State Champ Radio News
Page: 218
Trending on Billboard
Melbourne, Australia — Paul Dainty is embarking on a new voyage in artist management.
The legendary Australian concert promoter joins forces with his son, Sam Dainty, on Voyager Management Group, which launches proper with its first signing, Charly Oakley.
Voyager was initially created with Brian Walsh, the late publicist and executive director of television at pay-TV platform Foxtel, and is completely separate to TEG Dainty, which Paul Dainty continues to lead.
The new venture serves to oversee several agencies, including IMC and Mark Gogoll Artists, and Monument Management, explains Sam Dainty, a film and TV professional who came on to board in 2022 to help operate the business and was mentored largely by Walsh, who passed in 2023.
Related
“Charly is the first artist Paul has managed and the first artist signed to us,” Sam Dainty tells Billboard. “We had hoped to do this further down the line but when we discovered Charly we were just so impressed and wanted to get moving.”
Paul Dainty knows something about talent. The U.K.-born impresario has forged an impressive career in his adopted homeland, producing tours and concerts with the world’s leading rock and pop artists, and selling more than 50 million tickets along the way.
The Melbourne-based executive established the Dainty Group/Dainty Corporation in the early 1970s, and got on a roll early on with the Bee Gees, Diana Ross, Cat Stevens and the Jackson Five. Dainty produced the Rolling Stones’ tour of 1973, a visit that would set up the success that followed.
It was Dainty who produced ABBA’s 1977 tour of Australia, a visit that remains the stuff of legend. Through the friendships made on that trip, ABBA’s Benny Andersson and Björn Ulvaeus entrusted Dainty to tour Mamma Mia! 25 years later.
Dainty has also produced tours for the likes of Paul McCartney, U2, Guns N’ Roses, Eminem, David Bowie, George Michael, Prince, Katy Perry, and Britney Spears, and expanded the business into international markets.
He continues to serve as president and CEO of TEG Dainty, which, since 2016, has been a part of the TEG Group. The following year, he was appointed a Member of the Order of Australia (AM), and in 2023, he was appointed Officer of the Order of Australia (AO) for his “distinguished service to the community”. Upcoming TEG Dainty shows include national treks by Ricky Martin, Oprah, and Richard Marx.
A 22-year-old pop singer and songwriter, Oakley celebrates their new deal with the release of a debut single “Against The Odds” through AWAL. Oakley will support the release with a launch show next Thursday, Oct. 30 at Night Cat in Fitzroy, Melbourne.
Oakley is a special artist with the world at their feet, Sam Dainty reckons.
“We believe that Australian talent is extremely under-represented on a global stage, we have ambition for Charly in the future to be a huge name and figure in the music world,” Dainty says. “We have been able to give Charly the platform to receive feedback, help and guidance from not only us but huge names in the music industry and they have confirmed out belief in the artist and now it is time for the world to begin to hear the music.”
Trending on Billboard
Women In CTRL, a non-profit advocacy group, announced Thursday (Oct. 23) that more than a dozen British live music organizations have signed a pledge designed to strengthen inclusion targets across the industry.
The Seat at the Table Inclusion Pledge, the first of its kind in the U.K., is centered around a new sector-wide commitment to achieving gender-balanced leadership by 2030.
Related
Signees of the pledge include ATC Live and Ginger Owl, and companies including AEG and The O2. All 15 LIVE (Live Music Industry Venues & Entertainment) organisations have also signed up, including the Association of Independent Festivals, Featured Artists Coalition and Music Managers Forum.
As supporters of the pledge, industry allies will contribute to case studies, share learning across the sector, and participate in future roundtables and peer learning sessions. Women In CTRL says this collaboration will be key to strengthening accountability across the live music ecosystem.
Signatories will also be required to commit to submitting an annual check-in to show progression across key focus areas, such as strengthening governance and board diversity through reviews or term limits.
In April, Women In CTRL and LIVE released a landmark report titled Seat at the Table: LIVE Edition. Its findings highlighted progress in some areas — including the finding that 61% of the Music Venue Trust board identifies as women or non-binary — while also revealing disparities in wider leadership representation.
Related
Forty-one percent of board members across LIVE and its 15 member organisations are women or non-binary people, the report stated. LIVE has since released its 2030 inclusion targets, which include 50% women and non-binary representation and 16% women from global majority backgrounds in senior leadership roles.
Elsewhere, the report revealed that women’s representation on U.K. music trade association boards rose from 32% in 2020 to 52% in 2024.
