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20 Jun 2025

Role Model Signs With Good World Management

Pop-rock artist Role Model has signed with Good World Management’s Brandon Creed and Dani Russin, Billboard can confirm.

Role Model joins a stacked roster of superstars at the firm, including Charli xcx, Troye Sivan, Ariana Grande and Demi Lovato.

In April, Role Model parted ways with his manager, Best Friends’ Danny Rukasin, who helped the artist become a breakout star. The singer-songwriter recently scored his first Hot 100 hit with “Sally, When the Wine Runs Out.” The song is off the deluxe edition of Role Model’s 2024 album, Kansas Anymore, which arrived in February.

Role Model signed to Interscope in 2018 and released his debut album, the more alternative-sounding Rx, in 2022. But last year’s Kansas Anymore — which featured a softer, more Americana-inspired sound — changed the course of his career and helped solidify him as one to watch.

Since the release of Kansas Anymore, Role Model has opened on tour for Gracie Abrams and, more recently, celebrated two sold-out shows in Los Angeles; at one of those shows, he welcomed Reneé Rapp on stage as a surprise guest during “Sally.” Attendees at the L.A. concerts included Laufey, The Kid Laroi, Shaboozey, Shaboozey and Jason Sudeikis.

In May, it was announced that Role Model will make his acting debut in the upcoming Lena Dunham-directed Netflix film, Good Sex, starring Mark Ruffalo and Natalie Portman. He will be credited under his born name of Tucker Pillsbury.

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Creed founded Good World in August 2023. At the top of 2025, he was named Billboard‘s Manager of the Year along with his tight-knit team. In the interview, he said of signing new talent: “We are extremely discerning,” before adding, “We have room, don’t get me wrong, for the right thing.”

20 Jun 2025

R. Kelly Denied Prison Release Amid Claims Jail Officials Are Trying to Murder Him

A federal judge has rejected R. Kelly’s emergency request to be let out of prison due to an alleged jailhouse murder plot against the disgraced R&B star, who’s serving more than 30 years for multiple sex crime convictions.

Kelly’s attorney, Beau Brindley, has been petitioning a Chicago court for Kelly’s release since last week, saying prison guards are trying to have the singer (Robert Sylvester Kelly) killed to stop him from uncovering prosecutorial misconduct in his case. Brindley claims jail officials attempted to solicit a fellow inmate to carry out the hit, and that when that didn’t work, they fed Kelly an overdose quantity of sleeping pills and denied him medically-necessary surgery for blood clots.

Prosecutors have dismissed the allegations as a “fanciful conspiracy” and “deeply unserious.” Judge Martha M. Pacold denied the bid for release on Thursday (June 19) without addressing its merits, saying such a request must be brought as a civil rights lawsuit or habeas corpus petition in North Carolina, where Kelly is imprisoned.

“Jurisdictional limitations must be respected even where, as here, a litigant claims that the circumstances are extraordinary,” wrote the judge.

Judge Pacold issued her decision ahead of a hearing that had been set for Friday (June 20), canceling the court date after seemingly learning all she needed to know from voluminous court papers that have been filed on the issue.

In a statement shared with Billboard on Thursday, Brindley said his team is “not surprised by this ruling as we knew that technical jurisdiction would be a challenge under these circumstances.”

“However, we had no choice but to act immediately given explicit evidence of a threat to Robert Kelly’s life,” Brindley added.

On Friday (June 20), Brindley tried another avenue to convince the Chicago judge to release Kelly: filing a motion for a new trial and asking for emergency bail in the meantime.

The Friday motion reiterates Brindley’s previous allegations that prosecutors unlawfully pressured a witness to testify against Kelly and intercepted Kelly’s communications with his lawyers ahead of his federal trial in Chicago.

“If someone dies in prison, it seems commonplace,” writes Brindley. “With that in mind, it becomes easy to understand how the people who committed this corruption and those that helped cover it up would rather kill a disgraced inmate convicted of sex crimes than face consequences that could ruin their lives and careers.”

The motion repeatedly notes that President Donald Trump is prioritizing rooting out corruption in the justice system. Brindley has publicly asked Trump to pardon Kelly in conjunction with the jailhouse murder plot claims.

