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L-Acoustics is the latest entertainment industry leader to open office space at Nashville Yards, the 19-acre AEG-led development project located in the heart of downtown Nashville. Expected to open in the summer of 2025, the Music City professional space will become L-Acoustics ’s major operations and creative hub for the Americas, joining its global hubs […]
Live Nation’s Rooftop at Pier 17 in New York City will become a year-round live performance venue with the debut of a custom-designed glass structure for winter concerts starting in late 2025.
The innovative enclosure will seamlessly convert The Rooftop at Pier 17 into a climate-controlled, indoor setting, while preserving the venue’s renowned views of the iconic lower Manhattan skyline and Brooklyn Bridge backdrop through floor-to-ceiling glass sidings. The enclosed venue will be able to hold up to 3,000 fans during its winter configuration, and introduce a new VIP balcony level. Each spring, the glass structure will be removed, returning The Rooftop to its signature open-air format for summer performances with a capacity of 3,500 guests.
The announcement coincides with a five-year extension of the partnership between Seaport Entertainment Group and Live Nation to continue programming the award-winning rooftop concert venue as the exclusive booking partner.
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“We appreciate our partnership with Live Nation, which has been successful in helping us bring our vision to life,” said Anton Nikodemus, CEO of Seaport Entertainment Group. “We look forward to The Rooftop at Pier 17 transforming into a year-round concert venue. Our state-of-the-art space will deliver an unparalleled experience for both artists and guests, providing the quintessential New York City live music venue no matter the season.”
The new design allows The Rooftop at Pier 17 to expand its Seaport Concert Series, with an estimated 25 additional performances planned for the late fall and winter months. The Rooftop currently hosts over 60 concerts annually between May through October within its outdoor setup located five stories above the East River.
“With its breathtaking views of New York City and intimate atmosphere, The Rooftop at Pier 17 is truly a special place for live music,” said Stacie George, senior vice president of booking, Live Nation Northeast. “We are excited to extend our partnership with Seaport Entertainment Group and continue collaborating in creating opportunities that further connect artists and their fans in this incredible setting throughout the year on The Rooftop at Pier 17.”
The Rooftop at Pier 17
Courtesy of The Rooftop at Pier 17
The Rooftop at Pier 17 is currently planning its seventh annual concert series in 2025, including Elderbrook (May 1-2); heavy metal bands Trivium and Bullet for My Valentine (May 7); Australian punk band Amyl and The Sniffers (May 15); Peach Pit & Briston Maroney (May 22-23); Reggae Fest Blaze (June 14); country music singers/songwriters Riley Green (July 24) and Cody Jinks (August 13). Tickets for general admission and the venue’s premium Heineken Silver Zone located near the front of the stage, are on sale now at AXS.com, with many more shows to be announced over the coming months.
For more information on upcoming announcements for The Rooftop at Pier 17 visit RooftopatPier17.com and follow @RooftopatPier17 across Instagram, Facebook, X, and TikTok. The Rooftop at Pier 17 is located at the Seaportat 89 South Street, in New York, NY.
Courtesy of The Rooftop at Pier 17
Stray Kids are set to perform at the 2024 Billboard Music Awards. They join fellow K-pop stars SEVENTEEN, as well as Teddy Swims, Tyla, Coldplay, Jelly Roll and Megan Moroney, who were previously announced as performers on the show.
Hosted by actress and comedian Michelle Buteau, the 2024 BBMAs presented by Marriott Bonvoy is set to air on Thursday, Dec. 12, at 8 p.m. ET/PT on FOX and Fire TV Channels, and on-demand on Paramount+, with performances also rolling out across Billboard.com and via @BBMAs and @Billboard social channels.
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Stray Kids are finalists for four awards at the BBMAs – top duo/group, top global K-pop artist and two bids for top K-pop album – ROCK-STAR and ATE.
In August, ATE became Stray Kids’ fifth No. 1 on the Billboard 200. That month, they also landed their highest-charting single to date on the Billboard Hot 100 – “Chk Chk Boom,” which reached No. 49. Stray Kids’ previous No. 1 albums or EPs were Stray Kids Mini Album: Oddinary, Maxident, 5-Star and ROCK-STAR.