Gaby Cartwright, head of partnerships at LIVE, said in a press release at the time the report was released, “As an industry, it’s clear that we must do more to improve gender representation at the highest levels… Reaching this goal will require collective effort, accountability, and meaningful action — but momentum is building. This report provides crucial insight into the challenges we face, and the concrete steps needed to drive lasting change.”
Nadia Khan, founder of Women In CTRL, added at the time, “We know from experience that what gets measured, gets done. This report is an essential first step; by setting a clear benchmark, we are providing the industry with a roadmap for action, not simply reflection.”To read the full Seat at the Table: LIVE Edition report, visit the Women In CTRL website here.
Trending on Billboard
Stadium shows, records set on the Billboard charts, awards. All of it, nice. But for Teddy Swims, the moment he knew he’d really “made it” was when he collaborated with The Wiggles.
Explore
See latest videos, charts and news
No lie. Swims is at the back-end of an action-packed tour of Australia and New Zealand, during which he performed at the NRL Grand Final, delivered a keynote at SXSW Sydney, and, yes, performed on stage with The Wiggles.
This morning, Swims stopped by Nova 100’s Jase & Lauren for a chat about the land Down Under, his tattoo obsession, and realizing his dream as an unofficial Wiggle.
The Wiggles joined Teddy Swims onstage during his concert at Sydney’s Qudos Bank Arena on Oct. 15, for a medley of “Rock-A-Bye Your Bear,” “Hot Potato” and “Fruit Salad.”
“Yeah, that was the coolest thing ever,” he remarks. “So, I reached out to them years ago when I first started coming up on Instagram, because they’re really my heroes growing up, and always wanted to collab with them. And so I reached out to them, like, ‘you’re my heroes. I love you’.”
Fortune smiled on Swims as he greeted the children’s entertainers backstage on the Today Show, ahead of the Oct. 5 rugby league finale.
“I met them in the hallway, and they were like, ‘you want to play ‘Fruit Salad’ with us?’ And I was like, ‘oh my god!’… I was absolutely starstruck.”
Swims played his cards right and asked The Wiggles to join him at a show, which they did.
“Oh dude, it was so sick,” he recounts. “We did this whole three song medley, and the whole band was involved. It was the coolest thing ever. I think it was, like, I even said it afterwards, that was my ‘made it’ moment for me.”
Swims has some serious runs on the board. He made history in July when “Lose Control” became the first song in the history of the Billboard Hot 100 to spend triple-digit weeks on the chart, as it reached its milestone 100th frame. The next best is Glass Animals’ “Heat Waves,” which logged 91 weeks on the tally in 2021-22.
The Atlanta-born singer’s blend of R&B, country and soul has seen him fly high on Australia’s charts, too. In January, Swims’ I’ve Tried Everything But Therapy (Part 2) opened at No. 1 on the ARIA Albums Chart, while “Lose Control” went to No. 4 on the national singles survey.
Speaking on Australian breakfast radio, Swims admitted he’s “running out of space” for new ink, but there are countless blank canvases among his pals.
“Right before my son was born,” he notes, “I was trying to take a couple months off the booze and so we’d always have kind of party after the show in the green room and stuff, there’s so many people. So I was like, instead of fighting the urge to drink, I could just pull the tattoo machine out and all the drunks would just let me tattoo them.”
Swims’ I’ve Tried Everything But Therapy Tour of Australasia continues tonight, Oct. 23 with the second of three dates at Melbourne’s Rod Laver Arena. Matt Corby is the support act and Frontier Touring is producing the trek, which ends Oct. 29 with a sold out concert at Perth’s RAC Arena.
Stream his Nova interview below.
Trending on Billboard
Swapmeet and 水中スピカ Suichu Spica are winners of the third annual Justin Cosby Music Prize, presented following their respective appearances at South by Southwest Sydney 2025.
Hailing from Adelaide, Swapmeet scoops the Justin Cosby best emerging artist honor, awarded to the local or international artist showing the most potential, a nod to their artistic merit and “export readiness.”
Related
“Since we announced Swapmeet on the lineup, the band attracted a significant amount of industry interest thanks to their quality songwriting and cohesive production,” explains SXSW Sydney head of music Claire Collins. “Throughout the week, they backed up the buzz with a compelling show, producing gorgeous indie anthems punctuated by a punk spirit. We can’t wait to see what they do next.”
