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Dolly Parton’s upcoming musical, Dolly: An Original Musical, will be getting a Music City premiere this summer, before heading to Broadway in 2026.
The musical, which brings Parton’s life story to the stage, will launch a four-week limited engagement at Belmont University’s Fisher Center For the Performing Arts this summer. Preview performances start July 18, followed by the opening night on Aug. 8. The musical will run through Aug. 17.

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Parton made the announcement during a press conference held at Belmont’s The Fisher Center For the Performing Arts on Tuesday morning (Jan. 28). Parton is a native Tennessean and has lived in Nashville for 60 years.

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“It seemed natural and right for me to premiere the story of my life in Tennessee, because I’m Tennessee born and Tennessee raised,” Parton told the audience.

“I have always wanted to do my life story as a musical, and I just thought I wanted to see it done while I was still around to be able to oversee it and make sure that it’s done properly, the way I would want to see it,” Parton later added, explaining her motivations for working on the project.

The musical will feature music written by Parton, with a book by Parton and Maria S. Schlatter, and will be directed by Tony Award winner Bartlett Sher. Parton noted that in addition to some of her most famous songs, the musical will also feature new music she composed.

Parton is also a producer on Dolly: An Original Musical, along with Danny Nozell, ATG Productions and Gavin Kalin Productions. 

Parton revealed plans for the musical last year, and an open casting call has since been launched to search for the ideal performer to portray Parton. During the press conference, Parton noted that the cast would be revealed “soon.”

Additionally, Parton has launched the “Dolly U” program, an immersive educational partnership with Belmont University. According to a release, the initial Dolly U program will allow students “opportunities to participate in aspects of the production, working alongside the musical’s professional cast, creative, and producing teams, as it is developed and premieres at the Fisher Center this summer. In addition, new project-based courses are being offered during the spring semester in subjects such as marketing, brand partnerships, and merchandising, providing students hands-on opportunities with the musical while receiving course credit.”

“I’ve had a lot of my relatives and friends go to Belmont. We know that this is a great school…everybody loves to learn about the business end of the music business,” Parton said during the press conference, noting that her niece graduated from Belmont University.

Tickets for Dolly: An Original Musical are on sale at dollymusical.com and at Belmont’s Fisher Center Box Office.

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Source: Bernard Smalls / @PhotosByBeanz
Not only is Cardi B once again single and ready to mingle, but she’s looking to drum up some thirst and buzz, as she’s taken to social media to show off her latest booty-“enhancing” accessory.

On Monday afternoon (Jan. 27) the Grammy Award-winning rapper had the internet talking when she took to X and announced that she “got my butt crack pierced.” As weird and painful as that sounds, many people assumed that Cardi was capping or joking around as that just sounds like an unnecessary piercing.

People must’ve forgot that they’re talking to Cardi B here so when people began demanding proof of piercing life, the “Bodak Yellow” rapper released a close-up pic of her newly minted gluteus cleft, and lo and behold, there stood a piercing for all to see. With a caption that read “Do I lie ?” you can clearly see some studs standing out under her heavily tattooed buttocks.

Naturally, many X users expressed their dismay at Cardi’s new booty accessory, as she is a 32-year-old mother of three, but as we’ve learned over the years Cardi’s going to Cardi, B. She could be a 50-year-old mother of six kids and still pop up with a piercing on her clitoris just because. Heck, she might even share a pic of that, too!
You never know with this woman, but you have to respect it.
As to how Offset is taking news of his ex-wife’s new accessory remains to be seen, but we bet he doesn’t like the fact that she shared a picture of it. Just sayin’.
What do y’all think about Cardi B’s new booty piercing? Let us know in the comments section below.

Laila! is going on tour, Billboard can exclusively announce. The hip-hop and R&B prodigy is set to embark on the Gap Year Tour!, where she’ll be hitting 10 cities across North America beginning on Mar. 27 in San Francisco and finishing up on Apr. 27 in Toronto. Ticketing will begin with an exclusive artist presale […]

After teasing a “new era” on Instagram last week (Jan. 25), Kelela kept the wait short and sweet, unveiling her latest project on Tuesday (Jan. 28). Out Feb. 11, In The Blue Light is a live album capturing Kelela’s intimate, unplugged performances at New York City’s Blue Note jazz club. Last year (May 28-29, 2024), […]

Marshmello and Jonas Brothers’ new collaboration, “Slow Motion,” debuts in the top five of Billboard’s newly-revamped Hot Dance/Electronic Songs chart (dated Feb. 1).