As previously announced, Zach Bryan, Taylor Swift, Morgan Wallen and Sabrina Carpenter are the leading finalists for the 2024 Billboard Music Awards.
This marks the show’s return to FOX, which carried the show from its 1990 inaugural broadcast through 2006. In addition, Paramount+ will provide on-demand streaming of the show, while the free Fire TV Channels app will provide one-click access to fans using Amazon devices (Fire TV smart TVs and streaming media players and Fire Tablets).
The BBMAs will celebrate music’s greatest achievements with exclusive original performances, artist interviews, and award celebrations taking place from global locations and in the midst of sold-out tours. Shaboozey will deliver a special performance from W Hollywood, part of the Marriott Bonvoy portfolio. Additional performers and special guests will be announced soon.
The BBMAs honors the year’s biggest artists, albums, songs, producers and songwriters across multiple genres, as determined by year-end performance metrics on the Billboard charts. The eligibility dates for this year’s awards are aligned with Billboard’s Year-End Charts tracking period, which measures music consumption from the charts dated Oct. 28, 2023 through Oct. 19, 2024.
The Billboard Music Awards are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
The show is presented by Marriott Bonvoy, Marriott International’s travel program and portfolio of more than 30 hotel brands. For more information, visit MarriottBonvoy.com
System of a Down announced a trio of 2025 stadium shows featuring special guests Deftones, Korn and Avenged Sevenfold. The Live Nation-produced gigs will take place at MetLife Stadium in East Rutherford, NJ on August 28 (with Korn), followed by Soldier Field in Chicago on August 31 (with Avenged Sevenfold) and Rogers Stadium in Toronto […]
Selena Gomez has a lot to celebrate. In addition to receiving a Golden Globe nomination for best supporting actress on Monday (Dec. 9), the 32-year-old singer-actress also has two friends up for the same category — Emilia Pérez costar Zoe Saldaña and fellow pop star Ariana Grande — whom she cheered on in a post […]
She’s just kidding — but really. Sabrina Carpenter recently made a surprise appearance on vocal coach Eric Vetro’s BBC Maestro course Sing Like the Stars and opened up about the inspiration behind her smash hit “Please Please Please,” which she said is very much non-fiction.
While talking about her approach to songwriting with Vetro, the 25-year-old pop star shared that she, “was so excited when I wrote that song, because it felt like a fraction of me that I had been waiting to not only write, but to put out and then perform.”
“Then it just it [made] me so excited for the rest of the project, because it feels very aligned with all the music I grew up listening to that I love, but also very much myself,” she continued. “And that song was obviously based on real-life events.”
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The discussion of the song came just days after reports emerged that Carpenter and boyfriend actor Barry Keoghan have split after about a year of dating. The Saltburn star deactivated his Instagram account before posting a statement on X Saturday (Dec. 7), explaining that he “can no longer let this stuff distract me from my family and work.”
“My name has been dragged across the internet in ways I usually don’t respond [to],” added Keoghan, who is a father to a young son named Brando. “I have to respond now because it’s gettin to a place where there are too many lines being crossed … Absolute lies, hatred, disgusting commentary about my appearance, character, how I am as a parent and every other inhumane thing you can imagine.”
Many fans believe Carpenter penned “Please Please Please” about the Banshees of Inisherin actor, especially after he starred alongside his then-girlfriend in the Short n’ Sweet track’s music video. The Jack-Antonoff-produced Billboard Hot 100-topper finds the Tall Girl actress literally pleading with a love interest to act respectably, singing, “Heartbreak is one thing, my ego’s another/ I beg you, don’t embarrass me, motherf–ker.”
“Please Please Please” is also one of the closing numbers on Carpenter’s Short n’ Sweet Tour, which wrapped its North American leg in November. The star — whose holiday special A Nonsense Christmas dropped on Netflix Dec. 6 — will hit the road again in Europe in March.
Watch Carpenter reflect on writing “Please Please Please” below.
