “We are thrilled that so many artists in our community are banding together at this time to show support for their fellow music makers and others impacted by the recent wildfires.”
The 67th Annual Grammy Awards will air Sunday, Feb. 2, 2025, at 8 p.m. ET/5 p.m. PT on CBS Television Network.
ROSÉ and Bruno Mars’ “APT.” rules the Billboard Global Excl. U.S. chart for a 13th week. The team-up, which in November debuted as the stars’ second leader each on the list, ties for the second-longest command in the chart’s four-year-plus history, matching the reigns of Miley Cyrus’ “Flowers” (2023) and Harry Styles’ “As It Was” (2022). The only song that has led longer is Mariah Carey’s “All I Want for Christmas Is You,” with 14 weeks at No. 1 since 2020.
Plus, Bad Bunny again charts five Global Excl. U.S. top 10s, all from his new LP, DeBÍ TiRAR MáS FOToS, which adds a second week at No. 1 on the U.S.-based Billboard 200 albums chart. Among Bunny’s bounty of top 10s, “EoO” reaches the tier for the first time, rising to No. 10.
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The Billboard Global 200 and Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“APT.” crowns Global Excl. U.S. with 111.5 million streams (down 7% week-over-week) and 10,000 sold (down 11%) outside the U.S. Jan. 17-23.
Bad Bunny boasts five songs in the Global Excl. U.S. top 10: “DtMF,” “BAILE INoLVIDABLE” and “NUEVAYoL” hold at their respective Nos. 2, 4 and 5 highs; “VOY A LLeVARTE PA PR” slips to No. 9 from its No. 8 high; and “EoO” ascends 11-10, becoming his 24th top 10, extending his record for the most since the chart began.
Elsewhere in the Global Excl. U.S. top five, Lady Gaga and Mars’ “Die With a Smile” keeps at No. 3, following eight weeks at No. 1 starting in September.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 1, 2025) will update on Billboard.com tomorrow, Jan. 28. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Bad Bunny’s “DtMF” spends a second week at No. 1 on the Billboard Global 200 songs chart. The superstar again scores five simultaneous top 10s on the chart, all from his new LP, DeBÍ TiRAR MáS FOToS, which adds a second week at No. 1 on the U.S.-based Billboard 200 albums chart. Among his haul of Global 200 top 10s, “EoO” reaches the region for the first time, rising to No. 10.
The Global 200 and Billboard Global Excl. U.S. charts rank songs based on streaming and sales activity culled from more than 200 territories around the world, as compiled by Luminate. The Global 200 is inclusive of worldwide data and the Global Excl. U.S. chart comprises data from territories excluding the United States.
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Chart ranks are based on a weighted formula incorporating official-only streams on both subscription and ad-supported tiers of audio and video music services, as well as download sales, the latter of which reflect purchases from full-service digital music retailers from around the world, with sales from direct-to-consumer (D2C) sites excluded from the charts’ calculations.
“DtMF” dominates the Global 200 with 116.7 million streams (down 11% week-over-week) and 2,000 sold (down 25%) worldwide Jan. 17-23. Bad Bunny also infuses the top 10 with “BAILE INoLVIDABLE,” “NUEVAYoL” and “VOY A LLeVARTE PA PR,” which hold at their respective Nos. 4, 5 and 8 highs, and “EoO” (11-10). The latter song ups his count to 25 top 10s since the chart began; only Drake (35) and Taylor Swift (33) have more.
Also in the Global 200’s top five, ROSÉ and Bruno Mars’ “APT.” keeps at No. 2, following 11 weeks at No. 1 beginning upon its debut in November, and Lady Gaga and Mars’ “Die With a Smile” repeats at No. 3, following eight weeks at No. 1 beginning in September.
The Billboard Global 200 and Billboard Global Excl. U.S. charts (dated Feb. 1, 2025) will update on Billboard.com tomorrow, Jan. 28. For both charts, the top 100 titles are available to all readers on Billboard.com, while the complete 200-title rankings are visible on Billboard Pro, Billboard’s subscription-based service. For all chart news, you can follow @billboard and @billboardcharts on both X, formerly known as Twitter, and Instagram.