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The track enters at No. 4 with 3.1 million official streams, 420,000 all-format radio audience impressions and 1,000 downloads sold in the United States in its first week (ending Jan. 23), according to Luminate. The song was released Jan. 17 via Marshmello’s imprint, Joytime Collective, and Republic Records.

The single earns Marshmello his 19th career top 10 on Hot Dance/Electronic Songs, the fifth-most in the chart’s history (which dates to January 2013), after Kygo (26), David Guetta (25), the Chainsmokers and Calvin Harris (23 each). Jonas Brothers also notch their first top 10 on the chart.

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“Slow Motion” marks the second collaboration between Marshmello and Jonas Brothers. They previously teamed up for “Leave Before You Love Me” in 2021. That track reached No. 19 on the Billboard Hot 100, as well as the top 10 on Pop Airplay, Adult Pop Airplay and Adult Contemporary.

Meanwhile, Marshmello and Kane Brown spend a 37th week at No. 1 on Hot Dance/Electronic Songs with their collaboration, “Miles On It.” That’s the third-longest-leading No. 1 hit in the chart’s history, after Marshmello & Bastille’s “Happier” (69 weeks at No. 1) and David Guetta & Bebe Rexha’s “I’m Good (Blue)” (55).

Elsewhere on Hot Dance/Electronic Songs, John Summit’s “Focus,” featuring CLOVES, debuts at No. 5. Released Jan. 17 on Experts Only/Darkroom Records/ICLG, the song debuts on the strength of two million streams earned in its opening week.

Summit scores his third top 10 on the chart, following two No. 8-peaking collaborations with HAYLA: “Where You Are” (2023) and “Shiver” (2024).

Australian singer-songwriter CLOVES added her second entry on Billboard’s rankings. She first charted in 2016 with her breakthrough hit “Don’t Forget About Me,” which reached No. 34 on Hot Rock & Alternative Songs. CLOVES (real name: Kaity Dunstan) has released two full-length projects since: One Big Nothing (2018) and Nightmare on Elmfield Road (2021). She also appeared on the second season of Australia’s The Voice in 2013.

Also in the top 10 of Hot Dance/Electronic Songs: Dxrkaii and Jiandro’s “New Jeans (Jersey Club)” rises 12-10, becoming the first top 10 for each act, thanks to 1.5 million streams (up 15%). The song, whose slowed-down mix has been used in over 20,000 TikToks, reworks NewJeans’ K-pop track “New Jeans.”

As previously reported, Billboard revamped Hot Dance/Electronic Songs as of the chart dated Jan. 18. The 25-position chart ranks the most popular current dance/electronic songs, billed to DJs, producers and long-standing core artists in the dance/electronic genre, with an emphasis on electronic-based production. The same week, Billboard launched the 15-position Hot Dance/Pop Songs chart, which ranks the most popular current dance/pop titles, featuring titles with dance-centric vocals, melody and hooks, by artists not traditionally rooted in the dance/electronic genre.

Universal Music Group chairman and CEO Lucian Grainge delivered an update on the company’s response to the Los Angeles wildfires on Tuesday, writing in a staff memo obtained by Billboard that while many evacuated employees have returned home, others remain displaced, while some have “lost their homes completely.”
Grainge said the Santa Monica-based company is actively supporting affected employees by providing resources to meet both immediate and long-term needs. Over 100 employees have volunteered to help colleagues through various means, such as offering shelter, babysitting and donating clothes, he said.

Beyond internal support, UMG has been involved in community relief efforts, including volunteering, providing meals and donating clothing and hotel rooms for displaced families. Additionally, Grainge said UMG has made financial contributions to several organizations supporting relief efforts, including the American Red Cross, California Community Foundation, The California Fire Foundation, Direct Relief, Entertainment Industry Foundation, L.A. Regional Food Bank, MusiCares, Music Health Alliance, Mutual AID Network L.A., Pasadena Humane Society and World Central Kitchen, among others. 

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“What has impressed me the most throughout this tragic event is the fact that collectively we haven’t just made financial contributions, but so many of our colleagues have rolled up their sleeves and gone to work,” he said. “We know that even after every fire is extinguished the road to recovery will be very long. We will be there every step of the way.”

UMG announced earlier this month that it is canceling all of the company’s Grammy-related events, including its artist showcase and after-Grammy party, and will instead “redirect the resources that would have been used for those events to assist those affected by the wildfires.”