A spokesperson for prosecutors did not immediately return a request for comment on Friday.

Kelly was convicted in Chicago of child pornography and enticing minors for sex in 2022, one year after a separate federal jury in New York also found the singer guilty of racketeering and sex trafficking

The former R&B star was sentenced to 30 years in prison for the New York conviction and 20 years in the Chicago case, though all but one year of the second sentence will overlap with the first. Both convictions have been upheld on appeal.

20 Jun 2025

Madonna Used Her iPad ‘the Whole Time’ While Watching ‘Hamilton,’ Says Star Anthony Ramos

There’s no question that Broadway‘s Hamilton was (and still is) one of the most engrossing musicals on the Great White Way, but according to an original cast member, Madonna herself had other things to focus on.

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During his Thursday (June 19) appearance on Watch What Happens Live alonside singer Ciara, Anthony Ramos — who originated the roles of John Laurens and Philip Hamilton in the original Broadway run of the show — was asked about the “most terrifying celebrity to spot in the audience during your Hamilton days” during a game of Clubhouse of Horrors, and the actor immediately had an answer.

“Oh, the most terrifying was Madonna with her iPad in her face. She was like this the whole time,” Ramos said, while pretending to look at a screen in his lap. “I was like, ‘Damn, shorty! If you not enjoying it that much, you know the door’s right there. You ain’t gotta stay here!’”

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Billboard has reached out to Madonna’s representatives for comment.

This isn’t the first time the Queen of Pop has been called out for using her devices during the acclaimed Broadway show. After rumors circulated in 2015 of Madonna’s behavior after star and Hamilton creator Lin-Manuel Miranda tweeted about not allowing a celebrity backstage after they used their phone during the performance, actor Jonathan Groff confirmed in an interview it was Madge. “That b—h was on her phone. You couldn’t miss it from the stage,” he said at the time. “It was a black void of the audience in front of us and her face there perfectly lit by the light of her iPhone through three-quarters of the show.”

The news comes as Madonna prepares to release her long-rumored EDM remix album Veronica Electronica, set to feature exclusive reimaginings of tracks off her acclaimed 1988 album Ray of Light. Due out July 25, the album will feature remixes of eight songs off Ray of Light, including “Nothing Really Matters,” “Frozen” and “The Power of Goodbye.”

Watch Ramos play Clubhouse of Horrors on Watch What Happens Live below:

20 Jun 2025

Friday Dance Music Guide: The Week’s Best New Tracks From Fred again.. & Skepta, Swedish House Mafia & More

06/20/2025

Simply the best new dance tracks of the week.

06/20/2025

Fred again..and Skepta

Courtesy of Warner Music Group

This week in dance music: We met Lenny Pearce, the Australian DJ who’s making techno for toddlers and throwing baby raves around the world and also caught up with French favorite Folamour who shared that while he at one point felt “dead inside” while playing clubs, his new house album helped revive his sound and spirit.

Meanwhile, Serbia’s Exit Festival announced that it may leave the country after losing government funding after supporting student protestors. Sophie’s collaborators are celebrating the ten-year anniversary of the late producer’s 2015 compilation album Product with an expanded anniversary edition that will feature a pair of previously unreleased singles — “Ooh” and “Get Higher” — along with “Unisil,” a Product-era track that was released in 2021.

Also this week: Fred again.. threw a pop-up show in Brooklyn with special guests Skepta and PlaqueBoyMix (more on that below), Billboard Dance celebrated ten years since its launch, with the vertical’s founder Matt Medved penning a piece on the process that brought it all together. SG Lewis announced that he’s releasing a new album this fall, The Chainsmokers remixed Charli xcx’s “party 4 u,” Irish rock group Inhaler covered Kavinsky’s classic “Nightcall,” Billboard Italy did a deep dive on the country’s Adriatic Sound festival and its aims to become a techno destination and Marhsmello launched a pop-punk band, Underbrook, under his given name Chris Comstock. The group released its debut single “Head’s Up” today.

And last but never least, amid one of those moments when a fleet of producers all drop new music at the same time, these are the best new tracks of the week.

