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“Someday, through a world tour, I want TWS to reach another major level of growth. To do that, I want to become a more self-directed person.”
You were selected as Billboard‘s K-Pop Rookie of the Month in January by Billboard Korea and Billboard U.S. What has changed over these nine months?
We successfully wrapped our first tour in Japan and tried a hip-hop concept with the pre-release “Head Shoulders Knees Toes.” It was a meaningful stretch of time in many ways. Through those changes, we became closer not only among ourselves but also with 42 [our fandom]. Personally, I also spent time thinking about how to make myself a more valuable person.
How do you define “a valuable person”?
Simply put, someone who’s self-directed. To be that, I first had to know who I am and what I truly want to do. As TWS’s Youngjae, I’d like to be someone who broadly makes a positive impact on society and the public through music.
“Head Shoulders Knees Toes” is a strong hip-hop track that differs from TWS’s previous image. What was your first reaction on hearing it?
Because the song itself is so high-energy and different from our earlier image, we needed time to adjust — myself included. If we were going to make a change, I didn’t want that first attempt to fall flat. So we spoke more candidly than ever about our concerns — right down to the tricky parts — to make sure both fans and the general public would receive it well.
Did anything change in your vocal approach?
Up to now, I focused on a clean, pristine feel — a tone people might describe as “pretty.” For “Head Shoulders Knees Toes,” I tried to sing rougher. Since it was unfamiliar, I took breaks when it didn’t work, then tried again — with the mindset of “break the limit.” During recording I kept asking, “Can I try it this way?” and looked for places to add a bit of my own color.
What about the title track “OVERDRIVE”?
The moment I heard it, I thought, “That’s our song.” [Laughs] The melody felt like home, so recording was enjoyable and relaxed. I could already imagine how we’d look performing it as TWS.
TWS’s music evokes a bright blue for many listeners. What color was added this time?
Through B-sides, we’ve been trying things beyond bright tracks — like “Comma,” “Double Take,” and “Oh Mymy : 7s.” Those attempts piled up and paved the way for a song like “Head Shoulders Knees Toes.” With this album, I think we added a slightly darker tone to the color people associate with TWS.
You talk about teamwork a lot. Anything you want to say to the members?
We’re all still young — our maknae Kyungmin is 19, and I’m 21 — so we’ve all worked really hard since early on. Even if we sometimes miss out on things kids our age get to enjoy, I think it’s amazing how passionately everyone commits to what they love. I’m grateful that we’re building good memories together in the midst of those limited days.
What reaction would make you happiest from listeners of this album?
“If it’s TWS, I’ll listen — no questions.” That one line would make me truly happy.
A vocalist you’d like to collaborate with someday?
Dean. He’s an artist in every sense — fashion, music, vocal. He communicates his own color across different fields in a way that connects with the public. In so many ways, I want to learn from him.
You mentioned a songwriter’s ambition, too. What are you doing for that despite your busy schedule?
I’ve been taking piano lessons — paused for now — because I think you should be able to handle at least one instrument to compose. Learning an instrument helps in many ways, so I’m trying to keep at it intentionally.
You’re studying Japanese consistently. Your recent Japan tour must’ve given you chances to use it.
The more chances I get to use it, the less satisfied I am — I just want to get better. [Laughs] Whenever we go abroad, I want to keep learning and become more fluent.
What’s your current goal for TWS in the global music market?
A world tour. As we toured Japan, I realized how much you can learn from encountering new cultures in different countries. You grow through that process. Through a world tour, I want us to take another big leap.
You’re not afraid of being thrown into new environments, huh?
Nope. I’m not afraid! [Laughs]
Cam’Ron showed up for J. Cole’s “Ready ’24” track from the North Carolina rapper and producer’s MIght Delete Later project, and is now taking legal action against his past collaborator. Cam’Ron claims J. Cole reneged on plans to collaborate on other tracks or have the Dreamville honcho on the Harlem rapper’s popular podcast program.
TMZ reports that court papers say the artist born Cameron Giles filed a lawsuit alleging that Cole, real name Jermaine Cole, neglected to make good on plans to work on further music with Killa Cam or appear on the It Is What It Is podcast with Mason “Ma$e” Betha and Treasure “Stat Baby” Wilson.
Killa says he recorded the verse in 2022, and between July 2023 and April 2024, he kept in contact with Cole, who kept rebuffing the invitation for further work for reasons not shared in the report.
Cam’Ron is seeking a co-author credit for “Ready ’24” and to be compensated for his time, which totals over $500,000 as of the report.
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Kem captures the No. 1 rank on Billboard’s Adult R&B Airplay chart for the first time since 2022 as “Rock With Me” leads the radio ranking dated Nov. 1. The single, released on the singer-songwriter’s own Kemistry label after a two-decade career with Motown, jumped 4-1 and was the most played song on panel-contributing adult R&B radio stations in the tracking week of Oct. 17-23, according to Luminate.
The new champ surged 27% in plays for the tracking period compared with the previous frame, securing it the Greatest Gainer honor, which is awarded to the song with the biggest weekly increase in play count. Four stations under Connoisseur Media’s umbrella contributed the most spins for the week, with WMJM-FM (Louisville, Ky.) in first place, followed by WMJM-FM (Columbia, S.C.); WROU-FM (Dayton, Ohio) and KDKS-FM (Shreveport, La.).
“Thank you all for rocking with me for all of these years,” Kem shared in part in an exclusive reaction with Billboard, acknowledging his team, “friends at radio fans.” “It feels really good. God bless you, have a great day and keep love on the one.”
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With “Rock With Me,” Kem improves to nine No. 1s on Adult R&B Airplay. He ties Maxwell for the fourth-most leaders among male artists; the pair trail Charlie Wilson (11), Tank and Usher (10 each) in that category. Alicia Keys leads all artists, with 14 champs, dating to the list’s launch in September 1993.
Here’s a review of Kem’s No. 1 collection on Adult R&B Airplay:
Song Title, Artist (if other than Kem), Weeks at No. 1, Date Reached No. 1
“Love Calls,” two, Sept. 13, 2003
“I Can’t Stop Loving You,” seven, May 21, 2005
“Why Would You Stay?,” two, Sept. 25, 2010
“It’s You,” four, Sept. 6, 2014
“Nobody,” nine, Feb. 21, 2015
“Lie to Me,” seven, June 27, 2020
“Live Out Your Love,” feat. Toni Braxton; two, Jan. 2, 2021
“Stuck on You,” one, April 16, 2022
“Rock With Me,” one, Nov. 1, 2025
Elsewhere, “Rock With Me” advances 18-14 on the R&B/Hip-Hop Airplay chart, which ranks songs by combined audience totals from adult R&B and mainstream R&B/hip-hop stations. There, the track soars to 6.2 million in audience, up 26% from the prior week’s total of 4.9 million.