Read Grainge’s full memo below:

Dear Colleagues,

I’m writing to update you on our efforts related to the Los Angeles fires.  In short, while many of our evacuated employees have fortunately been able to return to their homes, others who are in the most seriously affected areas remain displaced and will be so for some time to come.  Some have lost their homes entirely. 

We are working closely with those affected employees, providing them a range of resources and support to meet their immediate individual or family needs. Following meetings with the team of UMG leaders that I mentioned in my prior note, we are also determining the best ways to help these employees going forward.  And in addition to the company’s support, more than 100 employees have volunteered to help their colleagues—from opening their homes to babysitting, dog walking, donating clothes, and more.

In terms of recovery of the broader community, from Day One we’ve been on the ground helping wherever we can.  Whether it’s volunteering at relief organizations, providing meals to first responders and affected community members, donating clothing or providing hotel rooms to displaced families.

And in addition to all this, we’ve made financial contributions to a range of organizations, including the American Red Cross, California Community Foundation, The California Fire Foundation, Direct Relief, Entertainment Industry Foundation, L.A. Regional Food Bank, MusiCares, Music Health Alliance, Mutual AID Network L.A., Pasadena Humane Society, World Central Kitchen, and more.

What has impressed me the most throughout this tragic event is the fact that collectively we haven’t just made financial contributions, but so many of our colleagues have rolled up their sleeves and gone to work.

We know that even after every fire is extinguished the road to recovery will be very long.   We will be there every step of the way.

You can read more about these efforts in our latest edition of our All Together Now bi-weekly newsletter.  

I’m so enormously proud of the fact that so many of you have shown up to help our community and your colleagues.  I’m grateful but not surprised.  As a company, this is who we are.

Lucian

Listening to Jacob Collier’s star-studded Djesse album series, now on its fourth installment, can feel like attending the most expansive, open-minded music festival you’ve never heard of — with a roster of guest artists spanning contemporary hit-makers, instrumental legends and global choruses and orchestras. But though Collier’s recordings have become as known for their diverse array of big-name guests as his own presence, his full-lengths weren’t always defined by collaboration.

“The first album I ever made, In My Room, was an album written, recorded, arranged, produced and mixed entirely alone, and my first world tour of this album was with a one-man show,” explains the 30-year-old studio savant of his 2016 debut album. The solo experience sufficiently convinced him there might truly be strength in numbers: “By the end of that process, I was deeply ready for collaboration.”

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The guest-heavy Djesse sets — pronounced “Jay Cee,” like Collier’s initials — have yielded two album of the year nods for the performer-­writer-producer, including this year for 2024’s Vol. 4, the series’ final entry. “I’m sure the heart of my world will always be, in part, in my little room where the journey first began, in that solitary sanctuary,” he reflects. “But more than ever, collaborating feels like a big part of what I am here for.” These are just some of the names who’ve entered the Collier Constellation — on Djesse Vol. 4 and beyond.

AESPA

Collier knew the best-selling South Korean quartet, who he calls “one of the most adventurous and contemporary K-pop groups I’ve ever heard,” would be the perfect match for the “galactic multigenre form” of Vol. 4’s “Over You.” “Plus,” he adds, “we’re all Crocs fans, so it was meant to be.”

Anoushka Shankar

The British American sitar luminary (and daughter of sitar legend Ravi Shankar) lends her “incalculable greatness and magic” to the rousing “A Rock Somewhere,” which Collier says allows the song to “bridge effortlessly from the ancient and classical to the sparkling modern.”

Brandi Carlile

Collier first met fellow Grammy darling Carlile through Joni Mitchell, when Carlile invited Collier to Mitchell’s house to ­privately sing her song “Little Green” to her as she recovered from a brain aneurysm. So for a song called “Little Blue” on Vol. 4, “it felt only right to invite Brandi to offer her inimitable storytelling magic [to the song].”

Camilo

“Camilo is pure joy in human form!” Collier raves of the Colombian pop hit-maker, whose bilingual crooning leads “Mi Corazón.” “His ability to hop between Spanish and English is next level. He brings an incredible energy to everything he touches… and his moustache is a bonus.”

Chris Martin

Chris Martin and Jacob Collier

Michal Augustini

Collier says the Coldplay frontman, who sings on “Over You,” has become “like a brother” since they met in 2019: “With a presence and openheartedness that’s so transformative, he’s the kind of mentor everybody should have.”