Fred again.., Skepta & PlaqueBoyMax, “Victory Lap”

This past Tuesday, Fred again.. turned turned on the power of singular hype machine via a four-hour Twitch livestream and a pop-up show in Brooklyn that followed. The high point of the festivities, and in fact their reason for being, is Fred’s new single “Victory Lap.” The ominous and sharp-edged single features Skepta (who turned up on both the livestream and at the show and also dropped another dance single with Sammy Virji in late May) and New Jersey-born rapper/streamer PlaqueBoyMax. The track is quick two minutes and 45 seconds, but accomplishes a lot, packing a punch and illumanting Fred’s current state of mind as his first release of 2025.

“Victory Lap” is out via Atlantic Records. Listen to it here.
Swedish House Mafia, “Wait So Long”

The trio seem to be making a ‘lil joke in the title of their latest, “Wait So Long,” as the track is their first since 2014’s “Lioness.” But jokes aside, the single accomplishes what Swedish House Mafia have indicated is their priority after emerging on the other side of the EDM era: making timeless dance music that works for the club and fits inside the house realm from which the trio take so much influence. But this is still Swedish House Mafia, so of course the track possesses a chest-thumping, totally soulful vocal rendered in a melody you’re likely to have in your head all weekend.

The track debuted during a pop-up show in the guys’ native Stockholm earlier this week and is out on their newly launched label, SUPERHUMAN MUSIC. Listen to it here.
John Summit, Gorgon City & Rhys From the Sticks, “Is Everybody Having Fun?”

John Summit and Gorgon City have a long history, with Summit performing a pandemic-era rooftop set in his native Chicagoland area with Gorgon City’s Kye Gibbon just before he moved to Miami and blew all the way up. The title of their reunion track is clearly rhetorical, with its galloping beat and spare tech house production functioning as a whole-ass party packed into a tight 2:49.

“Is Everybody Having Fun?” is out via Experts Only/REALM Records. Listen to it here.
Kenya Grace, “Mr. Cool”

Kenya Grace pushes her sound forward with the slinky “Mr. Cool” while exploring the same thematic terrain as her breakout single “Strangers.” Like that hit, a Dance/Electronic Songs No. 1, this newest single explores the quick-fire world of modern dating and always slippery endeavor of seeing your old flame with someone new, with Grace delivering acerbic lyrics in silky vocals that lay over a tech house production that coolly simmers, much like the song’s protagonist herself.

“Mr. Cool” is out on Major Recordings/Warner Records. Listen to it here.
Four Tet, “Into Dust (Still Falling)”

You could — and someone probably should — write an entire book on Four Tet’s largely unparalleled ability to generate both intensely hard bass music (as heard primarily in his live sets) and then also tracks like his latest, “Into Dust (Still Falling).” Managing, as ever, to elicit loads of emotion via a galloping beat and a plaintive vocal sample from Mazzy Star’s 1993 “Into Dust,” the track shimmers while and shapeshifts, forming into a gorgeous thing that’s simultaneously richly layered and greater than the sum of its parts.

“Into Dust (Still Falling)” is out on Text Records/XL Recordings. Listen to it here.
Ian Snow, “Ice Waves”

Rising Chicago producer Ian Snow demonstrates why he’s one to watch with the spooky, soaring “Ice Waves,” on which Snow brings melodic bass to psychedelic heights, creating something at once heady and anthemic. The song was inspired by a near fatal car accident that inspired Snow to consider how he wants to be remembered. “As the car rushed toward me at 40 mph, I had limited choices: crash and burn, or rise above,” he says in a statement. “I closed my eyes and jumped. I vividly remember flying through the air thinking two things: the first being, ‘Welp, I’ll see ya on the other side,’ assuming I’d either wake up from a coma, or death. Followed by, ‘Holy shit, did I just clear that?’ before I rammed into the windshield, shattered it and barreled through the air like a spaceship crash-landing on an unknown planet.” He left the hospital unscathed, with a goal to take music-making more seriously. This track is clearly the crystallization of that ambition.

“Ice Waves” is out on Slander’s Heaven Sent label. Listen to it here.