Exclusive: #SabrinaCarpenter makes a surprise appearance on singing coach Eric Vetro’s ‘BBC Maestro’ course, talking about writing the viral hit “Please Please Please” from her latest album ‘Short n’ Sweet’.”That song was obviously based on real-life events.” pic.twitter.com/QpEvaj4UXe— The Hollywood Reporter (@THR) December 9, 2024
Keith Urban is set to bring his high-octane live show on the road in 2025, when his High and Alive World Tour launches May 22 in Orange Beach, Alabama, at The Wharf Amphitheater. Joining Urban on the tour will be Chase Matthew, Alana Springsteen and Karley Scott Collins. Following the Alabama kick-off, the tour will include stops in Chicago, Salt Lake City, Houston and Nashville, Tennessee.
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“Playing live is what I live to do,” Urban said in a statement. “Looking out from a stage and seeing people singing, forgetting about all the stress in their lives, cutting loose, and feeling ALIVE – that’s what it’s about for me. Lots of hits, new songs, things we won’t even think about until we’re onstage – and loads of guitar. We’re gonna make this tour the best night of your life!”
The tour takes its name from Urban’s latest album, High, which debuted at No. 10 on Billboard’s Top Country Albums chart following its September release. Tickets for Urban’s High and Alive World Tour will go on sale Dec. 13 at 10 a.m. local time, with additional North American show dates to be revealed in the coming months.
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Urban is slated to announce international dates for the High and Alive tour at a later date.
See the full list of 2025 tour dates below:
May 22: Orange Beach, AL @ The Wharf Amphitheater
May 23: Alpharetta, GA @ Ameris Bank Amphitheatre
May 24: Charleston, SC @ Credit One Stadium
May 30: Charlotte, NC @ PNC Music Pavilion
May 31: Raleigh, NC @ Coastal Credit Union Music Park Raleigh
June 12: Gilford, NH @ BankNH Pavilion
June 13: Holmdel, NJ @ PNC Bank Arts Center
June 14: Wantagh, NY @ Northwell at Jones Beach Theater
June 19: Columbia, MD @ Merriweather Post Pavilion
June 22: Clarkston, MI @ Pine Knob Music Theatre
June 26: Cincinnati, OH @ Riverbend Music Center
June 27: Cuyahoga Falls, OH @ Blossom Music Center
June 28: Noblesville, IN @ Ruoff Music Center
July 17: Denver, CO @ Fiddler’s Green Amphitheatre
July 18: Salt Lake City, UT @ Utah First Credit Union Amphitheatre
July 19: Nampa, ID @ Ford Idaho Center Amphitheater
July 24: TBA
July 26: Inglewood, CA @ Intuit Dome
Sept. 25: Chicago, IL @ United Center
Sept. 26: TBA
Sept. 27: Omaha, NE @ CHI Health Center
Oct. 2: Hershey, PA @ Giant Center
Oct. 3: Uncasville, CT @ Mohegan Sun Arena
Oct. 4: Bristow, VA @ Jiffy Lube Live
Oct. 9: Fort Worth, TX @ Dickies Arena
Oct. 11: Houston, TX @ The Cynthia Woods Mitchell Pavilion presented by Huntsman
Oct. 16: Greenville, SC @ Bon Secours Wellness Arena
Oct. 17: Nashville, TN @ Bridgestone Arena
Drake, by common consensus, has been a smart and savvy businessman over the course of his music career. So some in the music business have been puzzled following the megastar rapper’s widely ridiculed legal filing last week against his own label, Universal Music Group (UMG), as well as Spotify, for an illegal “scheme” to boost the popularity of Kendrick Lamar‘s May 2024 diss track “Not Like Us.” They wonder if the move was a strategy for a potential future contract negotiation.
“Drake could be creating his own leverage by filing the suit against UMG,” says Josh Binder, an attorney who represents pop and hip-hop stars including Gunna, Marshmello, Lisa of BLACKPINK and Ivan Cornejo. “Most lawsuits are settled pre-litigation. My gut says this isn’t going to a jury. Drake could be using the suit to alter his existing deal.”
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Although Binder has no inside information on Drake’s filing, which alleges UMG “launched a campaign to manipulate and saturate the streaming services and airwaves” in its effort to amplify Lamar’s Drake diss track, he says the case could drag out and cause bad publicity for both Drake and UMG: “Settling it would, at a certain point, be worthwhile to both parties.”