Meanwhile, Kyoto, Japan math rock act 水中スピカ Suichu Spica collect the Justin Cosby best performance prize, recognition of an outstanding live effort at an official SXSW Sydney event.
Their “flawless live sets throughout the week were one of the true highlights of SXSW Sydney this year,” says SXSW Sydney music program manager Reg Harris. “Each show featuring a tight setlist filled with intricate guitar tapping, sparkling vocals, ever changing time signatures and cinematic crescendos.”
Also, Jamaica Moana is named as recipient of the Walk to Austin Award, presented for the first time in partnership with Johnnie Walker Black Ruby. As part of their victory spoils, the trailblazing Māori/Samoan rapper and songwriter will perform at SXSW 2026 in Austin, Texas.
A music industry panel selected Moana on the basis of exceptional creativity, originality and potential to connect with a global audience.
The Justin Cosby Music Prize is named in the memory of Inertia Music co-founder Justin Cosby, who died in June 2021.
The much-loved independent music executive was a regular attendee at SXSW and his meticulously-prepared spreadsheet planner was shared widely among the Australian industry professionals making the journey to Austin each year, notes SXSW Sydney organizers in a statement.
The judging panel comprises industry leaders from independent record labels, community radio, venues, festivals and local and international media.
The inaugural Justin Cosby Music Prize was awarded in 2023 to Otoboke Beaver (best performance) and Miss Kaninna (best emerging artist), and was last year presented to Voice of Baceprot and DEVAURA.
TEG produced the third-annual SXSW Sydney, which was presented Oct. 13 – 19 and featured a program heaving with 1,600 events and networking sessions, plus a music festival lineup with more than 300 performances.
Nintendo / Metroid Prime 4: Beyond
Mouse controls on the Nintendo Switch 2 might be one of the console’s most niche features, but after experiencing them with one of the console’s most anticipated titles, a case could be made that they be among the most innovative design choices.
When Nintendo first announced that mouse controls would be a thing with the Nintendo Switch 2, I had to admit, I let out the loudest of “MEHS” while watching the Switch 2 reveal stream.
Then, people who got their hands on the device tried out the mode and were not impressed, which only added to the skepticism I already had.
Love Games? Get more! Join the Hip-Hop Wired Newsletter
We care about your data. See our privacy policy.
Add the reviews for Drag x Drive, the wheelchair basketball that uses the Switch 2’s mouse controls, also didn’t help sell it for me.
But that all changed when I played Metroid Prime 4: Beyond.
While at the holiday preview for Nintendo, I was very excited to learn that I would finally get to play Metroid Prime 4: Beyond, in addition to previewing other titles on the Nintendo Switch 2.
Upon sitting on the couch, the guide totally took the wind out of my sails when he said, “Are you ready to play Metroid Prime 4: Beyond… with the mouse controls?”
Now, this is a game I never envisioned myself playing on PC, because that’s not how I enjoyed the previous titles in the franchise, but that all changed with this brief experience.
Mouse Controls With Metroid Prime 4: Beyond Felt Right
It wasn’t a smooth transition from controlling the legendary space bounty hunter with a controller to using mouse controls; in fact, it was a clumsy experience at first.
There were multiple times the guide had to show me what to do as I tried to get comfy with the setup, but when I did, I was honestly very impressed with how well and intuitively the mouse controls were with Metroid Prime 4.
It just felt right to move Samus with one Joy-Con and aim and shoot with the other. Using the scan mode was a breeze, taking out enemies was fun, and the one boss battle I got to experience was exhilarating.
The mouse controls were actually clutch, especially when aiming at the boss’s vulnerable spots to damage it. Once it was defeated and the demo ended, I walked away thinking, Hey, I might actually play Beyond with the mouse controls when I get my hands on the game.
It also made me think that the possibilities are endless regarding how Nintendo can implement the mouse controls in other titles.
Nintendo / Metroid Prime 4
Metroid Prime 4: Beyond launches on December 4.
Trending on Billboard
Since Jelly Roll arrived on the country scene over the past three years, he’s always put his wife Bunnie Xo and their relationship front and center at awards shows and on red carpets. But there was a time years ago when the hitmaker was struggling with substance abuse issues and their marriage wasn’t always picture-perfect.
During his appearance this week on the Human School podcast, Jelly Roll got candid with host Miles Adcox about one of his lowest points.
“I don’t talk about this publicly at all, but one of the worst moments of my adulthood was when I had an affair on my wife,” Jelly said. “Because it was the first time that I was like, ‘I really can’t get this right at all. I know I’m in love with this woman.’ It was just such a, just really, really, really blew me back.”