20 Jun 2025

Simple Minds on 40 Years of ‘Don’t You (Forget About Me)’ & Their Friendship, Despite the Occasional ‘Screaming Match’

Jim Kerr and Charlie Burchill have been playing music together for some 48 years, most of them in Simple Minds. Kerr assures us that familiarity has bred fondness; he even says the “parallel story” in the band’s 2023 documentary Everything Is Possible is “the friendship of Charlie and I, which is quite remarkable because usually in long-working relationships in music people hate each other after 20 years. But Charlie and I still go on. There’s a great friendship there.”

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Despite that, Kerr tells Billboard that it’s not always a lovefest between frontman and guitarist, either, as Simple Minds is in the midst of its first full-scale North American tour in seven years. “We’re still able to have our rows and our fights. We’re not always on the same page,” Kerr acknowledges, adding with a laugh that, “We had a screaming match last week and everyone around us…. First of all they said, ‘I’ve never heard such a f–kin’ intense screaming match,’ so afterwards Charlie and I felt embarrassed. Y’know, usually it’s not even (about) a thing. You’re not on the same page, and it’s frustrating. Someone will just say the wrong word, and it triggers.

“But here’s the good news; at the end of the day there’s no scars, no wounds. We get up the next day and everything is fine. How amazing that we’re still so passionate about it. How amazing that we still care. How amazing we’re in the rehearsal room, trying to make it as great as it can be for our audience, and how amazing the next day we go to breakfast with each other.”

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During its current trek, whose U.S. leg wraps up Saturday (June 22 in Noblesville, Ind.), Kerr, Churchill and the latest incarnation of Simple Minds have been supporting their new concert album — Live in the City of Diamonds, which came out in April — and the 40th anniversary of an eventful 1985 that included: the Billboard Hot 100-topping single “Don’t You (Forget About Me)” from the hit film The Breakfast Club; a performance at Live Aid that summer; and the band’s best-selling studio album, Once Upon a Time, which came out that fall.

“It was beautiful,” Kerr recalls. “It was so unexpected in a sense. You had the movie, you had the song, Live Aid, MTV, ‘Alive & Kicking’ [a No. 3 Hot 100 hit], the Once Upon a Time album itself…and lo and behold, 40 years later we’re still here talking about it. That’s what 1985 felt like to us.”

Simple Minds was famously ambivalent about recording “Don’t You (Forget About Me),” which was written by producer Keith Forsey and Steve Schiff for the John Hughes-directed film. The group had already planned to make an aggressive assault on the U.S. market in the wake of its 1984 album Sparkle in the Rain and was confident “we had songs up our sleeve” for what would become Once Upon a Time.

“Then out of nowhere these phone calls start to come in about this movie, and the record company thinks it would be a good thing to bridge to the next album,” Kerr recalls. “We were like, ‘Yeah, we want to do it,’ then ‘Oh, hang on a minute. They want us to record someone else’s song? That’s not what we do; we’re credible artists. We write our own songs, and we’ve got some good ones in the pipeline, so we’re not sure about that.’ But after meeting the people involved we decided to do it.”

The key, Kerr adds, was that his band found a way to make the song its own. “I’m not taking anything away from the song and Keith and the guys who came up with the music. You can find the demo of the song online; it’s a good little song. But Simple Minds, what we brought to it was 10 years of playing live, and we put our heart and soul into it and we put our lifeblood into the record. It would’ve been a different song if OMD did it, or the Psychedelic Furs — it would’ve been a different record, rather. So it’s not our song, but it is our record.”

Simple Minds will follow the North American tour with a jaunt through Europe, starting June 27 at home in Glasgow, where the band plans to play Once Upon a Time in its entirety. That trek wraps up July 27 in Italy, after which Simple Minds plans to return to working on a new studio album — the follow-up to 2022’s Direction of the Heart — which Kerr, Burchill and company began working on before hitting the road.

“We’ve got a whole bunch of songs up our sleeves,” Kerr says. “They’re not finished yet, but the backing tracks are down, the rough mixes. So we’re excited. People might say, ‘What’s the impetus?’ because obviously records don’t sell like they used to and there’s a limited appeal for new stuff no matter whether you’re Bruce Springsteen or whoever you are. But this is who we are. This is what we do. It just goes on. It’s all about creativity and you have it in you and you’ve got to get it out. That’s the same now as it’s ever been, and for us every time you do something new you’re still using those muscles. It’s like a chapter to a book; it seems to refresh the rest of the story and stops you from calcifying.”