In the Nov. 25 filing, Drake alleged that UMG used bots and other means to boost the prominence of “Not Like Us” on streaming services; the rapper’s attorneys accused the label of giving Spotify a deal on licensing rates in exchange for recommending the song to users who’d played non-Lamar tracks. They also alleged a civil violation of the Racketeer Influenced and Corrupt Organizations Act, or RICO, frequently employed against organized crime, as well as deceptive business practices and false advertising — including allegedly paying Apple to have Siri steer users to the Lamar track. The legal action states that the label “conspired with and paid currently unknown parties to use ‘bots’ to artificially inflate the spread of ‘Not Like Us’ and deceive consumers into believing the song was more popular than it was in reality.”
In a second filing the following day, which alleged payola to iHeartMedia to boost the song at radio, he went even further, saying UMG knew Lamar was defaming Drake by “falsely” accusing him of being a “certified pedophile,” yet released the track anyway. This filing reads in part: “UMG designed, financed and then executed a plan to turn ‘Not Like Us’ into a viral mega-hit with the intent of using the spectacle of harm to Drake and his businesses to drive consumer hysteria and, of course, massive revenues.”
Of the legal filings, Universal Music released a statement saying that the “suggestion that UMG would do anything to undermine any of its artists is offensive and untrue,” and several music-business attorneys echoed that sentiment to Billboard. “I can’t believe this is anything more than a publicity stunt,” says Howard King, who has represented Metallica, Dr. Dre and Pharrell in high-profile cases. “I don’t see how Drake has standing to challenge the record industry for doing what he knows they also do for him — using all available resources to promote an artist’s profile and music.”
But others in the business agreed Drake could be using the widespread publicity he generated from last week’s legal actions as a negotiating point for a future record deal negotiation with UMG. (Drake initially signed with Young Money, an imprint distributed by Universal-owned Republic Records, then later became a Republic artist.) One source tells Billboard that Drake’s latest deal, signed in 2021 and described as “LeBron-sized” by Variety at the time, isn’t far from expiring, and the most logical explanation for Drake damaging his reputation so publicly with the legal filings was to communicate his unhappiness to UMG and aim for a lucrative new deal, or even equity in UMG.
“It’s possible that it was done to have some leverage against his label,” says Gandhar Savur, a New York music attorney, adding that he has no knowledge of Drake or UMG’s affairs. “However, my initial impression was that he’s just trying to publicly discredit the track.”
Drake is one of the streaming era’s most successful stars, having passed the 50 billion mark in 2018. Lamar’s latest album, GNX, scored 364 million Spotify streams in its first week, in late November, but Drake holds the record for first-week hip-hop albums, with 589 million for 2018’s Scorpion and 497 million for 2021’s Certified Lover Boy.
If contract negotiations with UMG were to break down, sources say, an artist of Drake’s stature could follow the lead of Kanye West, who did not renew his contract with Def Jam/Universal after it expired and has since released albums on his own label via DIY distribution services, scoring a two-week No. 1 in February with Vultures 1 and a No. 2 debut in August with Vultures 2. “He could move forward without a deal,” King says of Drake. “He can certainly distribute the music without a label, especially domestically, and would need to have a management team capable of promotion and marketing. Of course, he would give up the big advance and have to fund production costs himself.”
Drake, however, as a viable global superstar, is in a different situation from Ye, whose prior antisemitic comments made getting into business with him a publicity headache for most labels. Binder doesn’t see the dominant rapper following West’s DIY path. “I would imagine [Drake] would want the infrastructure of a label,” he says.
Selena Gomez and Ariana Grande are used to competing on the Billboard Hot 100. But now they’re squaring off against each other at the 2025 Golden Globe Awards as well. Gomez and Grande are both nominated for best performance by a female actor in a supporting role in any motion picture for their roles in Emilia Pérez and Wicked, respectively. Gomez has a second nomination for best performance by a female actor in a TV series, musical or comedy for Only Murders in the Building.
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Other music stars who got nods in the nominations announced on Monday morning (Dec. 9) include: Miley Cyrus, Maren Morris and Robbie Williams, all nominated for best original song – motion picture; Donald Glover, who has released music as Childish Gambino, for best performance by a male actor in a TV series, drama, for Mr. and Mrs. Smith; and Zendaya, best performance by a female actor in a motion picture, musical or comedy for Challengers.