To get where they are now, Jelly said “I did a lot of work to repair that relationship, you know what I mean? The repair has been special. And we’re stronger than we could have ever been. I wish our story would have went in a way that it never had an affair, but – and I’m in no way glad it happened – but man, I’m proud of who we are today.”
Jelly Roll acknowledged that he was running with a much different crowd when he cheated on Bunnie, and among his friends at the time, abusing drugs and being unfaithful to your partner were par for the course.
“I was hanging around a bunch of people that were cheating on their wives,” he said. “When I was doing cocaine, I was hanging around a bunch of people that were doing cocaine. When I was drinking a lot, I was hanging around a lot of people that were drinking a lot.”
Since then, he’s dropped those friends, gotten clean and devoted himself to the marriage. When it comes to the friends he surrounds himself with now, Jelly said: “I wanted to be friends with people I wanted to be like.”
Jelly Roll and Bunnie Xo have been married since 2016 and they renewed their vows in 2023. They share two children from previous relationships and have been very public about their IVF journey, with plans to keep growing their family.
You can watch the full hour-plus Human School interview below, with the affair conversation starting around the 48:30 mark.
Trending on Billboard
Luke Combs and Opry Entertainment Group (OEG) will bring a new Category 10 entertainment venue to the Flamingo Las Vegas next fall. Inspired by Combs’s chart-topping 2017 hit “Hurricane,” the Category 10 brand’s flagship venue opened in Nashville in late 2024.
The three-story venue will feature Hurricane Hall, a main dining hall that will include three bars, a central stage and dance floor, as well as state-of-the-art video, acoustics and lighting. Hurricane Hall will offer curated artist lineups daily and host the brand’s free line dancing lessons. The second floor will include The Still, inspired by Combs’s songwriting talents, which will offer a more intimate area with a view of the stage, as well as an extensive collection of bourbons hand-selected by Combs. The Still will also have an adjacent outdoor patio space.
Related
The third level will hold The Eye Rooftop, a covered rooftop space featuring a DJ booth, dance floor and bar with views of the Las Vegas Strip. The venue will also feature the Beautiful Crazy Women’s Lounge, located inside the women’s restroom on the first floor, which will offer a champagne bar, makeup counters, soft seating and Hollywood vanity mirrors.
Combs said in a statement, “I am stoked about having a second Category 10 location in Las Vegas. 2026 was already going to be an awesome year, but this takes it to the next level. I can’t wait for Bootleggers to have their own place to party on The Strip.”
Combs is set to headline more than 20 dates in Europe and North America next year on his My Kinda Saturday Night stadium tour. He was recently named the highest RIAA-certified country artist in history, with more than 168 million units sold.
Related
“With Luke’s enormous international appeal, securing the right Las Vegas location for Category 10 has been a priority since we first announced the partnership back in 2023,” Colin Reed, executive chairman of OEG parent company Ryman Hospitality Properties, said in a statement. “The United Kingdom ranks as the leading market for international visitors to Las Vegas outside North America. Combined with the UK’s continued embrace of country music and Luke, this is an ideal moment to bring Category 10 to one of the world’s great entertainment playgrounds.”
Reed continued, “We have formed a wonderful relationship with Caesars Entertainment through our Ole Red Las Vegas location, and we look forward to bringing more country music experiences to the market.”
“The addition of Category 10 continues to build on the momentum of a tremendous year transforming Flamingo Las Vegas,” added Dan Walsh, senior vp and general manager of the resort. “With exciting new experiences like the Go Pool, Pinky’s by Vanderpump, Gordon Ramsay Burger and Havana 1957, we’ve brought a whole new level of energy to our iconic resort. Category 10 elevates that energy even further, bringing one of the biggest names in music to the Flamingo and offering live performances with great food and cocktails at the best location on The Strip.”
For a minute there, it seemed like Lil Yachty was actually leveling up his sound and speaking in comprehensible rhymes and sentences. But now it looks like the polarizing rapper is back to his “mumble rap” roots and giving his day-one fans the Yachty that they’re used to.
Dropping off some new visuals to “Endless,” Lil Yachty takes the viewer on a journey into himself as we travel into countless windows that feature the rapper in every last one doing what he does and rapping while dancing to his heart’s content. We’d be shocked if any of his fans can catch every one of his rhymes on the first listen.