Radio gains spark the single’s No. 21 debut on the multimetric Hot R&B Songs chart, which combines radio airplay figures with streaming and sales data for its calculations. It becomes Kem’s sixth entry to reach the ranking, which began in October 2012.
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The Contenders is a midweek column that looks at artists aiming for the top of the Billboard charts, and the strategies behind their efforts. This week, for the upcoming Billboard Hot 100 dated Nov. 8, we look at the chances HUNTR/X has of recapturing the crown that Taylor Swift has held for the last three weeks.
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Taylor Swift, “The Fate of Ophelia” (Republic): Taylor Swift’s dominance atop the Hot 100 since the release of her The Life of a Showgirl album has been typically staggering: Not only did she dominate the entire top 10 (and the two spots just outside) with its 12 tracks in the album’s debut chart week (dated Oct. 18), she also held eight of the top 10 in its second week (Oct. 25) and four this week (Nov. 1). And in all three of those weeks, the same Showgirl song has reigned atop the Hot 100: lead single and album opener “The Fate of Ophelia.”
“Ophelia” opened with historic streaming numbers and a gigantic radio debut, posting one of the best all-around single-week performances of any song in 2025, even without being available for single-song purchase in its debut frame. It has slipped heavily in streaming each week since — probably somewhat inevitably given the gaudy numbers it posted initially — but has still remained the most-streamed song in the country by a fairly comfortable margin.
That may change next week. According to early data provided by Luminate, “Ophelia” has slipped another 19% in official on-demand U.S. streams through the first four days of this tracking week (Oct. 24-27) compared to the same period last tracking week, to 15.7 million streams. For the first time since its debut week, it is on track to fall out of the top spot on Streaming Songs. (Notably, programmed streams, not just on-demand, also contribute to the Hot 100.)
It still has the slight edge in song sales over the other hits competing for the Hot 100’s top spot — and it should also net some extra sales from the solo commercial release of its “Alone in My Tower” acoustic version on Tuesday (Oct. 28), which was previously only available as part of one of the album’s deluxe editions.
But the real X factor here will be radio. While “Ophelia” slipped 19% in streams, it also gained 20% in all-format airplay audience Oct. 24-27, according to Luminate, as it continues climbing in the top five on Radio Songs, Pop Airplay and Adult Pop Airplay. If it can continue to grow there in the final days of the tracking week while stabilizing on streaming, it might be able to hold onto the Hot 100 crown for a fourth frame. (Perhaps with a ghostly remix featuring an apparition of Hamlet’s Ophelia, right in time for Halloween?)
HUNTR/X: EJAE, Audrey Nuna & Rei Ami, “Golden” (Visva/Republic): The biggest threat to Swift’s Hot 100 rule is from the song she deposed in the first place: “Golden,” from KPop Demon Hunters. The HUNTR/X anthem has remained a strong performer in the three weeks it’s had to cede the crown, and returns to No. 2 on this week’s chart, rebounding all the way from No. 13 two weeks earlier, when it got buried under the Showgirl avalanche.
“Golden” is currently on track to pass “Ophelia” on streaming next week, having amassed nearly 16.3 million official on-demand streams through the first four days of the tracking week — a 3% dip from its numbers during the equivalent period the previous week, but still a 3% lead over the numbers for Swift’s single. (The impending Halloween weekend could also help it remain strong through the tracking week’s final days, as KPop Demon Hunters-themed costumes are expected to dominate the season.)
“Ophelia” maintains a slight lead on “Golden” in sales, but again, radio may ultimately be a deciding factor. While it’s not growing there as quickly this week as “Ophelia,” it has a head start of several months — and it is still building on the airwaves, aiming to take over Pop Airplay for the first time. It could be a photo finish between arguably the two biggest pop culture phenomena of all of 2025 on next week’s chart.
IN THE MIX
Olivia Dean, “Man I Need” (Polydor/Island/Republic): The artist showing the most consistent growth on the Hot 100 this week is again Olivia Dean, whose “Man I Need” hits the top 10 for the first time (moving 17-8), while her other two Hot 100 hits (“So Easy [To Fall in Love]” and “Nice to Each Other”) also hit new peaks of No. 44 and No. 88, respectively. “Man I Need” continues to gain across the board — particularly on radio, where it’s up 25% in all-format audience through the first four days of the tracking week — though it still has some additional distance to make up to really get in the fight for No. 1 with Swift and HUNTR/X.
On August’s Boxscore recap, Chris Brown became the fourth artist to lead the monthly Top Tours chart in 2025, coming close to the nine-figure mark with $96.8 million. According to figures reported to Billboard Boxscore, he comes even closer on September’s report, logging a second consecutive month at No. 1 with $98.1 million and 580,000 tickets sold.
When Brown topped the charts last month, he became the 10th artist to report monthly earnings of more than $90 million since the lists launched in 2019. By immediately hitting that mark again, he becomes just the third act to do so twice. Beyoncé grossed more than $90 million in six different months, split evenly between 2023’s Renaissance World Tour and this year’s Cowboy Carter Tour. Bad Bunny did it twice, both during 2022’s World’s Hottest Tour.
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Brown’s 13 shows during September were spread across 10 U.S. cities, three of which boasted double-headers. Those – Arlington, Texas (Globe Life Park on Sept. 2-3), Inglewood, Calif. (SoFi Stadium on Sept. 13-14), and Las Vegas (Allegiant Stadium on Sept. 19-20) – broke $10 million each, grossing $14 million, $16.3 million, and $15.8 million, respectively. They all appear in the top 10 of Top Boxscores.
Brown launched Breezy Bowl XX in June and wrapped two weeks ago (Oct. 16). The entire trek earned $295.5 million and sold just under two million tickets (1.983 million) over 49 shows. Of those totals, $47.8 million and 490,000 tickets are from the tour’s European leg, and the remaining $247.8 million and 1.5 million tickets are from North American shows.
On Brown’s first stadium tour, he’s up by 39% from his previous European trek (Under the Influence Tour 2023). In the U.S. and Canada, the leap is more pronounced, up 201% from last year’s The 11:11 Tour.
Brown’s final Breezy Bowl shows push his career earnings over the half-billion mark. Across 322 reported shows, the R&B phenom has grossed $511.4 million and sold 4.9 million tickets. That includes all of his solo headline revenue, plus 50% of co-headline tours like a pair of 2007 tours with Ne-Yo and Bow Wow, 2015’s Between The Sheets Tour (with Trey Songz) and 2022’s One of Them Ones Tour (Lil Baby).
It’s not just Brown who repeats atop the monthly charts: Coldplay is No. 1 for a second straight month on Top Boxscores, with the final four of its 10 shows at London’s Wembley Stadium. The first six topped the August ranking with $78.9 million, and this month’s shows add $52.5 million. Altogether, the three-week run brought in $131.4 million and sold 791,000 tickets.