20 Jun 2025

Erykah Badu & The Alchemist Flip a Classic Mobb Deep B-Side for New Single ‘Next to You’: Listen

Erykah Badu and The Alchemist are really making an album together, and their first single is finally here.

Badu and the West Coast producer dropped their new song “Next to You” at midnight after she performed Badu Presents: Echos 19 in her hometown of Dallas as part of Forever in Rotation, Amazon Music’s Juneteenth celebration.

According to a press release, the Dallas singer self-executive produced, wrote, composed, arranged and produced the single in collaboration with The Alchemist, who provided the beat from his classic 1999 record “The Realest” featuring the late Prodigy and Kool G Rap from Mobb Deep‘s fourth album, Murda Muzik, for her to flip. And she did just that as she sang about wanting to smoke blunts and hang out after school with a significant other with the beat switching midway as Badu put her own “‘izm on it.”

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Erykah recently announced that she will be releasing music independently through her own label, Control FREAQ Records, which was established since 2005, and whose first signee was Jay Electronica, the father of her third child. She has been with Motown since 2007 and hasn’t released a project since the 2015 mixtape But You Can’t Use My Phone.

Starting on Tuesday (June 24) at Billboard Live Osaka, the two legends will be hitting the stage together in a trio of shows in Japan courtesy of Billboard Live for The Abi & Alan Japan Tour. Saturday (June 28) at Billboard Live Tokyo and Monday (June 30) at KT Zepp Yokohama are the other two dates.

20 Jun 2025

Yami Safdie, Emilia, Xavi & More: Vote for the Best New Latin Music This Week

This week, Billboard’s New Music Latin roundup and playlist — curated by Billboard Latin and Billboard Español editors — features fresh new music, including Karol G’s Tropicoqueta, Xavi’s “El Malo” and Yami Safdie and Emilia’s “+ Te Vale.”

In their strikingly vulnerable ballad, Safdie and Emilia narrate the POV of a heartbroken woman who is watching her ex move on, and she has some advice for him. “I wanted another woman to sing it with me, another female voice that could sustain this emotion from a different place,” Safdie said in a press statement about collaborating with fellow Argentine powerhouse. “We sent it to Emilia, honestly, without many expectations … And when she responded to us with so much humility, so connected to the lyrics, it was a very big moment for me. Last year I opened her shows. Today, we record together as pairs. It’s a dream.”

Karol G also released her highly anticipated new LP, Tropicoqueta, which includes collaborations with Marco Antonio Solís, Eddy Lover and Manu Chao, to name a few. “This album is an homage to all those Latin music genres I grew up listening to,” Karol previously told Billboard Español.

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Other new releases this week include music from Edén Muñoz, Natanael Cano and Código FN. Which release this week do you think is best? Give these new releases a spin and vote for your favorite new Latin music release below:

Editor’s Note: The weekly New Music Latin poll results will be posted if the poll generates more than 1,000 votes. This poll closes at 7:30 a.m. ET on Monday, June 23.

20 Jun 2025

Creepy Nuts Announce Details of First Tour of Asia: See the Schedule

Creepy Nuts shared the details of its highly anticipated Creepy Nuts ASIA TOUR 2025 set to take place later this year.

The “Bling-Bang-Bang-Born” hip-hop duo’s first-ever Asian tour will start in October and make stops in five cities including Beijing and Seoul. Ticket sales for each venue will begin at different times, so check out the pair’s official website for details.

Also, an exclusive concert viewing package for CLUB Creepy Nuts members, including plane tickets and from Japan, accommodation, local transportation, concert tickets and original merch will be made available for Japan-based fans who wish to attend the tour. Details will be announced soon.

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See the dates and venues for the Creepy Nuts ASIA TOUR 2025 below.