Chris Thile

Chris Thile and Jacob Collier

Fran Haincourt

The Nickel Creek mandolinist, whom Collier calls “a true master of his craft,” lends his plucking to “Summer Rain,” alongside fellow alt-folker Madison Cunningham. “[He’s] my ultimate dueling partner,” Collier adds, “yet somehow, we connect so deeply on a musical level.”

Daniel Caesar

The R&B star lent his buttery vocals to Vol. 1’s nu-soul jam “Time Alone With You.” Collier says recording with Caesar “felt like having a friend come over to hang out after school. He’s that rare combination of incredibly cool and incredibly warm — one of the leading lights of this generation of artists, yet so down to earth.”

Dustin Yellin

A project as sprawling as Djesse needed ambitious artwork to match, and for that, Collier enlisted artist Yellin to create a “30-sheet glass sculpture, with more than 3,000 miniature cut-out paper elements glued within and between the sheets, to form a three-­dimensional silhouette of the ‘Djesse head,’ ” which has been featured on all four series volumes. “He’s a maverick, a legend and a master world-builder,” Collier gushes.

John Mayer

Jacob Collier and John Mayer

Courtesy Jacob Collier

Collier was ecstatic to have the superstar singer-guitarist lend his “master touch” to a six-string solo on gentle ballad “Never Gonna Be Alone,” also featuring Lizzy McAlpine’s vocals. “John’s the master of tone, taste and impeccable phrasing… And a top gent, to boot.”

Kimbra

Another close friend and regular collaborator, the New Zealand singer-songwriter did not appear on Vol. 4, but she did jam with Collier as a special guest on the North American leg of the accompanying world tour. “She is such a tour de force in music,” he raves. “A firecracker of a writer, singer and world-builder.”

Kirk Franklin

After making a pact on the 2022 Grammys red carpet to work together, the contemporary gospel legend sang on and/or lent direction of his eponymous Singers to multiple Vol. 4 tracks. Collier says his day in the studio with Franklin in Arlington, Texas, “changed my life… The community and energy surrounding him is nothing like I’ve ever seen.”

Metropole Orkest

The “mighty Dutch bunch” has provided backing for the Djesse series since its beginning, with Suzie Collier conducting it on Vol. 4. He says the “shape-shifting, multigenre” ensemble has “played a pivotal part [in] my musical journey, both onstage and in the studio.”

Michael McDonald

The undisputed King of Yacht Rock maintains his own legacy of unexpected collaborations on “Wherever I Go,” where his “iconically unmatched vocal tone” powers what Collier calls “a bit of an homage to the music [fellow guest singer] Lawrence and I grew up listening to.”

The Mystery of the Bulgarian Voices

Jacob Collier (center) and The Mystery of the Bulgarian Voices.

Courtesy Jacob Collier

A fan of this choir since he discovered it as a teen, Collier calls snagging the group for “All Around You” on the Vol. 4 deluxe edition a “bucket-list collaboration. Their sound is life-changing — 25 singers from 12 regional traditions, all coming together to create something so pure, agile and breathtaking.”

Oumou Sangaré

“A Malian Wassalou icon” who has appeared on multiple Djesse sets — most recently as part of a global all-star lineup of guest vocalists on Vol. 4’s “Box of Stars Pt. 2.” — Sangaré’s presence was “so majestic,” Collier says, “the room felt so small in comparison.”

Rapsody

The Grammy-nominated North Carolina MC “brought so much depth and magic” to Vol. 3’s “He Won’t Hold You,” providing what Collier calls her “rare mixture of ultra-hip and ultra-heartfelt” rhymes.

Steve Vai

The legendary 64-year-old axeman for Frank Zappa and David Lee Roth is now a very dear friend who has taught Collier about “everything from chords to Zappa to philosophy to the nature of [the] music business.” Vai plays on three Vol. 4 tracks, on which Collier calls his “wild mastery… nothing short of astounding.”

Suzie Collier

Jacob and Suzie Collier

Michal Augustini

Collier’s mother — an internationally known conductor and his “first collaborator as a human being” — has worked with him since Djesse’s first installment, and she conducted on multiple Vol. 4 tracks: “My dear mother has taught me more about music than almost anybody I can think of,” he says. “Her musical sensitivity and mastery has shaped so much of who I am.”

Tori Kelly

Since they became friends in 2017, the artist Collier calls “arguably the most gifted vocalist on the planet right now” has appeared on multiple tracks of his, including Vol. 4’s stirring a cappella rendition of the pop standard “Bridge Over Troubled Water,” also featuring John Legend.