Both in terms of earnings and attendance, Coldplay’s Wembley Stadium run is the biggest single-venue engagement by a headline artist ever. That record applies to artists on tour, and does not include extended residencies, like Celine Dion at The Colosseum at Caesars Palace or Billy Joel at Madison Square Garden.
The Wembley shows were the only dates on Coldplay’s calendar in September, but they are enough to earn the band the runner-up spot on Top Tours. In addition to a record-tying seven months at No. 1, this is its sixth appearance at No. 2. Brown and Coldplay are the third duo to go back-to-back at Nos. 1-2 this year, following Shakira and Tyler, The Creator in February and March, and Beyoncé and The Weeknd in May and June.
As previously reported, Coldplay is planning more shows on the record-breaking Music of the Spheres World Tour for 2027. It’s already sold more tickets than any tour ever, and by the end of its teased 360-show run, it will likely be the biggest grosser as well.
September marks the first top 10 appearance on Top Tours for three artists. Benson Boone is No. 6 with $29 million and 238,000 tickets. He previously topped out at No. 19 in January with shows in Asia and Australia. Tate McRae is No. 9 with $21.9 million and 175,000 tickets, up from No. 14 last month.
In between, YoungBoy Never Broke Again makes his Top Tours debut, hitting No. 8 on his first chart appearance. The first 17 shows of the Make America Slime Again Tour pulled in $28.3 million from 231,000 tickets sold. He had a packed schedule, stretching from the 1st to the 29th, peaking with two shows each in Dallas ($3.9 million at American Airlines Center on Sept. 1-2) and Los Angeles ($3.8 million at Crypto.com Arena on Sept. 9-10).
Lady Gaga is no stranger to the Top Tours chart but hits a new career high on the September ranking. After bouncing in and out of the top 10 over the last five months, she is No. 3 on the current edition. Eleven shows from The MAYHEM Ball grossed $39.7 million and sold 159,000 tickets, including major-market, multi-national dates in Chicago, London, Miami, New York, and Toronto.
Just beneath her, former chart-topper Shakira is No. 4 with $33.9 million from eight shows in Mexico. Las Mujeres Ya No Lloran World Tour is already the highest-grossing Latin tour by a woman, and 17 yet-to-be-reported shows in South America could push its all-time status even further before its Dec. 11 Buenos Aires.
Rounding out the top five, Zach Bryan earned $29.4 million and sold 192,000 tickets from just two shows in September. First, he performed at Notre Dame Stadium, welcoming 79,300 fans to the South Bend, Ind. stadium. But his second date, a Sept. 27 show at Michigan Stadium in Ann Arbor, upped the ante with 112,000 tickets sold. It is reported to be the largest ticketed concert in U.S. history.
Billboard‘s Live Music Summit will be held in Los Angeles on Nov. 3. For tickets and more information, click here.
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HYBE’s first “global” group. It may have sounded a little too formal when used to describe &TEAM. But since their start through a 2022 audition program &AUDITION-The Howling, the nine members have proven that their story is anything but simple — a journey of passion, challenge and brotherhood. Billboard Korea sat down with all nine members of &TEAM ahead of their official Korean debut, which was on Oct. 28.
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EJ
In September, during the team’s third-anniversary event &TEAM 3rd Anniversary [緣 DAY], you announced your Korean debut — and immediately posted the news on Weverse.
We’d known in advance, of course, and I really wanted to tell everyone. Finally saying it out loud felt like a huge weight off my shoulders. At the same time, I was worried — would LUNÉ like the news as much as we hoped? Hearing the cheers grow louder right in front of us, I felt relieved and reassured.
What are you most looking forward to as the album Back to Life arrives on Oct. 28? It’s your first comeback in six months since “Go in Blind.”
Time has passed since “Go in Blind,” and because we’re preparing under the banner of a “Korean debut,” the anticipation is big. We’ve done some activities in Korea before, but since this is our official debut, the whole process feels different. We’ve always given our best, but publicly declaring, “We’re debuting in Korea!” brings a certain pressure and responsibility. Seeing not only the members but also the company staff cutting sleep to work so hard — it makes it impossible not to give everything we have.
HYBE’s HQ building in Seoul was literally wrapped to celebrate &TEAM’s Korean debut — with claw-mark “Paw Print” graphics across the façade. &TEAM has a clear narrative and visuals and titles often reflect it. What are you most excited about this time?
All six tracks span different genres, but we still carry the identity of the werewolf and build from there. The worldview remains; the difference is that we’ve matured. The stage itself feels more grown.
“Go in Blind” became your first million seller, and you wrapped your first Asia tour, AWAKEN THE BLOODLINE. Do those milestones energize you?
Numbers aren’t everything, but seeing the results of our work in a visible way is motivating. Reaching one goal naturally makes you think about the next. We’ve had trial and error since debut, but this year the outcomes of that effort are showing. Still, I don’t think these are results we created alone — they’re made together with the company and with LUNÉ.
The album’s title, Back to Life, named after its title track, represents a message of returning to your beginnings and starting anew. What does “beginner’s mind” mean to you?
Loving what I do. That first feeling of really wanting this — it’s the strength that gets you through. Keeping the exact same mind isn’t easy, but I want to carry it forward without wavering.
You seem even-keeled, though juggling a packed schedule and leading a large group can’t be easy. What have you done for yourself lately?
I have several hobbies. Rather than focusing on one thing for a long time, I try different things — playing guitar, reading and lately, I want to get a camera. I used to love essays, but these days I reach for short stories. I enjoy entering worlds I don’t know — the surreal can be really fun.
Since yout debut in December 2022, &TEAM have focused in Japan — from own variety show &TEAM Gakuen (&TEAM学園) to creating a Tokyo 23 Wards Guide content with the members. As the only Korean member of the group, I’m sure you must have learned a lot of new things about Japan.
I find differences fun — like how in Korea spoons and chopsticks are placed vertically side by side, but in Japan chopsticks are set horizontally. Or in a movie theater: I noticed no one left until the end credits finished. In Korea the lights come up and people head out — but the vibe there made it impossible to leave, so I waited too. [Laughs]
&TEAM is often introduced as K-pop powerhouse HYBE’s first global localized group. Does that title make &TEAM feel more special?
People sometimes ask if &TEAM is K-pop or J-pop, but I’d like the focus to be on the music as it is, rather than the language. I’m proud that we play a role in expanding the company’s musical style and culture. I hope people feel our appeal beyond language and borders.
You didn’t foresee debuting in such a special group back when you were a trainee. You also tried acting this year and are now facing an official debut in Korea. How do you approach new challenges?
I grew up hearing that opportunities can come anytime, anywhere — so always be ready. I can’t control whether chances appear, but if I give my best to what’s in front of me, unexpected opportunities do arrive. Staying ready to grab those moments — that’s what I can do.
(From left) MAKI, HARUA, FUMA, EJ, JO
YOUNG BAE
FUMA
How did it feel to announce your Korean debut during &TEAM 3rd Anniversary [緣 DAY]?