Oct. 18 – Seoul, South Korea @ YES24 LIVE HALL
Tickets go on sale July 7 at 8 p.m. JST

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Oct. 25 – Taipei, Taiwan @ Legacy TERA
Tickets go on sale July 5 at 12 p.m. JST

Oct. 29 – Hong Kong @ Kitty Woo Stadium TungPo
Tickets go on sale June 30 at 1 p.m. JST

Oct. 31 – Shanghai, China @ Shanghai VAS est
Tickets go on sale June 24 at 3 p.m. JST

Nov. 2 – Beijing, China @ FULLOF Livehouse-FU
Tickets go on sale June 24 at 3 p.m. JST

This article originally appeared on Billboard Japan.

20 Jun 2025

Jim Jones Defends Himself Against Nas Comparison: ‘Pull Up My Billboard Entries’

Jim Jones makes his case after a 22-year-old college student from New Jersey said he was influenced more by the Harlem rapper than by Nas on the Don’t Quote Me podcast.

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While stopping by the Joe and Jada podcast posted Thursday (June 19), Jimmy discussed the viral video. “I admired Nas,” Jones admitted. “When it came to dressin’, the wordplay, the music, everything. I was a superior Nas fan, period. I’ll never take that away from him.”

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However, once Jones became a professional rapper and found himself on the frontlines of the Jay-Z and Nas beef when the Diplomats were signed to Roc-A-Fella during the early 2000s, the rapper he once looked up to became an adversary. “But then, as I got in the game, you gotta realize, your idols become rivals,” he said, “Not to take away anything from that. I developed my own style and my own lane that these kids started to gravitate towards to, the same way I gravitated towards Nas when I younger.”

Jadakiss pushed back a bit on that claim, though, and said his son is around the same age and is aware of Nas’ impact on the genre, but Jim brushed it off, attributing it to him being around Jada. “He’s your son,” he retorted. “My son can’t tell you one Nas record. Let’s keep it a buck here. There must be some type of misconception when it comes to Jim Jones and what Jim Jones has done in this game. A lot of these rappers have done a tremendous job. And I take nothing away from them. But they forget, I got a helluva catalog. Gold records, platinum records. Gold albums, platinum albums … Check my track record. Then check everybody else track record.”

“I’m not taking anything away from nobody,” Jones adds. “But I hear the comparisons. N—as be trying to act funny. No, I been spanking a lot of this s–t. I’m talking about the industry. I been putting on … If you want to go to the Billboard entries, pull up Nas’ Billboard entries and pull up my Billboard entries.”

For the record, Jim Jones has two songs (“We Fly High” and “Pop Champagne”) in his catalog that have hit the Billboard Hot 100 with one top 10 hit and no No. 1s. Nas, on the other hand, has 27 songs that reached the Hot 100 with two top 10 hits while also having no No. 1s.

When it comes to albums, Jim has nine entried in the Billboard 200 with three top 10 albums and no No. 1s, while Nas has 27 entries, 16 top 10 albums, and six that have reached No. 1 on the Billboard 200.

You can watch the full episode below.

20 Jun 2025

Solange Shares Her Perfect Makeup Routine in Just 5 Steps With ILIA

All products and services featured are independently chosen by editors. However, Billboard may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.

Solange has shared the secret to her flawless makeup routine with ILIA, and it’s only five steps.

The “Cranes in the Sky” singer cultivated a small collection of products from ILIA titled The Eldorado Ballroom Edit. The edit consists of top products from the brand, including its Super Serum Skin Tint, Limitless Lash Mascara and In Frame Brow Gel.

“When I’m on the curatorial side of my practice with Saint Heron and The Eldorado Ballroom, it’s truly about finding a balance of being rooted in the work, the research and the expression of these performances, but also showing up with the ease of feeling grounded in looking and feeling myself, and my best,” said Solange in a press release.

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“As a longtime ILIA fan, I’m grateful to them for allowing me to create the Eldorado Ballroom Edit, one that is rooted in our shared philosophies of natural skin and luminosity so that I really represent my most radiant, joyous and present self for these nights that I hold so close to my heart. ILIA’s and Saint Heron’s brand DNA in art, architecture and design made it a natural choice to partner on bringing the Eldorado Ballroom Edit to life.”

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The full edit can be shopped now on ILIA’s website for $133.45 — that’s a $157 value. You can also shop each product separately if you’re not ready to snag five products. We’re breaking down each piece in the collection from serums to eyeshadow sticks to help you make informed decisions before shopping.