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Cynthia Erivo is nominated for best performance by a female actor in a motion picture – musical or comedy for her as Elphaba role in Wicked. Timothée Chalamet is nominated for best performance by a male actor in a motion picture – drama for his performance as Bob Dylan in A Complete Unknown. Edward Norton is nominated in the supporting actor category for his performance as Pete Seeger in that same film.
Clément Ducol and Camille have three nominations in the music categories for their work on Emilia Pérez. They are nominated for best original score and have two of the best original song nominees— “El Mal” and “Mi Camino.” They cowrote the former song with the film’s director/writer, Jacques Audiard.
Nine Inch Nails‘ Trent Reznor and Atticus Ross have two nominations in the music categories. They are nominated for best original score for Challengers and best original song for “Compress / Repress” which they wrote for that film with the film’s director, Luca Guadagnino.
Emilia Pérez was the most-nominated motion picture, with 10 nods, followed by The Brutalist (seven), Conclave (six), and Anora and The Substance (five each).
The Bear was the most-nominated TV show with five nods, followed by Only Murders in the Building and Shōgun (four each). Netflix was the top distributor for both film and TV. It had 13 nominations on the film side, followed by A24 with 12. It has 23 nominations on the TV side, followed by HBO/Max, with 14.
Actors Mindy Kaling and Morris Chestnut presented the nominees for the 2025 Golden Globes on Monday morning and the 82nd Annual Golden Globes will air live on Sunday, Jan. 5, at 5 p.m. PT/8 p.m. ET on CBS and stream on Paramount+ in the U.S. The show will be held at its usual home, the Grand Ballroom of the Beverly Hilton Hotel in Beverly Hills, California.
This will be the second year the Globes have presented the cinematic and box office achievement category. The nominees are Alien: Romulus, Beetlejuice Beetlejuice, Deadpool & Wolverine, Gladiator II, Inside Out 2, Twisters, Wicked and The Wild Robot. In its first year, the award went to Barbie over such rivals as Oppenheimer and Taylor Swift: The Eras Tour.
The Golden Globe Awards, which likes to call itself “Hollywood’s Party of the Year,” is the first major awards show of the season. It’s also the world’s largest awards show to celebrate the best of both film and television.
Comedian Nikki Glaser is set to host the show for the first time. Viola Davis and Ted Danson have been named as recipients of the Cecil B. DeMille Award and the Carol Burnett Award, respectively. They will be recognized on the Golden Globes telecast. In addition, they will be feted at a separate gala dinner on Friday, Jan. 3, also at the Beverly Hilton. This marks the first time that the Golden Globes will host a special evening dedicated to the recipients of these two honorary awards.
Multi-Emmy Award-winning producing duo Glenn Weiss and Ricky Kirshner of White Cherry Entertainment will return as executive producing showrunners for the 82nd Golden Globes. Dick Clark Productions will produce the show.