Proud, honestly. I was just eager to tell LUNÉ. The reaction was even hotter than I imagined, which made me happier. We had to go right onstage the moment the news hit the screen, and I remember thinking, “Is it OK to go up now?” I was nervous — and excited. [Laughs]
&TEAM have also been active in Korea through audition program shoots, concerts and music shows, but the title of “official Korean debut” still feels different?
I first wondered, “We’ve already been active — what will really change?” But once we began preparing, the fact that &TEAM started in Japan felt newly significant. As a fresh starting line, it’s special and exciting. We’ll be closer to Korean fans we haven’t met often, and also to LUNÉ in other countries — that makes me thrilled.
One reason this debut matters is that you’ve established a solid base in Japan. When did you feel “Our team has really grown”?
When we received a million certification from the Recording Industry Association of Japan for “Go in Blind” this April. That’s when I felt &TEAM’s growth in a solid way. With that support, I felt both conviction to keep going and the desire to work even harder for LUNÉ.
You’re famously devoted to Pokémon. Is Glaceon still your “ultimate fave”?
It keeps changing. [Laughs] Eevee, Glaceon’s prior evolution, can evolve into so many forms — I want to be someone with that kind of multifaceted charm. Lately I’m into Dragonite. I heard there’s a new Mega Dragonite form coming in the new game Pokémon Legends: Z-A, and I’m excited.
You’re a distinct morning person. Do you feel lonely getting up before everyone else?
Not at all. I actually need alone time. Working in a group means you almost never get that unless it’s early morning. I use that time to play games, drink coffee and recharge.
&TEAM’s narrative and concept is very clear. Do you enjoy leaning into it?
When I first learned our identity was “Werewolf,” I was surprised. But it’s helped me immerse myself in expression — in dance, facial performance, and stage design — because there’s a concrete image to embody. I’m enjoying the immersion.
Korean music shows have unique elements like encore live stages and “ending fairy” moments. What are you most looking forward to in this cycle?
Fancams! The choreography for the title track is quite intense — physically exhausting while singing live. Please pay attention to the intro: Everyone starts lying on the floor, and MAKI lies on top of me — I have to push up to stand. [Laughs] I did so many push-ups in practice that I’ve built muscle. Those little details show best in fancams, so I hope you’ll focus on that in mine.
Is there a record or performance you really want people to see?
Of course the new title track — but please watch the “War Cry” music video. To me, it’s the most &TEAM song: a coming-of-age arc, idol-level performance, and even the transformation into wolves. My personal charms show well on stage in “Deer Hunter.”
Which Back to Life track shows off FUMA best?
“MISMATCH.” If the title track shows our powerful side, this song captures the vibe of us genuinely having fun together — listeners will naturally enjoy it. As a big SHINee fan, I felt a similar energy here; it’s exactly the mood I love. People say I have a pretty falsetto; I got parts where I could use that, and I’m satisfied with how it turned out. Please listen for those moments.
The “&” in &TEAM means connection. A moment when you felt grateful to have the members with you?
Too many to count. I’ve said before that my body sometimes hurts since I’ve danced since I was young. When that happens, the members ask, “Is this move OK?” “Should we change the formation?” Their care is a huge comfort. I’m always thankful — and happy — to be with them.
K
It’s great to see you right before your Oct. 28 Korean debut mini-album Back to Life. How do you feel?
It’s another challenge as &TEAM, so I’m excited — and also a bit anxious. Being in a Korean-language environment pushes me to study the language more, not only for daily conversation but for formal contexts like today’s interview.
At the event &TEAM 3rd Anniversary [緣 DAY] in September, you announced the news of your Korean debut. How did that moment feel?
The response from LUNÉ was overwhelming. Fans from Japan, Korea and many other countries cheered as one. It exceeded our expectations — I remember us saying to each other, “What a relief.”
What makes an “official Korean debut” feel distinct?
It’s when debut metrics will come out. I’m curious what results &TEAM can bring in Korea, and using this as a springboard has pushed each of us to work even harder — a platform for growth. Also, some songs resonate differently depending on language; there are tracks where the melody feels especially natural in Korean. This album has several like that, so it was easier to convey emotion while singing.
You used to be a marathoner. Sports rely on steady routines, while K-pop demands something new every comeback. Did you adapt quickly?
Even in sports I changed it up — marathon, soccer, swimming. I enjoy new challenges, so being an artist suits me. The patience to set a goal and wait through a long process is something I learned through years of training.
TAKI once named your “ability to bring everyone together” as a talent he is jealous of. Do you agree?
I’m not sure — but I can say our members are unbelievably kind. During practice and shoots, the nine of us are always together, and it never feels awkward — it’s comfortable. We love to talk and value spending time together. &TEAM really treasures being all nine together; we discuss everything as a team, even personal matters.
Korean music shows are famous for fancams and stage-focused content. What are you excited for?
Fancams! Each show uploads a member-focused cut. It lets me directly assess how my performance reads, and it becomes a tool for growth. The title “Back to Life” has intense choreography — singing live while dancing is no joke — but I want to show that I can deliver both performance and live vocals.
A song you’d recommend to Korean listeners just discovering &TEAM?
“War Cry.” &TEAM values tight group choreography, and our teamwork shows best there. Watch the music video — you’ll feel the energy of that era.
You journal almost every day. What do you record, and how does it influence your artistry?
It started as self-management: organizing the day and reflecting on what I lacked. Over time it captured my emotional traces — the day’s temperature, colors and scenery come back to me, and that inspires performance, staging and creative decisions.
An under-the-radar ability of K?
Sensing whether coffee is at the right temperature. I’m really sensitive to temperature — and I love coffee. The one in front of me is at an ideal temperature … which makes it taste great. [Laughs]
NICHOLAS
Congratulations on the Korean debut! What are you most looking forward to? It’s your first comeback in six months since “Go in Blind.”
Music shows. I love Korean “fancam” culture. I often search our fancams, too. I hope this cycle gives me the kind of fancam I can proudly recommend to everyone. [Laughs]
Why do you keep rewatching your stage footage?
Facial and emotional expression in performance is crucial. Watching fancams is partly monitoring, but it’s also checking whether the message we intended is actually being conveyed — and identifying what’s missing. That process helps me grow.
The six tracks range widely — from powerful songs like “Back to Life” and “Lunatic,” to ’90s R&B vibes in “MISMATCH,” to rock-ballad territory with “Heartbreak Time Machine.”
“Back to Life” literally means returning to life; with a new start in Korea, I feel like a rookie again three years after debut. I want to work with that original mindset — but with a bit more composure than at debut.
A track you’re personally attached to?
“Who Am I.” I like “Back to Life” because it blends rap and vocals I can handle well; “Who Am I” is a ballad and wasn’t easy for me. Maybe that’s why I love it more.
2024 — with Four Seasons Series — solidified the group’s footing in Japan. When did you most feel the team’s growth?