Luminate, the independent data provider to the Billboard charts, completes a thorough review of all data submissions used in compiling the weekly chart rankings. Luminate reviews and authenticates data. In partnership with Billboard, data deemed suspicious or unverifiable is removed, using established criteria, before final chart calculations are made and published.
Shakira’s two sons, Sasha and Milan Piqué Mebarak, are following their mother’s footsteps, showing off their artistic abilities in a new musical project. As part of the Miami-based Let It Beat! Music Academy — co-founded by Guillermo Vadala and Nerina Nicotra — the brothers showcased their talent on a new album called All for You, […]
When the Oscar nominations were announced on Thursday (Jan. 23), Diane Warren found herself nominated for best original song for the 16th time. Warren, never one to rest on her laurels, is already back with a song that may be put her back in the running at the 2026 Oscars – “Dear Me,” sung by Kesha in the new the documentary Diane Warren: Relentless.
Warren was already a hit-making songwriter when Kesha was born in 1987. Little-known fact: Kesha’s mother, “Pebe” Sebert, was a member of the songwriting community as Warren was breaking in (though the two writers never collaborated). Sebert co-wrote Joe Sun’s 1978 single “Old Flames (Can’t Hold a Candle to You),” which reached No. 14 on Billboard’s Hot Country Songs chart. A cover version by Dolly Parton reached No. 1 in 1980.
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“We all know that Diane Warren is one of the most iconic songwriters of our time, but many people don’t know that my connection with her is multigenerational,” Kesha said in a statement. “My mom used to write songs alongside Diane Warren in the ’80s. I’ve heard her name in our home growing up since I was a baby. Once my music broke into the scene in 2008, we have worked on projects together … but none of them ever were publicly released.”
“I’ve written a lot of songs for movies but this is the first time I’ve ever written a song for a movie that’s about me,” Warren said in a statement. “This song isn’t just about me though, it’s for anyone who’s ever wished they could have a conversation with their younger self and tell them no matter what they’re going through that it’s going to get better. When I was thinking who would be the perfect artist for this, I could think of no one better or more authentic than Kesha. I felt that not only is she a great artist who would sing the song magnificently which of course she did, but that this would also speak to her and her fans on a very deep level.”
Diane Warren: Relentless, directed by Bess Kargman, is currently in theaters and streaming exclusively on MasterClass.
It’s fairly rare for a song from a documentary to receive an Oscar nomination for best original song, but it does happen. Just this year, “Never Too Late” from the Disney + doc Elton John: Never Too Late was nominated, where it is competing with Warren’s “The Journey” from the Netflix film The Six Triple Eight. Elton John co-wrote “Never Too Late” with Brandi Carlile, Andrew Watt and Bernie Taupin.
Billboard’s Stephen Daw wrote warmly about “Dear Me” (released on Kemosabe/RCA Records) in his Queer Jams of the Week column. “For her contribution to the new documentary Diane Warren: Relentless, Kesha decided to strip back the artifice and sing from the heart. The result is “Dear Me,” a Warren-penned, Guy Roche-produced ballad where Kesha looks back on her younger self and offers some salient advice — primarily, to know that she can get through whatever pain comes her way. It’s no surprise that Kesha sounds as good as she does here; it is surprising, though, to get such a poignant song in a week when so many of us need to hear this.”
There’s just no telling how far the Moana 2 cast will go to perfectly capture their character! The popular Disney sequel is heading to digital retailers this week, and as part of the release, a new bonus feature will show the cast inside the recording booth having some creative fun as they bring their characters […]
A who’s who of country music artists will help the Grand Ole Opry celebrate its 100th anniversary when the live event concert, Opry 100: A Live Celebration, airs live on NBC (and simulcast on Peacock) on Wednesday, March 19.
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Grand Ole Opry member Blake Shelton will host the three-hour live celebration event, which will air from 8 to 11 p.m. ET. Opry members Ashley McBryde, Shelton, Brad Paisley, Carly Pearce, Carrie Underwood, Clint Black, Dierks Bentley, Garth Brooks, Kelsea Ballerini, Lainey Wilson, Luke Combs, Marty Stuart, Reba McEntire, Trace Adkins, Trisha Yearwood and Vince Gill will all take part. Opry member Randy Travis will make a special appearance, while other Opry favorites set to take part include Amy Grant, Eric Church, Jelly Roll and The War and Treaty. The broadcast will feature performances from Nashville’s Grand Ole Opry House, as well as from the historic Ryman Auditorium, the Opry’s most famous former home.