Best motion picture – drama
The Brutalist (A24)
A Complete Unknown (Searchlight Pictures)
Conclave (Focus Features)
Dune: Part Two (Warner Bros. Pictures)
Nickel Boys (Orion Pictures / Amazon MGM Studios)
September 5 (Paramount Pictures)
Best motion picture – musical or comedy
Anora (Neon)
Challengers (Amazon MGM Studios)
Emilia Pérez (Netflix)
A Real Pain (Searchlight Pictures)
The Substance (Mubi)
Wicked (Universal Pictures)
Best original score – motion picture
Volker Bertelmann (Conclave)
Daniel Blumberg (The Brutalist)
Kris Bowers (The Wild Robot)
Clément Ducol, Camille (Emilia Pérez)
Trent Reznor, Atticus Ross (Challengers)
Hans Zimmer (Dune: Part Two)
Best original song – motion picture
“Beautiful That Way” –– The Last Showgirl; Music & Lyrics By: Andrew Wyatt, Miley Cyrus, Lykke Zachrisson
“Compress / Repress” –– Challengers; Music & Lyrics By: Trent Reznor, Atticus Ross, Luca Guadagnino
“El Mal” –– Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille, Jacques Audiard
“Forbidden Road” –– Better Man; Music & Lyrics By: Robbie Williams, Freddy Wexler, Sacha Skarbek
“Kiss The Sky” –– The Wild Robot; Music & Lyrics By: Delacey, Jordan K. Johnson, Stefan Johnson, Maren Morris, Michael Pollack, Ali Tamposi
“Mi Camino” –– Emilia Pérez; Music & Lyrics By: Clément Ducol, Camille
Best motion picture – animated
Flow (Sideshow / Janus Films)
Inside Out 2 (Walt Disney Studios Motion Pictures)
Memoir of a Snail (IFC Films)
Moana 2 (Walt Disney Studios Motion Pictures)
Wallace & Gromit: Vengeance Most Fowl (Netflix)
The Wild Robot (Universal Pictures)
Cinematic and box office achievement
Alien: Romulus (Walt Disney Studios Motion Pictures)
Beetlejuice Beetlejuice (Warner Bros. Pictures)
Deadpool & Wolverine (Walt Disney Studios Motion Pictures)
Gladiator II (Paramount Pictures)
Inside Out 2 (Walt Disney Studios Motion Pictures)
Twisters (Universal Pictures)
Wicked (Universal Pictures)
The Wild Robot (Universal Pictures)
Best motion picture – non-English language
All We Imagine as Light (Sideshow / Janus Films) – Usa / France / India
Emilia Pérez (Netflix) – France
The Girl With the Needle (Mubi) – Poland / Sweden / Denmark
I’m Still Here (Sony Pictures Classics) – Brazil
The Seed of the Sacred Fig (Neon) – Usa / Germany
Vermiglio (Sideshow / Janus Films) – Italy
Best performance by a female actor in a motion picture – drama
Pamela Anderson (The Last Showgirl)
Angelina Jolie (Maria)
Nicole Kidman (Babygirl)
Tilda Swinton (The Room Next Door)
Fernanda Torres (I’m Still Here)
Kate Winslet (Lee)
Best performance by a male actor in a motion picture – drama
Adrien Brody (The Brutalist)
Timothée Chalamet (A Complete Unknown)
Daniel Craig (Queer)
Colman Domingo (Sing Sing)
Ralph Fiennes (Conclave)
Sebastian Stan (The Apprentice)
Best performance by a female actor in a motion picture – musical or comedy
Amy Adams (Nightbitch)
Cynthia Erivo (Wicked)
Karla Sofía Gascón (Emilia Pérez)
Mikey Madison (Anora)
Demi Moore (The Substance)
Zendaya (Challengers)
Best performance by a male actor in a motion picture – musical or comedy
Jesse Eisenberg (A Real Pain)
Hugh Grant (Heretic)
Gabriel Labelle (Saturday Night)
Jesse Plemons (Kinds of Kindness)
Glen Powell (Hit Man)
Sebastian Stan (A Different Man)
Best performance by a female actor in a supporting role in any motion picture
Selena Gomez (Emilia Pérez)
Ariana Grande (Wicked)
Felicity Jones (The Brutalist)
Margaret Qualley (The Substance)
Isabella Rossellini (Conclave)
Zoe Saldaña (Emilia Pérez)
Best performance by a male actor in a supporting role in any motion picture
Yura Borisov (Anora)
Kieran Culkin (A Real Pain)
Edward Norton (A Complete Unknown)
Guy Pearce (The Brutalist)
Jeremy Strong (The Apprentice)
Denzel Washington (Gladiator II)
Best director – motion picture
Jacques Audiard (Emilia Pérez)
Sean Baker (Anora)
Edward Berger (Conclave)