We weren’t a team that drew massive attention from day one. We’ve grown steadily while keeping our worldview. I’m grateful the results are showing. The Korean debut isn’t our end goal, but it does feel like entering a new phase. I want more people to discover &TEAM’s appeal.
You’re the only member from Taiwan. Do you notice differences in performing in Seoul, Tokyo and Taipei?
Different languages and cultures bring different on-site reactions. But communicating through music is the same everywhere. After a fan meeting last year, returning with a concert this year meant a lot. I didn’t imagine we’d do our own show there just two and a half years in.
K-pop constantly presents new challenges. How do you approach them?
Believing in myself is key. You can’t do something perfectly the first time you try it, but confidence is what allows you to pull it off — and building that confidence takes a lot of work.
When have you needed that self-belief the most?
Every comeback. During preparation my confidence dips — we work incredibly hard, but the response isn’t always equal to the effort. I worry, “What if my stage doesn’t meet expectations?”
Four years since formation — what have you learned about yourself compared to the early days?
My mindset is healthier than I thought. The schedule is constant — always the next thing — and I wasn’t used to that at first. I worried, “If it’s already like this, what about the future?” I’m relieved that I’ve adapted to the pace.
A recent work or person that inspired you?
Other artists always inspire me — not just idols, but illustrators and even fashion accounts. I’d long thought of filming &TEAM content myself but never did. Seeing CORTIS shoot their own content pushed me to try. HARUA, YUMA, and MAKI are the most cooperative — we’re filming TikToks together diligently. [Laughs]
Clockwise from top left) EJ, TAKI, MAKI, NICHOLAS, HARUA, K, FUMA, JO, YUMA
YOUNG BAE
YUMA
We’re meeting amid busy days before your Oct. 28 official Korean debut. What are you most excited about?
The moment we come back and show this to many LUNÉ — I can’t wait. Fans in Korea and beyond have been waiting, and we prepared a lot. I also filmed Korean variety shows this time; I hope many people watch.
You’ve already spent significant time in Korea through audition shows, music programs, and concerts. Does an official debut feel different?
Yes. A formal debut means a chance to introduce ourselves to many more people, with a longer promotion period and a wider range of activities.
So keeping up the stamina is key.
Preparing busily has actually improved my stamina — I really feel stronger now.
You’ve been known for self-discipline since debut.
Compared to debut, maybe I’m a little less intense now. [Laughs] Lately I work out a lot — and so do the members. Even if a schedule ends at 3 a.m., we go train together. We started before our Asia tour in May — to build stamina and abs — and somewhere along the way, working out became the way to properly end the day.
2024’s Four Seasons Series helped &TEAM further establish itself in Japan. When did you most feel the growth?
“Go in Blind.” We often have tight prep time, but even in that we added many of our own ideas — especially to choreography — which made us nervous, but the results were good. We also opened the concert tour AWAKEN THE BLOODLINE with “Go in Blind,” and that was my favorite moment — fans love it, and it’s a song that perfectly shows who &TEAM is as we make a powerful entrance.
Something you wish more people knew about YUMA?
I want people to listen closely to our songs — to the members’ voices. There are many layered elements, like backing vocals, that we worked hard on. I especially love “MISMATCH” on this album — please pay attention after the bridge.
Back to Life is about returning to your beginnings and starting anew. What does “beginner’s mind” mean to you?
Passion. It can fade over time, but I want to keep showing my best without forgetting how it felt at the start. Compared to debut, what’s grown most is my gratitude and love for LUNÉ.
The artist–fan relationship changing with time is fascinating.
It is. I feel we’ve grown closer, and receiving so much love naturally makes me think, “What more can I show? What can I do?”
JO
With Back to Life coming on Oct. 28, what’s your mindset for these promotions?
We’ll be active on Korean music shows again for the first time in a while. Over about three weeks, we’ll have many opportunities to express ourselves — including through fancams. I also really want to win first place!
In September, during &TEAM 3rd Anniversary [緣 DAY], you shared the news of your Korean debut. What was going through your mind?
When we first heard the decision, we were so shocked we couldn’t react properly — even though we were happy inside. Announcing it to LUNÉ, I felt both anticipation and worry: if our activity range widens, some might be sad that we can’t meet as often as before.
Why do you think the team ultimately chose to debut in Korea?
We’ve poured our hearts into Japan, but we’re a global group that debuted there. It felt like the right time to be seen more widely. This year we achieved a million seller and completed an Asia tour — solid milestones.
When did you most feel the team’s growth?
The Asia tour. Our skills improved, and we could felt how many fans outside Japan were watching us — it made me so happy. I felt we were truly stepping onto a wider global stage. Jakarta stands out in my memory; our name “&” means “connection,” and I genuinely felt connected to the audience. It was so fun.
Which track challenged you most while preparing this album?
They’re all fresh and varied, but “Back to Life” was the hardest — so it stands out. Before dividing parts, we all tried singing the whole thing, and the rap section was tough for me — very different from prior attempts. I worked closely with our producer to record it.
You were an athlete in school, and you’re also an art-minded member who draws well. What does drawing mean to you?
I think it strengthens my appeal as an artist. Singing and dancing are arts I must master; drawing is also art — and very important to me. When I draw, I think of nothing else. It’s a hobby I pursue seriously.
Anyway, have you seen the new film Chainsaw Man — The Movie: Reze Arc? You did a chainsaw-man-like pose on the web show Idol Human Theater.
Ah … I actually haven’t watched Chainsaw Man at all. That pose is just something I can do. I haven’t seen it. [Laughs]
Noted! Since formation in September 2022, what have you learned about yourself living with nine members?
I realized I’m not as introverted as I thought. I’m shy, but once I talk with the members, it’s fun and I open up — I do have a bright side.
You’re often cited by the members as the hardest worker. What keeps you going?
Solo practice. That time is the best refresh for me. In a space that’s just mine, blasting music and dancing like crazy — I love that sense of freedom, with no one watching.
HARUA
&TEAM’s Korean debut was announced during &TEAM 3rd Anniversary [緣 DAY] in September — and even posted about it on Weverse right after. How did that feel?
I wanted to tell LUNÉ quickly. [Laughs] Sharing such good news on such a special day made me truly happy, and it’s a moment I’ll remember for a long time.
We’re meeting before the Oct. 28 album release — are you feeling excited? It’s your first comeback in six months since “Go in Blind.”
K-pop seniors inspired me to dream of becoming an idol and to join this company. I’ve performed in Korea before, but this album is where I can fully and “officially” pursue that dream — I’m thrilled. It feels like I’ve taken a step closer to my goal. The feeling is completely different from previous activities.
In what way?
Before, it felt like an artist based in Japan appearing briefly on a Korean stage. Now it’s about showing ourselves properly in Korea — and the audience will see it differently. The responsibility to “prove it with skill” is heavier. We’ve worked hard for three years, but I’m treating this as another beginning.