“Becoming a member of the Opry is a highlight of my life and career, and 15 years later I still get that same feeling of reverence and excitement every time I walk out on that stage. The Grand Ole Opry has been connecting the country music family for 100 years, and I’m so proud to be part of this historic celebration,” Shelton said in a statement.
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“We’re pleased to partner with our Grand Ole Opry members to create a truly unforgettable evening as we kick off the Opry’s 100th year,” Opry Entertainment Group CEO Patrick Moore in a statement. “This special night of programming will connect millions of country music fans to the magic of the Opry, and we hope it inspires them to join us in Nashville as we celebrate this milestone all year long.”
The telecast will be executive produced by Silent House Productions’ Emmy Award winners Baz Halpin, Mark Bracco and Linda Gierahn, along with R.A. Clark and Steve Buchanan. A limited amount of tickets will go on sale starting Jan. 31 at 10 a.m. CT on the Opry’s website, while a pre-sale for Opry subscribers will launch Jan. 30 at 10 a.m. CT.
The Grand Ole Opry launched in 1925, and has had a series of homes over the years, among them the Nashville offices of the National Life and Accident Insurance Company (WSM-AM’s call letters are an acronym for National Life’s slogan, “We Shield Millions”) and Nashville’s War Memorial Auditorium. The Ryman Auditorium was home to the Grand Ole Opry from 1943 to 1974, before the Opry moved into its current location in March 1974. The Opry still returns to the Ryman Auditorium each winter for a special run of Opry at the Ryman shows.
The Grand Ole Opry has become the longest running live broadcast show in the world, featuring weekly performances from established country music artists and regularly featuring and supporting rising artists. Each week, fans gather at the Grand Ole Opry House in Nashville to experience live shows, or take in the music through WSM Radio and online, or watch the Opry Live broadcasts on Saturdays, as well as other Opry content, on Circle Country.
On Jan. 3, the Grand Ole Opry launched its first show of 2025 with the Opry at the Ryman series, with the show featuring current CMA musician of the year Charlie Worsham, “The Gambler” and “Forever and Ever, Amen” songwriter Don Schlitz, singer Connie Smith, harmonica maestro Charlie McCoy, singer Mandy Barnett, singer-songwriter Craig Morgan (“That’s What I Love About Sundays,” “Redneck Yacht Club”) and nine-time International Bluegrass Music Association (IBMA) entertainer of the year winners The Travelin’ McCourys.
Belying its title, Shaboozey’s “A Bar Song (Tipsy)” remains a steadily dominant hit, topping Billboard’s Radio Songs chart for a 26th week – tying The Weeknd’s “Blinding Lights” for the most time spent at No. 1 in the survey’s history.
“A Bar Song (Tipsy)” previously logged a record-tying 19 weeks at No. 1 on the streaming-, airplay- and sales-based Billboard Hot 100, beginning last July.
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The track holds atop Radio Songs with 63.2 million in audience Jan. 17-23, essentially even week-over-week, according to data tracker Luminate. The chart reflects all-format airplay on more than 1,000 monitored radio stations; Pop Airplay chart reporter KDHT (Hits 95.7) Denver has played the song the most to date: more than 4,000 times.
Here’s a rundown of the longest-leading Radio Songs No. 1s, dating to the chart’s December 1990 start:
26 weeks, “A Bar Song (Tipsy),” Shaboozey, beginning Aug. 10, 2024
26, “Blinding Lights,” The Weeknd, April 18, 2020
18, “Flowers,” Miley Cyrus, Feb. 25, 2023
18, “Iris,” Goo Goo Dolls, Aug. 1, 1998
16, “Girls Like You,” Maroon 5 feat. Cardi B, Aug. 4, 2018
16, “We Belong Together,” Mariah Carey, May 28, 2005
16, “Don’t Speak,” No Doubt, Dec. 7, 1996
15, “Easy On Me,” Adele, Dec. 4, 2021
14, “High Hopes,” Panic! at the Disco, Dec. 1, 2018
14, “No One,” Alicia Keys, Nov. 3, 2007
14, “Because You Loved Me,” Celine Dion, April 13, 1996
“A Bar Song (Tipsy),” on American Dogwood/EMPIRE, with country radio promotion by Magnolia Music, dominated the Country Airplay chart for seven weeks beginning last August, the longest No. 1 run for a first entry, and ranks in the top 10 for a record-extending 30th week.