On the flip side, Hit-Boy and The Alchemist give some Hip-Hop purists something they can understand, and for their Havoc-assisted clip to “Celebration Moments,” the three artists take to the streets of New York to do a meet-and-greet before taking in the bright lights of the City That Never Sleeps.
Check out the rest of today’s drops, including work from Curren$y, DJ Premier and Ransom, and more.
LIL YACHTY – “ENDLESS”
HIT-BOY & THE ALCHEMIST FT. HAVOC – “CELEBRATION MOMENTS”
CURREN$Y – “POV”
DJ PREMIER & RANSOM – “AMAZING GRACES”
ISAIAH FALLS & SIR – “BROWN SUGAH”
MONTANA 700 – “WHITE ONES”
JAMAL – “GODSPEED”
BHAD BHABIE – “HONEST”
—
Photo: Getty
Trending on Billboard
More than 550 entertainment industry leaders gathered in Los Angeles on Sunday (Oct. 19) for Creative Community for Peace’s (CCFP) seventh annual Ambassadors of Peace gala to promote dialogue and unity through the arts. The event was held at the Beverly Park residence of Haim Saban, chairman and CEO of Saban Capital Group.
This year’s honorees were Bruce Resnikoff, president/CEO of Universal Music Enterprises; Jonathan Strauss, CEO of Create Music Group; David Kohan, showrunner and executive producer of Will & Grace and Mid-Century Modern; his wife, Blair Kohan, partner and board member at United Talent Agency; and actor Jerry O’Connell.
Related
The event featured a performance by John Mellencamp, who said, “I don’t like to call it antisemitism. It’s too polite a word for what it really is. Hatred is what it really is. And I may just be a guy with a guitar and sing some songs, but I promise this to the Jewish people: I will remain a staunch ally to you guys as long as I’m on this earth. And to the Jewish haters, I say f—k you.”
“In order to make a difference, sometimes we need to get out of our comfort zone, and that’s what I’m doing tonight,” Resnikoff said. “In the Jewish community, especially during an epidemic of undeniable and widespread antisemitism, we will always need more voices, and particularly in the music industry. CCFP brings caring people together to help amplify our voices, and I’m proud to do my part tonight.”
Strauss added, “Great companies and great cultures are not built in an echo chamber. Disagreement doesn’t mean division; it means engagement. And there’s nothing worse than apathy.”
CCFP chairman and co-founder David Renzer opened the event and said, “We have to push back. We have to educate. We believe in coexistence. We believe in the power of music and arts and culture to help build bridges and that it should not be shut down.”
Related
Ari Ingel, CCFP executive director, added, “Jewish pride means knowing where we come from and taking control of where we are going. It means speaking Hebrew with joy, wearing your Magen David in the open, loving Israel, not with blind nationalism, but with eyes wide open, with commitment, with critique and care.”
Among those paying tribute to this year’s honorees were Ringo Starr, Def Leppard, Paul Rudd, Nick Kroll, Rebecca Romijn, Howie Mandel, Mayim Bialik, Debra Messing, Greg Berlanti, Kelly Ripa and Mark Consuelos.
Artists and entertainment leaders in attendance included Gene Simmons of KISS; Berry Gordy, founder of Motown Records; Gary Barber, co-founder Spyglass Media Group; Suzanne de Passe, co-chairwoman of de Passe Jones Entertainment Group; Jody Gerson, CEO of Universal Music Publishing Group; Jacqueline Saturn, president of Virgin Music; Michael Rotenberg, founder and partner at 3 Arts Entertainment; David Zedeck, global co-head of Music at UTA; Jacob Fenton, UTA partner; Larry Rudolph, founder and CEO of 724 Entertainment; and Phylicia Fant, global head of music industry & culture collaborations at Amazon Music.
Previous Ambassador of Peace honorees include Recording Academy CEO Harvey Mason jr., Grammy-winning songwriter Diane Warren, reggae star Ziggy Marley, music mogul Scooter Braun, chairman & CEO of Sony Music Latin America Afo Verde, and CEO and co-chairman of Warner Records Aaron Bay-Schuck.
More information on Ambassadors of Peace can be found on the event’s website.
Trending on Billboard Monica isn’t a fan of sleepovers. Instagram entertainment account TheNeighborHoodTalk reposted a video of a single father expressing frustration with not being able to throw his daughter a slumber party because some of the other mothers weren’t comfortable having a male host. “When I found out why I couldn’t throw my daughter […]