Moments in Japan over the past three years when you felt the team’s growth most?
When we held our first Asia tour, and when our third single “Go in Blind” received a million certification. When effort comes back as numbers — and in the roar of a crowd — I feel we’re moving in the right direction.
&TEAM’s concept is clear. How do you embrace it?
The “werewolf” concept brings unique choreography. “Back to Life” is no exception — we step on each other to jump; sometimes someone drags me across the stage. [Laughs] At first it was hard to adapt and I was nervous every time. Now I know that’s exactly where our uniqueness comes from. I’m used to our world — and even enjoying it.
What part of Korean music show culture are you most excited about?
Stage sets. Korean shows build sets tailored to each concept. Seeing a unique &TEAM stage every time has been exciting — and with three weeks of promotions, I’m looking forward to diverse sets.
New fans will fall for &TEAM through this official debut. How would you describe the group’s charms to them?
Watch our natural selves in behind-the-scenes content, not just our serious stage presence. We play so well together off stage — I think you’ll find yourself smiling with us. [Laughs]
A rule you always keep while promoting?
Enjoy the stage. Audiences can tell instantly if you’re truly having fun. Our joy has to come first for it to reach fans.
A goal you want to achieve through these first official Korean activities?
I want to experience a music-show win — and sing the encore live properly. It still feels like a dream that we’re officially debuting in Korea, and most of all, I want to make more memories with LUNÉ.
TAKI
In September, onstage at &TEAM 3rd Anniversary [緣 DAY], you revealed the news of your Korean debut. How did you feel at that moment?
I’d been waiting three years for that moment. I was thrilled when I first heard — excited but also nervous. So many people shared our joy that day; it felt like a strong push helping &TEAM step further into the world. I was grateful.
Your first Korean mini-album is aptly titled Back to Life. With this new turning point, how do you feel?
You only debut once in your life. It feels like that first debut with &TEAM. We’re still rookies, but I want to carry the same spirit as the very first time. Above all, I want to show LUNÉ the nine-member picture that is &TEAM. Through the &TEAM FOUR SEASONS PROJECT and more, our bond has grown incredibly strong.
What do you most want to convey this cycle?
Our songs. I hope people watch the performance sides of “Back to Life” and “Lunatic,” but I also love the ballads — track five “Heartbreak Time Machine” and track six “Who Am I.” The lyrics are all in Korean this time, so I believe we can convey our hearts in a new way — I hope that comes through.
What video best shows TAKI’s charm?
“Yukiakari (雪明かり)” from the &TEAM FOUR SEASONS PROJECT. It’s a winter song, but I remember trying hard to show my burning heart to fans — and I think viewers can draw strength from it.
You’ve shown some of the most visible growth in the group. You were 15 on I-LAND (2020) and debuted through &AUDITION – The Howling – in 2022.
On I-LAND I knew almost nothing — it felt like I was just completing assigned tasks. Over time I found my own style and role models; my ambitions grew. It’s embarrassing to say, but I’ve definitely become an adult.
Yet you also have the cute nickname “Ddong-gae” (“mixed dog,” a nickname given to someone with a cute and friendly image in Korea). You once filmed content waking members in a puppy costume.
It was fun! I thought it was something only I could do. Though I was a little scared waking NICHOLAS — he’s sensitive in the morning — but he’s not scary otherwise. [Laughs]
You’ve said the members fill in what you lack. What do you give back to them?
Energy. I like doing everything with a smile. Of course, there are tough moments for the members, and I naturally try to lift the mood. Those moments make me feel our togetherness.
After your planned three weeks of Korean promotions, what do you hope to feel?
I’m not sure yet — but what’s certain is that my excitement and desire to show what we prepared outweigh any anxiety. I know we’re doing well — and that we can do this.
MAKI
Looking back at &TEAM 3rd Anniversary [緣 DAY] last September, when you announced your Korean debut — how do you remember that moment now?
It was the first time we could tell fans around the world about our official Korean debut. We were backstage, and the moment it hit the big screen, the cheers were enormous. Hearing that, I realized how many had been waiting — I was so happy, and it truly made the debut feel real.
A moment over the past three years when you felt &TEAM had grown?
Our first Asia tour, AWAKEN THE BLOODLINE. Traveling beyond Korea and Japan to perform was so enjoyable, and seeing how LUNÉ responded differently in each country was fascinating. It also let me speak more in English, which I’m comfortable with — overall, it was a moment that proved growth and a springboard for &TEAM.
With your official debut, your first Korean mini-album Back to Life is here. What are you proud of in the process?
My Korean still needs work, but I’m confident in my pronunciation. [Laughs] Even as a trainee, I practiced by imitating pronunciations from seniors’ songs — even when I didn’t understand the meaning. Making Back to Life let me finally showcase that. I especially like “MISMATCH” — I had to deliver the lyrical details while singing, and I’m proud of how it came out.
You also tried new visuals.
Yes — I cut my hair very short. I’m 19 this year and I’ve never had it this short, so I was worried at first. But on set for the concept photos and music video, the members said it suited me, and that gave me confidence. I’m getting used to the new style.
As HYBE’s first global group — and as someone fluent in English and also able to speak German — does that title make &TEAM feel more special?
Definitely. Using multiple languages is a big strength — meeting LUNÉ abroad or communicating online. Beyond language, I think &TEAM communicates exceptionally well as a unit; that smooth communication turns into teamwork and synergy that I believe LUNÉ feels.
The “&” in your name stands for connection. A recent moment you felt truly “connected”?
Practicing the title track choreography with all nine of us. We had fewer chances than usual to rehearse together, so syncing up in a short time was crucial. Watching the monitor on the MV set and seeing our timing click, I thought, “We’re really connected.”
You’ve said your sense of the music you want to make has become clearer in your fourth year together. How would you define it now?
With every recording, I want to carve out the details that make people say, “That’s MAKI’s voice.” I want to solidify my vocal identity. In R&B, for instance, I’m growing confident with vocal runs. Please also check my “golden hour” performance on the live content show ‘Leemujin Service’.
Within &TEAM now, what kind of music do you want to pursue?
More laid-back songs — like R&B moods you can listen to comfortably. Among our releases, “Deer Hunter” is closest to that. I also want to try unit stages with the members someday.
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Every month, Billboard Latin and Billboard Español editors spotlight a group of rising artists whose music we love. Think “diamantes en bruto,” or “diamonds in the rough.” These are newcomers who have yet to impact the mainstream — but whose music excites us, and who we believe our readers should make a point to discover.