Brady Corbet (The Brutalist)
Coralie Fargeat (The Substance)
Payal Kapadia (All We Imagine as Light)
Best screenplay – motion picture
Jacques Audiard (Emilia Pérez)
Sean Baker (Anora)
Brady Corbet, Mona Fastvold (The Brutalist)
Jesse Eisenberg (A Real Pain)
Coralie Fargeat (The Substance)
Peter Straughan (Conclave)
Best television series – drama
The Day of the Jackal (Peacock)
The Diplomat (Netflix)
Mr. & Mrs. Smith (Prime Video)
Shōgun (FX/Hulu)
Slow Horses (Apple TV+)
Squid Game (Netflix)
Best television series – musical or comedy
Abbott Elementary (ABC)
The Bear (FX/Hulu)
The Gentlemen (Netflix)
Hacks (HBO | Max)
Nobody Wants This (Netflix)
Only Murders in the Building (Hulu)
Best television limited series, anthology series or motion picture made for television
Baby Reindeer (Netflix)
Disclaimer (Apple TV+)
Monsters: The Lyle and Erik Menendez Story (Netflix)
The Penguin (HBO | Max)
Ripley (Netflix)
True Detective: Night Country (HBO | Max)
Best performance by a female actor in a television series – drama
Kathy Bates (Matlock)
Emma D’arcy (House of the Dragon)
Maya Erskine (Mr. & Mrs. Smith)
Keira Knightley (Black Doves)
Keri Russell (The Diplomat)
Anna Sawai (Shōgun)
Best performance by a male actor in a television series – drama
Donald Glover (Mr. & Mrs. Smith)
Jake Gyllenhaal (Presumed Innocent)
Gary Oldman (Slow Horses)
Eddie Redmayne (The Day of the Jackal)
Hiroyuki Sanada (Shōgun)
Billy Bob Thornton (Landman)
Best performance by a female actor in a television series – musical or comedy
Kristen Bell (Nobody Wants This)
Quinta Brunson (Abbott Elementary)
Ayo Edebiri (The Bear)
Selena Gomez (Only Murders in the Building)
Kathryn Hahn (Agatha All Along)
Jean Smart (Hacks)
Best performance by a male actor in a television series – musical or comedy
Adam Brody (Nobody Wants This)
Ted Danson (A Man on the Inside)
Steve Martin (Only Murders in the Building)
Jason Segel (Shrinking)
Martin Short (Only Murders in the Building)
Jeremy Allen White (The Bear)
Best performance by a female actor in a limited series, anthology series, or a motion picture made for television
Cate Blanchett (Disclaimer)
Jodie Foster (True Detective: Night Country)
Cristin Milioti (The Penguin)
Sofía Vergara (Griselda)
Naomi Watts (Feud: Capote Vs. The Swans)
Kate Winslet (The Regime)
Best performance by a male actor in a limited series, anthology series, or a motion picture made for television
Colin Farrell (The Penguin)
Richard Gadd (Baby Reindeer)
Kevin Kline (Disclaimer)
Cooper Koch (Monsters: The Lyle and Erik Menendez Story)
Ewan Mcgregor (A Gentleman in Moscow)
Andrew Scott (Ripley)
Best performance by a female actor in a supporting role on television
Liza Colón-Zayas (The Bear)
Hannah Einbinder (Hacks)
Dakota Fanning (Ripley)
Jessica Gunning (Baby Reindeer)
Allison Janney (The Diplomat)
Kali Reis (True Detective: Night Country)
Best performance by a male actor in a supporting role on television
Tadanobu Asano (Shōgun)
Javier Bardem (Monsters: The Lyle and Erik Menendez Story)
Harrison Ford (Shrinking)
Jack Lowden (Slow Horses)
Diego Luna (La Máquina)
Ebon Moss-Bachrach (The Bear)
Best performance in stand-up comedy on television
Jamie Foxx (Jamie Foxx: What Had Happened Was)
Nikki Glaser (Nikki Glaser: Someday You’ll Die)
Seth Meyers (Seth Meyers: Dad Man Walking)
Adam Sandler (Adam Sandler: Love You)
Ali Wong (Ali Wong: Single Lady)
Ramy Youssef (Ramy Youssef: More Feelings)
The Golden Globes are produced by Dick Clark Productions, which is owned by Penske Media Corporation. PMC is also the parent company of Billboard.
Rosé is hitting the Tonight Show Starring Jimmy Fallon stage — on her own this time. The star will be joining the show in-studio as a solo artist outside of BLACKPINK for the first time on Wednesday (Dec. 11), as she previously delivered a pre-taped performance of “On the Ground” in 2021 during the height […]