This story appears in the Jan. 25, 2025, issue of Billboard.

HipHopWired Featured Video

Rakim is responsible for changing the way rappers approach rhyming in the 1980s and is regarded as the greatest living MC of all time. Now, Rakim is moving into the fintech space via his new AI-powered Notes platform.
The God MC’s new platform, Notes, combines “music, money, and knowledge” aimed at empowering independent musicians and aiding them in their quest for financial freedom. Further, Notes exists to provide its users with financial literacy, music business education, and more to help them in their creative aims.

Among the features of the Notes platform are connections to find loans or credit providers to raise capital, AI-powered financial literacy, and entrepreneurial education content, membership-focused access, and an “Ask RA” feature, which is an AI-powered vocal rendering of Rakim that serves as your online assistant within the Notes community.
“Independent urban music artists and creators often struggle to gain financial stability despite their market impact,” Rakim shared in a statement. “With Notes, we’re building a community- and lifestyle-driven platform that combines cultural connection, technology, and empowerment to give them the tools they need to thrive.”
The Notes platform is headed up by Rakim and his longtime associate Divine, who also offered a statement of his own.
“The opportunity to partner with Rakim and build a platform like Notes, to empower and support artists and creators in the urban community who have been underserved and exploited for so long, is unprecedented,” Divine says.
While still in its early stages, Notes will continue to develop the platform to include business banking, debit cards, peer-to-peer payment services, and more.
Those interested can learn more about Notes by clicking here.  At the bottom of the Notes landing page is a tab for all their socials to follow.


Photo: Getty

Ahead of the 2025 Grammys, Teddy Swims sat down to share his feelings of being nominated for Best New Artist and his Hot 100 Top 10 hit, “Lose Control.” The soon-to-be father talks about how fatherhood is inspiring him, the sequel to his first album, ‘I’ve Tried Everything But Therapy (Part 2),’ his tour plans, working with Giveon and more!

Meghan Mahar:

What’s your full McDonald’s order?

Teddy Swims:

I’m gonna get, I’m gonna get two McDoubles. Sometimes I add the Mac sauce to it, because that’s the vibe. And then, you know, you got to get the large fry, baby. Or I’m abig fan of the breakfast too, those little d*mn hash browns. Man, two packs of ketchup on the top. God I-. 

You put it right on the top? 

I could destroy a hash brown, right now, girlfriend. 

Wait, you don’t dip your hash browns?

No. I mean, they’re like, kind of made, like stupid for dipping, you know, they’re like a platform for two packs of ketchup, exactly. And you do, you can even do, like the Toaster Strudel kind of swirl, you know, kind of thing, the zigzag. Hit that with a couple packs. It’s perfect. 

We’re making designs with the ketchup, now? That’s crazy. 

Yeah, maybe add five of them and draw your name, T-E-D-D-Y. 

What was the last concert you attended? Just as a fan. 

I want to say, oh, I think last year I got a chance to go see Ocean Alley. They had played in LA and I was just getting back from tour. And, man, Ocean Alley is so dope. Man, my tour manager’s brother was doing the lights for them. So, you know, he got us in there.

Keep watching for more!

HipHopWired Featured Video

Snoop Dogg lost a bit of goodwill with some of his fanbase after appearing in Washington, D.C. to appear at an event connected to President Donald Trump’s inauguration weekend. After catching the wrath of Hip-Hop fans and opponents of Trump, Snoop Dogg defended his appearance at the event and faced the criticism with love instead of the vitriol he’s faced online.
Taking to his Instagram account for a livestream, Snoop Dogg is seen driving in a vehicle and addressing his fans about the matter with his usual affable coolness and decided to combat the negative comments with positive vibes instead.

“Ya’ll can’t hate enough for me, I love too much,” Snoop says during his morning wake-and-bake drive. “Get your life right, stop worrying about mine, I’m cool. I’m together.”
Snoop continued with, “Still a Black man, still 100% Black. All out, ’til you ball out. Or until you fall out. I ain’t going nowhere. I’m right here.”
Many have speculated that Snoop’s alignment with Donald Trump is personal as the president pardoned Michael Harris, one of the co-founders of Death Row Records, a company Snoop is now the owner of. Harris, also known as Harry-O, was behind bars serving time for drug charges.
Check out the livestream of Snoop Dogg in the clip below courtesy of Livebitez.


Photo: Getty