Super Serum Skin Tint SPF 40 in Shade Dominica ST14

A serum-esque skin tint with SPF 40.

It’s a skin tint and sunscreen all in one. Retailing for $48, this product is truly the best of both worlds. The tint offers light coverage that protects the skin from harsh sun thanks to the SPF 40 built right in. The tint comes in a multitude of shades, but for reference, Solange’s is Dominica ST14. Skincare ingredients such as shea butter and squalane help moisturize while aiming to beef up the skin’s barrier.

Squalane is also an anti-aging ingredient that helps smooth the appearance of wrinkles. If you take a closer look at the tint’s ingredient list, the active ingredient is 12.0% zinc oxide. That’s your mineral sunscreen. Sometimes, sunscreens in makeup can leave a white cast, especially mineral sunscreens, but not ILIA’s. To apply, use the dropper to disperse onto the back of the hands or in the palm of your hand; a few drops will do. You can blend out with a stipple brush, buffing in circles, or use your hands. The product is so good that Allure gave it the stamp of approval back in 2020, naming it the best clean foundation.

Limitless Lash Mascara in After Midnight

A deep black mascara in a white and black package.

Looking for lashes with limitless length and volume? Well, look no further than ILIA’s Limitless Lash Mascara. This mascara both lifts and separates lashes, preventing a nasty clumpy look. Solange uses the After Midnight colorway, a jet-black formula.

The formula isn’t flakey and resists smudging for up to 12 hours. We think that the secret to the product’s success is in the brush. The wand’s dual-sided construction is equipped with a multitude of thin bristles. One side features shorter bristles, while the other side is slightly longer. This construction works like a comb for your lashes, separating while evenly coating each strand in the product. Say hello to lash extension-worthy lashes every time.

Eye Stylus Shadow Stick in Opulent

A creamy eyeshadow stick in a champagne hue.

Solange achieves a sparkling eye look in one swipe using ILIA’s Eye Stylus Shadow Stick. Her shade of choice is Opulent, a champagne hue with a dazzling finish. These eyeshadow sticks offer maximum color payoff in numerous shades from sparkling shimmers to vibrant mattes. For our on-the-go makeup lovers, these sticks are easy to use. Just swipe on and blend with your fingertips. Or if you want to be extra, blend away with a fluffy crease brush. These shadow sticks are all about high impact with low effort.

In Frame Brow Gel

A clear brow gel in a black and white tube.

The summer heat is here, which means a lot of sweating. This makes locking down your brows virtually impossible. Not to fear. You can count on ILIA’s In Frame Brow Gel to keep your brows in place no matter the conditions. Retailing for $24, this clear gel is lightweight, sculpting and setting the brows for a fluffy and lifted look for up to eight hours. The formula includes key ingredients such as hydrolyzed quinoa that may help give your brows a fuller look. Simply brush the spoolie up through your brow hairs to shape them as you please. Let them dry and they should remain in place through even the hottest summer days.

Lip Wrap Reviving Balm

A clear lip balm with a shiny finish.

Moisture is key to a plump lip look. Quench your lips’ thirst this summer with ILIA’s Lip Wrap Reviving Balm. The product gives your lips a glossy finish, while nourishing. This barrier-building balm features potent levels of hyaluronic acid and sea succulent, ingredients that impart intense hydration to heal dry and cracked lips.

Beyond the ingredients, the balm is also pleasantly scented with lavender and chamomile, creating a calming effect. It also includes a ceramic applicator that creates a cooling sensation that feels extremely good on hot days. If you’re looking for a product in this edit that leans toward skincare rather than makeup, the Lip Wrap Reviving Balm is for you.

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Fred again.., Skepta & PlaqueBoyMax, “Victory Lap”

Swedish House Mafia, “Wait So Long”

John Summit, Gorgon City & Rhys From the Sticks, “Is Everybody Having Fun?”

Kenya Grace, “Mr. Cool”

Four Tet, “Into Dust (Still Falling)”

Ian Snow, “Ice Waves”

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Super Serum Skin Tint SPF 40 in Shade Dominica ST14

Limitless Lash Mascara in After Midnight

Eye Stylus Shadow Stick in Opulent

In Frame Brow Gel

Lip Wrap Reviving Balm

Thank you