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Our latest edition of On the Radar Latin includes a wave of emerging artists that we came across at the 2025 Billboard Latin Music Week in Miami, which took place Oct. 20-24 at The Fillmore Miami Beach. See our recommendations this month below:
Name: ATINA
Country: Peru
Why They Should Be on Your Radar: ATINA is a Peruvian urban pop singer-songwriter who delivers honest lyrics, a powerful, brilliant voice and a unique sound. Trained at the New School of Jazz and Contemporary Music (New York) and Berklee College of Music (Boston), she began writing at age 14 as a form of personal therapy, and has since set out to “heal hearts through music,” according to a statement. This year, at 22, she released her debut album Curita Pa’l Cora, with standout singles such as “Qué Tengo Que Hacer,” “Respiro” and “Boca.” In August, she participated in the All Music Fest Perú, sharing the bill with international artists such as Beéle and Luar La L. — SIGAL RATNER-ARIAS
Song For Your Playlist: “Respiro”
Name: Belén Sánchez
Country: Ecuador
Why They Should Be on Your Radar: Born in Ecuador and residing in New York, Belén is ready to make strong waves in the music industry with her debut single “Lejos de Casa,” released earlier this year. The song starts off as a vibrant bolero, before navigating to the heartfelt rap bars by Vavier Jerainto and ultimately transitioning into a saucy salsa tune backed by La Banda Brava. Beyond its melting pot of rhythms, “Lejos de Casa” is a reflection of Sánchez’s personal experience as an immigrant in The United States.
“I’ve had this song saved since 2018,” she expressed in an Instagram post. “I wanted this song to sound like and represent my city Guayaquil […] It doesn’t just sound like Guajira, there are a lot of genres in the Ecuadorian music scene to explore, among them Guayaco Rap.” In addition to embarking on her own music career path, Sánchez is a Berklee College of Music alum and is manager of emerging Dominican powerhouse La Cassandra. — JESSICA ROIZ
Song for Your Playlist: “Lejos de Casa” (feat. La Banda Brava)
Name: Ephrem J
Country: Curaçao
Why They Should Be On Your Radar: Ephrem J is an independent artist with a solid track record, but he wasn’t on our radar until we discovered him this year at Billboard Latin Music Week. A charismatic bachata and merengue singer, he has been releasing music since 2009, when he debuted with the single “Amor en la Luna.” His studio albums include Bailando (2014), El Mejor Momento (2017), and this year’s Fiesta Tropical, Vol. 1.0. With songs like “No Hay Imposibles,” “Como una Oración,” and “Una Copa,” he has built a growing fanbase on social media, where he has thousands of followers. His latest single, “KARMA,” already has over 200,000 views on YouTube, and he is preparing to release the music video for “Loco Por Ti” next week. — S.R.A.
Song For Your Playlist: “KARMA”
Name: Francia
Country: Venezuela
Why They Should Be on Your Radar: The first time you meet Francia, you will undoubtedly be captivated by his lovely aura and glow that includes warm hugs and uplifting words. I first came across his one-of-a-kind personality when we met for the first time at the 2023 Latin Grammys in Sevilla; however, the first time I heard him sing was this year at the release of his debut album, Infinita—a beautifully curated 11-track album that showcases his magic and unique perspective in life. In addition to forging his music career, the Venezuelan singer-songwriter—who left his career on Wall Street to pursue his dreams—is a lawyer, actor, and TV reporter. In July, he presented his new album with a full live band at the Black Room Sessions in Miami surrounded by family and friends. — INGRID FAJARDO
Song for Your Playlist: “Creatura Divina”
Name: Ina Peralta
Country: Venezuela
Why They Should Be on Your Radar: Ina Peralta’s music career kicked off almost 10 years ago with her debut single “Tu Lo Que Quieras” released in 2017. After a nearly five-year hiatus due to a undergoing a severe health condition, the Venezuelan singer-songwriter returned with her 2022 EP Aprendi a Amarme. Since, Peralta has penned her personal life stories into her music, singing about self love, resilience, empowerment, and strength. Her uplifting music is backed by salsa, pop, cumbia, and urban rhythms, best reflected in her debut studio album INA Siendo INA, out earlier this year. — J.R.
Song for Your Playlist: “Que Me Digan Loca”
Name: J Salez
Country: Mexico
Why They Should Be on Your Radar: While walking around the lobby at The Fillmore Miami Beach, I was approached by two gentlemen: J Salez (real name: Juan Chavez) and his manager, Dereck Vinci. Immediately, I was drawn to Salez’s musical concept: a Mexican singer creating bachata music. With a five-year music career, Salez is a first-generation Mexican-American artist, who despite being raised in Southern California by mariachi singers from Jalisco, is chasing his musical path in the Tropical music realm. Tall, dark and handsome, accompanied by dulcet, romantic vocals, Salez released his debut studio album California Love in 2024, and is currently making the rounds with his single “Ya” (2025). — J.R.
Song for Your Playlist: “Duele”
Name: JimmyBoy
Country: Puerto Rico
Why They Should Be on Your Radar: JimmyBoy has a special charm; from the first second you hear him, he makes you want to move. Sonically, his style is a slow, rhythmic reggaeton, pleasing to the ear, and that’s precisely what stands out, especially when most urban artists these days are presenting harsher sounds. Lyrically, he’s romantic while remaining modern. At just 19 years old, the Puerto Rican singer showcases his versatility by fusing soul, R&B, pop and Afrobeats in most of his tracks, which has allowed him to enter diverse markets such as Panama, Colombia, Chile, Mexico and even Spain. JimmyBoy will release “Playa Escondida” on November 26th, an energetic house track with which he will continue to demonstrate his ability to interpret different rhythms. — TERE AGUILERA
Song for Your Playlist: “Explícame”
Name: Jocsan Duran
Country: Dominican Republic
Why They Should Be on Your Radar: Jocsan Duran may have been born in the Dominican Republic and reared in Orlando, but his music is rooted in regional Mexican tradition, specifically the corridos tumbados movement that continues to thrive. It’s not every day you see a Dominican artist making waves in a genre historically associated with Mexico, but Duran is breaking barriers by infusing Dominican flavor into music typically known for its norteño tones. It was at Billboard Latin Music Week that Duran caught our attention, during the Future of Regional Mexican Music panel — featuring Xavi, Oscar Maydon, Codiciado, and more — where he stood up from the audience to ask a question and directed our focus to his music.
His 7-track debut EP, Humilde, released in May, showcases his boundary-pushing style. On tracks like “El Emblema,” he blends Mexican slang with Dominican expressions and even throws in English words, showcasing his bicultural identity. The artist also reveals his poetic side in songs like “Conversación Con la Luna,” where he reflects on the challenges of his journey and the determination it took to make it here. Drawing inspiration from artists like Natanael Cano, Fuerza Regida, and Juan Gabriel (whom he admires deeply for his showmanship), Duran is offering a fresh voice and perspective to a genre in continued evolution. — ISABELA RAYGOZA
Song for Your Playlist: “Humilde”
Name: Karol Wilson
Country: Panama
Why They Should Be on Your Radar: In 2018, Karol Wilson introduced her debut single “Sin Más Rodeos,” a feel-good reggae track, before ultimately transitioning to an edgier sound that includes reggaeton, Latin Afrobeats, and even dembow. Born and raised in Panama, the singer-songwriter “writes what she feels and transforms her experience into music,” according to her artist profile on Spotify. Wilson has collaborated with up-and-coming artists such as Any Victoria and Jimmy Boy — the latter was also at the 2025 Billboard Latin Music Week, and both are managed by Latin Grammy-winning producer Pedro Sanjur. Currently, Wilson is promoting her sultry tune “Ya No Más,” which perfectly showcases her sensual and smooth vocals. — J.R.