The song also made history as the first to hit the top five (or even top 10) on Country Airplay, Pop Airplay, Adult Pop Airplay (two weeks at No. 1 on each chart) and Rhythmic Airplay (No. 3 peak).
“There were many, many doubters of our ability to work this record at radio,” EMPIRE COO Nima Etminan told Billboard after “A Bar Song (Tipsy)” hit No. 1 on the Hot 100. “The industry loves telling independents that there’s a ceiling to what they can do on their own, and this was no different. We were told it can’t be done, and, as we like to do, we proved them wrong. We’ve assembled a fantastic team that we had full faith in – and they delivered.”
All charts (dated Feb. 1, 2025) will update on Billboard.com Tuesday, Jan. 28. For all chart news, you can follow @billboard and @billboardcharts on both X and Instagram.
Selena Gomez broke down in tears on Monday morning (Jan. 27) in an Instagram post in which she promised to do anything she can to help undocumented Mexican nationals in the midst of the new Trump administration’s nationwide crackdown on undocumented non-citizens.
According the People magazine, the Texas-born singer whose grandparents immigrated to the U.S. from Mexico without proper documentation posted a since-deleted Instagram Story in which she weeped alongside the caption, “I’m sorry” and a Mexican flag emoji. “All my people are getting attacked, the children,” Gomez added in the video that can be seen here. “I don’t understand. I’m so sorry, I wish I could do something but I can’t. I don’t know what to do. I’ll try everything, I promise.”
President Trump began his second administration last week by vowing to unleash a nationwide immigration crackdown. CNN reported that over the weekend nearly 1,000 people the administration deemed national security threats were arrested by Immigration and Customs Enforcement (ICE) officers along with agents from a variety of federal agencies including the FBI, DEA and U.S. Marshals Service in Chicago, Atlanta, Puerto Rico, Colorado, Los Angeles, Austin, TX and elsewhere.
People said that in another since-deleted Instagram Story, Gomez wrote, “Apparently it’s not ok to show empathy for people.” According to reports, TV doctor Phil McGraw joined U.S. border czar Tom Homan in a highly choreographed raid in Chicago in which the daytime talk show host asked some detainees where they were from and whether they were legal citizens.
At press time a spokesperson for Gomez had not returned Billboard‘s request for further comment on the singer’s posts.
Gomez, 32, has been a strong advocate for the immigrant community before, including producing the 2019 Netflix series Living Undocumented, a doc that told the story of eight families who agreed to let film crews follow them as they faced potential deportation under the first Trump administration. At the time, Gomez slammed what she dubbed the Trump team’s cruel treatment of immigrant families, including its widely criticized separation of children from their families.
“I can’t even imagine what these kids being separated from their families are going through,” she said in February 2020. “It’s something that is going to traumatize them for the rest of their lives. And it just seems animalistic.” In October 2019, Gomez also penned a poignant essay for TIME magazine, in which she wrote about her aunt and grandparents crossing the border into the U.S. from Mexico.
“In 1992, I was born a U.S. citizen thanks to their bravery and sacrifice,” she wrote. “Over the past four decades, members of my family have worked hard to gain United States citizenship. Undocumented immigration is an issue I think about every day, and I never forget how blessed I am to have been born in this country thanks to my family and the grace of circumstance.”
The flurry of raids have mostly drawn praise from Trump’s MAGA followers and Republican lawmakers, while officials in some states have decried the actions. NBC reported that Newark, NJ leaders and immigrant rights activists complained that ICE agents entered the back of a business in the city and arrested three workers without proper documents, while also detaining and questioning employees who are U.S. citizens.
Among other tactics employed so far by the Trump camp as part of its immigration crackdown are the shutting down of the CBP One asylum app, the clearing of the way for immigration authorities to make arrests in schools, churches and hospitals and a rush of active duty troops to help build border barriers and escort people onto removal flights.