Song for Your Playlist: “Ya No Más”
Name: Katteyes
Country: Chile
Why They Should Be on Your Radar: This young reggaetón singer is one of Chile’s biggest digital stars and one of the most successful examples of artists who emerged from social media as content creators and made the leap to major Latin stages. Fernanda Villalobos (her real name) began her career as a teenager under the name “Iamferv.” Her unique blend of music, fashion, and style has earned her 45.7 million followers on TikTok, 13.3 million on Instagram, 9.7 million monthly listeners on Spotify, and nearly 56 million views on each of her YouTube videos, at time of publishing. She is undoubtedly one of the most promising urban music artists from South America, possessing a commanding stage presence at just 21 years old.
This was evident during her performance at the “Opening Night of Billboard Latin Music Week” showcase presented by Boombastic in Miami on October 20th, where she shone as a bold performer, with her fusion of Latin pop, reggaetón and emotional lyrics. Some of her most popular collaborations include songs with La Joaqui, Luck Ra, Kidd Voodoo and Jere Klein. She also makes her outfits a valuable complement to her stage persona, with avant-garde clothing and makeup, weaving together styles ranging from femme fatale to virgins in bejeweled gowns. You can soon see her at Teletón Chile 2025, Coca-Cola Flow Fest in Mexico City on November 22nd, and Lollapalooza Chile 2026. — NATALIA CANO
Song for Your Playlist: “Ponte Lokita” (feat. Kidd Voodoo)
Name: Machaka
Country: Ecuador
Why They Should Be on Your Radar: Combining 1980s cumbia and salsa with urban and Andean sounds, lyrics that highlight Ecuadorian slang and identity, and a recognizable deep voice, Machaka stands out for his freshness and authenticity. His approach, which he describes on his Instagram account as “modern cevichería music,” can be heard in songs like “Milagro,” “Crucita,” and “Las +593,” the latter dedicated to the women of his country. Machaka is beginning to make his way internationally, with a tour that took him this year to several cities in the U.S. and Spain and an upcoming performance at the Colombian festival Estéreo Picnic 2026. On Nov. 6th, he will release a new EP, Sabrosura Ecuatoriana, which you can listen to here. — S.R.A.
Song for Your Playlist: “Las +593”
Name: MADIE
Country: Guatemala
Why They Should Be on Your Radar: Madie holds degrees in communication and fashion design and has studied aviation. But her first passion is music, taking singing and dancing lessons from the age of 9 in her home country and later in London. In 2024, she debuted with the single “Lights Out,” and this year she released her first EP, Sin Reglas, a selection of five songs that showcase her charisma and versatility, with a fusion of pop, urban, merengue, Afrobeats, R&B, and dancehall rhythms. The set earned her three nominations for the Estela Awards in Guatemala, where this month she gave her first concert as part of the Vibes Party event. Madie is currently creating new music with Honduran producer Jorge Ulloa, best known for his work with Farruko’s label, Carbon Fiber Music. — S.R.A.
Song for Your Playlist: “Llamada en Espera”
Name: RIZA
Country: United States
Why They Should be on your Radar: Thanks to Billboard Latin Music Week’s “Making the Hit, Live!” discussion — this year featuring Pablo Alborán and Julio Reyes Copello — we discovered the wonderful RIZA. The Filipino-Cuban artist, from Hollywood, Florida, captivated the audience with her enchanting harmonies and smooth vocals when she joined Alborán and the hitmaker to create a song in real life. The tune they created during the panel, which had a dreamy, Middle Eastern rhythm and heartfelt lyrics about missing and longing for someone, further showcased RIZA’s superstar power, with sultry, melodious vocals à la Sade, and an effortless mix of R&B, jazz, folk, and pop elements. RIZA, who sings in both English and Spanish, released her six-track EP Miracle in 2023, and has collaborated with the Mexican indie act Humbe. — J.R.
Song For Your Playlist: “la sirena”
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Mumford & Sons gave fans a surprise on Wednesday (Oct. 29) by announcing that their sixth studio album is arriving early next year, unveiling its title and tracklist in the meantime — and some all-star guests.
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Prizefighter is slated to arrive on Feb. 13, 2026, via Island Records and features a stacked list of collaborators: Gracie Abrams, Chris Stapleton, Gigi Perez and Hozier. The latter features on the record’s storming lead single “Rubber Band Man,” released Oct. 24.
The album sees the band reinvigorate a creative partnership with Aaron Dessner, who also worked on its 2015 LP, Wilder Mind. The National member took on the roles of coproducer and cowriter for Prizefighter, working with members Marcus Mumford, Ben Lovett and Ted Dwane at his Long Pond Studio in upstate New York.
Frontman Mumford opened up more about the making of the album in a press release, stating that he believes that as a band, Mumford & Sons is “hitting our prime as a creative force.” He continued: “We’re putting everything we have into this now, and we’re using everything about our experience so far to embrace exactly who we are.“We’re comfortable in our skins these days. And Prizefighter is us going for it — serious and playful, sometimes bruised and always hopeful. We’re nowhere near done yet,” he added. “I hope and believe and we’re in the beginning of something we don’t want to let up on. I’m more excited to be in this band than I’ve ever been.”
The announcement precedes a 22-date U.K. and European fall tour for the band, which kicks off at Stockholm’s Avicii Arena Nov. 6. The run of shows will conclude a month later with two nights at London’s iconic O2 Arena Dec. 10-11.
Mumford & Sons’ last full-length effort arrived in the form of Rushmere, which arrived March 28. It served as the band’s first album as a three-piece, following the departure of former banjoist and lead guitarist Winston Marshall in 2021. Rushmere hit the summit of the Official U.K. Albums Chart and No. 19 on the Billboard 200 upon release. Previously, Mumford & Sons earned two chart-topping LPs in the U.K.: 2012’s Babel and the aforementioned Wilder Mind. 2009 debut Sigh No More and 2018’s Delta both peaked at No. 2 in the U.K.
Prizefighter tracklist:
“Here” (with Chris Stapleton)
“Rubber Band Man” (with Hozier)
“The Banjo Song”
“Run Together”
“Conversation With My Son”
“Alleycat”
“Prizefighter”
“Begin Again”
“Icarus” (with Gigi Perez)
“Stay”
“Badlands” (with Gracie Abrams)
“Shadow Of A Man”
“I’ll Tell You Everything”
“Clover”
